Tattoo artist Opal (@opal.tattoo) is currently in Vancouver, Canada, where she creates breathtaking landscape tattoos. In this interview, she shares her most memorable tattoo experiences and how they helped shape the artist she has become today…
Opal first fell in love with tattooing at university; “when I was a sophomore in university, I realised that the Visual Design major was not a good fit for me and I started to question what I wanted to do.” She recalls that at that time she “became interested in drawing on the body rather than on paper. ” After that it only took Opal a year before they started to learn how to tattoo under @soltattoo and @tattooist_eq at Studio By Sol.
Now having tattooed for four years, Opal looks back at her humble beginnings, “I started with rubber pads” she says. But her talent shone through, “it was about a month and a half after I started that I began working on clients.”
She reveals how at first she felt apprehensive. “It was really nerve-wracking, and I found it difficult because I didn’t know which needles to use or how to angle the machine.” For Opal, “replicating the design exactly on the body was particularly challenging.” Although she was anxious and learning as she went, Opal took it in her stride and kept going.
We asked Opal about the first tattoo she did on someone else. “It was poetry related. The task was to create a design based on the feelings of a poem.” She admits that, “though it was abstract and challenging, I really enjoyed working on it.”
On discovering her most challenging tattoo, we had to ask about her most memorable tattoo experience. Opals shares how she created a tattoo for her dad. “It was especially memorable because my dad, who hates pain so much that he’s afraid of even getting an injection, got his first tattoo from me.” Smiling, Opal shares how grateful she is to her dad for that moment. It was really special.
Since then, Opal has done hundreds of tattoos, honing her craft to what it is today. With anime, nature and frame styles taking centrestage. She describes how her style has become what it is today. “At first, it was really difficult. If you scroll through my Instagram, you’ll see that I worked with very different designs compared to now. Back then, I was really stressed because of the designs. I didn’t know which designs suited me well.”
It was one of her mentors that helped her find her place in tattooing. “After a year of starting, the manager at Studio By Sol told me that I needed to find out what I really liked.” With this in mind Opal “started writing down everything I liked on a piece of paper. I found out that I love anime and landscape photography. Now, I mainly work with anime and landscape designs.”
When it comes to the inspiration behind her work, it’s her photography that inspires her the most. “I usually take pictures of natural landscapes and my friends.” It’s no surprise then that landscapes feature so heavily in her tattoos. Travel is also a big influence for the tattoo artist. “I often travel with my friends, and whenever I see a beautiful landscape or sunset, it becomes part of my design.”
Those tattooers who have paved the way are also an influence on her work. Although she can’t pinpoint one artist that she admires the most, Opal does “respect people who have dedicated themselves to a field for a long time. Especially in Korea, where tattooing isn’t fully recognised artistically or legally.”
Opal and these other artists are connected by their tenacity to keep going. She explains how she “admires those who continue in this profession without giving up.” Like them, she wants to pursue tattooing for as long as possible.
Currently tattooing in Vacouver, Opal is surrounded by artistic talent. “You can meet artists from many different countries, which allows you to see a wide variety of genres,” she shares.
When it comes to her clients, Opal’s work is evenly split between flash and custom design projects. The artist considers it important to “consistently upload flash designs” giving her clients the chance to wear a unique piece of her work that’s pre-drawn. She explains that “whenever I have time, I try to create and upload as many as possible.”
As Opal loves to tattoo different landscapes, we asked the artist if she has any guest spots planned. “I don’t have any guest spots planned at the moment.” But don’t worry, if you’re not in Vancouver you can keep an eye out for any guest spot announcements on her Instagram @opal.tattoo and inquire by email following the form provided.
Looking to the future and touching upon her Korean heritage, Opal shares how she “hopes tattoos can be perceived more positively by Korean people in the future.” Especially as there are now so many skilled tattooists in Korea. She believes that “Korean tattooing is renowned worldwide.” And yes, she’s proof of that.
Make sure to follow Opal on Instagram for more inspiring tattoos and to grab one of her flash designs for yourself.
“So many of us delay getting tattooed because of beauty standards or because certain artists don’t want or understand how to tattoo people living in fat bodies – and that is not acceptable.“
There may be a lot of things you don’t think you can’t do in the body you have – like get a tattoo. But we’re here to say you don’t need to change ANYTHING about your body to get tattooed! We chat to tattoo artists and tattoo collectors who also think tattoos are for everybody and every body.
