Author: Rosalie Hurr

I started out as the one and only Things&Ink intern, fast forward a fair few amazing years and I now run the blog and our social media accounts. You'll more than likely find me scrolling through Instagram (@cupofrosalie) looking for new tattoo artists to share, surrounded by my cats and a cinnamon bun or two.
Posted on

Interview with tattoo artist Nicola Asura

Nicola Asura creates surreal blackwork tattoos at Lightbearer Tattoo in Graz, Austria. We chat to the artist to find out more about the process behind his large scale pieces, what inspires his work and future plans…

How long have you been a tattoo artist and how did you get into the industry? I’ve been tattooing for around five years now. I made my first contact with tattooing culture when I got into the post/hardcore music scene 10 years ago. Seeing all those band members covered in ink sparked my interest in tattooing as an art form.

Do you have a background in art? Coming from a very creative family, both my parents were architects, I grew up with a pen in my hand. I always enjoyed doodling on everything I could find, although I would say that there is a big difference in doodling and really mindfully learning how to actually draw.

A year into tattooing (four years ago) I made the decision to see art and drawing as a full time job. I made the move to become the artist I imagined myself to be.

Instead of just doodling mindlessly I made a plan to get better at drawing which included:

  • Choosing a specific topic (birds at that time)
  • Limiting myself to only draw that topic.
  • Learning everything about the topic through books, videos and studying how they move, their anatomy etc.
  • Drawing and sketching mindfully 6-8 hours every day, at least five days a week

Very quickly I started to see progress. Soon I wasn’t only getting better at drawing birds, but also other things, because I grasped the concept of learning how to get better at drawing. For me, this system worked.

Why did you want to become a tattooist? Before I got into tattoos my dream was to become a concept artist for Blizzard (Video Game Company) and draw orcs and other creatures for a living.

When I got into tattooing I realised that there were artists that came up with their own creature designs to decorate the body and naturally I was more drawn to that, than the video game direction.

How would you describe your style of work? Surreal creature elements cast on skin in a bioorganic way so it complements and works well with individual body shapes. Or just blackwork, for the more broader term.

How has your work evolved since you started tattooing? My style, if I can call it that, currently evolves at a very rapid pace. Back when I started out my tattoos were more stiff, stickeresque and bold.

Nowadays the priority of all my design processes is aligning the concept on skin with the body shape to create a certain flow. My work is definitely more fluid and open than a few years ago.

Can you tell us about the process behind your large scale pieces? Every client of mine, when I am not on a guestspot, has to come in for a consultation before we meet for the first tattoo session.

During that consultation the client will tell me their idea, placement and size. Then I know if I am up for the motif and idea, I can tell them how I envision the idea in my head and how that will or won’t work with their idea of placement and size. It’s a very important dialogue that has to be had in person. That way my client and myself, can speak our minds and figure out a baseline for our future project.

After making sure we are on the same page regarding the concept I’ll take pictures of the body part. Either I print out the picture, or trace it with paper from my iPad. I always start out drawing traditionally with graphite and tracing paper which I can have multiple layers of.

Once I have a concept on paper that I feel completely satisfied with I then take a picture and import it into the procreate app. This allows me to very quickly experiment with changing shapes and sizes of certain parts in the drawing.

As I, most of the time, work freehand (no stencil, drawing on skin), I don’t need to make a stencil so having this concept visualised is already more than enough for me to work with. On the day of the tattoo I’ll show my client the rough concept which I then draw on skin, layering it with multiple coloured pens.

This allows me to really work with body lines and shapes making sure I can make the most out of every project with my knowledge at that moment in time.

What’s your favourite subject to tattoo and what would you like to do more of? The themes that I always love to dive into are fantasy, creature design, surrealism and flora / fauna.

Usually I just take something from each theme and mush it into one design concept, it always depends on my client’s idea!

What’s the tattoo scene like where you are? Currently I am located in my hometown Graz, in Austria. There are few contemporary tattoo studios, it is definitely more on the quiet side concerning tattoos compared to other cities.

