Author: Rosalie Hurr

I started out as the one and only Things&Ink intern, fast forward a fair few amazing years and I now run the blog and our social media accounts. You'll more than likely find me scrolling through Instagram (@cupofrosalie) looking for new tattoo artists to share, surrounded by my cats and a cinnamon bun or two.
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Interview with tattoo artist Fan Wu

New York based anime tattoo artist Fan Wu tells us about her journey into becoming a tattoo artist and how her love for anime inspires everything she does…

What inspired you to become a tattoo artist and how did you become one? I really love drawing, have done since I was a kid. I’m introverted so I spent most of my time drawing. My major was printmaking in college, which is similar to tattooing as it’s a handmade process. Now I’m drawing on the skin instead of on the paper.

I was so curious about the tattoo process, that at first I started to learn it by myself. The more I got to know about the tattoo world the deeper I fell in love with it. I could, and still can, see lots of different styles and techniques from all over the world. So, I transformed into a tattoo artist instead of a printmaker, after I finished a tattoo apprenticeship.

How long have you been tattooing? Have you always worked in New York? I’ve been tattooing for almost four years now. I started to learn to tattoo when I was in college in Philadelphia. I used to tattoo on myself and my friends to practice, after graduation, I moved to New York and started my real tattooing life.

What inspires your work? What is it about anime that made you want to make it your signature style? I think what inspires my work the most is anime, florals, geometry, and galaxy patterns. I remember during my childhood the main thing I was doing was drawing and watching anime. The anime world is full of magic, craziness, and imagination. I’m always impressed by the characters and the stories. It’s so real, but it’s also not real.

Every time I watch anime I’m encouraged and touched by the spirits of the characters. I can tell how the author wants to express himself to the human world, and that’s the most important and impressive part to me. It’s just so amazing! So, I want to create more anime designs and custom pieces related to anime. Like the authors of the anime I love, I want to show people, who also love anime, the view I can see. I want to express my feelings through anime pieces.

How would you describe your work? Have you always tattooed like this? What drew you to this type of tattooing? My work is all fine line style. When I was an apprentice, I started to learn fine line style. It suited me as I really enjoy doing details and I love to spend time practising thin line. I worked as a printmaker for a while after graduating. Printmaking requires lots of detailed hand drawing and similar techniques, so I transferred these to tattooing. 

Can you tell us about the process behind your tattooing? I like to play my favourite music playlist before I draw., as songs inspire me too. Whenever I get a strong inspiration, I will start the sketch immediately. If I decide to finish a drawing, no matter how late it is, I will finish it.

What do you love to tattoo and what would you like to do more of? I love to do anime work the most. I also like to do custom pieces, like animal portraits, florals, and things that are meaningful to my clients. But I will say anime work is my favourite. I think I will try more coloured work in the future.

Can you tell us about your own tattoos? Are you a tattoo collector? Yes I am a tattoo collector! I’ve done loads of guest spots in different cities and I’ve met lots of amazing tattoo artists. I’ve been so impressed by all the different styles and the artists’ flash work, that I love to collect flash pieces from different artists that I like. I also like to draw the design myself and find the right tattoo artist to do it on my body.

Give Fan a follow on Insta.

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The Handpoke tattoos of Charlotte Bolton

Our founding editor Alice Snape spent the most gorgeous Friday afternoon inside the walls of The Gilded Rook Tattoo Studio, in Chesterfield. The studio owned by Liv Frost is up some winding stairs and it feels like an escape, there’s some seriously good vibes going on. Alice got tattooed by resident hand-poke tattoo artist Charlotte Bolton, who was gentle, patient, funny and warm; she tattooed meticulously in tiny movements while they chatted about lockdown / love / dogs (obvs). Our editor Rosalie Hurr caught up with Charlotte to find out more.

How long have you been tattooing? The Gilded Rook is the first professional studio I have worked in, and I started there in October 2020! Before then, I had been practising and teaching myself for about a year.

