“My own mark” – mastectomy tattoos

Diane de Jesús, 35, London, is owner of Piece O Cake Nutrition, a nutrition communications consulting and advisor for Personal Ink (P.ink) – an organisation to connect breast cancer survivors with tattoo artists. In this interview, Diane shares her own experience of breast cancer and how getting a tattoo made her feel about her mastectomy. 

IMG_4288

Photo of Diane by Lydia Perez DeJesus @momdetresshoots

Can you tell us about your  cancer diagnosis and treatment. At 29 years old, I was diagnosed with DCIS, ductal carcinoma in situ, which is the earliest stage of breast cancer. I was told that while my life was not in immediate danger, the cancerous cells would have to be removed. Thus far, the medical community is unable to determine which DCIS cells will become invasive cancer and when. This combined with my very young age meant that we couldn’t just take a “watch and wait” approach. Also, my disease was so extensive, filling nearly my entire left breast. This meant I would have to have a mastectomy to remove the entire breast.

How did you feel about your body after the mastectomyI was thrilled to have such a good prognosis and to have such great doctors who provided me with excellent mastectomy and (silicone implant) reconstruction results. After recovery, I was grateful to very quickly dive back into my normal life: working by day, going to school at night (working toward my registered dietitian certification) and exercising regularly. I thought I was adjusting just fine. It wasn’t actually until after I got my tattoo that I realised how much I had been through emotionally and how I had been avoiding looking at my chest in the mirror. I had always done everything in my power to care for my health and my body had always reflected that. Suddenly, my body had betrayed me.

roxx tattoo

By Roxx, owner of 2 Spirit Tattoo, Los Angeles

Did you consider other options before deciding to get tattooed? No. I knew that I wanted to get a tattoo very early on, possibly even before having my mastectomy. While I researched what to expect from my surgeries and recovery, I came across stories and photos of women who were post-mastectomy and had chosen to cover their scars with tattoos. I wasn’t so much drawn to the idea of covering my own scar but of finding some way to encapsulate and honour all that my husband and I had been through and also to put my own mark, of my own choosing, on my body.

What made you decide to get that tattoo design? In some mastectomy cases, the nipple can be preserved but in most, the nipple and areola are removed with the rest of the breast tissue. This was the case for me. While I was discussing reconstruction options with my plastic surgeon, I was offered the option of nipple reconstruction many times. The idea of having a fake nipple constructed from the skin on my chest—a nipple that would never feel anything, respond to touch or temperature, or release breastmilk—just never resonated with me. Neither did the idea of having the image of a nipple and areola (even a fancy 3D one) tattooed onto my chest. What did resonate with me was something that Geralyn Lucas did, and wrote about, in her memoir of her experience with breast cancer. Geralyn also had a mastectomy with implant reconstruction but no nipple reconstruction. Instead, Geralyn had a tattoo placed on her chest, near her scar. As soon as I read about this, I knew it was what I needed to do and as I came across images of other women who’d done the same, I was motivated to find a way to make it happen. Of course, since I’d never been tattooed before, I didn’t know the first thing about selecting an artist, studio or design. I also didn’t realise the cost of tattoos.

gigi tattoo

Photo by Gigi Stoll, Gigi Stoll Photography, New York

Did it transform what you thought about your body? Getting my mastectomy tattoo helped me to close the door on that chapter and finally move on. I was tattooed in October of 2013, three years to the day since I was told that cancerous cells had been found in my breast. After getting the tattoo, I could look in the mirror without averting my eyes from the sight of my chest. I found myself feeling more confident. I was myself again.

How do you feel about it now? I continue to be so grateful for my tattoo and for the woman who tattooed me: Roxx, owner of 2Spirit Tattoo in L.A. I also love that this tattoo continues to provide me with the opportunity to discuss breast cancer and reconstruction options with other breast cancer survivors and their support networks.

What advice would you give to other women who have breast cancer? Every single breast cancer experience is unique. It is overwhelming to receive a cancer diagnosis of any kind but I think that every person diagnosed can benefit from finding a way to listen to her (or his) body and making the decisions that are best for her/him. Also, it is unfortunate, but at some point you may find you really must be your own advocate. You will work with so many different individuals and sectors of the healthcare community who may have the best intentions of providing you with the best advice but this advice may not always be the advice that is best for you. This is easier done with a good support system. Having a spouse, family member or friend to come along to appointments or help with research, paperwork, phone calls, etc. is invaluable.

