Author: Rosalie Hurr

I started out as the one and only Things&Ink intern, fast forward a fair few amazing years and I now run the blog and our social media accounts. You'll more than likely find me scrolling through Instagram (@cupofrosalie) looking for new tattoo artists to share, surrounded by my cats and a cinnamon bun or two.
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“I’m often inspired by the unique ideas that my clients bring to the table,” interview with tattoo artist Nonlee

Her career in tattooing was sparked by an encounter that changed up her thinking. Here, tattoo artist Jungyeon Kim ( known as Nonlee / @non_lee_ink ) shares her story. And how she morphed her style into the incredible ethereal tattoos she creates today at Ziho Gallery in Seoul, South Korea. Grab yourself a cuppa and settle in for the journey.

What made you fall in love with tattoos?

Before becoming a tattoo artist, I spent nine years teaching students watercolour painting and pencil drawing. One day, a student came to my art class with a unique request: he wanted to learn basic drawing skills to pursue a career in tattooing. While I had personal experience with tattoos, I’d never considered becoming a tattoo artist myself.

This encounter sparked a new interest in me. Even though I found joy in teaching and seeing my students succeed, I always yearned to create art for myself. The pandemic, despite its challenges, provided me with the opportunity to explore new avenues.

Jungyeon Kim (Nonlee)

Your background is in art and teaching, what drew you to this in the first place?

I began teaching art out of necessity. Like many art students, I needed a part-time job to support my tuition and art supplies. Having graduated from an art high school, I had a strong foundation and was able to earn a higher hourly rate. Even after graduating from university, I continued teaching because I enjoyed the interaction with students and the work was a good fit for my outgoing personality.

With your teaching experience, would you ever consider having an apprentice?

I have prior experience teaching tattooing. I currently work with tattooist Ziho at Ziho Gallery in Seoul, Korea. We occasionally hold tattoo workshops. While Ziho primarily leads these workshops, I’ve assisted him and co-taught on several occasions.

Tell us more about the studio, what’s it like?

The studio houses a diverse group of artists, and I find it both beneficial and enjoyable to collaborate with individuals who share similar styles and genres.

How long have you been tattooing for?

I began my tattooing journey in March 2021 under the mentorship of renowned tattoo artist Ziho. I wanted to maximise my artistic potential and create a style that best showcased my abilities.

We love your tattoos, can you tell us about your own tattoo collection?

I have around 17 tattoos. While I cherish them all, three hold a special place in my heart. The most recent one, which has just healed, is florals from @sian_ttt. The second one is a beautifully recreated moth tattoo done by @n.o.u.v.e.a.u. And the third one was done by @oozy_tattoo, one of the artists who inspired me to start tattooing.

Tattoo by @sian_ttt
Tattoo by @n.o.u.v.e.a.u
Tattoo by @oozy_tattoo

Your work has a magical quality to it – ethereal and beautiful – how would you describe it?

My style is primarily based on hyperrealism but leans towards botanical illustration. The most distinctive feature of my tattoos is the use of vibrant and bold colours.

My background in fine art allows me to incorporate elements of oil painting and watercolour techniques into my tattoos, resulting in a unique style that sets me apart from traditional tattoo artists.

Have you always painted?

My undergraduate major was sculpture. However, I’ve also explored two-dimensional mediums such as painting and printmaking. While I’m currently focused on tattooing, my sculptural background has given me a strong foundation in three-dimensional form and light and shadow, which I believe enhances my tattoo designs.

Where does your inspiration come from?

Nature is my biggest source of inspiration. Everything in nature can be a subject for my tattoos. I often go bush walking, visit the beach to observe marine life, or simply explore my surroundings. I spend a lot of time photographing plants in my neighbourhood, especially during spring and summer.

How do you like to work with customers? Do you do mostly custom work or flash too?

I primarily create custom designs tailored to each individual client. I enjoy exploring new subject matter, and I’m often inspired by the unique ideas that my clients bring to the table. However, I also create flash designs, which allow me to explore my own personal interests.

What’s next for you? How would you like your work and style to progress?

I’m interested in gradually transitioning to larger-scale projects. As an artist who pays meticulous attention to detail, I am exploring ways to maintain a high level of detail while scaling up my work.

Do you ever do guest spots and how do we book in?

I announce the dates and locations of my guest spots on Instagram. I usually post this information one to two months in advance, so it’s best to follow my account for updates. In countries where there is potentially a large customer base, spots can fill up within a week.