“I started getting tattooed when I was around 15 years old. Back then, I never really had a vision of what I wanted. As I got older and spent more time around tattooers, I started collecting tattoos from different artists and tattooers who’ve been tattooing a long time and helped shape the community. Also collecting pieces I thought were fitting to my personality.
“My stomach tattoo is probably my favourite. I was 23 when I started that one. My husband is a tattooer and we talked about how I should get it tattooed and I was always so afraid to do it because my stomach is big, but he assured me it would look amazing. I came to Marah Kelso (@passionpoortaste) with the idea and she jumped on it. This tattoo was the one that started it all for me in my confidence journey. It feels like beauty and armour all in one.”
Alyssa
“I was so happy when you shared my backpiece on the Things & Ink Instagram [see it here]. I love traditional Japanese tattoo/art, and with Japanese tattooing body composition is important to its flow. Being in a fat body with folds and not a perfect smooth back, I wanted to make sure I went to an artist with a good deal of knowledge. Nick Caruso was my guy. He’s a fierce tattooer with over two decades of experience and, from start to finish in the design and the stencil, he has truly helped me feel amazing about this project.
“I think it’s important to seek artists who work with a diverse range of bodies. Be it colour, shape and size. Don’t be afraid to ask questions about their process. Set up consults to discuss your tattoo, so the artist has a chance to get an idea of your shape. If you are someone who feels anxious about people touching your body (I am) ground yourself. And if you feel your artist treats you differently or doesn’t seem excited to work with you, move on to the next. I promise you there are thousands of tattooers out there who enjoy tattooing bigger bodies.
Alyssa’s back tattoo
“My tattoos have changed the way I view my body. Tattoo collecting has given me such an appreciation for my body. Each piece has helped me learn to explore and love my body in a different way that doesn’t require me missing out on opportunities. So many of us delay getting tattooed because of beauty standards or because certain artists don’t want or understand how to tattoo people living in fat bodies – and that is not acceptable. I refuse to accept that.
“My advice to someone putting off getting tattooed because of how their body looks is: GET. THE. TATTOO! I promise it will look good as long as you have trust in your artist.”
“The great thing about being tattooed, is how it can change your body physically, but also how you mentally look at your body. Getting tattooed is like wearing a permanent accessory and you can be adorned in work by artists you love, or you can get pieces that are super important and you want to cherish forever. Either way, the way we look at body art can drastically change how we perceive our bodies and the autonomy we have over them.
Jade Clark
“My tattoos have helped me accept my own body. They make me feel as though my body is mine and I’ve decorated my body how I’d decorate my house. They have helped me look at parts of myself that I’ve felt uncomfortable with in a whole new light and given me a new found level of confidence, which is also shown in my personality, too.
Tattoo by Jade
“Tattooing is definitely not constricted to a dress size. Tattooing is for all bodies and all people (legal age of course, you must be over 18) but so many people have different reasons for getting tattooed and that should be considered. So many people get tattooed as a form of homage to their bodies, it can be a really beautiful experience to watch people really understand that their body is their own.
Tattoo by JadeTattoo by Jade
“As an artists, there are things about tattooing all bodies – whatever their size. I give advice about what aesthetically flows with the client’s body the best; I could do the same design for two completely different body types and one might not look as good as another, which is why it’s so important for the art, the tattooing and the body to be considered as one thing.
Tattoo by Jade
“As an artist, I don’t think there’s any problem with taking time in finding the right artist, especially if you have body vulnerabilities. At the end of the day, tattooing is not only about the art but also about the experience you have with your artist; it can completely shape the way you see your tattoo entirely. Getting tattooed by someone who understands the body and body insecurities is definitely critical when finding an artist.”
Tattoo by Jade
Kristie, tattoo collector, Nottingham UK (@kristiemb23)
“There’s no special meaning behind my backpiece, but I knew I wanted Holly Ashby (@hollyashbytattoo) to do it. I’ve always loved Holly’s work. When I finally plucked up the courage to go ahead and have my back tattooed, I knew it had to be her. I love her designs and style, I only gave her the brief of ‘something demony/witchy but whatever you think would work’. My only caveat was no full-frontal nudity, we settled on ‘tasteful’ nudity in the end. There also a cover-up of a tattoo I’ve had lasered at the top.