Can you give us some background about P.ink day… what it is and how others can get involved. P.ink (Personal Ink) is an organisation dedicated to educating breast cancer survivors about mastectomy tattoos as an alternative healing option, and connecting survivors with experienced tattoo artists who can help. One way we do this is through P.ink Day, an annual all-volunteer effort to connect tattoo artists and survivors for a day of healing with tattoos. What started with just 10 artists and 10 survivors at Saved Tattoo in Brooklyn, New York, for our first P.ink Day in 2013 has grown into a true grassroots movement, with 46 artists, 48 survivors and hundreds of volunteers across 13 locations in North America, as of October 2015. In total, we’ve facilitated nearly 100 incredible mastectomy tattoos via P.ink Day. P.ink Day occurs every 10 October and 2016 will be P.ink Day’s fourth year.

To learn more, visit the Personal Ink website at p-ink.org

Urban Decay Creates Tattoo for National Lipstick Day

GEORGIA FINALIt was National Lipstick Day on 29 July, and to celebrate Urban Decay got tattoo artist Georgia Grey, 26, who works at Bang Bang in NYC, to create an awesome lipstick tattoo design. And if you want to get the lip design (see left) tattooed, just head down to Bang Bang and book in to see Georgia.

National Lipstick Day also coincides with the launch of Urban Decay’s new Vice Lipstick line, which features over 100 awesome shades! We chatted to Georgia about her collaboration with Urban Decay, her love of lippy and her tattoo style… 

IKJY5655

What is your inspiration and how did you become a tattoo artist? The people around me and the places where I go are my inspiration; there is always something new around the corner. The endless possibilities inspire me with art and opportunity alike. Tattooing is something that I have always been curious about. I would draw tattoos on my Barbies — tribal tramp stamps and arm bands — which, I believe, was the real start to my becoming a tattoo artist. In truth, I had a friend of mine offer me a job knowing I had a love for drawing and from that point on, I was hooked.

Urban Decay Vice Lipstick in 714

Urban Decay Vice Lipstick in 714

What do you love about make-up? What is your can’t-live-without product?What don’t I love about make-up? I don’t wear make-up every day, but when I do, it’s play time. Recently, I’ve come back to my love for glitter, so at this moment I couldn’t live without mascara, a tinted chap stick, and Urban Decay’s glitter eyeliner.

IMG_3733

How did you become involved with Urban Decay? They reached out to me to create a tattoo design that would reflect the amazing new line of Vice lipsticks. In my past, I did a lot of American traditional drawings, and in recent years I’ve been doing more modern watercolor. So I created a piece that combines my love for versatile styles, inspired by Vice’s very diverse palette.

Have you created a lot of make-up inspired tattoos? I like to think that every tattoo I make is applying make-up to the skin. Straight eye liner, smooth blends, and just a touch of magic: creating something that enhances one’s aesthetic while still portraying the client’s vision of a piece. I would definitely like to do more directly makeup-inspired pieces.

IMG_3383

Advice for a first timer? When it comes to being a first time client, always do your research when seeking an artist. There are so many tattooers out there, along with the amount of different styles, so choose wisely for the idea that you’ve decided upon. Also, don’t rage the night before, eat a solid meal beforehand, trust the artist, and ya’know, just be cool.

IMG_1058

 

 

 

Tattoos inspired by painting and art

TATTOO INSPIRATION: We absolutely adore these tattoos inspired by paintings and art movements.

 

Pre Raphaelite tattoo by Guen Douglas

Tattoo by Guen Douglas Tattoo by Guen

 

Picasso Blue Nude by Emily Johnston

Picasso blue nude by Emily Johnston

 

Tattoo based on work by Rossetti by Tracy D

rossetti tattoo by Tracy-D-tattoo

 

