Kiera & her Cat Tattoos

Kiera creates beautifully soft and cute cat tattoos, so adorable in fact they look like you could reach out and boop their little noses. We chatted to Kiera to find out more about that tattoos she creates and her travel plans…

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Currently working in Melbourne Australia, Kiera will be travelling the world from June heading first to Shanghai, Okinawa, Korea and London. Where she is hoping to travel around Europe for a while after London, and then hopefully find a place to settle down for a bit after that.

You mainly tattoo cats (which we love), what do you love about these animals? Cats look really cute! I love the back of their heads, the triangle shape of their ears and cat’s mouths looks really clear and adorable. I like the cats’ tsundere/arrogant kind of temperament that makes me crave their attention.

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How did your cat tattoo style/craze start? Why do you think they are so popular? I wasn’t supposed to draw just cats but I thought, “I would draw a cat today and tomorrow another animal.” But the next day came and I kept drawing cats every day. I feel very happy and satisfied when drawing cats and making them cute, it’s fun for me.

I put lots of love in my drawings and tattoos so I think people can feel that.

Do you have any cat tattoos yourself? I don’t have any cat tattoos, actually I don’t have any cats at all as I am allergic to them!

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What inspires your tattoos? Most of my customers are big fans of Asian culture so I realised my tattoos have an Asian/oriental atmosphere. Also I’m inspired by my favorite illustrators which tend to be Asian themed too. I like anime, fashion and a lot of cat Instagram accounts!

Do you have a background in art, does this influence your work? I started to draw when I was very young and my major from university was product design. I was also an art teacher for a number of years and industrial designer. I feel like this has given me a nice foundation in wide variety of art mediums which has helped me a lot in tattooing.

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How does it feel being a woman in the tattoo industry? I have never thought about it. I just live in my own tattooing world.

How would you describe your style? I’m not sure exactly which category my style of tattooing would fall into. I would describe my style as just cute cat tattoos.

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How did you begin your tattooing career? What made you want to become a tattooist? It was a very spontaneous decision for me to become a tattooist. I really enjoy drawing and tattooing seemed like a very creative career which allows a lot of freedom.
I started tattooing in Melbourne by tattooing friends, and then moved to Korea to learn more. I was lucky enough to have people interested in what I wanted to tattoo, so I could really concentrate on my own style of tattooing.

Mothercare #bodyproudmums

Celebrating the beauty of post-birth bodies, Mothercare launches their Body Proud Mums Campaign. Representing women’s bodies and a side of motherhood that are rarely shown in the media today.

At the heart of the campaign is the belief that all mums are beautiful. After all, their bodies have just performed a miracle.

Behind the photographs is Sophie Mayanne, who in 2017 promised to never digitally manipulate skin in her work. We love the photos from the shoots, of the mums full of love for their new baby and bodies.

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Ravi Zupa Tattoo Gratitude Project

Self-taught artist Ravi Zupa, is showing his gratitude to anyone who has decorated their body with his art. He has created a specially designed poster which he will give to anyone who wears or has made a tattoo of his work. 

It seems to me that most tattoos are a symbolic means by which significant people or events are marked. It’s a ritual of passage. I like this about tattoos. I like that human beings can’t help but be symbolic and artistic.

We spoke to Ravi about the process behind the intricate work he makes, what inspires his pieces and his own tattoo collection…

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How did you begin to teach yourself how to create art? Were there any artists that inspired or helped you along the way? When I was growing up, creating art was like eating breakfast in my house. The most ordinary everyday activity. Both of my parents and all of my siblings did one form or another. My mother is by far the most inspiring and influential artist and thinker in my life.

What inspires the pieces you create? Can you tell us about the process behind each piece? I mostly get inspired by other art. Usually I dig around in books and look at art on the internet and something hits me very hard. My motivation is to create images that will hit someone else with the same force. I usually find something in a piece of art that excites me and then I draw some rough drawings, pulling something from that piece. It might be a particular face, a piece of clothing, a scene, a pose or anything really. I then usually draw the whole thing and about as often as not I dislike it and start over. In many cases I draw the image three or four times to near completion before I get one that works.

Is there a certain subject or animal that you particularly love turning into art? Mythology and historical cultures are the most compelling subject for me. I like to find lateral connections between traditions, religions, characters, rituals, stories and so on. Art is so interesting because it grows and evolves the way that life does and it becomes more sophisticated as it develops. Each culture on earth has an entirely unique form of art but if we look at them carefully we find that there are threads that connect all of them.

