Tattoo Apprenticeship: Another Education

Meet Leti Mortimer, she is a tattoo apprentice under Rose Harley at at Vagabond studios in east London. This is her story of how she came to be a tattoo apprentice and the hard graft involved…  

I came to tattooing pretty late on. None of my friends or family had tattoos and as I started to acquire my own small, mostly concealable collection, they were often met with disappointment or shock. The idea of being a tattoo artist never really crossed my mind. I took the expected path of doing a degree (English with Creative Writing) and when I graduated tried out a few things that could put my new qualification to use but nothing stuck.

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Leti with her portfolio…

I have always drawn. My dad put a sketch book and pencil in my hand as soon as I could hold them. I continued to draw through school, my degree and beyond but never thought I could make a career out of something so fun. Then it dawned on me. I started to put some sketches together thinking, I like this. My CV, rather than being the usual slog of boring notes about my education was a compilation of things I had made. I got myself a nice faux leather A3 folder, did a lot of cutting and sticking and set off.

After a bit of searching I was offered a tattoo apprenticeship at a street shop in South London. It did’t last long, and I was sacked after two months. I’d done nothing wrong and the guy invented a reason to get rid of me. There are no real rights for tattoo apprentices so people can take advantage quite easily- I found that out the hard way.

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I approached a few other places with more caution and after about six or so months I came across tattoo artist Rose Harley. In my interview she was very serious and professional, looking carefully through my portfolio. She told me that if I wanted to do the apprenticeship it would be hard work, like doing another degree. She offered me a three-month probation period – four days a week of cleaning, nothing to do with tattoos, for me to prove that I was serious about it, no apprenticeship guaranteed. I quit my job and found something part time, I had to work seven days a week to be able to support myself, it was going to be tough.

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Leti (right) with her mentor Rose.

Two and a half months later, she accepted me as her apprentice. I was over the moon, my life was about to change completely. We had a few drinks to celebrate and she told me we would be like family – that it would be hard work but she would look out for me. And so It began. I continued with cleaning and general apprentice duties and started learning.

Rose and I would go to a local pub one night a week, a sort of evening class, with a focus on a different topic every time – machines, skin, needles, important figures in tattooing, each week building up my knowledge. Her method of teaching suited me perfectly. I would observe her tattooing, she would talk me through each process, I would frantically scribble notes trying to memorise everything she told me. She set me homework each week –drawing, finger exercises, drawing, research, more drawing.

It was a few months before I did my first tattoo. (A little cactus on Rose’s leg) It was a scary moment. When you’re sat with a buzzing machine in one hand and human paper in the other, about to permanently mark them for life, it is a trying experience. And I didn’t take it lightly. It took me a long time and I had to go over some of the lines a bit but I got there. And that was it.

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The first tattoo Leti did on Rose

I continued observing, researching, drawing, cleaning, drawing, tattooing, gradually building up my skill set. I moved studios with Rose as she got a job at the beautiful Vagabond in Bethnal Green where owners Paul Hill (tattooist) and Rebecca Morris (manager and graphic designer) kindly agreed to let me join her. I’ve been lucky enough to continue my apprenticeship there since.

Vagabond sets the bar at a whole new level. Every aspect of the shop is so carefully considered. Each artist has such an extensive knowledge of tattooing and high standard of work. Every tattoo is so well thought out. They really care about tattoos and it’s so apparent in the work that each artist produces. It has proven to be a fantastic environment to be learning in and in addition to the continued support and advice from Rose, I’ve been lucky enough to have help from tattooists Paul, Harry Harvey and Andrew Hulbert. Things really couldn’t have worked out better.

It’s been a pretty mental year and I have loved every day. I am so grateful to Rose for taking me under her wing and being the best mentor. It has definitely been an education like no other. I am on my way to my dream job and I can’t wait to get started.

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A recent tattoo by Leti

Ella Strickland de Souza – Political and Feminist illustrations

Introducing Ella Strickland de Souza who does wonderful political and feminist illustrations, her work is often commissioned by Vice

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An illustration inspired by the shocking decision by the UK to leave the European Union.

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Sassy babes from mythology and folktales.

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An editorial illustration for Vice.com for an article about ‘The Clit List’ – an online porn resource for survivors of sexual assault. Read the full article here.