Kristie’s back tattoo
“I’d been planning my back for a few years. As space has dwindled, I knew I needed to put my big girl pants on and decide who/what I wanted to have. I was waiting to lose weight and ‘be the right size’ – whatever that is – but as I got older and more confident in my body, I decided to meet Holly for a consultation and she made me feel so at ease. I knew I had made the right choice and booked a few sessions there and then.
Kristie’s backKristie’s back
“Pain wise, I managed the outline and felt my soul leave my body, but honestly it isn’t as bad as I had imagined. There are some spicy spots though. We’re now working through shading and colour and I’m using a numbing cream, mainly to make the most of our sessions. Everyone at her studio House of Thieves is so welcoming and lovely, I’m made comfortable as soon as I walk through the door. I have no issues sat there half naked, which was a big worry of mine before I reached out to Holly.
“Every tattoo I have has helped me see my body differently in one way or another. From having my legs tattooed when I was younger and instantly feeling okay about wearing skirts or shorts again. I love showing off my back piece on holiday or choosing different style tops to wear. I’m currently picking a dress to wear to get married in and my options have expanded since feeling so much more confident with showing my back.
Kristie on holiday
“Please do not stop yourself from doing anything because of your body! We all deserve to do whatever makes us happy and feel good. My advice would be if you have an artist you are considering, please reach out to them. Get to know them too, as this will make you feel so much more at ease and always speak up if you’re not totally comfortable.”
“I know it’s easy to fall in to that cycle where you hold off doing things that you want because you worry about how it will look to others. It’s very easy to convince yourself that it’s not for you, you’re not good enough and you don’t belong because you don’t fit the impossible standards created by our industry.
“But, I’d like to invite you to think from a different perspective, and this is the only perspective that should matter. Ask yourself this one question: Will having that tattoo bring you joy? If the answer is yes then that is the only permission you need.
Shannon Hill
“When you deprive yourself from getting the tattoo you really want for the sake of not fitting into ‘the box’, all you’re doing is depriving yourself of joy. Depriving yourself of the feeling of enjoying a lovely tattoo on your body. No one else suffers, just you. How is that any fun? Give yourself permission to choose more joy for yourself. Get tattooed and be happy.
Tattoo by Shannon
“You don’t need to change your body to get tattooed. But how sad that this is where we’re at now – this industry has a lot to answer for. If you look back through the history of tattooing, they weren’t about achieving an aesthetic. They were reminders, expressions and celebrations of a person, a memory, their life and their body.
“It’s important to remind ourselves that getting tattooed is more powerful than getting a lot of likes on Instagram or having that perfectly curated look. When we focus too much on that stuff, the celebration, the joy, the confidence, the feeling of being at home in our bodies goes missing. It would be nice to bring that front and centre again.
Tattoo by Shannon
“No two people are the same, so why should the tattooing process be kept the same for every client? Every client has their own unique body shape, skin type and colour. My job is all about working WITH YOU. Exactly as you are. And looking at what’s possible for YOU.
“The experience and the process should always be tailored to fit you. It’s a teamwork dynamic between you and your artist. You should never feel out of the loop or like an inconvenience. If your artist can’t adjust and accommodate you and your body, they’re not worthy of going near it with a needle in the first place.
“My only advice would be to not be afraid to advocate for yourself. Whether it’s moving the stencil, taking a break or getting your body in a more comfortable position, don’t be afraid to speak up for yourself. A good artist will always, do their best to accommodate your needs, work with your body as it is and offer their best, honest advice along the way.
Tattoo by Shannon
“I don’t think I ever felt at home in my body until I got more tattoos, especially more visible ones. Being plus size, I’ve always had a complex relationship with my body. Society tells plus size women that they should feel uncomfortable in their bodies. They should always aim to be smaller and not stand out in any way.
“For a long time I fell into that trap. But the more tattoos I got, the more comfortable I feel standing out and being seen. I’ve always thought this whole ‘love yourself’ thing was pretty impossible to achieve. I don’t think anyone can totally love themselves 100% of the time.