Do you have any guest spots or travel planned? For now I am quite cosy in my resident studio, maybe some trips to Berlin this year!

Can you tell us about your own tattoo collection? Are you a collector and do you have any future tattoo plans? I did collect a lot of tattoos from artists I admire. Anrijs Straume (UK), Stefan Halbwachs (AT) and Gara (KR) for example. Gerhard Wiesbeck (DE) and I started my bodysuit to cover/blastover lots of older tattoos, so that is still ongoing and takes a lot of time.

What’s been your proudest moment in your career so far? The proudest and best moments are always meeting other likeminded passionate (possibly even obsessed) tattoo artists and delving into tattoo techniques, machines and ways we can shape the body together.

These talks are precious to me as I love to get lost in those topics and have long conversations where our eyes light up as we’re sharing knowledge and learning more from and about each other.

What do you do when you’re not tattooing? Drawing and preparing for tattoos. Also being out in nature with my dog Aslan, bouldering (indoors/outdoors) and playing video games.

Where do you see yourself in five years? Hopefully doing bodysuits. I’d love to work on full body concepts, creating surreal creature landscapes on skin that you can see and make out from further away.

Follow @nicolaasura for more fantasty tattoos and large scale pieces.

Posted on

Interview with tattoo artist Pokhy

Tattooist Pokhy owns a private studio in Seoul, South Korea. We chatted to the tattooer about what tattooing means to her, the beautiful blue tattoos she makes and her favourite tattoo experience…

How long have you been a tattoo artist, how did you get into the industry? I’ve been a tattooist for five years now. Before I was a tattooer, I worked as a graphic designer for seven years.

I took a break from my work as continuously working overtime meant that both my work and my health were deteriorating.

During my career break, I had the chance to learn tattooing and experience tattoos for the first time. 

Why did you want to become a tattooist? I have always been deeply inspired by the art that lasts on the body forever, rathert than computer graphics or design and so, I decided to become a tattoo artist.

In an era where all media is consumed quickly, art that remains forever is very attractive.

How would you describe your style of work? I usually use thin needles to create my tattoos. The style of tattoos that I make have fine details and vibrant colours.

Most of my tattoos are of natural objects, and these days I’m working on a lot of nature inspires pieces that mainly use blue ink.

Does your heritage or where you live influence your art? My mom likes to do small amounts of gardening at home. So, my house is always full of many plants and flowers. I have a natural affinity for plants and I love to draw them.

What attracted you to colour tattoos, in particular blue in? I simply love blue.

What’s your favourite subject to tattoo and what would you like to do more of? I like tattoos that flow along the shape of the body. For example, I like free-form natural objects such as the tentacles of jellyfish and the stems of long petals.

I want to try a large tattoo that covers the entire back or wraps around the entire leg.

What’s the tattoo scene like where you are? Korea has not yet recognised tattooing as a profession. It is illegal for tattoo artists to do tattoos. That’s why so many talented tattooists are working abroad.

The number of people getting tattoos is increasing, but the legal system is still in the past. I’m hoping for a gradual change. Although tattooists are not protected by law, the consciousness of the country’s citizens is gradually improving due to the popularisation of tattoos.

There are so many talented tattoo artists in Korea. The day will come when they are recognised.

Do you have any guest spots or travelling planned? I plan work in Australia next year and then work in the US.

Can you tell us about your own tattoo collection? Are you a collector and do you have any future tattoo plans? It’s a collection of my favourite things. I have tattoos of my pet, life’s motto, so many colours, favourite flowers, my religion and so on. It’s like my personal diary.

What’s been your proudest moment in your career so far? I received a letter from one of my clients, I had covered up some old scars with my artwork. She told me that her heart warms whenever she sees my tattoo and that she gains strength to continue to live in this world by looking at her beautiful tattoo rather than painful memories.

That letter was more valuable than winning any contest or any amount of money.

What do you do when you’re not tattooing? I do indoor rock climbing as a hobby. And I spend some time resting with my lovely cats.