What inspired you to become a tattoo artist? I am a very creative person, and it has always been one of my career goals and dreams to be a tattoo artist. I just see it as another exciting art form to work in.

I’ve always had a massive interest in tattoos anyway, and knew I wanted to be covered in them myself! I also think it’s so special that people are willing to have your own unique artwork tattooed on them permanently.

I actually had a very short lived apprenticeship when I was 18. When I gave that up I always felt like I’d missed my chance at tattooing, so I’m super grateful that Liv (owner of The Gilded Rook) gave me the opportunity to come work in her studio.

Alice’s tattoo is an inky reminder of what brought her joy in lockdown – dogs and bunches of flowers!


What drew you to handpoking? Have you ever used a machine to tattoo? I actually tried out handpoking because I thought that it would be something I could teach myself and that would also be a lot safer and hygienic to do at home. I never actually realised that handpoke tattoos were done in professional studios before. When I realised that, it gave me the motivation to be really serious about learning it and being hygienic in the set up and process.

I also love how therapeutic it is. In my own creative practice, I’ve always enjoyed making things that are quite time-consuming and finicky, and I feel like there’s more control with handpoke, so it seems like the perfect technique for me. I did a few machine tattoos back when I was 18, but I would love to have a proper go at learning again some time. 

Can you tell us about your process and set-up. I am a very eco-conscious person, and obviously in tattooing there are a lot of single-use products that are mainly plastic based. So for my set-up, I try to be as eco-friendly as possible and I use plant-based covers and ink caps from Greenhouse Tattoo Supplies and sometimes tin foil for my trolley. For my needles, I simply tape them to wooden lollipop sticks with some cute washi tape!

I use exactly the same needles that are used in machine tattooing, but obviously it is all done by hand. Because of this, handpokes definitely take a lot longer than machine tattoos, but I personally think they hurt a lot less as they’re more gentle on the skin, which most of the time means the healing process is a lot quicker and nicer to deal with too!

What inspires your designs, how would you describe your style? I would say my style is cute, fun and playful! I love to draw animals and characters – sometimes I just can’t believe people want my silly drawings on them, I love it!

I get a lot of inspiration from things I just have lying around the flat, I’m such a hoarder for quirky little souvenirs from charity shops that I have an endless supply of objects to draw inspiration from! I also get a lot of fun custom ideas from people too, I recently did three little ducklings that were wearing a bucket hat, a sombrero and a leprechaun hat!? I have the best clients!

What do you love to tattoo and what would you like to do more of?At the moment I’m actually such a fan of tattooing writing, which I never expected! I would definitely love to do more writing, but anything animal or character related is always a fave for me. 

What would you like people to know about handpoke tattoos? Because handpokes are a bit of a niche and people don’t know much about them, everyone is scared of them! So I’d just like people to know that it is honestly a lot less terrifying than you imagine, I think it’s actually quite relaxing and a lot easier to deal with the pain (if any!). People also assume that handpokes aren’t permanent like machine tattoos, and although they may need a touch up in the future – they are definitely permanent.

Give Charlotte a follow on Insta.

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Interview with tattoo artist Jing

Fineline tattooer Jing works in a private studio in the Arts District of Los Angeles, a hidden gem of a place where she has lots of plants and sunlight. Jing tells us her Chinese name is 静月 meaning peaceful moon, which fits beautifully with her private studio, a space she can focus on her designs in and work peacefully.

What inspired you to become a tattoo artist? How did you become an artist? To be honest, I never planned to become a tattoo artist. I became a tattoo artist by accident. In China, tattoos are still connected with gangs and gangsters, and I had negative opinions about them for this reason. It took me almost half a year to understand why people were getting tattoos. But I will share how I got from there to where I am today…

My uncle is an artist, specialising in oil painting. He has an art studio in Chengdu, China. I was his very first student when I was a little girl. After high school I got accepted by the China Central Academy of Fine Arts (中央美术学院) to study arts and design. During senior year, I went to Zurich University of the Arts in Switzerland (Zürcher Hochschule der Künste) to study style and design. At that time, my dream was to become a visual merchandise designer or a UX designer.


