Jak Nola

By combining sacred geometry, erotica, and ethereal psychedelic visions, artist Jak Nola reveals a world as unique and capturing as her own appearance portrays. Swathed in layers of tattoo, her tongue bifurcation, tattooed eyes, and scarification render her own body an art work in progress.

While visiting Australia, she catches up with Fareed to talk about her art, tattoos, and how to go about attaining a free mind.

*this article contains a graphic image of a tongue bifurcation.

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Hey, Jak. So, tell us about your life in New Zealand.

I was born in Napier, but I’ve lived all over the south and north island.  Out of all the countries I’ve travelled to, New Zealand is by far the most beautiful; the lands here are powerful.

I’m a vegan that’s been creating art since I can remember. I have played guitar for about 16 years, so music is a huge part of my life. I only play for enjoyment though. I love building things, such as tables out of drift wood, anything out of old instruments, usually guitars. And I’ve also found a passion for creating jewellery.

So, my life is generally me doing all the above while traveling. I can never keep still, I love exploring new environments as much as I can, because I’ve found that new information stimulates my creative ideas profoundly.

What is the motivation behind your body modifications?

The motivation behind my body modifications… the human body in my eyes, in a sense, is a walking canvas, so I’d feel a fool to live this life without expressing my own in a way I find visually appealing.

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Because of your striking tattoos you’re subject to a lot of positive and negative appraisal through social media. What is that like?

It appears people who tend to write negative comments, are either just bored, dealing with their own issues, or heavily indoctrinated…it’s easy to attack people behind a screen, but most wouldn’t do it in person… so I don’t take any of it personally. As for the positive comments, I appreciate them immensely and take them gladly to heart.

Okay, so, let’s break this down, can we can safely say you’re currently in a third permutation of a body suit?

Yup roughly third one, some areas less, some more. I started with traditional Celtic/tribal, all except one a design of my own, all terrible though! But that’s all part of it, I learnt, as with everything. Then eventually I gained a body suit and modifications rather fast, still not how I wanted to express myself. So now I’m in the process of covering everything, with a full body concept of blacks, whites and scars. A process that will take a lot of time and endurance but it’s a true vision of my body, for myself.

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One thing that will stay will be my full back piece, from the top of my neck down to my ankle it says “Maybe Logic”, which is from my most influential author, Robert Anton Wilson. His words have inspired this idea of reality being perceived more in an ambiguous sense, which for me is far more fun and confusing. I think to be subjected to one ideal obviously limits the mind’s exploration of its experiences.

In saying that, I do enjoy the idea of there being a “truth” to this whole experience, but I’d imagine it to be something we couldn’t conjure up with the instrument we have for processing (human brain). Maybe. Plus, being stuck in a linguistic construct doesn’t help that exploration anyway. Many writings as such, along with psychedelics, have heavily influenced my creations.

In what way?

Pure psychedelics have widened my perceptions, given new ideas, understandings and depths to my creative expressions. I take them with respect, they are not something I would abuse. Through psychedelics I learn, love, laugh and just enjoy life as I usually do but in new ways.

And while we’re on that topic, you create art on many mediums, such as painting, jewellery and tattoos, could you tell me about each?

I’ve drawn since I was very young, along with playing music. I’m self-taught in almost everything I do. My art has transformed immensely over the years due to life experiences and psychedelics. Generally, it’s a combination of geometry and sacred symbols, or sex… as I have a passionate love/hate for it. I’m aware of the immense positive and negative aspects to it.

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I started teaching myself tattooing around the age of 15, but over the years I have learnt different techniques with different artists around the world which I am grateful for. Most of my art is done on a thick paper because its best for me to travel with. I’ve been trying to do art on a canvas over the last few years but it’s much more difficult for me, it’s always worth it once I’ve finished though.

I’ve been making jewellery for a few years now, usually when I’m traveling I’ll find precious gems or pendants and make something with them. It’s very therapeutic.

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With my tattoos, I like to somewhat connect with the person, and I only do tattoos that I enjoy doing. In my mind, it’s an art form, not work. I love doing mandalas and geometric designs with dots. Although I’m always keen to learn new ways of tattooing, so I have no idea where that path will take me

 

Written on one of your paintings is ‘At the peak of every orgasm is a truly free mind.’ Could you elaborate on this?