Shannon tattooing
“But all I know is when I look in the mirror now, I see myself. I know her. I feel at home. I think that’s largely because of my tattoos. I see all these beautiful pieces and think “that’s lovely that.” And then I get on with my day. Before tattoos I’d tear myself to shreds and pick myself apart. It’s really hard to be mean to yourself when you’re covered in beautiful work that someone has put a lot of love into.
“Go easy on yourself. This is your one life, don’t deprive yourself of joy. Just go choose yourself a lovely artist and get that tattoo you’ve always wanted, it really is that simple.”
Tattoo artist Nando (@nandotattooer) owns Nando Studio in Seoul in South Korea. His Instagram is filled with the most beautiful pet and micro tattoos – most of the tiny tattoos he creates are under 10cm! Here he talks about his delicate style, falling in love with tattoos and his proudest tattoo moments so far…
How long have you been tattooing?
About 14 years now. Since 2010 when I graduated from art college. I’m a self-taught artist.
How did you become a tattoo artist and what made you want to become one?
I’ve been interested in art from a young age. I studied painting at university. Once I graduated from college I served in the military. I then lived in Madrid in Spain for about two years, which is where I met a group of friends who were tattooed. I hadn’t really seen tattoos before, especially not in Korea.
When I saw their tattoos, I realised that it was a really meaningful art form for people. I fell in love with it and so I came back to Korea and started my own tattooing journey.
Can you tell us about your own tattoos?
I have about 10 small tattoos. I’ve been to a lot of countries, while there I connect with some amazing artists. I usually get tattooed from artists in the country I’m in at the time. They’ve become souvenirs of my travels.
What was the first tattoo you did on someone else?
I gave one of my friends a plaster statue of Poseidon that I had made. He then wanted this tattooed but really big on his shoulder! It was my first time tattooing and I challenged myself. Especially as it was so big. It took me about 10 hours but I think I did pretty well despite it being my first ever tattoo.
How would you describe your style?
I wanted to tattoo what I painted. I always try to make my tattoos as detailed and meticulous as possible, because it’s something that’s engraved on one person for the rest of their lives.
What made you want to create small realistic tattoos?
I typically do a lot of my work in spaces that are under 10cm. I focus on tattoos that are meaningful to the people who are getting them. Also my work is very detailed. Each tattoo usually takes around three hours.
What do you like to tattoo?
I love tattooing anything that I think is beautiful. I love beautiful tattoos with stories behind them, because tattoos are not only a fashion accessory but also a very precious thing that means a lot to someone.
What inspires you and do you have any artists you admire?
I am inspired by so many artists. Lately, I’ve been inspired by the art of James Jean. My tattoos are mostly natural objects such as animals or florals. My hometown is very rural, so I’m getting a lot of inspiration there, too.
Do you have any guest spots planned?
I’m getting invitations to tattoo people from many countries. I have a strong friendly relationship with @mommyimsorry studio in Germany.
How can clients book in with you?
Through my Instagram @nandotattooer. You can make a reservation for a detailed consultation using the email and kakaotalk app on my Insta profile.
What are the rules for tattooing in South Korea? Is tattooing underground or becoming more mainstream nowadays?
Tattoos are still treated as a medical practice in Korea! So tattoo artists are united and talking to the government to solve legal problems. I think it will be resolved in the next few years. Also social awareness of tattoos has improved a lot. Many celebrities get tattoos as a way of expressing themselves, so tattoos are becoming recognised in Korean society.
What’s been your proudest moment so far?
There have been so many proud moments while I’ve been doing tattoos. There was the time when I drew my work on to leather in collaboration with the brand Montblanc. It was an honour to work with a famous brand in this way.
Another moment was when I tattooed fingernails realistically over my customer’s fingers whose fingers were cut off. I was so proud of my job when I saw how satisfied and happy he was.
Tattoo artist Kim Hoon (@uncogrim) runs Frame Seoul tattoo studio in South Korea. We chatted to the tattooer about their incredible blackwork tattoos and how they use the body to influence their designs…
When did you first fall in love with tattoos?
From a young age, my biggest hobby has always been drawing. I’ve spent most of my time drawing. I enjoy creating forms and adding detail with pens, pencils and using different colours. Naturally, I started seeing designs meant for tattoos and found them incredibly appealing.