What is your favourite medium to create in? I could never choose. I am most skilled at drawing with a pencil or pen but there are so many kinds of ideas and experiences that are begging to be created or depicted and they all have different needs. You can’t run a stitch with a hammer and you can’t drive a nail with a needle and thread.

Lots of people have tattoos of your artwork, do you have any tattoos? Yes. I have a Shrivasta on my arm with a dark animal type glyph that I drew and the word Ahimsa on my chest which is a form of combative non-violence. I got my first tattoos in 1999 at a San Fransisco shop called Black + Blue Tattoo. I had only lived there for a few months and had very little money so I went around to different shops and asked if they would trade art for a tattoo. Black + Blue was the only all woman owned and operated shop in the city at the time and they were the only shop that agreed to a trade. I got two tattoos from two different artists in exchange for drawings. The shop is now legendary in San Fransisco because of that remarkable history.

I don’t care much about my tattoos now. I don’t like or dislike them. They’re like moles to me.

Do you have any new projects coming up? I’m constantly working on new projects. This month I’m releasing the first poster in a new series called “Marvelous Adventures” which depicts Hindu gods and goddesses as comic book heroes. I’m also getting going on a solo show at Hashimoto Contemporary in New York city which opens in August.

If you’re an owner of a Ravi inspired tattoo or perhaps you have tattooed one on someone else, head to his website to get your hands on a copy of his limited edition poster.

Interview with Luke Ashley

24-year-old tattoo artist Luke Ashley tattoos out of South City Market which can be found in New Cross, London. If you’re an avid tattoo Instagramer you’ll have seen Luke’s palm tattoos that he’s now known for, we caught up with Luke to find out how it all started…

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How long have you been tattooing? How did you get into the industry? I’ve been tattooing full time for the last five or six years. I managed to get myself an apprenticeship quite young at the age of 16 in my local studio where I worked weekends and in the week around my collage schedule. I was super grateful to get my foot in the door and have a space to be amongst tattooing.

How would you describe your style? I’m not sure how I would describe my style, I’ve worked in street shops my entire life so I’m used to accommodating to what style my client is after. I think creating your personal style is one of most important things an artist has to do. But I’ve never wanted to turn my nose up to a tattoo as there are tricks to be learnt from all different styles, which can then in turn can be used across the board. My favourite thing to tattoo is definitely linework pieces and I love using different line weights in my work.

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You used to tattoo in colour, what drew you to blackwork? I still love doing colour and I still tattoo a lot of colour pieces but I’m definitely enjoying the blackwork style. Like I said I really enjoy most styles of tattooing and enjoy a challenge so am game for anything!

When did you do your first palm tattoo? Do you like tattooing palms?  I did my first palm tattoo on my friend Stu who I was working with with at the time and he just asked me to do it, witch I initially said no to because I’d heard how they would fall out and are really painful. But we did it anyway and it didn’t turn out great, I said to Stu ‘I think I was afraid to hurt you too bad’ so we did his other palm the next week and I didn’t hold back and I did it how I thought it should be done and it healed perfectly and is still super solid to this day. After that I just convinced friends to let me tattoo their palms because it was super satisfying to get it in properly and see it heal up solid.

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How do you find working on this area of the body? Everyone’s palms are different so you kinda have to get used to adapting your technique depending on the person’s palms. Like a builders hands in comparison to an office workers are going to be way more calloused and tougher to get through. But its definitely my favourite place to tattoo.

What kind of designs would you like to do? I would love to do some more double palm projects covering the entire hands and all up the fingers. I’m also looking forward to tattooing more soles of feet. I enjoy geometric and line work tattooing but I also love tattooing traditional and neo-traditional designs. As long as its a cool idea I’m into it!

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Do you have your own palms tattoos? I do. My first palm tattoo was done by Brody Polinsky. His bold lines and designs are incredible, I’m hoping to go and visit him soon to extend my current palm tattoo. I also let my friends Dash  and Stu do they’re first palm tattoos on me as they let me practise on theirs when I first started. I see my palm tattoos as really personal and look at them all the time.

Can you tell us some more about your own tattoos? The linework tattoos I have on my front and head are made by Kieran Williams. I had my first session over five years ago when I got the front started and then took a little break when we got to the top of my chest, as I wasnt sure if I wanted visable tattoos at that point. Now I am so happy with how its progressed and flowed up onto my neck and now head.
Im pretty open to the tattooist deciding what they want to do, i chose the artist for they’re style so I’m happy for them to run with it. None of my tattoos have much specific meaning to me but they are more like time stamps. I remember getting all of them and what I was doing in my life when I got them. I have one foot dedicated to friends doing little first tattoos on me, witch is always fun.

