Liverpool’s First Tattoo Bar Opens

We’ve always been told that tattoos and alcohol don’t mix – and for very good reason…

For one thing, it thins your blood and can make tattooing pretty difficult and messy. Also have you seen the TV shows following drunk people getting tattooed in places like Magaluf, then waking up with their friend’s name or some other random tattoo, and regretting it? However, a new “tattoo bar” called Ink has just opened its doors in Liverpool, meaning you can mix cocktails with a new tattoo…

Ink is a brand new bar that has just opened in Liverpool. It offers not only an extensive cocktail menu, but also a chance to get tattooed on your night out. The bar will host an array of local tattooists in the ‘Tatts n Trims’ section, which will also home celebrity barber Cutthroatpete who can cut your hair for you. This means you can get a new tattoo or a haircut while sipping on a cocktail, genius idea? Or a recipe for disaster…

Check out the Ink Bar Facebook page, for photos from their launch weekend.

Would you get tattooed on a night out? Or have you already done it? We’d love to hear your stories!

 

Create a life you love with Sarah Starrs

Sarah is a 27-year-old writer, coach and creator of SarahStarrs a Punk Rock Personal Development blog. We chatted to her about her journey of self-love, achieving your goals and her beautiful tattoo collection… 

Can you tell me a little about your blog and what people can find on it? You can find my blog at SarahStarrs.com, where I help women get their shit together & create a life they love. I mainly write about self-love, personal development, lifestyle design, creativity, and achieving your dreams. I believe that it’s absolutely possible to achieve your big goals and that it all starts with learning to adore yourself. But this doesn’t happen by sitting idly by and wishing for good things to happen. I show people how to get down and dirty with the universe to make magical things happen. But you have to do the work. That’s why I call it “punk rock personal development.” I’m launching a podcast with that name on 14th August, which I’m very excited about!

How did you become a blogger? I’ve been writing online in one form or another since I was a preteen – I had Angelfire, Geocities, Livejournal, Myspace, etc. My current website, SarahStarrs.com, was born out of my old website The Laughing Medusa, which I launched in 2011. I started blogging that time around out of a kind of necessity. I felt really stuck and strangled in my job as a magazine editor. I was longing for a creative outlet and editorial freedom, so I decided to start a blog. At the same time I was undergoing a lot of personal transformations as I learned about personal development and got into healthy eating, so my online space became a place for me to explore these new interests. It began more or less as a personal/lifestyle blog, but has evolved a lot over time to become the business and resource it is today.

Where do you get your inspiration from? I’m most inspired by people who are balls to the wall following their passions and going after their dreams in an unconventional way. A lot of my writing is inspired by the things I learn from these types of people, as well as my own experiences learning to transform my life. But, as cliche as it sounds, I find that inspiration can spring from anywhere: a great conversation, an interesting film, a beautiful pattern, catchy lyrics… anything that catches my attention and gets me to look at things in a new way.

You are an advocate for self love and following your dreams how did this come about? Oddly enough, it started in a university philosophy class about existentialism. People know me as a positive, upbeat person who gets an idea and runs with it, but I wasn’t always like this. In truth, I used to be a bit of a neasayer. I’ve struggled with anxiety and depression all of my life, but I also just didn’t think the things I wanted were possible for me. I let fear rule my decisions for a long time. Existentialism is based on the idea that all of us is radically free. We all face limitations imposed on us by physical realities, our histories, material circumstances, etc. But we’re always free to choose our actions and reactions. And that’s who we are: the product of our choices and actions.

That really struck a chord with me. To be honest, I resisted the whole thing at first. It’s hard to accept that our destiny is in our own hands. It’s a lot of pressure! Around the same time that I was taking this course, I started delving into the world of personal development, reading bloggers like Gala Darling and Alexandra Jaye Johnson. I saw a lot of similarities between the concepts of self-love and existentialism – namely an emphasis on personal responsibility and taking control of your own life. I started incorporating the things I was learning into my life and my mindset started to shift. As it did, it was like my whole world started opening up. Not all at once, but slowly I started to take risks because I knew I had to take complete responsibility for my life. The things I want were possible and it would be my choice if I denied myself them. Since then I’ve focused on making bold, sparkly choices and intentionally designing my life.