Growing up seeing tattoos on people and learning about the various tattoo genres made me want to get a tattoo of my own. This desire evolved into wanting to learn and create tattoos myself. Drawing something that remains on someone’s body for life is more special and everlasting than drawing on a canvas.
What was the first tattoo you got? How do you feel about it?
My first tattoo was a four-line piece of lettering on my chest. It’s an Indian proverb that means “live without regrets.” I got it in 2012, and at that time, social media wasn’t as developed as it is now, so it was hard to find out about tattoos. I found information about tattoos through personal blogs, and lettering felt like the easiest type of tattoo to get.
I didn’t know how much it would cost, but I remember it was calculated based on the price per centimetre. Sometimes tattoo artists say that you might regret getting lettering tattoos, but I don’t really regret it. It reminds me of what I was thinking back then, and it’s a fun memory. I was so fascinated by having a tattoo on my body that I would look in the mirror every day and read each letter.
How long have you been tattooing for?
I started in 2017. Unlike drawing on paper, there was immense pressure not to make mistakes. When I first began, the stress was so intense that I couldn’t sleep properly two days before a scheduled appointment. After doing a tattoo, I’d often feel guilty about my shortcomings and sometimes, driven by a sense of inadequacy and inferiority, I would stay up all night drawing. These experiences have shaped who I am today.
How did you develop your style to what it is today?
When I first started tattooing, I preferred creating smaller designs compared to what I do now. I used to draw mostly on A4 paper or sketchbooks rather than large canvases, which meant I made similar-sized designs for tattoos.
However, after doing a large tattoo, I found it appealing to consider the body’s lines and muscles. I liked designing something that used the entire body rather than just a part of it. This gradually changed my style.
Your style is so unique, your tattoos are so dark and striking, what inspires you?
I draw inspiration from countless sources. Sometimes it’s movies, sometimes music, sometimes the surrounding scenery, and even the clothes someone is wearing. These days, I mainly focus on the flow of clothes or the body.
Do you have any themes in your work or things you love to tattoo?
Many people like my snake and dragon designs. Snakes and dragons are fluid and can flow with the limbs. They emphasise the body’s lines to look sexier or more intense, and they can also cover up any perceived weaknesses or complexities. I also like using elements like flowers, wind and clouds. Recently, I’ve been trying to incorporate more Korean elements into my designs.
Which artists do you admire and why?
There are so many, but to name a few, @fibs_, @gakkinx and @filouino. They are all artists who understand the body well and design accordingly.
How do you usually work with customers? Do you mostly do custom work or do you create flash too?
I mainly do custom work. Most of my clients are from overseas, so I conduct thorough consultations via email before they travel to Korea. If the design is large, they’ll need to stay longer, so we spend a lot of time coordinating schedules and designs. I also ask for various photos of their bodies in advance to understand their features and vibe before proceeding with the design.
Do you draw your designs straight on to the body?
Sometimes, I draw directly on the body. To minimise errors, I meet with clients beforehand and draw directly on their bodies before preparing a design digitally. I sketch the positions and flow that suit their body features, checking in the mirror and moving to see if anything looks awkward. Based on this, I prepare a design digitally again. When starting the work, I use both the digital preparations and my hand drawings.
Are you planning any guest spots? If so where and how do we book in?
I am preparing for the Gods Of Ink convention in Frankfurt in March 2025. I have already announced it on Instagram and I am taking reservations via email.
What’s the tattoo scene like in Korea these days? We’d love to visit, do you tattoo tourists?
You are always welcome. Just make a reservation via email in advance. Korea has many highly skilled artists that are recognised worldwide. However, ironically, Korea is in a unique situation. It is the only country where tattooing is illegal, and although there is a job code for tattooists issued by the government, they are not legally protected. Many are striving to have tattooing recognised as a legitimate profession in Korea.
What are your hopes for the future?
That’s a great and difficult question. For some, tattoos are a beautiful art form, but for others, they can feel threatening, scary, or even repulsive. Personally, I hope tattoos will be seen more positively as a form of art, and I wish that both artists and clients ensure their tattoos do not evoke negative feelings in others.