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An illustration for Vice.com about the possible effects of Britain leaving the EU on women. You can read the full article here.

 

Meet Lorena Morato

We chatted to the awesome tattoo artist Lorena Morato, 31, who is based in Cologne, Germany, about her “mystic neo-traditional” style, weirdest requests and UK guest spots…

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What first attracted you to the tattoo world?
The great and magical idea that you can record something on your skin that often symbolises something important, a certain kind of ritual using blood and ink… tattoos can be used as a magic tool too.

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How would you describe your style?
My style is neo-traditional, a mix of traditional with a touch of realistism. I use elements of spiritual and mysterious things, animals with a touch of dark magic, obscure figures who are at the same time full of grace, memories of childhood books and stories I used to read and create, and the magic crystals of which my mum once told me that fairies were living in and that they would protect me. I would say I do “mystic neo-traditional” tattoos.

How do you like to work with a customer to create a tattoo?
I ask them to send me pictures of what inspires them, and if they have a story to tell, I like to hear it to feel inspired. I like to meet them in person before the appointment, if it is possible. I like to know a bit about their personality to create the design, I think that is important.

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What’s the weirdest request you’ve ever had?
I had many weird requests when I worked in a street shop. There were so many funny moments back then. No part of the body is weird for me now, since I’m working on my own body suit… but what I don’t like to tattoo are armpits and palms. I have denied many requests for armpit and palm tattoos…

What’s your favourite tattoo you’ve ever created?
I have many, many favourites, but the herbal incense I did at Brighton Tattoo Convention this year is definitely one of my favourites [below]. The peony and incense burner symbolise my new path into a more peaceful inner self, a walk seeking inner peace and calmness.

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Is there anything you haven’t tattooed that would really love to?
I would love a request for a design picturing the goddess Kali, but I am still waiting, anybody out there?

Do you ever guest in the UK?
Yes, very often! I will guest at The Warren in Canterbury with the talented Amy Savage in October!

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What does the future hold?
More meditation, more time for investing in new watercolour paintings, more little projects and hopefully working not five days a week anymore.

Sarcoma and You photographic portrait series

A poll of the general public revealed that 53% of people have never heard of sarcoma and only 26% knew it was a cancer. Our editor Alice Snape has been working on a very special online photographic exhibition ‘Sarcoma and You’ to raise awareness about this rare cancer of the bone and soft tissue.

Each portrait in the Sarcoma and You series captures the effects of sarcoma cancer and body image, featuring some of the sarcoma community. #sarcomaandyou
Instagram : Sarcoma and you
Photos by Alison Romanczuk / Words by Alice Snape

Pippa pregnant

“Having cancer never made me hate my body, but having a baby has truly made me realise how amazing it is – it has fought my sarcoma and grown a mini human!”

Pippa Hatch, 21, Reading, Marketing Manager

 

Jordan scar

“People should be proud of the scars they wear – no one should ever feel ashamed”

Jordan Anderton, 22, fundraising manager, Plymouth

 

Alison photographer

“I think the project has been powerful in many ways, because I’m not just a photographer, I am a patient, there is total trust and understanding”

Alison Romanczuk, 53, photographer, London 

 

Alice Snape

“I would have loved to have met Katherine”

Alice Snape, 32, editor of Connect, London

 

View all the portraits in the series: sarcoma.org.uk/sarcoma-and-you

Want to know more about what sarcoma is? Watch this film, then share it…

 

Journey

Things&Ink was launched over three years ago, it has become a community, not just for tattoo lovers, but creatives of all kind. This photoshoot was created by our stylist Olivia Snape, who has brought together creative minds, models, make-up artists in this stunning series of images titled: Journey.

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“After an amazing three years being a part of Things&Ink, I reflected on how inspired I was by all the incredible people I had met along the way… this lead me to piece together this photoshoot, which illustrates a journey to whatever and wherever that may be,” says Things&Ink stylist, Olivia Snape

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When the mind allows you to flow into realms unknown
Floating on a moment
Do not allow the eye to trick the mind
Explore all beings of light
Express, be,
Journey…

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Art Director & Stylist – Olivia Snape
Models – Monaisse & Maxi More
Jewellery – Tessa Metcalfe  & Jayne Fowler
Clothing – Prangsta with special thanks to Amaya Dent