Make sure to follow Nonlee on Instagram @non_lee_ink for more tattoos and to book yours.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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Upside down tattoos: Which way up should I have my tattoo?

Everyone in the tattoo world has an opinion on this. So tattoo artist and owner of “Surrey’s best tattoo studio 2023” Laura Raña (@lifeininklr) weighs in on the debate… should your tattoo face you or those around you…?

Tattooing has been around for thousands of years. There have always been traditions and ‘rules’ that needed to be followed. And one general rule is that all designs should face the centre of the body – the heart.

For example, front thigh tattoos should face inwards towards each other. And top outer arms will face forward in the same direction the body faces.

Tattoo placement wasn’t always a choice. However, tattoos can now be placed wherever you want.

As a tattoo artist for almost eight years, I’ve had multiple discussions with clients and other tattoo artists about placement – what works and what doesn’t. And it seems to be a reccurring subject that causes huge disagreement and divides so many people time and time again.

So, does it really matter which way up your tattoo is facing? Should it be for you to see or for others to enjoy?

It depends on the subject, for example to invert a face, that we are all used to seeing in the typical position (eyes above the mouth) may be perceived as grotesque. If a face is upside down it may appear unfamiliar or even “wrong” to our brains.

This is because of the exposure effect. The image projected on to the back of our eyes is upside down. Our brain decodes this image so that we perceive it the right way up.

Whether a tattoo is upside down wouldn’t matter if a tattoo is solely for its owner and not for the eyes of those around us.

I have found that those who have just one or two tattoos tend to choose very significant designs. Sometimes, the collector doesn’t want to share these with other people. The tattoo may be a reminder of a lost loved one or a nudge to keep going despite any obstacles.

These tattoos might be so personal that actually it’s no concern of others to see or even comment on. It’s very important to the client to have them facing them. It doesn’t matter if they are seen as “upside down”. It’s also fair to say that it’s the individual’s right to choose the placement for those very reasons.

Following tradition

Most tattoo collectors like to follow the traditional rules of placing their tattoo so that it faces outwards and towards other people. The rules comes from the many tattoo artists before us, their ideology of what aesthetically is pleasing and what fits the flow of the body, always facing the heart.

Because it’s the way it’s always been, a lot of artists will refuse to break tradition and place a tattoo “the wrong way”. I’ve seen arguments between artists and clients about this several times. Neither side has wanted to give in, leaving the client very angry and the artist out of pocket.

Personally, I think we should follow the “rules” with such a longstanding form of expression that goes back to the beginning of civilisation. It seems only right to place designs so people can enjoy your chosen artwork. Aesthetically, it looks more appealing. But of course, I discuss this with every client that steps inside my studio.

Times are changing

But tattooing is moving away from old school, bold thick lines and there’s a new style in vogue: fineline super dainty style. Anything is possible, and more people know exactly what they want. They’re not willing to compromise and don’t care for other people’s opinions when it comes to their chosen body art.

The current trend of patchwork tattoos allows us to bend the “rules” slightly, too. Smaller stamp-like tattoos are placed angled with mismatched positioning which adds to the stickered sleeve effect and uniqueness.

Find the right artist

Ultimately, it’s up to the client and their preferences which way up the tattoo goes. But give it some thought before you head to the studio and mention it to your artist when you book in. I always give my clients the right to choose what makes them happy and to enjoy their tattoo – whichever way up it sits.

The idea of a right and wrong way also opens up discussions – once placed, the tattoo will always have a slight distortion on the body, as we aren’t poles … we taper and twist, so placed the right or wrong way up, the tattoo will still look slightly distorted depending on what position your body is in – begging the question, so does it really matter?

Ambigram tattoo design

If in doubt…

Get an ambigram tattoo. These are designs where different words or symbols can be read from different angles. They are designed with a special kind of symmetry or mirror effect. This allows the word to remain readable even when viewed upside down. Like others, you might enjoy getting them inked for their unique and sometimes mysterious look.

What do you think? Which way is the right way up? Let us know…

Make sure to follow Laura on Instagram and read our interview with her too.