Has it taken you a while to love yourself? Do you have any advice for readers? I like to make it really clear that I am not finished learning to love myself; I do not have it all figured out. Self-love is a lifelong journey. I still have my bad days when my inner critic gets the best of me or I start comparing myself to other people and I want to give up on everything. I still struggle with my mental health and have dark periods that are difficult to crawl out of. The difference is that I now have a toolbox of strategies, practices, rituals, and mindsets that help me navigate those times with love and kindness for myself. Those are the things that I want to teach people. I know now that my mind can play tricks on me and my thoughts are not always real, but I have the ability to choose a more loving thought.

I’ve created a whole course on starting your self-love journey but if you’re looking for a simple place to start, I would look at incorporating some simple mindfulness techniques into your daily routine. I’m working on a post about this right now but a simple way to start doing this is just a spend a couple of minutes connecting with your breath and noticing your thoughts, perhaps labeling them as “planning,” “worrying,” etc. and then letting them float away. As you practice, you’ll strengthen your ability to clear your mind and you’ll gain more control over your thoughts. I’d also recommend either writing down the things you’re happy and excited or grateful for or just taking note of them mentally. It’s a great practice to do first thing in the morning and before you go to bed, so you’re starting and ending each day filled up by the good things in your life.

What first steps did you take to achieve your goals? I’m still very much in the process of achieving my goals, but I guess the first step was learning to put myself out there. It can be so difficult to share your dreams or your creative work when you’re so far from where you want to be, but that’s the only way that you’ll learn and grow. You have to take action or your dreams are just fantasies. When I started blogging, the work I was putting out there was so reiterative and my inspirations were so obvious. I had to write myself into my voice and find my unique message, but if I hadn’t put that early writing out there, I never would have gotten to where I am today.

Can you tell us a bit about the courses you have on offer? I offer a self-guided ecourse called Romance Yourself: A 40-Day Journey to Self-Love. I think of it as the guiding hand, encouraging voice, and kick in the ass I wish I’d had when I started my self-love journey. Self-love is pivotal to living the life of your dreams, but it can be difficult to know where to begin. Romance Yourself will show you the way. The course provides a daily practice for you to start cultivating that feeling of love for yourself as well as daily insights and exercises to start exploring your thoughts and beliefs and creating a practice that is unique to you.

For anyone who’s feeling a little bit lost, I also have a free Define Your Dreams workbook to help start creating some clarity around your goals and what you want your life to look like. It’s completely free and you can download it from my website.

I’m currently putting the finishing touches on my new course, The Daydream Revolution, which is by far my biggest and best offering yet. It’s an 8-week course on achieving your dream and making big shit happen. If you have a bigger-than-life idea, whether it’s starting a business or going on an international adventure, or anything in between, but can’t seem to make it happen, this is for you. Through the course we’ll overcome resistance, tackle your fears, and drag your big dream into reality. At the end of the course you’ll walk way with a detailed action plan, a clear picture of how you can afford your dream, and the tools to stay motivated. Registration isn’t open yet, but if you hop over to my website and sign up for my newsletter, you’ll be the first to know when it does + you’ll get an exclusive discount.

What was your first tattoo? How old were you and do you still like it? What do you think about tattoo regret?  My first tattoo is a line of text that says “Dance like nobody’s watching” in my own handwriting around my wrist. I was 19; I got it for my birthday. It’s not my favourite tattoo but it’s unobtrusive and it’s part of my story. It’s not the quote I would be most drawn to now but it sums up my personal philosophy of living life on your own terms and always being true to who you are.

I think tattoo regret is part and parcel of being a tattooed person, the way I sometimes wake up and absolutely hate my hair, some days I wish I could wake up and erase one of my tattoos. But I’ve never experienced any lasting regret about any of my tattoos. I plan to be more or less covered in ink, so if I end up with a tattoo that I’m no longer wild about, it won’t stand out that much in the bigger picture of the canvas that is my body. And they’re all part of my story.