I’ve written this in a lot of my art, it’s one of the truest statements in my mind. When you reach the peak of an orgasm, there’s no stress, no frantic thoughts, no worries, it’s just you and that peak of bliss. A free mind from all of life’s daily, cluttered thoughts.

instagram : jak_nola

facebook : facebook.com/jak.art.nz

online store : www.etsy.com/shop.jaknola

 

Tattooed Silicone Art Gallery

Posthumously preserving tattooed skin is a great way to appreciate tattoos without the need for animated human flesh holding it all together. But if the thought of having dead human skin framed and on display in your living room is a little too macabre for your liking then Melbourne’s Thing Gallery has you covered.

Thing Gallery commission tattooists to work on hyper-real silicone hands that they then exhibit and sell online. Have you ever wanted a unique tropical piece by Sam Kane or some black work by Hannah Pixie but live on the other side of the world? Thing Gallery have been busy curating hands from artists living in all corners of the earth, like Or Kantor in Israel, Poland’s Edek, and Oozy in Korea.

It’s a unique opportunity to own real tattoos as pieces of art disconnected and distinct from the human body.

Below are some of the first hands uploaded to their gallery. Be sure to sign up to their mail-list to be among the first notified when new hands become available, or keep an eye on their Instagram page for updates and images of awesome works of art.

 

By Charley Gerardin (Melbourne) @charley_gerardin
By Charley Gerardin (Melbourne)
@charley_gerardin

 

By Nina Waldron (Melbourne) @goatlumps
By Nina Waldron (Melbourne)
@goatlumps

 

By Elizabeth Huxley May (Melbourne) @elizabethhuxleymay
By Elizabeth Huxley May (Sydney)
@elizabethhuxleymay

 

By Sam Kane (Melbourne) @samkanetattoo
By Sam Kane (Sydney)
@samkanetattoo

 

By Mark Jelliman (England) @marktattooist
By Mark Jelliman (England)
@marktattooist

www.thinggallery.com

https://www.instagram.com/thinggallery/

BEWARE OF THE THING! A charity exhibition.

Our Australian contributor, Fareed Kaviani, tells us about his Thing Gallery project and why he curated a charity exhibition of tattooed silicone hands at Melbourne’s Neon Parlour. 

A selection of tattooed silicone from the BEWARE OF THE THING! exhibition.
A selection of tattooed silicone from the BEWARE OF THE THING! exhibition.

 

On February 26th, I presented an exhibition of tattooed silicone hands and sheets at Melbourne’s Neon Parlour. All profits from the sale of these tattooed sheets and hands went to SafeSteps and WIRE, two Melbourne based organisations dedicated to providing support to women and children experiencing domestic violence.

 

Lauren Winzer's hand in a dome from Daseti.
Lauren Winzer’s hand, wearing a ring from Metal Couture, in a dome from Daseti.

 

Hand tattooed by Mimsy
Hand tattooed by Mimsy.

 

With support from INKED magazine, Things & Ink, Melbourne Permanent, Sailor Jerry,Protat, Temple Brewery, Mulbury, Daseti, and Metal Couture, the event was a unique opportunity to view the work of many world-renowned artists such as Sasha Unisex,Grace Neutral, Guy Le Tatooer, and David Cote, including national talents such as Alvaro Flores, Matt Deverson, Lauren Winzer, and Mel Wink.

 

Tattooed by Guy Le Tatooer.
Tattooed by Guy Le Tatooer.

 

Tattooed by Alvaro Flores.
Tattooed by Alvaro Flores.

 

Tattooed by Terry James.
Tattooed by Terry James.

 

Tattooed Palms by Terry James and Laura Yahna
Tattooed Palms by Terry James and Laura Yahna

 

Each silicone hand was individually moulded from a unique cast of my own hand. With no prior knowledge of prosthetics or experience making moulds or using silicone, the process was one of trial and a shit load of error. Initially, the idea was to make one hand and write a ‘how to’ piece for INKED magazine, however, after investing over 3 months researching materials, contacting professionals, and sitting through hours of YouTube tutorials, it felt like an article would be a premature ending. Plus, I didn’t want to part with my newfound skills in silicone moulding that easily. So, naturally, I contacted over 30 international, national, and local tattooists asking if they were interested in tattooing a hand or sheet that we could sell to raise funds for two incredibly important organisations, Safesteps and WIRE. And you can’t exactly say no to that! Lo and behold, these artists refused to shy away from the challenge and instead dedicated their time and demonstrated their artistic talent to bring us a beautiful and curious array of tattooed extremities and sheets.

