Top 5 Creepiest Women in Film

Our guest blogger is hobbyist film and TV series reviewer and writer Harry Casey-Woodward

There’s nothing scarier than a woman, and horror films have given us an endless gallery of terrifying female characters and performances to choose from. So with Del Toro’s women-led Crimson Peak hitting cinemas, let’s have a look back at a few of the freakiest fems and chilling chicks to give us nightmares…

5. The Evil Dead Girls – Cheryl, Linda and Sherry
Played by: Ellen Sandweiss, Betsy Baker and Theresa Tilly
In: The Evil Dead (1981)

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‘We’re gonna get you…’ I couldn’t cherry pick one of these girls because they’re all equally terrifying. Sure they start off as the typical sweet American college females you’d expect to find holidaying in some dank wood cabin in the middle of nowhere. But once they get possessed by those pesky forces of darkness… well where do I start? Linda spins her head 360 degrees while girlishly singing threats and she won’t stop laughing. Then Cheryl, good God, poor tree-raped Cheryl freaked me out just guessing her friend’s playing cards in some rising screeching voice. That’s before she levitates, growls doom-laden prophecies at her friends and stabs them with pencils. The film was brutal enough to make me worry about my friends being turned into grinning, screaming, vomit-spattered psycho bitches from hell.

4. The Exorcist girl – Regan MacNeil
Played by: Linda Blair
In: The Exorcist (1973)

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‘It burns!’ Speaking of possession and vomit-spattered psycho bitches from hell, none will ever beat this doll. I know the infamous scenes have been talked about and parodied to death but I have seen various exorcism films and this is still the most extreme and affecting, mainly because most exorcism films that have come after are feeble imitations. For one thing Regan is genuinely sweet and appealing at the start, which is a first compared to most teenage characters in horror. So it’s quite horrific to see her gradually turn into a blaspheming, foul-mouthed, puking, ball-grabbing, crucifix-banging cockney beast. The best and freakiest thing about this character is that she (or it) is so extreme that no matter how much you’ve heard about the film, you’re never sure what she’s going to do next.

3. Mrs Carmody
Played by: Marcia Gay Harden
In: The Mist (2007)

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You expect victims of demonic possession to turn evil, but all too often in horror films God-fearing women should be feared too. Take for instance Mrs Carmody, played splendidly by Marcia Gay Harden in 2007 movie The Mist. A fog descends on a New England town, bringing with it a swarm of ugly carnivorous critters and the townspeople are trapped in the store. Mrs Carmody immediately makes her extremist Christian beliefs clear and starts babbling about the apocalypse. At first she just annoys everyone and gets a slap or two. But as the situation worsens, her power grows over the trapped community until most of them are baying for human sacrifice to appease the beasts. So Mrs Carmody wins this spot not just for sticking to her bloodthirsty Biblical beliefs to the end, but for spreading them so easily over the fragile minds of her flock that they obey her every will and turn to violence without a thought.

2. Carrie’s mum – Margaret White
Played by: Piper Laurie
In: Carrie (1976)

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‘I can see your dirty pillows…’ Another crazy Christian lady who happens to be the mom from hell. I guess Stephen King had a real problem with Christian women since he invented both Maggie White and Mrs Carmody. If it’s possible, Carrie’s mum is even crazier and scarier than Mrs Carmody and certainly not mothering material. For one thing, she likes locking her daughter up in cupboards (Harry Potter anyone?) and can’t handle any talk of periods, breasts (sorry ‘dirty pillows’) or sex let alone her daughter’s telekinetic powers. Carrie could really have done with a social worker. Now don’t get me wrong, Carrie is also a scary character but only at the end when she turns into some blood-drenched, prom-trashing bully killer. Her mother is scary the whole time. Piper Laurie gives such a fantastically unhinged performance that, like poor possessed Regan, you’re never sure what’s going to happen when she’s on screen. I haven’t seen the remake but as great an actress Julianne Moore is, I can’t imagine her matching Laurie’s performance, especially in the scene where she smiles so divinely when pursuing her daughter with a knife.

1. Annie Wilkes
Played by: Kathy Bates
In: Misery (1990)

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‘I’m your number one fan. There’s nothing to worry about…’ Actually it’s a writer’s worst nightmare. Successful novelist Paul Sheldon (played cunningly by James Caan) suffers a car crash and wakes up crippled in the home of a smiling woman claiming to be his number one fan. Unfortunately she turns out to be too much of a fan. Kathy Bate’s extraordinary role wins number one for a couple of reasons. Firstly, compared to the other women she appears harmless: a dumpy farm woman with some nursing expertise and a bit of an obsession for her beloved author and his books. But some of her more eccentric qualities (her sudden mood swings and specialised vocabulary of ‘cockadoody’ and ‘oogy’) hint at the madness within. She’s not only crazy but also controlling, calculating and not afraid to use violence to get what she wants, particularly concerning hammers and feet. This brings me onto the second reason why she’s number one creepy woman. She has a very black and white view of the world. Everything she does and believes is right and everybody else is wrong… or dead. In short, not someone you want to be disabled and helpless around. But the other thing about her that beats the other characters is that you can’t help feeling sorry for her or laughing at her overreacting: when she’s safely behind the TV screen that is.