Where do you see yourself in five years? The most famous tattooist in Korea.

We love Pokhy’s ambition, be sure to follow @pokhy_tattoo for more beautiful blue tattoos.

Posted on

Interview with tattoo artist: Dino

Tattooist @dino_oriental creates striking blackwork tattoos with red constrasts at @10kf_Hollywood in Los Angeles, CA. We chatted to the artist about his recognisable style, journey into the industry and plans for the future…

How long have you been a tattoo artist, how did you get into the industry and why did you want to become one? I have been making tattoos for about eight years. I was a professional Korean soccer player before I became a tattoo artist.

Unfortunately, I had to have six surgeries on my left ankle which meant I couldn’t play soccer any more. I should have had a back up career ready but I found my second career a little later.

I have liked getting tattooed since I was young and my favourite soccer player, who played for Liverpool in the English Premier League, became a tattoo artist. Seeing this I became motivated to emulate his life and career, I then chose a job as a tattoo artist for my second life. So, I studied, watched YouTube videos, searched the internet, bought machines and supplies, and started my second life as a tattoo artist.

How would you describe your style of work? All of my designs are based on the traditional Japanese painting ‘Ukiyo-e’. Many of these traditional paintings resemble and feature legends and historical stories, which is why I get a lot of my inspiration from these traditional paintings.

I also like pictures that have a strong contrast. That’s why I usually use red colour ink to create a strong contrast between the black and red. I try to create a beautiful and strong atmosphere by using brush lines accompanied by many other lines. This helps to create a classic yet sophisticated feeling in my work.

Does your Korean heritage influence your art? I mainly do traditional Japanese style tattoos, but I get a lot of inspiration from Korean history and paintings. Japan and Korea have a similar history. Sometimes I get some of my ideas from traditional Korean paintings and study how the paint works.

When I lived in Korea I visited Korean temples; each temple has various traditional murals and I found inspiration in them. As I said above, most of my designs are based on the traditional Japanese painting Ukiyo-e, but I can also get a lot of inspiration and ideas from Korean heritage.

You typically tattoo in black and red ink, can you tell us more about this? I like art to have astrong contrast. A few years ago I went to the London Tattoo Convention to study the work of other artists. Looking at the body suit contest I spotted one model in particular who was tattooed in a style I liked the most and wanted to create. The tattoo had a very strong contrast, and it was very clear and intense even from a distance.

So, I tried to find a way that I could make this kind of contrast my tattooing style. I wanted to make it beautiful so choose red as I think it’s a beautiful and intense colour. I also like using the red to create a strong contrast, intensity and beauty when it harmonises with black.

What’s your favourite subject to tattoo and what would you like to do more of? I like to tattoo dragons the most. Although sometimes when I tattoo the dragon’s shadow the scales drive me crazy or I feel bored as I have to make hundreds of scales. But the sense of accomplishment and the look of the design is ultimately really cool and beautiful.

Also dragons are interesting to learn about, I like finding different styles of dragons. They’re mythical, legendary animals whose appearance is individual to the East or West or even each artist. I want to make my own style of dragon to feature on murals, bowls, clothes etc.

What’s the tattoo scene like in LA? I’m living a very satisfying life here, making tattoos for now. There are so many artists and special and unique people in LA. As such, there are a lot of tattoo shops, and there are great artists in various tattooing categories. Everyone likes to enjoy the tattooed life, it allows them to express their indivulaity and capture precious moments and things on their bodies.

There are people from different countries here which makes for fun tattoo projects. While talking to them, I learn their country’s culture and I can make tattoos that resemble their meanings for them. A project that starts with new people and people who like my work, always makes me excited and happy.

Do you have any guest spots or travelling planned? My plans start with the Philadelphia Convention in January. I then have plans to tour Asia in March, New York in May and Europe in July and September. I’ll be at conventions and doing guest spots.

I haven’t been able to travel as much as I would have liked, so I’m keen to get travelling again. It’s a good challenge in my career and allows me to create interesting prjects with lots of different people.