 

With the exhibition complete and over $2000 raised, Thing Gallery will continue to exist by commissioning artists to tattoo silicone hands for the public to purchase through www.thinggallery.com. Artists are also invited to express their interest. Blank silicone hands and sheets are also available for purchase.

 

 

Fareed would like to express a huge thanks to all of the participating artists, Neon Parlour, the sponsors, and especially Protat for donating $500 to WIRE.  To view the complete exhibition please head to www.thinggallery.com, or follow Thing Gallery on Instagram at @thinggallery. His previous Things & Ink articles can be read at www.the4thwall.net.

The Buddha Tattoo: Sacrilege?

Permission to use image granted from MyBKK, click image for original article.

 

The above billboard is located on Bangkok’s main highway between Suvarnabhumi airport and the city. Confronting travellers entering the city, it condemns any decorative use of the Buddha, including, specifically, tattoos. On their eponymous website, 5000s.org, the organisation that commissioned the public message further elaborate on their position, which is worth quoting in full:

“Buddha is the Father religion of more than 500 million Buddhists around the world. His images and statues are not meant to be used for decoration or tattoo under any circumstance. Those who create the object with Buddha images intend to inspire people to think of Buddha, his teachings. If you feel that Buddha images help you feel peace and harmony please place a Buddha statue properly with respect, by placing the statue or image, at a high level from the floor and not using his symbols as decoration. The human body is dirty. Buddha’s image should not be displayed on something so unclean as the human body, like with a tattoo.”

At this point, it might be important to explore a little further the significance that Buddhist iconography holds within Buddhism. As religious studies academic Patrick S. O’Donnell explains, “The religious meaning of the sundry iconographic representations and symbols are meant to resonate with the practitioner’s psychological, philosophical, and spiritual dispositions and further develop her capacities, which should widen and deepen over time. This iconography is an integral feature of a ‘living tradition’ and not merely ‘art’ in the conventional sense nor solely of historical or antiquarian interest or curiosity.”

Today, however, the Buddha’s image and associated icons have become empty symbols of fashionable spirituality, or further commodified into purely ornamental merchandise and apparel. Recently, North American chain store Urban Outfitters caused controversy for another religion with the release of their US$8 socks featuring the Hindu deity Ganesh (all have since sold out, although US$49 Ganesha tapestries are still available), prompting the President of the Universal Society of Hinduism, Rajan Zed, to release a statement decrying the use of the religious symbol: “Lord Ganesh was highly revered in Hinduism and was meant to be worshipped in temples or home shrines and not to be wrapped around one’s foot.”

For many it may seem like common sense to respect sacred religious iconography, but for others the idea of adapting one’s personal attire to fit within the morally acceptable realm of another’s religion is preposterous; someone taking offence to a picture of an eight-armed elephant on a sock may be valid cause for derision. An investment in exploring the boundaries of cultural appropriation is beyond the scope of this piece, but it is important to keep in mind that the rampant cultural appropriation exhibited by western corporations is their unique way of effacing the world of anything sacred. For the people of historically colonized countries such as India and Sri Lanka, however, who hold continue to revere their religious icons, it’s Colonization 2.0.

In April of this year, the Sri Lankan government arrested and deported a British woman, Naomi Coleman, because of a tattoo of the Buddha on her arm, with a police spokesperson citing the crime of “hurting others’ religious feelings”. And, only last week in Myanmar, the BBC reported that a New Zealander and two locals pleaded “not guilty” to charges of insulting the Buddha by depicting him with headphones (Sri Lanka and Myanmar are deeply religious countries; Burmese law makes it illegal to insult any religion).

Unless your intention is to make a political or social statement—in which case your motivation in visiting a host country is well beyond that of casual tourist or temporary ex-pat—it’s a generally held norm to respect the laws and moral standards of a country in which you are a guest. For instance, as absurd as not driving while female may sound, maybe don’t go to Saudi Arabia while in full possession of female reproductive organs (this sentence could plausibly end here) and drive a car. Unless, of course, you’re prepared to face the consequences both for yourself—recently ranging from 10 to 150 lashes—and for diplomatic relations between the Sunni nation and your country of citizenship.