Words and tattoos by: Laura Raña

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“Pixel art tattoos are a unique style that requires absolute precision and a high degree of creativity,” interview with tattoo artist Mr Pixel

He grew up playing loads of video games, so tattoo artist Mr Pixel (@mrpixel.tattooer) who’s based in Singapore, brings that nostalgia into his tattoo style. It reminds him of a simpler time, which especially resonates with us as we came of age in the digital era. Who doesn’t miss their Sega Mega Drive and their 90s childhood bedroom? But pixel tattoos are definitely having their moment in the spotlight so we caught up with the artist to find out more about how he honed his pixelated craft and how he takes inspiration and, well basically, pixelates it … yep to pixel tattoos, nope to pixelated photos…

When and why did you fall in love with tattooing?

I was always curious about tattoos since I was young – mostly because of my dad’s influence. He has a full back eagle tattoo. As a child, I was always curious and fascinated about it. I loved looking at it. It made me wonder about why and how we can have a piece of art work drawn on our skin and hidden under our clothes.

The day I did my first tattoo was the best feeling in my life, because I fell in love with it right away. Being able to express my artwork on and with clients who share and feel the same is amazing. 

Another moment was when I participated in The Lion’s Gate Singapore Tattoo Convention 2024 and competed for Best in Small colour category. I managed to execute a piece of flawless artwork for my client and I’m humbled to be awarded second place. It was fulfilling and a proud moment that keeps me motivated and I look forward to more challenges ahead.

How long have you been tattooing? How did you learn and what was it like learning? 

I started tattooing during the COVID pandemic, I did not go through a traditional apprenticeship. I learnt along the way and I’ve been fortunate to meet amazing artists who guided and shared with me. With a lot of hard work and dedication and together with the support of my sponsors and pro team such as Poseidon Tattoo, Drpickles and World Tattoo Events, I was exposed to more opportunities.

What was your first tattoo experience like?

My first tattoo was done on my thigh! It was a pixelated Pac-Man and that started my journey of pixel tattoos. It was challenging because I needed to focus on my techniques and endure the pain. 

How would you describe your work? 

Pixel art tattoos are a unique style that requires absolute precision and a high degree of creativity. Each design is meticulously crafted, often invoking a sense of nostalgia by bringing back childhood memories of early video games and 8-bit art. These tattoos are not just body art. They are a vivid reminder of a simpler time, resonating deeply with those who grew up during the dawn of the digital age.

How did you develop your style to what it is today?

I grew up playing a lot of games, I enjoy redesigning and expressing my work with a touch of digital age and a sense of nostalgia. Putting colours into my work is essential to bring out the look and feel that I want to achieve. 

What’s your favourite subject/topic to tattoo? Do you do more flash or custom work? 

I enjoy working on custom projects, redesigning any references into a pixel art tattoo, giving it a facelift of a digital look. I enjoy doing both flash and custom work.

What do you like to do in your spare time? Does this inspire your tattoos? 

I love travelling, experiencing different cultures and meeting new people. I’m humbled to be on the pro team of World Tattoo Events, which gave me the opportunity to travel around the world, competing and judging in various tattoo conventions. 

What’s it like tattooing in Singapore?

Despite being a small country in size, Singapore has a dense population with people from different races and cultures. The tattoo scene in Singapore is great! People are open and accepting with tattoos and Singapore is home to many amazing tattoo artists as well. 

Any thoughts on the tattoo world as a whole? Where it is now and anything you hope might change?

I want to continue meeting great artists, learn and share new experiences and knowledge. I want to leave a legacy behind and I am inspired to be one of the best pixel artist internationally.

I’m honored to be invited as part of the panel of judges in the recent Ancona International Tattoo Convention 2024 in Italy. I’m also invited to judge for various conventions in 2025 such as Inkdian in Goa, Art Culture Convention in Chennai and ArtisticInk Festival in Thailand. This gives me an opportunity to give back my knowledge and insights back to the tattoo industry.

What are your hopes for the future?

Over the past few years, the growth in the tattoo industry was enormous. New equipment, tattoo ink, needles, sterilisation and aftercare products made significant improvements in tattoo quality on skin. I hope to inspire artists to keep up with new knowledge and equipment and make the industry a better one!

Make sure to follow Mr Pixel on Instagram @mrpixel.tattooer for more tattoos and to book yours.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“I’m cautious about labelling my style, as it makes me feel confined. I enjoy presenting my playful perspective on themes and asking, How about this? Isn’t it fun?” interview with tattoo artist Woo

Yep, yep it is fun… We’re obsessed with the weird and wonderful world of tattoo artist Woo (@lonely_weirdo_club) who’s based in Seoul in Korea. Think Botticelli’s The Birth Of Venus but it’s kewpies wrapped in spaghetti! Yep, told you, we’re OBSESSED. So we couldn’t wait to find out more about Woo’s tattoo journey…

When did you first fall in love with tattoos?