One day while helping a friend shoot for a video, we went to a tattoo studio. At that time, my life was boring as I was preparing for the GRE exam. So I thought learning to tattoo could be a fun hobby. So I started my apprenticeship, and because of Instagram, I was lucky to have clients who supported me and helped me move to Los Angeles. Then luckily again, I met Eva Karabudak. She was a big inspiration for me, and she helped me to see the value of my work, and build a stronger technique.

Today, I study Chinese traditional painting and Chinese calligraphy. My goal is to bring traditional Chinese Arts into tattooing and integrate them.


How would you describe your work? Have you always tattooed like this? What drew you to this type of tattooing? I say the tattoo is my client’s “mark of the soul”. As a HSP (highly sensitive person), I can easily have connections with my clients, and help them to make their ideas come to life. Even though right now, during this crazy time, I can’t do consultations in-person. Even so I always spend hours talking with my clients and adjusting the designs with them.

I know perfection is impossible, but I always try to make my designs and tattoos as close to perfect as I can. I treat my clients with love from the bottom of my heart. That’s why I can’t tattoo too many people in a day, otherwise I would burn myself out. 

For the style: from the beginning, I’ve done small fine line work. Now I would like to take those skills and tattoo more East Asian style arts, both colour and fine-line. I will say my master Pingguang Zhou 周平珖 helped me to step into the traditional Chinese art world. I paint with him every week, and this work draws me closer towards to this type of tattooing, and also the peaceful lifestyle of a Chinese artist. It guides me on my way to becoming a better artist and a better person.


Can you tell us about the process behind your tattooing? Actually, my tattoo process is really casual. That’s why I hope my clients are chill people. (Luckily almost all of them are chill and nice people!)

  • Step 1: Clients fill the booking form from my website when I open booking.
  • Step 2: After the appointment is confirmed, I will read their tattoo ideas before we meet. If they already have certain ideas, usually I will have the designs prepared for them. But sometimes, clients don’t have specific ideas, maybe either it’s their first tattoo, or they want too many elements in one small tattoo. Then I will talk with them in person first and design the tattoo with them.
  • Step 3: I will wear my earphones and focus on tattooing. My rectangle tattoos usually take one to one and a half full days, depending on the placement, size and details of the design.
  • Step 4: When the tattoo is fully healed, clients will give me feedback on how their skin took the ink. Because I do colour packing (which means each spot packed colour three to five times), most tattoos heal great. If there is any spot that didn’t heal great, I welcome them to come back for a free touch up session within a year.


What inspires your designs? East Asian culture is always my biggest inspiration, especially traditional Chinese painting (especially from Song Dynasty), Japanese Ukiyo-e, Jingdezhen porcelain, Dunhuang Murals etc.

What do you love to tattoo and what would you like to do more of? I like tattooing both fine-line and colours. For fine-line, I love tattooing Chinese meticulous line drawings. For colour tattoos, I love the rectangular designs with many details. I feel satisfied after seeing my client’s surprised face after their tattoo session. In the near future, I want to design and tattoo more shapes with Chinese paintings.


Can you tell us about your own tattoos? Are you a tattoo collector? I don’t have many tattoos yet. But all of them are important to me. My first one is by my friend @yuantattoodesign, it’s a moon. I got it during my apprenticeship, mostly because I wanted to experience the pain that I was causing to others when I tattoo them.

My second one is from @gloriatattoo. We tried nine machines on a two and a half inche fine-line tattoo. I used myself to test which machine was good for fine-line, the differences of pain levels and healing progress.

My third one is from my friend @ink_by_bae. I got it when I became a tattoo artist. During that time, I felt huge peer pressure and competition. So I got the tattoo to remind myself: “Don’t compare your life to others. There’s no comparison between the sun and the moon. They shine when it’s their time.” 