Horror influencing fashion

Our guest blogger is Jade-Bailey Dowling, fashion writer and creator of Nouvelle Noir, a blog dedicated to dark fashion. This is the first in a series of post where she looks at how horror influences fashion and how you can draw fashion inspiration from the movies… 

Horror has influenced fashion in many aspects over the years. Designers have taken obvious inspiration from a particular horror heroine, such as Carrie or Wednesday Addams, or adapted their new season style to fit the aesthetic of a film or genre; it is undoubted that horror and fashion sit on a precarious diversionary line.

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Wednesday Addams

In this fashion series, I will discuss how designers past and present have looked to the horror genre to gain inspiration for their clothes, and further still how these have been translated by the high street and enable horror fans to take their love of horror from film to fashion.

First up, Stephen King’s coming-of-age combined with kinetic powers heroine Carrie White. The novel has been adapted for film various times, most recently in 2013 with Chloe Grace Moretz featuring as the infamous Carrie.

Carrie is a firm favourite costume choice for Halloween and fans often pour red paint or dye over any cheap white or light coloured dress they can find for an easy yet striking outfit for the night. Carrie can be a fashion icon without the need to reference this, albeit pivotal, moment.

 

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The infamous blood scene from Carrie 1976

For those familiar with the novel or film, Carrie White’s style is very much reflective of the modest, strict upbringing inflicted by her religious mother, Margaret White. However, this granny chic style is set to be very much en vogue for Autumn/Winter 2015, as seen on the catwalks of Miu Miu, and Prada.

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Mui Mui A/W

Although the 2013 version, directed by Kimberly Peirce, is set in a modern setting, the fashion choices of the costume designer follows that of the original film that aligns itself with the novel and is set in the 70s, another source of A/W 2015 style inspiration such as at Burberry.

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Screen shot from Carrie (2013)

Channel your inner Carrie White with 70s inspired florals, a-line denim skirts and chunky shoes.

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Denim dungaree dress, £20, Boohoo
Shirt £19.99, New Look
Brogues, £19.99, H&M
Knee High Socks, £2.99, New Look
A Line Demin Skirt, £30, Topshop

Despite Margaret White famously stating “Red. I might have known it would be red”, the famous prom dress is actually very light pink. For those who wish to steal Carrie’s prom look, pre pig’s blood of course, opting for a nude, or light pink dress can pay homage in a delicate and sophisticated way. With loads available on the high street at reasonable prices, should you wish to cover yourself with a red substance that will, hopefully, come out in the wash you can transform your look from Prom Carrie to Bloody Carrie with no major expense, while looking more authentic than other Carrie Costumers.

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Screen Shot Carrie 2013

Carrie Dress

Left to right:  Miss Selfridge – £55, Rare @ Topshop – £45, Glamorous – £25

Next time, see how the 90s iconic witch film, “The Craft” has inspired fashion, from catwalk to street style.

Apprentice Love: Luke Oakman

We chatted to Luke Oakman a 24-year-old tattoo apprentice about his developing style, inspirations and how he started working at Edshead tattoo studio in Chelmsford, Essex… 

How did you start tattooing? Tattooing was something I’d always wanted to do towards the end of school and college, I just never really took the leap towards chasing an apprenticeship at that point as I was never confident enough to take chances. After being told enough times over the years following college I was ‘a wasted talent’ because I did nothing with my art, I decided to pull together a portfolio and just go for it. I’m now well into my apprenticeship at Edshead and looking forward to where tattooing takes me!

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How long have you been tattooing? Coming up to nine months now. Which is the first time I picked up a machine to use it, I did a little shark tooth on my leg.

What did you do before, do you have a background in art? The only background in art I have is college, I did my A Levels in art and photography, the only things I truly enjoyed at school. Right out of college I got a job in IT, which I did for too long! I got settled into that routine until the end of 2012 when I decided I needed a big change in my life, so I set myself a new target and began building up my first portfolio.

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How would you describe your style? I guess I would fall under neo-traditional. It’s hard not to label a style of tattooing, I just call it my work and hope people like it really.

