Author: Alice Snape

Sydney-based tattoo artist Dario tells us about his journey to becoming a tattoo artist, how his style has progressed and some advice for tattoo first-timers…

When did you first know you wanted to be a tattoo artist? What attracted you to the world? I used to paint graffiti and street art, since I was 14 years old. When I turned 18, I was getting tired of the problems it brought. Tattooing was a legal way to keep making art and I knew I wanted it to be my job.

What did you dream of being when you were a child? I wanted to be an architect when I was very little, after that I always imagined I might become a pro skateboarder.

What is it that you most love about tattooing people? Being able to travel overseas and constantly meet interesting people. I have really missed that during the pandemic.

What’s the tattoo scene like over in Sydney? I know there are lots of amazing studios and would love to visit one day – when the world opens up again. The tattoo scene in Sydney is massive. Heaps of studios, incredibly talented tattoo artists, people love getting tattooed and getting more into the tattoo culture. Also in Sydney the weather is very nice most of the year, so tattoos are visible and it is normal to see high quality tattoos on the street. I reckon that helps to keep this growing every year.

How do you like to work with your customers? Would you consider any of your works to be a collaboration? I like to work with clients that have a solid idea about what they want to get tattooed. That always helps to create something even cooler than they had in their mind. I’m very open-minded to accept ideas. I try to represent both the meaning of the tattoo and the way it looks in the best way possible that I can.

 
How would you describe your style? What inspires you? I currently do realism in black and grey (bng), but there’s also a mix of every single style I have tried before – I like to mix realism with dot work or geometric style, for example. I’m okay to label my style as bng/realism but I do way more than that.

What inspires me the most is to observe and study natural things, anything organic has always called my attention since I was a kid.

What draws you to black work / darker art? I love horror movies. I believe a horror piece that is well done is always going to have a reaction in someone who is observing it – whether that’s good or bad, it doesn’t matter. People are not indifferent to a very dark piece that is scary, and to get that result for me is gnarly.

How have you found the pandemic, have you found time to be creative or been feeling blocked? I was very motivated at the beginning of the lockdown – I had time to draw, as many hours as I usually tattoo every day. I finished some pieces that took more than 50 hours of work and started some others, so yeah it helped to feel creative. Well, at least for the first month, after that I started focusing more on working out and eating well so it would kill most of the bad energy that the pandemic brought.

What are you currently working on? Heaps of big projects, a lot of sleeves and full leg pieces… these are a few of my recent favourites:

Is there anything you would like to tattoo that you haven’t yet done? I have set up a collaboration with a friend from Spain, but the pandemic has forced us to reschedule it. I haven’t done collabs tattooing with other artists so far, so yeah I would love to make some. Hopefully that one is coming up soon.

What advice would you give to first-timers who are nervous? It is normal to be nervous the first time you get tattooed. The best thing to do is research as much as possible for the right artist for you in your area. Try to find the best person who does the style that you are looking for. The day you are getting tattooed, just have a nice breakfast, try to think about how much you want your tattoo, trust your artist and you’ll be alright. It is a really cool experience – enjoy it!

Any hopes for the future? I hope to be able to travel overseas soon, and go back to tattoo conventions.  In terms of the world, I hope this pandemic has changed people to be conscious about the simple things, like hugging a friend when you got the chance, not just to stack toilet paper.

Give Dario a follow on Insta.

Earlier this year, tattoo artist Rizza Boo set up Shades Tattoo Initiative – a safe space to build community, educate artists, help build skills and showcase the work of Black and POC tattoo artists working in U.K. We chatted to her to find out more.

Tell us about your own experiences of racism in the tattoo world…Why did you set up Shades?

I formed Shades Tattoo Initiative in response to the pain and disconnectedness I was feeling directly after the murder of George Floyd and the rise of the Black Lives Matter movement. 

As we were witnessing the widespread distress of so many black people, I looked around myself and felt the need to try to make some sort of small impact where I could. In that moment, I wanted to reach out to offer support and feel supported, I suppose. In a larger sense, overall I see a need to empower black and POC folks and improve their treatment within the tattoo industry. 

While we were watching the news unfold and were having to see more cases of extreme racism, police brutality and murder of black people across the pond, we also had to turn our gaze to the prejudice and institutionalised racism that we face here in the UK. I was struck by the fact that so many people, even those I am close to, white friends, didn’t realise how much racism we encounter as black or brown people on a daily basis, and they certainly did not acknowledge it in our industry, or not to the degree which it is apparent.