My fourth and fifth tattoos were made together from my friends @ink_by_bae and @frommay_tat: they’re a leaf branch and my grandma’s favourite flower, Japanese honeysuckle. She is the one who raised me, and I really miss her.


What is the tattoo scene like in L.A? How are women in the tattoo industry treated, how has your experience been? Los Angeles a city that’s very tolerant of different cultures and immigrants. I feel happy, safe, respected and blessed to work as a tattoo artist in this city. Most of my clients are women, so I feel lucky as a female tattoo artist. I can create really feminine designs, and also neither of us will feel awkward about sensitive body placement, like the chest. There are some times that I don’t feel safe to work late alone, but all in all, my experience is really great.

Make sure to follow Jing on Instagram for more beautiful fine line tattoos.

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Interview with Artem Koro

A tattoo artist and keen traveller Artem Koro creates incredible tattoo compositions. We caught up with Artem to learn more about his avant-garde tattooing and love for the craft…

I have always been attracted to the trade and have been a tattoo artist for the past six years. I first got tattooed when I was 14 years old and at 28 I realised that I could combine my love of tattoos and travelling the world into one profession. I then set out to become a tattoo artist.

I would define my style as avant-garde. It’s a style that has evolved and continues to evolve. That’s something that is very important to me; it’s important that my style and myself will continue to constantly develop. I don’t believe in staying in one place in terms of style and what I create.

I think it is very important to note that there is always some growth in my art. Development is the root of success as is growing as an artist.

I get inspiration from many aspects of life, including music, movies and places I have visited. I get lot of inspiration from nature, my roots and where I grew up (in the Middle East). For example, a lot of my textures and compositions are inspired by desert areas, Middle Eastern music, patterns on carpets etc. 

Each appointment can take a full day, but the tattoo itself will take between three and six hours maximum. I like a darker atmosphere in my tattoos, and these days I prefer to work with black ink only. I try to perform work with a high contrast so that the tattoo will last for a long time in the best way possible.

I like to design animals that are not seen every day as well as different textures and unusual compositions. I also like to emphasise the aesthetics and flow of the shape of the body.

In the first two months of the pandemic it was very difficult for me to create and it affected my work. But over time I tried to keep doing the things I love in general (not only tattoos), and eventually this blockage passed. I can say I have remained active for the past year which has helped.

I cannot imagine life without tattoos. My life has changed 180 degrees since I started doing this work. It is very difficult for me to describe in words how much the world of tattoos has affected me. I believe it would be impossible to understand this feeling without experiencing it yourself.

Make sure you follow Artem on Instagram for more awesome avant-garde tattoos.

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The handpoke tattoos of Mellowpokes

Mellowpokes from Toronto talks to us about how she got into tattooing, why she loves handpoke and tattooing during a pandemic…

How long have you been tattooing and how did you get into it? I’ve been tattooing for three years. I went to OCAD university here in Toronto and studied illustration. After university I always made time for creative projects, but generally found that they didn’t pay enough to actually make a living, so I started doing graphic design. There were parts of it that I enjoyed, but for the most part I didn’t find it very fulfilling. I found a lot of the jobs to be tedious, and often found myself working for large corporations with many different people to please.

I didn’t actually start getting tattoos until I was in my mid-20s, but once I started I got really excited by all the incredible talent in my city. I got a backpiece done by the absolutely incredible Jess Chen and we talked a bit about having both gone to OCAD and afterward doing graphic design out of necessity more than passion.

She suggested I try tattooing. I ended up mentioning this conversation to one of my best friends, Dana, and like a month later she bought me a stick and poke kit. I am so immensely grateful to Jess for pushing me on this path and for giving me a bunch of super helpful advice when I first started. And I’m grateful for Dana who forced me to actually START doing it. I did my first tattoo on Dana, and I think if it weren’t for that push it would’ve taken me a lot longer to actually take that plunge.