The Knowing Buddha Organization (KBO), which operates 5000.org, is a self-proclaimed custodian of the Buddha, dedicated to raising awareness about appropriate and inappropriate uses of Buddhist symbols and imagery. It receives numerous complaints of “devastation” at the sacrilegious use of the Buddha’s image, like statues decorating toilets. The KBO tell me they’re currently working with the Thai Committee on Religions as well as the Thai Senate to “help solve this ongoing problem that has distorted Buddhism worldwide” and to campaign for legislation that will not only focus on tattoos, furnishings, and apparel, but to set a “righteous standard” in public consciousness as a whole.

I entered this foreign discourse with the Knowing Buddha Organization using Buddhist teachings, pointing out that on its website it shares the wisdom that, “In order to purify the mind Buddha taught us to stop reacting emotionally. It means to just acknowledge without reacting, which requires a certain knowledge”. I questioned whether it thought that in the recent case of Naomi Coleman, a practicing Buddhist visiting Sri Lanka, the authorities had acted appropriately and in line with those teachings? I felt it appropriate to remind it that, in western culture, tattoos are often acquired to remind the wearer of a significant event or emotion, and wonder whether—especially when its website states that “Buddha statues have become a key element for most Buddhists around the world”, through which religionists are “reminded of his compassion, kindness and his teachings and feel the highest regard for him”—couldn’t a tattoo play this important role in lieu of a statue?

“To the devoted Buddhists, tattoos are not the means to salvation. They are nothing but unnecessary surplus to life if one wants to detach his mind. For strict regulated Buddhist countries such as Sri Lanka, it is unacceptable to see Buddha and his image in any impur[e context,] including on the body. It is not about reacting emotionally or overacting, but it is about setting the righteous consci[ousness] and good public example. [The Sri Lankan authorities] merely took their stand of demonstrating that such action is disrespectful.”

When I asked the KBO to elaborate on their objection to the depiction of the Buddha in tattoos, it described to me how our bodies are unclean and impure owing to alcohol, defecation, and intercourse. For us to then tattoo a Buddha image on to this vessel of scum (I’m paraphrasing) is to attach the “most sacred symbol of purity to something that is not” and to abase the otherworldly to that which is worldly. Because the Buddha has taught us to “isolate our minds from body and ultimately detach the mind from our mind, to be the mind with no mind,” the KBO questions the impulse to “put his image in such a low and unclean place or [on] something as impermanent as our bodies.”

The pain of seeing the Buddha’s image on an impermanent, dirty material, the KBO explains, is akin to an ardent patriot watching her national flag being trampled or burnt. “Buddha was the purest mind. He is so pure that even his images should be [reverently] treated and placed only [in] high[-up][positions],” commensurate, it suggests, with the spiritual altitude of his righteous deeds.

Although the KBO may believe that the Buddha’s image is too eminent for the likes of our decaying, unclean bodies, I offered the perspective of appreciating a tattoo’s artistic worth—devoid of divine subservience—that much sacred iconography can offer the nonbeliever.

“The idea of appreciating art from Buddha images is false to the sole purpose and hence is inappropriate. One should consider the true purpose and respect the real meaning.”*

Once again, it boils down to whether or not you’re willing to respect the beliefs of someone else to the point of influencing your own choices. It’s always affirming to see people with such firm beliefs lead by example, so I was confused as to how Sak Yank tattoos and the Buddhists that wear and tattoo them fit in to this seemingly inflexible equation.

KBO acknowledges Sak Yant as one of the many misunderstandings of their religion—even among Buddhists—claiming that their charm is misleading.

“As we [delve] deeper toward the core of Buddha’s teaching, we see the inevitable knowledge that real Dharma is to detach the mind from all. Sak Yant is another bond that binds us to our bodies and binds our mind to desire to possess and hope for any expected, extraordinary result. Many genuine Buddhists have Sak Yant, yet they no longer [value] the import of tattoos or their magical claims. They hold only Buddha and his teachings and Dharma as their [salvation].”

It would have been interesting to posit this to a Sak Yant decorated Buddhist, but maybe that’s something I’ll do another time: challenge the intentions of a tattooed monk.