Which is your favourite tattoo? Do any of them have a special meaning?
All of my tattoos have some sort of special meaning attached to them, even if it’s just an association with a particular time in my life. If I had to narrow it down to my favourites, they’d be my chest piece which was done by Jessi James in Newbury. It represents self-love and personal transformation. And also the rose and bee on my knee by Cassandra Frances; I plan on getting the other one done to match. That tattoo was born out of a silly conversation with my friend about being “the bee’s knees” but I absolutely adore it.

Do you have any future tattoo plans? Are there any artists you admire? I want almost my entire body tattooed, but I like to think of it as a collection and I’m happy to curate it slowly as I can afford to get the work I want. I’m particularly keen to get pieces from Tiny Miss Becca, Emily Rose Murray, Rebecca Vincent, Peter Aurish, Danielle Rose, and Antony Flemming.

How would you describe your fashion style?
I describe it as technicolour punk rock chic! I’m a big fan of bright colours, fit & flare dresses, vintage silhouettes, statement jewellery, & motorcycle boots.

Series Review: Hannibal

Our guest blogger is hobbyist film and TV series reviewer and writer Harry Casey-Woodward. This is the second in a series of posts in which Harry will be sharing his opinions on things he has watched. Read his first review here. In this post Harry is reviewing Hannibal

Hannibal, 2013- , cert 18, 2/5

American TV shows tend to annoy me. Of course there are exceptions and this is not going to be a rant about how everything produced by America is pig slop compared to the firm upholding columns of British art, because I enjoy more American films, book and music than such things from my own country.
However, it’s the way the ‘hottest’ US dramas are shoved in your face constantly while someone’s screaming ‘YOUR LIFE WILL NOT BE COMPLETE WITHOUT THIS.’ And when you bully your busy consciousness to pay attention to them, you realise that under all the hype, the glossy technical sheen and pretty actors, there’s not a lot going on.
‘Hannibal’ is no exception. For those not in the know, this series now in its third season is about everybody’s favourite cannibalistic psychiatrist, Dr. Hannibal Lecter and is set way before ‘Silence of the Lambs’ and even before ‘Red Dragon’, the first Hannibal story.

In the show, Hannibal is somehow not yet suspected of being a serial killer (despite an overly sinister performance by Mads Mikkelsen) and he is asked by FBI man Jack Crawford (Laurence Fishburne) to be psychiatrist for Will Graham (Hugh Dancy), a special consultant for the FBI who’s ‘too unstable’ to be an agent and is revered for his ability to fully emphasise with serial killers.
There have already been two films about Will Graham. In both ‘Manhunter’ (1986) and ‘Red Dragon’ (2002), Graham is presented as a brave, intelligent individual, battling his own demons. Hugh Dancy portrays him as a toddler constantly on the verge of a tantrum. He’s this fragile genius who everyone must dance around or he’ll snap and slaughter them all. Unfortunately the suggestion that someone who looks as threatening as a teddy bear can have a dark murderous heart isn’t very convincing.

His ‘gift’ is overblown too. In the films, Will simply sees the crime scene through the view of the killer, using psychology to pick out clues. In the show, Will can not only fully re-imagine the crime but also re-enact the whole thing, thus causing further annoyance when he pretends to be some big bad psychopath every episode. The replaying of the murder is impressive the first few times, but it gets a bit old when it’s done every episode.
The tendency to over-do things lets this show down big time. Every shot has to look sensuous and glamorous, whether it’s Hannibal’s cooking or a dismembered body. As impressive as the hallucinogenic scenes and perfect lighting is, every episode is an assault to the senses which gets exhausting. Yet under the flashy imagery, the dramatic emotions and heavy dialogue on psychology and murder, the show isn’t saying a lot. All it does it cater to society’s sick obsession with serial killers, of which there are a hundred other shows and films doing the same thing.


Every episode attempts to outdo the one before in terms of gore and violence. Every episode, Will and Jack are investigating a new killer in their local area, which just feels unrealistic. So does the amount of violence perpetrated by the killers. We’ve got killers building sculptures out of bodies, turning bodies into instruments or using them as fungus gardens. While the films attempted to be realistic and in depth with the psychology of their killers, the show just uses outrageous gore for gores’ sake, which feels shallow and sick.
The one thing that could have had more spice was Mad Mikkelsen’s performance of Hannibal. It’s cool to see a cold, restricted portrayal of the character, but Mikkelsen shows so little emotion in every episode that he gets a bit wooden. I still find Hopkins’ performance more chilling. He may be tongue in cheek but he demands your attention, whereas Mikkelsen comes across as a bit lazy.