I was struck by the fact that so many people, even those I am close to, white friends, didn’t realise how much racism we encounter as black or brown people on a daily basis, and they certainly did not acknowledge it in our industry, or not to the degree which it is apparent.

I’ve been a tattooer for around 15 years and have been in the industry longer than that. In that time, I have worked at a number of studios, as a resident tattooer and as a guest artist. I have also worked many tattoo conventions in the UK and further afield. Yes, I have definitely experienced racism within tattooing! Although I will say, that a lot of the micro aggressions that some folks have had to tolerate being in tattoo studios, I have myself, been presented with, but obviously I have the knowledge to kind of block certain misinformation.

For example, there’s been multiple times where I go to get tattooed and the tattooer is telling me something won’t work on my skin, then I have to educate them on this, sometimes only being believed once I then show healed work of the colour. This is me arguing my case as a tattooist. But you know, those instances are fine, it’s a learning curve and those artists learnt more about how to tattoo dark skin tones on that day. There’s a way of having those interactions without making the POC feel like their skin is an issue –and that’s what a lot of those micro aggressions come down to. Ignorance, lack of education and then lack of knowing how to put your ego aside a little and communicate properly with the other individual.

I have numerous customers being turned away because they are told that an artist can’t tattoo black skin, why has this been allowed to happen for so long?

So, over recent weeks, I think it has now become very obvious for most tattooers, that whether they like it or not, black and POC folks have been having some difficult interactions in tattoo studios that have been far from ok, ranging from subtle micro-aggressions to outright racism and prejudice.

https://www.instagram.com/p/CA-HgmZnNfH/

Why has this gone on so long?

It’s difficult for tattooers to talk about not being able to tattoo black folks because it means holding your hands up and saying you don’t know how to do something. The goal of a tattooer when they do any piece should be the closest execution of the best tattoo they can make, right? Based on their skill level, their knowledge, the practice drawing, who they tailor designs to are all factors…if you cannot provide a service properly to a large quantity of people, then it’s showing a lack of skill in your job – and no one wants to admit that.

Even though, we all know that as with any skilled profession, we must  continue to challenge our knowledge and technical ability for this craft to grow. I think there is an awkwardness around discussing race and an unwillingness in the moment to admit one’s shortcomings. And so the black or IPOC is turned away, with yet another negative experience in a tattoo studio.  

Also acknowledging now, that you realise you have been doing a disservice, means admitting that for a long time you didn’t care to learn about how to look after ALL of your clients, which makes people feel bad. There’s also a layer to this which is, perhaps, they didn’t see these brown people as the target audience for their style of work, therefore, they were dismissed…This is echoed when you see the whitewashing of black and POC skin in photos of tattoos displayed by tattooers on Instagram. This reinforces the idea that their skin was not the desired complexion for your art to grace its surface.

This is echoed when you see the whitewashing of black and POC skin in photos of tattoos displayed by tattooers on Instagram. This reinforces the idea that their skin was not the desired complexion for your art to grace its surface.

This has continued for so long because tattooing is a trade that’s passed down. If one tattooer takes on an apprentice and then doesn’t have the skills to pass down, then that’s a large part of the problem. I started out tattooing in London, so just because of where I was I tattooed a large quantity of all skin tones, I also tattooed the fuck out of my own legs! 

If in your apprenticeship, or the way you came into tattooing, you weren’t exposed to tattooing a lot of different skin types, then it is your responsibility to seek out this knowledge. No one expects you to just magically know, but it’s not expecting too much for you to invest time and energy learning.

Do you think some kind of board could help?

I think one of the main issues, when we think about regulations and boards etc is , who exactly would be making up these regulations? We see first hand how, with regards to things like health and safety and licensing, that the people setting the rules often have little to no knowledge of how we actually work and what goes on in tattoo studios. You can see that with how the re-opening of tattooing establishments has been handled during this whole pandemic situation – how dare they take money from tattoo businesses for “special treatments” and then allow folks with zero training in cross-contamination or even apparently the knowledge of how to wear a mask or gloves properly go back to work? You could say I find this frustrating. I understand that we work close-up, but the pubs being opened before us was a farce.

I would also be concerned that it is not only the same people who have been setting the tone for how the industry is shaped right now that set the new guidelines, if there were any put in place. 