I grew up in Asian culture, which often suppresses individuality, so I’ve always had a resistance to that. Tattoos seemed free and cool, and I became fascinated by them. They provide a way to express our unique identities, which I find amazing.

How long have you been tattooing for and what was it like learning?

I’ve been tattooing for about 16 years now, and I’m still learning. I constantly seek feedback on what to improve and what to maintain in each piece. I strive to upgrade my skills in various ways. My goal is to keep evolving, and I’m excited for what’s to come.

What size needles do you use to tattoo to achieve your bold designs?

I use a variety of sizes, ranging from 7 to 18. However, I mostly work with 11 to 14. A few years ago, I switched entirely to cartridge needles, which has made my process more efficient and versatile.

What was the first tattoo you did on someone?

It was a six-letter name, and at the time I’d only had my machine for less than a month. A friend bravely trusted me and gave me the chance. I was extremely nervous, but the result turned out well. However, I did sweat two litres and ended up feeling unwell afterwards.

How would you define your style?

I’m cautious about labeling my style, as it makes me feel confined. I enjoy presenting my playful perspective on themes and asking, “How about this? Isn’t it fun?” My style is a blend of various inspirations, including American traditional, Japanese, illustration, Japanese culture and street culture.

How did you develop your style to what it is today?

I followed my instincts. I love growth, and I’ve moved in the direction I feel drawn to, which has led me to where I am now. I have a tendency to like things that are unique and fresh.

We agree that your style is super unique; what inspired that?

I drew inspiration from the flexible expression found in American traditional tattooing. I found it fascinating to capture the characteristics of specific subjects and express them in a fun way.

We love your smutty film tattoos. How did these come about? Are people requesting them now?

Thank you so much! Honestly, there wasn’t a specific moment—it just came to me while I was lying down one day. I was inspired by the upside-down kiss scene in Spider-Man. That idea grew and evolved, leading to more designs. Recently, I created a Slam Dunk series, and I’m hoping to turn those into tattoos soon.

What artists do you admire and why?

I’m influenced by the Japanese artist Sabado. He is true to the essence of tattooing and has taught me about understanding the skin, needle and ink design. Sabado is an artist who focuses on quality for personal satisfaction rather than fame, and I strive to follow that path, too. He is often described as a genre in himself, and I couldn’t agree more. I encourage everyone to dive into his incredible charm.

Although not in the tattoo industry, I was deeply inspired by the film Hedwig and the Angry Inch. The message of collecting beautiful pieces of the world and creating new combinations resonated with me. I feel there’s always something to learn from every artist, and I genuinely try to absorb the wonderful aspects they offer.

One of the most striking moments for me is during the song “Origin of Love,” where you can see the pain of separated souls reflected in the character’s eyes. There’s a scene where Hedwig makes eye contact with the audience, and it stirred something indescribable in me. It’s a film that has broken my preconceived notions and helped me turn weaknesses into strengths, making it an invaluable inspiration for me as an artist.

How do you usually work with customers? Do you mostly do custom work or do you create flash too?

I do both! I enjoy creating designs from my own thoughts, but I also love discovering ideas through my clients’ suggestions.

What’s the tattoo scene like where you are?

My work is based in Seoul, which is not very lenient when it comes to tattoos. Because of this, I tend to go on tours abroad.

Are you planning any guest spots? If so, where and how do we book in?

Yes, I often travel around Asia and Europe. I take bookings through direct messages on Instagram – @lonely_weirdo_club.

What has been your favorite tattoo experience?

I love the atmosphere at conventions. Although it can be a bit chaotic, I enjoy the energy of celebrating like a festival. It’s exciting to see people freely enjoying the culture.

What are your hopes for the future?

I want to develop my perspective on the world to be more inclusive. I want to be an artist who captures beauty and expresses it cleverly, transcending prejudice and stereotypes.

Make sure to follow Woo (@lonely_weirdo_club) on Instagram and find out how you can book your next tattoo.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Tattoos leave an imprint on everyone – whether good or bad. I thought this was so interesting, and I guess I got hooked,” interview with tattoo artist Edvin Tedebring

Tattoo artist Edvin Tedebring (@e.tedebring) has been tattooing for seven years and now works at Dropout in Copenhagen. Back when he first started, he thought about giving up, but his wife encouraged him to keep going – and we’re so glad he did. His work is monochrome with a beautiful ethereal quality to it and his tattoos are a collaboration with each tattoo collector. He takes us back on his journey to discover how his style has become what it is today…

When and why did you first fall in love with tattoos?