* According to the KBO, “the true purpose” is: “Buddha and his teachings”.

 

Read more of Fareed’s work at www.the4thwall.net

Tattooing Under Martial Law

Our Australian contributing editor, Fareed Kaviani, is currently in Bangkok getting a back piece from Guy Le Tatooer. While over there he caught up with Six Fathoms Deep owner Nicholas Mudskipper to find out what it’s like tattooing under military rule.

On 22 May 2014, the military announced that it had taken control of the country in a coup implemented ostensibly to restore order and enact ‘necessary’ political reforms. Martial law continues to be imposed nationwide. Although the political arena is a complex entanglement of loyalties, royalties, and corruption, the situation can be simplified by reducing it to a civic battle between different coloured garments.

The yellow shirts wanted to suspend the constitution and depose the democratically elected government on the charge of corruption. Their desire was to appoint an interim administration to oversee political reform.

The red shirts were loyal to the ousted government.

Due to the civil unrest, most foreign governments have been advising their citizens to exercise a high degree of caution when travelling to Thailand.

I arrived on the 9th to get tattooed by Guy Le Tatooer while he’s guesting at Bangkok’s Six Fathoms Deep. Although Bangkok appeared to be business as usual, news reports of police harassment suggested otherwise.

Tourists and foreign nationals have become targets of what many claim to be systematic ‘racial profiling’. Accosted by police, people have been asked to present identification papers and visas, with some even forced to provide on the spot urine samples designed to detect hard drugs. As one report cautioned, an empty bladder is no excuse: ‘when he couldn’t produce, he says they forced him to drink four liters [sic] of water and pressed forcefully on his bladder to make him urinate and touched his penis.’

Using the threat of immediate arrest, they have been aggressively cajoling unsuspecting tourists into coughing up ad hoc ‘fines’ for failing to provide substantial documentation. Although Martial Law applies exclusively to the army and its soldiers, and Section 93 of the criminal code clearly states that searches conducted in public are prohibited without probable cause, it is believed that the police have had to improvise due to the Army obstructing their usual swindles.

Six Fathoms Deep’s Nicholas Mudskipper has experienced their intimidation first hand.

‘Yeah man, vultures on the streets shaking down people for payouts. I was headed back from a ju-jitsu session and I was told I’m a Russian selling coke around the red-light areas, [the officer] greedily stuck his hands into my gym bag to find a sweaty ju-jitsu gi! These guys’ other rackets are being squeezed by the military so they need to find other ways to buy Christmas goodies this time of year.’

‘So, are you red or yellow shirted?’ I asked in jest.

‘I make my own shirts bra! Black white and grey for days!’

Originally from Cape Town, South Africa, Nick came to Bangkok several years ago to set up shop with his business partner, Dillon Pienaar.

‘Bangkok is a beast that can swallow you up fast, a city full of interesting things, a sunny place for shady people!’

I asked Nick what it was like to run a tattoo studio, while under Martial law, inside the belly of that beast.

‘Bro, Six Fathoms Deep is like a bubble, once you’re inside, doesn’t feel like I’m in Bangkok anymore: no dramas, no politics, just tattooing and Masters of the Universe figures surrounding me. If all else fails I’m sure Skeletor will get my back. Our Tattoo shop is a friendly creative family for good-hearted tattooers far from home. We are all about doing good clean tattoos, good vibes, toy collecting and of course big BBQs!’

Speaking of toys, the interior of Six Fathoms Deep was peppered with an array of figurines.

‘I’m crazy about Masters of the universe and other 80s toys, Matt Adams is into Ninja turtles, Miss Ink is super into Russian and Kewpie dolls, David Chaston is into other strange stuff too, so yeah it’s just our man cave full of items that influence us and that we’re nostalgic about.’

And why Six Fathoms Deep?

‘I originally wanted to call the shop Six Feet Deep, but that was kind of taken, ha-ha. I grew up around the Atlantic Ocean and have always been curious of the mysterious depths and legends of giant creatures fathoms deep under the ocean, so I blended those together! Boom!’

Six Fathoms Deep’s resident artists are Nicholas Mudskipper, David Chaston, Miss Ink and Big Matt Adams.

Current guest artists are Guy Le Tatooer and Etienne Memon.

Read more of Fareed’s work at www.the4thwall.net