What drew you to hand poke tattooing? When I first began tattooing, I didn’t intend for it to become my full-time job. I was interested in learning tattooing, and I thought that the handpoke technique would feel more intuitive and similar to working with a pen. (Turns out I was wrong, and in a lot of ways using a machine is more similar to the act of drawing than handpoking is!) I intended to just try handpoking, and if I liked it, potentially upgrade to machine tattooing.

But, once I started, I fell in love with handpoking, and the quiet and intimate nature of it. I’m generally fairly tech-averse and prefer drawing most of my designs with pencil and paper. I bought an iPad and it took me about six months to actually break it out and start using it. I do intend to introduce machine tattooing to my practice eventually though, just to broaden the scope of what I can achieve!

What inspires your tattoos? I’m inspired by the world around me, although I guess that’s not a particularly interesting answer. I love drawing animals and women. I think when I first started I was really focused on making tattoo designs that looked like tattoos, but now I just tattoo whatever dumb stuff I draw.

One of my favourite exercises that generates a ton of my flash is posting on Instagram asking people what I should draw. I get so many silly submissions and I draw them all quickly, and usually without any references. Those weird moments trying to draw a crocodile from memory ended up making some of my favourite flash designs. 

What do you like to tattoo and what would you like to do more of? Right now I’m in the process of introducing a tattoo machine to my practice, so I would really like to do more work with the machine. I think it will lend itself nicely to the intuitive looseness in some of my drawings, where poking was more precise and slow.

In terms of subject matter, I want to make sure I don’t get stuck in a niche doing specific things. I love doing dogs and cherubs, and they’re two of my most requested images, but I always want to push myself and expand. I would love to do more larger pieces and more experimental compositions.

Do you prefer working in colour when you handpoke? How does this differ to handpoking black ink? This has two sides. On one hand, I love tattooing in black ink because I find it easier. The ink is hyper-pigmented and the perfect consistency to push into the skin by hand. The ink makes less of a mess and is generally easier to work with. However, I love tattooing in colour because I love the end result.

Coloured ink looks so beautiful in the skin, and introducing colour into a composition gives you so many more options for where to take a design. Colour heals so differently on different skin tones and I love seeing how the colours heal and integrate with people’s bodies. I always love when a client is open to colour, even if it takes a bit longer and is a bit tougher to work with.

Can you tell us about some of your experiences getting tattooed? Do you prefer handpoke or machine tattooing? I love both methods! I think in general handpoke tattoos hurt less, and in general machine tattoos hurt more. There are always exceptions to this (depending on the artist, the design, the placement) and I’ve definitely had poked tattoos that were excruciating and machine tattoos that I barely felt.

There is also a bit of an assumption that handpokes don’t heal well or don’t last, and that machine tattoos heal better, which is also not necessarily the case. It all depends on the artist, the placement, and how you treat the tattoo while it’s healing. Anyways, I love both methods and don’t tend to choose my artists based on what method they use, but rather based on their artwork!

How has COVID affected your tattooing? COVID has been really tough on so many people and industries. We had to shut down in March 2020 for the initial lockdown, and we remained closed for five months. We were able to reopen again in August, but were forced to close for lockdown again in November, and remain closed now. It’s been very difficult.

The Canadian government hasn’t provided much support to small businesses, particularly newer small businesses who don’t have the financial history to qualify for government support. The uncertainty of things adds extra strain (both mentally and financially) since it’s impossible to plan. We have no idea when we will be able to tattoo again at this point. Not to mention that an important part of my job, and one of my favourite parts, is being able to travel and guest in different studios around the world. I had plans to travel to London and Paris to tattoo (literally had flights booked) as well as to the US. None of that happened, and now I’m not sure when I’ll be able to do it again.

I am trying my best to explore other art forms in my downtime from tattooing, and have been getting back into painting and making merch. At the end of it all, though, I am so grateful for my health and understand that COVID has hit many more people far more directly than it has me. Just want to hammer this point home – please be careful, please wear a mask, please be considerate of others!

Follow Mellowpokes on Instagram for more handpoked tattoos.