But maybe I shouldn’t be complaining about something that has been written primarily for entertainment and I should just accept the fact that I do enjoy it for the nonsense that it is. However, what gets my goat is that it tries to be some deep philosophical drama when there’s not much substance under the style. And as for being a horror show, it’s not very scary. While the films went for the classic tools of suggestion and atmosphere to creep you out, the show just throws gore in your face. But if sensual overload is your thing, this show has a lot to offer visually, and Hannibal’s cooking did make me hungry…

What do you think? Do you agree with Harry’s review? 

Images from Sky

Tattoo inspired art: Alisha Murray

Alisha Murray is a 28-year-old freelance artist from Metro Detroit, Michigan. We chatted to Alisha to find out more about her tattoo inspired illustrations, her own tattoos and she has also created an original piece inspired by Things&Ink magazine.  

Do you have a background in art? Yes, I have been doing art since a very young age. It evolved as I got older and better, and even branched into crochet and the culinary arts. Ultimately, traditional artwork is the most rewarding to me. Most of the techniques I’ve learned over the years are from trial and error, but I also learned some of the fundamentals through elementary to high school, but I never went to college for it.

Where do you get your inspiration? Inspiration comes from all places. Lately tattoos both modern and traditional have been a great source of inspiration. I  get a lot of inspiration from the walls of tattoo shops. I have always been drawn to flash art since I was a kid. My grandfather had some ink from the Navy and it always fascinated me and made me want to create similar pieces. As I got old enough to get tattooed, I really paid attention to details of pieces whether American Traditional or Traditional Japanese pieces. They are both styles I admire very much.

How would you describe your style? Most of my newer pieces are a fusion of tattoo flash and hand gestures. I really enjoy making hand gestures that aren’t very politically correct, but still have beautiful tattoos. It’s amazing how much people accept and appreciate some of my more obscene pieces. It makes me happy to know people are just as weird as I am. There are many tattoo artists that create beautiful hand gestures on flesh and I hope I’m doing them right on paper.

Are there any artists that you admire and that influence your work? There are so many amazing artist out there that I admire, such as Bryn Parrot and Liz Clements. Others such as Garth Hixon, Daniel Cotte, Iris Lys, Drew Linden, Anna Sandberg, and Gareth Hawkins have inspired and impacted my work immensely. Every day I see new work from these amazing tattoo artists and I can’t help but be inspired. Their talents make me want to better my work and my knowledge of the tattoo culture.

What medium do you use? I use many different mediums, but I mostly use pen and ink mixed with digital for my hand gestures. I line everything out and finish the background on Photoshop to give it a clean solid colour. Once in a while I’ll use ink and nib with liquid acrylic and watercolour to practice my line work.

Do you have tattoos? Do they have a personal meaning to you? I have many tattoos. I can’t really count them any more. I’m completely solid from my neck to my knees with traditional Japanese pieces. From under my knees down I have some American traditional pieces that I have created or my artist has. I’ve always wanted a full body suit and I’ve been working on it since I turned 18. I always embraced my grandmothers Japanese heritage and was raised learning some of the traditions. Most of these pieces I have are based on Japanese folklore monsters. I always loved the stories behind the mythology of Yurei and how each Provence has different adaptations of them. I knew it was taboo to get ink and be completely covered in tattoos, but I can’t imagine anything more beautiful that someone could do to their own body. It’s definitely the only body enhancement I will partake in. I also have matching tattoos with my husband of our two dogs that I designed. Definitely the biggest matching tattoos I’ve seen. Garth Hixon of Village Tattoo in Romeo, Michigan is the artist behind 99% of my existing body suit.

Where can people buy your art? My art can be purchased at a couple of online stores such as society6.com/alishaannredbubble.com/people/aamurray, and my very own website, scoobtoobins.com. Society6 and Redbubble also carry my work on apparel, bedding, and more.

Cats in Kimonos

Here’s a little something to brighten your day…
A new Japanese craze of dressing cats in kimonos, has anyone done this to their own cat?

 Images from Bored Panda