I honestly think my love for tattoos was always there. I found tattoos fascinating and intriguing – even as a kid. Tattoos seemed to leave an imprint on everyone, whether good or bad. I thought this was so interesting, and I guess I got hooked.

The interest in making it a career probably started out when Miami Ink was popular on TV. My drawings started becoming influenced by tattoo designs I saw. I pretty much made up my mind that I would make this a career, even though my designs were absolutely terrible at the time.

How long have you been tattooing for? What was it like learning?

I have been tattooing for seven years now. When I started out, I did an apprenticeship in the north of Sweden, where I am from. I remember the first time I tattooed synthetic skin, and I came home to my girlfriend, now wife, and told her this is not for me. I thought I was so bad that I would never manage to ever learn, so I’d better just quit immediately. Luckily for me, she pushed me to continue and she has kept on pushing me since the first day in this career. If it was not for her, I don’t think I would be where I am today.

With that said, it was tough in the beginning. I kept developing slowly but steadily and I worked really hard to make this a serious career. I am glad I didn’t give up, even though I considered it several times.

How did you develop your style to what it is today? What draws you to using just one colour?

When I started out I was drawn to gothic and horror themed tattoos. At the time, I thought that was what I wanted to keep doing. But as I progressed, I felt like a copy of a copy, and the horror motives felt so generic and repetitive. I needed to do something different.

I started adding abstract elements such as splatters and sketchy lines to my designs, to make them into something different. This led to me going more and more abstract and away from the gothic styles towards more peaceful and calm motives. That is where I essentially found myself, and that is where I am now. I am still developing ,of course, but I do believe I will be within this realm of style for a long time – if not the rest of my career.

I only use black and grey because I never personally liked colours. Don’t get me wrong, I appreciate some great colour work out there, but it was never something I wanted to either make or wear myself. How I think in terms of design is simply monochrome.

Your tattoos have an ethereal artistic quality to them. Do you consider yourself an artist, first and foremost?

It is interesting that you should ask that. I actually consider myself a designer rather than an artist. Before I got into tattooing I did a bachelor’s degree in Digital Media Production; where graphic design, UX / UI design, communication and photography were some of my favorite focuses.

With that in mind, I make great use of my eye for design and knowledge from my education in my tattoo work. I combine my graphic design skills and abstract artistic side to create my work. I don’t have any training in fine arts or such, and therefore I just consider myself a designer and a tattoo artist.

How do you usually work with customers? Is the process a collaboration?

All my work is custom, based on the communication with my collectors. Normally we will exchange ideas and thoughts and then I will make my design and present it to them on the day we meet for the session. Sometimes I draw the design freely on the skin, in which case I first sit down with my collector looking at inspiration from my previous work, to get an idea of what they want.

I sometimes make design concepts I want to do and post them as available, but I do that less and less now, as I prefer custom work.

Do you love to travel? Where have you been and where’s next?

I do love to travel, yes. Part of why I like this career is due to the travelling and the opportunities that it creates. My next trip will be to London, where I have been many times before. I enjoy that city a lot.

Which artists do you admire and why?

I like a lot of different artists, both within tattooing and other forms. I have had the pleasure of meeting a lot of fantastic tattoo artists over the years, and they each leave something that I take with me. Whether technical skill, entrepreneurial skill or anything else. I admire any artists who stay true to themselves and their vision.

Are you planning any guest spots? If so where and how do we book in?

This year I did a lot of guest spots and the last one will be London in November. I will be guesting at EXP Haus / 10a Collective. Then I will go to Berlin in January. It’s all booked up already, but normally I take requests through my website etedebring.com.

What are your hopes for the future?

I always have a lot of big hopes and plans for my own journey, but I keep them quiet until I’ve made progress worth sharing.

As for the tattoo world, I hope we all can embrace the new era of tattooing and stop with the gatekeeping and negative attitudes. Tattooing is part of the creator economy, and everyone has to adapt if they want to remain in the game. That means working as an entrepreneur and an artist. The tattoo industry has never been better, in my opinion. It holds endless opportunities for the ones who are willing and hungry.

Make sure to follow Edvin (@e.tedebring) on Instagram and check out his website for more tattoos and to book yours.

We’re always talking to amazing tattoo artists, check out our latest interviews.