Can you tell us about your own tattoo collection? Are you a collector and do you have any future tattoo plans? I have tattoos almost all over my body, but I got most of my tattoos from my tattoo artist friends, my wife and I did some myself. 

My legs have a lot of cover-up tattoos because while I was learning to tattoo I tried various designs on myself. I also have a lot of blackwork on my upper body as I did blackwork style tattoos being I did traditional Japanese tattooing.

I have got a lot of my tattoos from my Korean friends and friends I have met while travelling. They’re all precious to me. In fact, I’ve forgotten the names of some of the tattooers who have tattooed me, but I still like to look at those tattoos and reminisce. I’ll continue to travel round the world and get tattoos from my good friends and artists.

What’s been your proudest moment in your career so far? My happiest and proudest moment was when I won first prize at the Taiwan Tattoo Convention. Amazing artists from all over the world attended and I was very happy that my efforts were rewarded when I won first place in the contest.

Some artists may not like these events, but for me, conventions motivate me and allow me to set goals to move towards. Looking at the works of countless great artists helps me see the differences between our works. I find my shortcomings, get ideas and things to try in my next tattoo. I feel like I can gradually find my own style.

What do you do when you’re not tattooing? When I don’t get tattoos, I enjoy doing things that inspire me or exercising. I play golf, go mountain climbing or exhibitions with my wife. I also like to talk with her and organise my thoughts. Because she’s also a tattoo artist, we understand each other, give advice, and have many conversations and hobbies together.

Also, due to the nature of my job, I have to sit down and work for a long time, so exercise is essential to me and it gives me a lot of energy. I am always organising my thoughts and making plans so that I can move forward with my goals.

Where do you see yourself in five years? I’ll probably have my own shop in LA and keep working on tattoos. I want to collaborate with the artists that I like and respect not just tattooing but other artistic outlets. My small goal is to not stop moving forward, not just in tattooing but in language studios and painting. I want to keep attending conventions and travelling the world. I’m sure in five years time I will be more developed and mature in all my abilities.

Follow @dino_oriental for more incredible tattoos and travel plans.

Posted on

Safe space tattooing with Clair

Clair tattoos at Degenerate Art Tattoo Studio in Staffordshire, UK. Describing herself as a dsisabled artist, we chat to Clair about her tattooing style, plans for the future and the lack of representation in tattooing…

How long have you been tattooing and how did you get to where you are today? I’ve been tattooing for around four years including my apprenticeship. I was previously a fine artist working with painting, sculpture and installation art and taught design in secondary schools. I left teaching as I had issues with my health, but ultimately I found I was burnt out and unfulfilled in that career.

I had a little bit of time where I couldn’t work as I was very unwell. During this time I had my first tattoo and with it the realisation that maybe there was something else I could do with my skill set and passion for art and design.

How would you describe your style? I think my style is a bit of a mixed bag – sketchy stippled blackwork has become the main staple, featuring lots of flowers, nature themes, and some cartoons. But I also tattoo a lot of bold colour work with Disney, cartoons, kawaii and gamer influences.

What inspires you? Super cute cartoon characters and plushies. I’ve been obsessed with Carebears since I was a very small child. I also love nature and being able to get out with my dog Rufus, this always gives me lots of inspiration. I’m often found photographing flowers and fauna.

I love artists from the fine art world such as Chris Nathrop, Anselm Kifer, Yayoi Kusama, Andy Goldsworthy, James Turrell and Fiona Rae. I like being inspired by different forms of art.

I love to travel – the differences in culture, climate and ideas are always exciting. I’m hoping next year to be able to travel more, doing guest spots and conventions. I have big plans in the future to explore Canada, Australia, more of Asia and Indonesia with my daughter and tattoo wherever possible.

What do you love to tattoo, do you have a wishlist? I love tattooing cartoon characters especially when I can mix them with florals. I would also love to do more character work – Steven Universe, Attack on Titan, Carebears and Bluey, as it’s our household’s latest obsession, and some Lord Of The Rings-inspired pieces.