How has your work evolved/developed since you started? I drew a hell of a lot during my apprenticeship, I was trying to develop a style ahead of tattooing in an attempt to make my work recognisable in some way. My work has slowly got more detailed through the months I added more linework as I began to feel more confident with lining my tattoos, which is a direction I knew I wanted to make from the start. I just had to hold off until I knew it was something I could execute properly I guess.

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What inspires you? Easily nature, I’ve always watched a lot of David Attenborough documentaries, my grandad started off that obsession long ago! So now when I don’t know what do draw the first thing is normally an animal of some kind.

Do you admire any other artists, do they influence your work? I admire too many artists to list them all, mainly tattooists these days. I’ll list my top five in no order for anyone that somehow doesn’t know these names/lives under a rock:

Robert Borbas
Kate Gill
Antony Flemming
Natalie Gardiner
Antony Cole

They’re all well known artists and their work speaks for itself really. Their styles among others have definitely influenced my own work and I’d love my work to go in the same direction.

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What kinds of things do you like to tattoo? Birds, just putting it out there. I love birds. Anything nature based is right up my street, but I’ll enjoy most tattoos that I can use my own style with.

Can you tell us about your own tattoos? I don’t have a lot of tattoos when I think about it. One arm and stuff all over my legs. Only a couple have any meaning, it’s more art appreciation for me now. If I can give an idea (if any) to a tattooist I admire that I know they’ll enjoy doing, that’s when the best tattoos happen.

I got my first one at 22 by Ant Cole which was a kestrel perched on a compass. The arm isn’t far off a full sleeve now by him, I’m super fussy with who I get tattooed by and waited until I found an artist I knew was perfect for me, and Ant is beyond good. It’ll be finished when I can afford to fill the gaps!

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Will you be at any conventions or doing any guest spots? I just finished a guest spot at Rock’n’Roll in Dundee. I was doing a tattoo trade with Daryl Watson,  so it was just by chance I was lucky enough to work there for a few days as well. I don’t have any plans just yet as I’m still an apprentice. But one thing I know for sure is I want to travel, so when I’m able to I’ll be on the road seeing new things and meeting new people. With any luck!

Fashion Pearls of Wisdom: Inked and Educated

Our guest blogger is Natalie McCreesh aka Pearl, a fashion lecturer, freelance writer and creator of Fashion Pearls of Wisdom. In this post she’ll be talking about her decision to not cover her tattoos at her graduation ceremony… 

This summer I had the opportunity to don academic robes for the graduation ceremonies at the university where I work. I gained a PhD in Biochemistry (textile and fibre analysis should you be intrigued) in 2010 however this was the first time since then I would wear my robes, this time to watch my own students graduate. Graduation ceremonies are filled with tradition and seen as formal affairs, dress code is generally smart and conservative. For my own graduations I’d worn smart basics such as a blouse and pencil skirt with some cool shoes for a bit of personality. There is also the practicalities of wearing the gown to consider, they were designed to be worn by men in suits, the hood looping around a shirt button to secure it. Thus wearing it over a dress can cause it to slip around. That said in the 11 years since my first graduation things have changed, the dress code is more about what the students see as ‘their best’ which can be anything from evening gowns to party dresses, t-shirts under blazers and so on. No matter the changing styles it’s an occasion to get dressed up and of course celebrate these amazing achievements.

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I’d planned to wear a shirt with loose tapered trousers due to the afore mentioned practicalities, however the day turned out to be a scorcher (robes are heavy and hot at the best of times) so I just threw on a light summer dress, one I wear for work often, instead without much thought other than to make sure I found some safety pins to avoid being strangled by my gown’s hood.

It was only upon putting on the gown and looking at myself in the mirror did it occur to me I should perhaps put on tights to cover my tattoos. As I said these ceremonies are formal affairs. I’m lucky enough to be given the freedom at work to wear whatever I want. As it happens you can’t really see my tattoos with what I wear to work due to the fact I dress in what I deem appropriate – I wouldn’t wear backless dresses or shorts to work say. What I do tend to wear are calf length dresses with jackets, so in the warmer months you can see the tattoos on my lower legs and feet. If anything my tattoos have only brought positive reactions. Although this hasn’t been the case in previous jobs, it has never been a problem for me to cover my tattoos if requested, I think it would be ignorant not to acknowledge the fact there is still very much a stigma around tattoos. Many of my students are tattooed and they are always encouraged to express themselves however they wish, there is no dress code per say for them.

So what made me decide to keep my tattoos visible on this day? It was actually something a friend had said to me ‘look at you with all your education and your tattoos’ and I thought yeah, just look at me, because it really doesn’t matter if you have tattoos or not and we need to break those boundaries. I’m not encouraging anyone to get tattooed, that’s personal choice, but I am in a position to help break the negative stigma attached to tattoos and that I feel is an important place to be.