I know a lot of us enjoy the freedom of working within tattooing and it’s kind of relaxed attitude, but that environment has not been safe for everyone and that’s a problem.

That said, I am for protecting our clients and those who are more vulnerable working in our industry, so if we could put something in place which protected people then it may have to be considered. I know a lot of us enjoy the freedom of working within tattooing and it’s kind of relaxed attitude, but that environment has not been safe for everyone and that’s a problem. That said, obviously it is tattooers ourselves and the behaviour in tattoo studios which we have direct control over, so even if there were a board, self regulation within studios is crucial as it always has been.

Can you tell me about colour tests, do you offer them?

I can understand the want for some dark skin folks to request a colour test and I would happily provide this. However, I don’t think it is necessarily a good thing for black people to get this done and then think they know exactly how a colour tattoo will work for them. What I mean is, there is a large difference between a dot or a line of a colour and a large area of the same colour tattooed or colours blended together etc.

When I speak with dark skinned clients, whether we are speaking about colour tattoos or black and grey, my emphasis is always on contrast, creating enough contrast in a piece so that we can get a tattoo that will stand the test of time. Of course, we also discuss which colours will be most complementary to their skin tone and what will achieve the best results (this works as an example of how to have a positive tone when speaking about skin!).

How do you want Shades to grow?

I want Shade to offer support to black and POC folks in the tattoo community. I think that is significant, I’d like it to feel like more of a community and less of an industry. For those that feel like it already is…it’s a community when everyone feels welcome and invited.

I want Shades to help bridge this gap in knowledge and help educate tattooers. I want it to offer networking opportunities for the artists and offer information for clients on how to get the best tattoo possible. 

I want Shades to be able to raise general awareness about racism and offer ways to promote, inclusivity within tattooing. Shades is for the empowerment of black and brown people, to help with  education and hopefully to help us all in gaining more understanding by addressing these challenging issues and opening conversation about them.

Shades is for the empowerment of black and brown people, to help with  education and hopefully to help us all in gaining more understanding by addressing these challenging issues and opening conversation about them.

 Do you think we can make change?

I do think we can make change. I think it is inevitable at this point. People get to choose what their involvement looks like though. I don’t intend to stop talking about these issues any time soon. I hope more people also speak up, but more than that, adapt their behaviour, have the conversations, make changes in their work environments. I hope people stop spending their money with and supporting businesses who do not adapt their behaviour, harbouring abusive tattooers that hurt the rest of us. There are a lot of good tattooers out there who care deeply about their clients and the folks working for them, let’s uplift those businesses.

I think there is such a large push all around. So outside of tattooing and in everyday life, in every industry, every workplace, household, is in some way having to deal with this. I think we have already seen how much people have accomplished in a small space of time, with regard to reform and changes, over in the US  and what people are trying to achieve over here. If it was just tattooing then maybe it would just settle again but it’s much bigger than that. But no, we want more, for the younger generations. This is about them, their lives, their education, their history and their quality of life, so yes, we can and we will make a change.

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Have conventions and media been part of the problem? 

I think conventions and media can be part of the solution! There is definitely a problem with people simply not seeing enough tattoos on dark skin. This is not limited to tattooing. Across the beauty industry, we see the same with their magazines and models. So yes, they do play a part and I would hope that they aim to make sure they are showing a diverse range of skin tones in their pages. This is a lot to do with tattooers not showing photos of tattoos on dark skin. It is sometimes challenging to get good photographs of any freshly done tattoo, but to simply exclude any images of POC or to whitewash the ones you do show is unacceptable. It sends a clear message of being unwanted no matter your intention.

It’s kind of a chain really, studios, media, conventions. I have had good support from some conventions over the years, frequenting them regularly, the lack of black and brown faces has always been noticed. I have to believe that at a certain point they simply aren’t getting the opportunity to take part. I don’t think my experience is necessarily the norm. Let’s be really real…there’s a lot of varying quality of work at certain shows. I now know.  A lot of very good black tattooers who have not had much opportunity with conventions. So I feel like shows have the option to make sure they are also being inclusive. It makes sense though, if studios which are the first point of contact are not inviting, then obviously that affects who ends up working in these shops and so on.

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The artists group within Shades is for black and IPOC tattooists working within the UK. You do not have to be POC to collaborate with us though, we welcome conversation and work on projects , please reach out to us. 