As I come back from maternity leave I have a big desire to push my work and skill set, it’s given me time to reflect and think about my growth as a person and artist. 

I want to try out new ideas and these include large-scale abstract rainbow pieces and flowing nature root/branch-style pieces that entwine and work with the body’s natural shape. I’m hoping to push myself to do more freehand work and develop my black and grey realism skill set too.

Do you prefer to work in colour or black and grey? I like both! How I work reflects the split in my personality and style. I like working with both the different techniques and the development of style and technique for each. 

I feel it’s part of my nature to want to do a bit of everything and explore as much as I can with this art form. 

In your Instagram bio you have ‘disabled artist’ can you tell us more about this? I’ve been disabled for several years now. I had an injury to my spine as a child which has set me up for a wide range of issues in life and a few other comorbid chronic conditions have come along later. I suffer especially from pain which can be extremely debilitating.

Tattooing found me at a stage in my life where I was on the verge of giving up, it’s saved me, and has given me a new passion and purpose. I can work as a disabled person as tattooing offers such freedom and flexibility for my ups and downs with managing my conditions. 

I think calling myself disabled as an artist is really important as there is a lack of representation within tattooing. 

Does this influence how you tattoo? So with my chronic pain and mobility issues, I have to be careful with the type of tattoo projects I take on, the placements and the type of machines I can use.

For example, I can’t really stand or bend excessively when I tattoo as I find that incredibly painful, it’s a huge limitation but it’s something I’m now used to. I have to use lightweight machines and plan my days very carefully with my use of energy. 

Is there a particular type of space you want to create while working? So I’m passionate about creating more accessible spaces within tattooing – for artists and clients. 

I just think it should automatically be thought of when setting up a studio, whether it’s a street shop or more private space, that includes suitable and well-thought-out access to the frontages, doors, steps, corridors and accessible bathrooms. But that’s not the norm from my experience. 

I’ve worked in a few studios that will not provide accessibility and that’s just embarrassing to not be able to offer basic human rights to clients.

So, where I’m working from now there is a commitment to finding a way to open up the studio so it’s more accessible to all clients. It’s a work in progress as I’ve been on maternity leave but I’m hoping real progress can be made. 

Can you tell us about a memorable tattoo experience? Being tattooed by Anthony Lennox – I had a sloth tattooed on my lower leg. It was just an all-round memorable day, with the tattoo design, getting to see how he tattoos, the studio set up, and the other clients and artists there. It’s the best when a tattoo artist whose work you love turns out to be absolutely lovely!

What was your first tattoo, do you still love it? My first tattoo is a slice of cake and some sweets done by @KeelyGlitters. I still love it and that’s what inspired me to even think about becoming a tattoo artist.

What’s been your proudest moment in your career so far? I have a lot of proud moments but ultimately it comes down to tattooing so many people that have said they have felt safe, respected and happy with me and their tattoo.

That’s so important to me and as I strive to become a better artist, person and now a mother. I want to continue in my journey to make sure clients are made to feel comfortable and happy throughout the tattooing process. 

Follow Clair for more awesome tattoos, available designs and book in via her website.

Posted on

Interview with tattoo artist Jooyoung

Tattooist Jooyoung creates beautifully colourful floral tattoos near Hongik University in Seoul, South Korea. Here she tells us all about her journey into the tattoo world and love for travel…

How long have you been tattooing and how did you get started in the industry? This year marks 11 years since I first began tattooing. I have had a talent for painting since childhood and I have always enjoyed drawing.

I began to explore the tattoo industry as I wanted more opportunities to display my painting skills. When I became an official tattoo artist, I fell in love with this profession and have been practicing it ever since.

To have a deeper understanding of tattoos, I also studied English and attended multiple international tattoo exhibitions.

What inspired you to become an artist? Do you have a background in art? My interest and passion for art is my primary source of inspiration. I have art education. I worked as an art instructor at the academy for a long period after graduating from art school, although I wasn’t very interested in it.

