Alice Snape, Author at Things&Ink

July 25, 2014

Welcome to The Wildness – Incandescent Artistry

Interview with Stefania Crasta, owner of The Wildness Jewellery.

How did you get into jewellery making?
I have been into jewellery all my life, when I was a child I loved to adorn myself and make jewellery out of leaves and flowers. From childhood to teen and adult age, I believe that jewellery has always been present in different forms and shapes – decorating myself and my feelings. Like all the early passions in life, it developed into a way of being, into a research of the different techniques in the making and design process.

What inspires you?
The main inspiration for my designs is nature in its wildest principle.
Only nature contains perfect shapes, shades, scents and colours, emotions and sensations. It’s life and death, it’s unchangeable, but in some ways changing, it’s stable but alterable – an eternal contradiction. My love for poetry, philosophy and art transcends into each pattern of design and it reflects the sinister rebelliousness of my emotions.

What draws you to jewellery?
Jewellery has marked a fundamental part in the history of designing in different eras and cultures. I believe that jewellery is an extension of beauty and the expression of its power.

What is your favourite piece that you have created?
My favourite piece that I have created is the skull and butterfly ring part of ‘Les Fleurs du Mal’ jewellery collection inspired by Baudelaire’s poetry. It’s a skull ring blinded by a butterfly, it’s love and death… Another of my favourite pieces is also the Dante Alighieri ring – the author/genius behind the journey to hell (Divine Comedy).

Is your work inspired by tattoos?
My work is definitely inspired by art, and different combinations of art such as tattoos. I think that jewellery and tattoos follow a parallel meaning of expression in body adornment. It’s a very similar statement in my opinion. I love ornamental patterns, that are also used on tattoos and sometimes I incorporate them into my designs.

Can you tell me about the tattoos on your body?
My back is fully tattooed with paisley, flowers and geometric ornaments. This back piece was done by Matt Black at Divine Canvas. My sides are a work in progress by Silvia Zed from Shall Adore, it’s a beautiful Victorian filigree pattern. I also have two symmetric tribal tattoos done a long time ago by Silvia Zed on my upper arm, old Love and Freedom scripts on my wrists and lines/rings around my ring fingers. My aim is to have most of the back of my body tattooed…

Stefania's back by Matt Black — Stefania’s back by Matt Black

Who are your favourite tattoo artists?
I’m totally in love with Victorian filigree, (designs and shades) of ornaments done by Silvia Zed and also her black and grey roses designs, she is definitely one of my favourite tattooists and also a dear friend of mine. I also love the geometric work of Xed LeHead and the amazing fine work of Philip Milic.

Part of Stefania's collection — Part of Stefania’s collection

Do you think there is a relationship between tattoos and fashion?
Tattoos have became more and more common. I believe that, in our days, tattoos are one of the most popular forms of self expression and definitely related to the fashion world. The aim of fashion, in my opinion, has always been to create a form of statement and that’s exactly what tattoos are about. I think there has always been a strong link between art and fashion that in the modern society has finally extended into the world of tattoos and body modification.

What’s next for The Wildness?
I believe that the steady path between imagination and creation of The Wildness will evolve into many more creations. I’m also working on different collaborations with fashion designers. The ‘Next’ for the Wildness is to keep and progress with the wild pattern of designing and to adorn the best corners of the world with handmade creations…

Check Stefania’s full collection on The Wildness website, www.thewildnessjewellery.com

July 21, 2014July 21, 2014

PETA’s ‘Ink, Not Mink’ campaign

PETA’s “Ink, Not Mink” campaign has recruited fur-free male celebrities whose sleeves will always made of ink — and never covered in mink.

What do you think of the ‘Ink, Not Mink’ campaign and their use of men’s inked bodies? PETA has been previously known for their sexist advertising campaigns, and often only using the bodies of young, thin white women in their campaigns, notable in their ‘I’d Rather Go Naked’ campaign.

After many reports of misogyny from PETA, is it possible to see positives in their campaigns?

The coolest tattooed Grandma ever

Moselle “Mimi” Rosenthal has just turned 105, and she got her first tattoo at 99 years old. Watch this incredible film where she offers words of wisdom and shows off her tattoos. Such a cute and inspirational story.

Photos: tampabay

July 13, 2014

What makes tattoos permanent?

TEDEd tattoo tutorial video “What makes tattoos permanent?” by Claudia Aguirre (animation by TOGETHER)

July 7, 2014

My Removal Diary. Part one.

Things and Ink music writer, Jen Adamson (@knifeintheheart), shares her tattoo removal experience. Part one…

Jen and wayne blog — Writer Jen with Wayne the Tat Zapper

Most of us have embarrassing tattoos. Maybe it’s those neo-traditional, early 2000 pin-ups, that piece of tribal or the name of an ex that seemed like a great idea at the time. For whatever reason, we got it wrong. I started getting tattooed far too young, trying to make some kind of statement that, even to this day, I can’t figure out. All I knew was that I loved tattoos, but the only access I had to them was through tattoo magazines and flash on the walls of the few shops I could get tattooed in. Safe to say those shops were not the best.

The tattoos I want removed, I’ve kept covered up for eight years now. As you can see from the photos, the area of the tattoo is large and, after talking to various tattooists, removal seemed the only route. So 2014 is the year for me, ten years after having started my tattoo journey. After researching a few methods, Wayne, who works at The Circle in Soho, London, and his Picosure machine appeared to be the best option. This January, we started the first removal. I wasn’t nervous at all as I’m heavily tattooed and have had some painful places tattooed already, like my tummy. After filling out the health and safety forms, Wayne explained the process in detail.

Then we prepared ourselves. I began to feel a bit nervous and a little jumpy at this point. You hear so many different versions of how the pain is going to feel – some say it’s like hot oil being splashed on you, some say it’s like elastic bands being flicked. And I guess I was expecting it to feel like getting tattooed, but it doesn’t. The first zap made me jump, then while Wayne moved the laser round, it felt like a plaster being slowly pulled off. The laser makes your skin feel very hot, so a cold air blast is used in-between the laser’s progress, which helped. After being lasered for about three minutes, we had a little break. It feels like a slow process, but in fact it’s lightning fast. A large area of skin is lasered in seconds. The whole of the top of my arm was done in 15 minutes, excluding breaks. The skin itself goes white for about an hour after, which fools you into thinking it has vanished like magic, so don’t be disappointed when it returns to colour. The worse thing for me was the smell. My skin and the little singed hairs smelt like burnt plastic.

Once the session was complete, Wayne carefully wrapped my arm up with gauze and a padded plaster and explained the aftercare process, which meant keeping my arm dry and covered for 24 hours. On the way back to our lovely Editor’s house (who agreed to look after my sorry ass) it suddenly hit me. First, the extreme tiredness and then the strong urge to eat. I tried to keep my arm elevated for the next few days. My shoulder felt sore but didn’t hurt. After two days tiny blisters came up on half the tattoo, which I was told to leave well alone and covered up.

It’s been a week and some of the black shading that I thought was gone has crept back, but it’s noticeably faded. Already, the darkest area of black on the tribal has gone and I’m happy with the results. We also filmed the process, so watch out for posts on our blog, th-ink.co.uk, and I’ll be posting about the next treatment. Wish me luck!

Jen is having her tattoo removed by Wayne at The Circle, in London.

Watch this space for more diary entries, plus we are filming the entire process! Look out for updates.