My personal goal is to gain experience and network through various tattoo conventions worldwide. I hope to travel to different tattoo studios in different cities too. I want to see and experience how other tattooers’ lives and styles differ from those at my studio in Korea.
We absolutely adore micro realism tattoos and tattoo artist Mooji (@mooji_tt) has taken the style to a whole new level, putting teeny works of art inside postage stamps (look how cute this one is!) and peeking through aeroplane windows. They work in Korea and we’d love to take a trip over there to get tattooed. Instead, we sat down for a chat where Mooji tells us about their journey into the tattoo world, their love of travel and future goals…
When did you first fall in love with tattoos?
I worked as a web developer at an IT company, which of course is a completely different industry from tattooing. My job involved writing code to build websites and also included web design. After working in the industry for about three years, I started dreaming of a different life. Until then, I had never really drawn, but on my days off, I stumbled upon drawing tutorials on YouTube and started sketching. That changed everything for me.
At 22, I started pursuing art seriously. I left my job to focus on it. As a result, I became a teacher, instructing art both online and in person. I also began developing an interest in drawing, eventually focusing heavily on portraiture. I even have an art Instagram account (I used to be quite active but I’m taking a break right now).
Initially, I didn’t have any desire to learn to tattoo. But that changed when I discovered the genre of micro realism. I was completely blown away by it, it felt entirely new. I became fascinated and developed a strong interest in learning how to tattoo in this style from that point onwards.
Before I found micro realism, I was only familiar with styles like blackwork, Irezumi, old school, and black and grey, so discovering this genre was quite a refreshing shock for me. I wonder if others fell in love with it for similar reasons?
How long have you been tattooing for? What was it like learning?
It has been five years since I started tattooing. @ziho_gallery taught me to tattoo; he is an exceptionally skilled micro realism tattoo artist. From him, I was able to learn various skills and techniques.
How did you develop your style to what it is today?
I believe my current style has been largely shaped by my clients. When I started tattooing, I didn’t immediately work on landscape tattoos, cover-up tattoos, or watercolor tattoos. It was when my clients began requesting these designs that my own ideas were incorporated, resulting in the creation of new designs. Through these processes, I naturally developed my own style.
Your style is so unique, your tattoos are almost like trinkets or souvenirs from travelling… stamps and aeroplane windows, what inspired that?
I was primarily doing landscape and photo-realistic tattoos, and I started looking for more unique and appealing designs. That’s when I thought of using postage stamps and airplanes as themes to create tattoo designs. These designs are more attractive to me because they are distinct from typical landscape tattoos. People seem to be really drawn to them.
Do you love to travel? Where have you been and where’s next?
Sure, I enjoy traveling. So far, I have visited Singapore, Taiwan, Hong Kong, Germany, France, the Netherlands, Ireland, Bangkok, Japan – to name a few of the places. I haven’t decided on my next destination yet, but I’ll probably choose somewhere I haven’t been to before.
Are you planning any guest spots? If so where and how do we book in?
Sure, I’m currently planning for my next guest spot. Once the location is confirmed, I’m going to post about it on Instagram @mooji_tt. Anyone interested can send me reservation enquiries based on the instructions in that post.
Which artists do you admire and why?
I admire several artists. Among them, the ones that stand out to me are Sol (@soltattoo), Oozy (@oozy_tattoo), Saegeem (@saegeemtattoo), PittaKKM (@pittakkm) – plus others but there’s too many to name. They each have their own distinct style and possess a quality of expression that is unique to them. I believe there are many other artists as well from whom I can learn a great deal.
How do you usually work with customers? Do you mostly do custom work or do you create flash too?
I mainly focus on custom work. When customers describe the design they want, I create the design based on their descriptions. I sometimes make flash designs as well, but these days I primarily focus on custom projects.
What do you like to do when you’re not tattooing?
When I’m not tattooing I like to exercise and look after my health. In my personal time I’m also curating photos of my work and organising my socials.
What are your hopes for the future?
I still have so much to learn. My personal goal is to create artwork of even higher quality than I am now and become more proficient in tattooing. Establishing a systematic tattooing process and achieving excellent colour saturation in every piece is my aim. I hope that one day I’ll look at all my work and feel satisfied with what I’ve accomplished.