At the time I was looking into how I could increase the value and reputation of my paintings. I happened to come upon a tattoo by chance and decided to challenge myself to do it professionally. 

How would you describe your style? What drew you to colour tattoos? My tattoos are often delicate and use a variety of colours. I’m skilled at creating tattoos with fine lines in various colours. I also incorporate a contemporary Korean style into my tattoos.

If I think about the reason I got into colouring tattoos, I believe it’s because I have always liked painting with different colours. Colour tattoos require a great deal of effort and time, but they are always pleasurable.

What inspires your designs? Does your heritage influence your art? Where I grew up was abundant with nature. I’ve always been interested in nature because I grew up surrounded by mountains and fields and spent time outdoors with my friends. I was greatly inspired by nature. I prefer mountains and the sea and I am a fan of plants and flowers.

Can you tell us about the process behind your tattoos? What do you like to tattoo and what would you like to do more of? Tattooing was not a smooth journey for me, especially during the first year or two of my career as I encountered numerous obstacles. Even though I now enjoy tattooing after numerous different experiences, I was initially terrified and lacked confidence.

I like doing small-sized tattoos. When I initially began doing small-scale tattoos, I experimented on my younger brother. I was so anxious and overwhelmed that I had no idea where to begin. Fortunately, my teacher was really kind and taught me how to do it and so I felt much better and began to gain confidence. Small tattoos are difficult to create since they require a great deal of design and detail to be unique, but I have mastered the skill through extensive practice.

I would like to try something new in the future. I will experiment with more tattoos with unique styles and designs. I will also make an effort to create more large-scale tattoos, which involve different abilities and designs.

How do you see your tattoos evolving in the future? Now that I am proficient with small-sized tattoos, I plan to experiment with various styles. I will continue to create colour tattoos in the future, as they are my expertise and my favourite. However, my tattoos will become increasingly unique and larger.

What was your first tattoo? Do you still like it? How has your tattoo collection developed since then? My first tattoo is a floral watercolour design. This tattoo was given to me by my best friend, who is a renowned tattoo artist. I like it very much. To this day, I vividly recall how painful the process was. It was too large for my first tattoo. I got the tattoo over two days sitting for for five hours each time, and it hurt so much.

Since then, when I do tattoos for others, I concentrate primarily on smaller designs because they are less uncomfortable.

Where’s been your favorite place to travel and tattoo? England is an excellent travel and tattoo destination.

I was in England as part of a guestspot. I had a wonderful and unforgettable experience. I did some excellent tattoos and met nice people there. The weather, the guests, and the vibe at that time were all perfect. 

Do you have any travels or guest spots planned? Next year, I intend to work in Europe. Europe is a lovely and romantic region with several attractions. After completing my guest work, I intend to travel with my husband on a lengthy trip.

What’s the tattoo scene like where you are? Tattoos are still seen negatively by the majority of Koreans, but tattoos are gaining popularity among young people. Due to legal and medical restrictions, tattooing in Korea is not as free as in other countries. I hope that people’s attitudes of tattoos will change in the future. I am also aiming to increase the popularity of tattoos.

What do you do when you’re not tattooing/drawing? When I am not tattooing, I prefer to exercise or enjoy my personal time by doing things like reading. Once a week, I also enjoy spending time with my husband and engaging in enjoyable activities. 

What moment in your career are you most proud of? I enjoy doing tattoos for people from various countries. I also travel to various countries as a guest spot and attend tattoo conventions. These opportunities allow me to experience a variety of things and engage in artistic exchanges with top tattoo artists. As a tattoo artist specialising in the Korean style, I am also pleased to represent Korea through my tattoos and educate a wider audience about Korean tattoos.

When I receive recognition from a large number of tattoo lovers and other professionals, I feel the most accomplished. This strengthens me and motivates me to work harder. If they enjoy and value the tattoos I’ve given them, I feel that my value is increasing.

Follow @jooyoung_tt for more incredible floral tattoos and travel updates.