For anyone wishing to collaborate with Shades or if you wish to offer your skills, please email us and tell us a bit about yourself.

shadestattooinitiative@gmail.com

@shades_tattoo_initiative

@rizza_boo

Rizza has set up a gofundme for Shades, there is an urgent need to get the website up and running, so Rizza needs support.  

Ermine Hunte always believed that the tattoo world was inclusive, until she encountered neo-nazi symbolism and open racism at tattoo conventions…here’s her story

words: Ermine Hunte

I was initially apprehensive about writing this piece. Partly because I’m aware that there’s ‘fatigue’ and partly because it’s a prickly subject.

I’ve been into tattoos and tattoo art from as long as I can remember. I also have a love for pin-up art and style. I’ve been going to tattoo conventions since the days of the Quadrant in Dunstable. The international convention in London was like my tattoo Christmas! I still have a love for them, but in the last few years that love has waned.

Unfortunately, the love doesn’t always go both ways. Why?

That word of the moment: race.

I can already imagine the eye rolling and tapping/clicking away from this article, and that’s ok. Those people will always be those people. I’m not talking to them, fuckers. I’m talking to the people who purport that tattooing is inclusive.

I had always believed that the tattoo ‘family’ were inclusive. That it didn’t matter who you were, as long as you loved tattoos. There’s the old adage, ‘The only difference between tattooed people and non-tattooed people, is that tattooed people don’t care if you’re not tattooed’. A naive belief, perhaps, but I held it all the same.

Being 41, I remember when tattoos were seen as the reserve of sailors and criminals. Fortunately, or unfortunately, depending on your viewpoint, the likes of footballers and people in the public eye (I’m loathe to call them celebrities) have made tattoos more mainstream. That bleed-through means all sections of society are now being tattooed. That brings with it people who are not open- or broad-minded.

The tattoo industry has its cliques. It’s very evident when you go to conventions. However there’s an undercurrent of thinking, by some people, that the industry should stay white.

In January, Oliver Peck left the show Ink Master because of blackface photos resurfacing. At the time his apology wasn’t exactly sincere. And for people with that viewpoint, it never is. Recently he’s been making anti-racism posts in the wake of the George Floyd murder. I believe people can learn and grow, but I always have that part of me giving him a side eye just in case, because it was a long-held viewpoint and there are plenty of examples of his viewpoint out there.

I’ve been to tattoo gatherings/conventions where there’s been open racism both around me and directed towards me. From artists who celebrate neo-nazi symbolism to attendees sneering at my presence. I’ve been asked why I’m there. Why I’m not wearing a cleaner’s uniform. Why I’m wearing ’50s inspired clothes, when I should be wearing slave rags. I’ve been asked if I’m only there to sell drugs. The ‘what’s point of getting tattooed if you have dark skin?’ question. The ‘Shouldn’t you be covered in/getting some tribal shit?’ question. Asked why I want to be white so bad because I want to be tattooed.

Tattooists have said that it’s too hard to tattoo dark skin, or subsequently to photograph it. To me that’s an admission of failure as an artist *shrug*. Because if that were me, I’d want to be creating fantastic pieces for all skin tones. I’d have the ring light or whatever is required to take that photo. Pushing and striving to be the best tattooist, whoever a client is. That attitude, to me, is defeatist. I said what I said!

Tattooists really need to remember that in the same way that there is a Pink Pound, there’s a Black Pound. You’re losing business. We know that in this industry personal recommendations go a long way. Who would want to spend money with an artist who avoids black skin? Why should black people only go to black artists? As much as we want to support black artists as black people, not everyone caters to the style of tattoo that a client may want. There may not be a polka-trash black artist on the scene or whatever. I’m not taking away from black artists at all, I am however, exhausted at the thought that we even should be having this conversation in 2020.

Technology, machinery, inks have moved on in recent years and it’s for all of us to push forward inclusivity.

Silence against racism is complicity. It’s not enough to be against racism. You have to be actively anti-racist. Racists should never feel comfortable in their racism. If you see it or hear it, challenge it. Smiling and nodding to fit in is not only weak, it’s giving the aggressor more confidence. It’s emboldening them.

Education is key. Talk to your black friends. If you’re an artist I’m sure a black client would be happy to give up some skin if it helped you be a more inclusive and experienced artist. Hell yeah I’d do it!

I love tattoos. And I happen to be a woman. And I happen to be Black. I’m no longer naive but I’m hopeful for the future of the industry.

Sending love to all