Picasso tattoo by Dexter Kay

Picasso tattoo by Dexter Kay

Erté and art Deco tattoos by Tracy D

Erté and art Deco tattoos by Tracy D

Tattooist Paul Hill on Sailor Jerry’s Ride

Motorbike collector, tattoo artist and owner of Vagabond Tattoo Studio Paul Hill recently joined the team at iconic American brand, Sailor Jerry for The Ride 2016, which pulled together the UK’s most legendary motorcyclists into three  motorcycling teams –Kingdom of Kicks, The Originals and FTH – for an epic ride around the UK. We wanted to find out more about Paul’s love for motorbikes and tattoos…

Watch The Ride videos on Sailor Jerry’s YouTube channel

SCphoto_KoK_riding_shots_final_edit-94

Do you think motorbikes and tattoos go hand in hand?
Historically certain aspects of bike culture and tattooing have been intertwined. As cliche as it sounds I think that still exists. The kind of person that is into customising bikes is likely to be into customising other things, including their body. Bike styles of the 60s and 70s bring with them an interest in the aesthetics of that era and those bold traditional tattoos are a big part of that.

SCphoto_KoK_riding_shots_final_edit-63

What made you first fall in love with motorbikes? And also with tattoos?
I’ve always been into customising and putting my own stamp on things, bikes are a good way to channel that energy and tattooing is the ultimate expression of that.

What was your involvement in The Ride? What was it like?
I’ve met a lot of new people and created friendships through tattooing and even more through motorcycling, often both. The community surrounding motorcycles is constantly growing, a lot of the friends I’ve met are in a similar position to me. Young(ish) person usually within the creative industry all supporting each other. For me it has a community feel that allows us all to work and creatively do exactly what we want. My friend James (team Kingdom of Kicks) is one of these people. We met through the bike scene and I tattoo a mutual friend. He got in touch saying Sailor Jerry were planning a ride this year and offered me spot – a bunch of us riding around the UK camping and partying courtesy of Sailor Jerry, hard to turn down!

image © Sandy Carson Photography and Sailor Jerry 2016. Not to

What was your favourite moment from The Ride?
SCphoto_KoK_riding_shots_final_edit-20The ride itself was awesome, there are so many beautiful roads right on our doorstep bikes being the best way to take advantage of them. Riding through North Wales and the Brecon Beacons is hard to beat. My favourite moment by far was making a BBQ using a piece of slate over a bonfire. We had just finished a great day’s riding through some of the best roads we’d ever ridden and all sat around the fire until the early hours eating and drinking. Moshing in a hay bale bunker to Frank Carter & The Rattlesnakes was up there too!

SCphoto_KoK_riding_shots_final_edit-62

What do you like to mix your Sailor Jerry with?
I mix my Sailor Jerry with Ginger beer.

We asked Sailor Jerry to sum up The Ride in a sentence: This summer Sailor Jerry hit the road once again for round two of The Ride, this year three bad-ass, bike building teams from across the UK were tasked with a series of epic challenges and compete against each other on a hell raising journey of balls-to-wall riding.

Paul was in team Kingdom of Kicks, but unfortunately it was The Originals who took the crown. Better luck next year, Paul. Sounds like he had a great time anyway. Check out Sailor Jerry’s Ride competition on their website.

Launch of the new sketchbook: LÉA NAHON – Carnet 1

French publishing house Noire Méduse has just released the beautiful Léa Nahon– Carnet 1, a sketchbook by tattoo artist Léa Nahon.

article-Carnet_1


This first volume features a selection of drawings taken from her own sketchbooks, which play a very important part in her life as an artist and through which Léa offers her interpretation of the world. She has developed her own style, including sketches, stencils, collages and sometimes text, with a dominance of black ink. Her illustrations, essentially portraits, are mainly inspired by her own environment. Léa returns to her artistic roots as a tattooer, by offering to ink these pages within the heart of the matter: the skin of her clients. All these designs are transformed into either paintings or tattoos, sometimes even both.

b-lea3

After a short introduction by the editor, this book unveils  64 pages of stunning drawings, the extraordinary world of this tattoo artist with her unique and unmistakeable style. Free from traditional codes of tattooing, Léa Nahon, originally from Paris became a leader in this innovative trend, an important part of the contemporary art dimension of modern tattoos. Indeed, she worked for a long time at “La Boucherie Moderne” (Brussels) one of the main centres of experimental tattooing, before opening her own shop called “L’Usine”, in Liège (Belgium).

b-lea2

You can purchase the book from: www.noire-meduse.com

b-lea1