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What sorts of reactions do your tattoos get? I get a lot of positive reactions from people. Lots of times people ask if getting my head tattooed hurt and are really interested and compliment them which is nice. I’d say its 95% positive.

Does the pattern work you chose represent anything in particular? Not to me no. I originally asked for a church/cathedral but when I turned up Kieran had designed some more Thai looking designs and I was into it so thats what we did!

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Do you have any future tattoo plans for your own body? I’m trying to save the little bit of space I have left. But I reckon I’ll just get everything done pretty soon!

Do you have any travel or guestspot plans? I’m hoping to make it to Madrid this year and maybe Berlin but I haven’t made any solid plans yet. I’ll be heading back to Brighton/Hove to Nine Lives Studio and hopefully to SixtySix at some point this year too!

I’ve just started working at South City Market, it’s a brand new studio opened by Ricky Williams. It’s filled with talented artists and I’m so pleased to be a part of it. You can come find me there slamming out the palm tattoos!

Photography by LadyKaat Photography 

Careers: Tattooed Data Quality & Audit Officer

44-year-old Richard Hughes is a Data Quality and Audit Officer for his local authority  in South East Wales. Richard is a researcher and part of a team that maintains and delivers helpdesk support to the authority, as he puts it “it’s as clinic and white collar as that, but, it pays.” We chatted to Richard about his extensive tattoo collection and how this fits with his career…

How long have you been in current role, how did you get there and what have you done before? I’ve only been in the role for just over a year, but before that, I was a civil servant for 20 years in various government departments both in Wales and the UK. I’m a fluent Welsh speaker so my role has taken me to various places to meet and engage with the public, including the national Welsh cultural festivals, plus the Royal Welsh Agricultural Show and many others.

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Richard’s back by Yeshe, who owns Dharma Tattoo in London

What initially drew you to tattoos? I’ve always been fascinated with tattoos, their permanent nature, the belief they were exotic and dangerous appealed to me on many levels. My mother hates them with a passion; which is probably why I like them so much! – my mother’s side of the family are all very straight laced stereotypical ‘grey’ people, whereas my dad’s side are all farmers and all a bit more daring and care free.

No one had any new tattoos though, just the ones they got on stag dos 30 years before, or in National Service. However, in school, a lad called Danny who was 14-15, had a blue ringed octopus which he got whilst abroad. It was spectacular, not like the stock Welsh dragon flash you saw in the shops, and I really got into it. I was in college in Luton between 1993 and 1996 and visited Dunstable Tattoo Expo in 1994 (I think) – different world to conventions of today. I stood out like a sore thumb.

What is your favourite tattooing style? I love Japanese art, always have from the willow pattern on our Welsh dresser and all the Japanese antiques my nan had.  I love the story and the work that has gone into it – I can identify with the Japanese work ethic.  I find it all very calming. I’m highly stressed and anxious at the best of times and it takes me to a happy place.

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Chickens by Lala Inky

How old were you when you got your first one? What was it and do you still love it? I’d been putting it off for months and years for no other reason than worrying what my folks who think, but I grew out of that bloody stupid notion and I went to Dai and Pie Tattoo in Swansea. I got a palm sized tribal dragon in red from Dai on my left shoulder. I was hooked, buzzing off the experience.  I remember some flash he had for a koi half sleeve, and loving the style, the colours.

I phoned the studio back up the next week about having more done, and Pie told me to me to fuck off and have a think about having anything more done and not rush into it. Best piece of advice I’ve ever had. Think about it, don’t rush into it. It’s covered up now but a bit of it still peeks through!

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Tattoo by Bananajims

Can you tell us about your tattoo collection There is a theme or sorts, water, fish, shells, flowers etc. I’m obsessed by chickens and everything means something, I wanted something for the wife and my daughter, so Lala (who was working from a studio in Cardiff at the time), designed the ‘poultry piece’ for me, I like it, Lala likes it and that’s all that matters. I gave up what people think about me years ago – it’s a truly liberating experience if you can master that.

This was followed by the waterfall by Lala on my left arm. Then Yeshe did me a lobster, after that I went back and had the bull and the Japanese poet, based on a woodblock carving  and he did my koi half sleeve at the Brighton Convention in 2014.  I did enter it into the competition at the end of the day  – but I was told Japanese never wins – they were right! At Brighton in 2016, Yeshe did my back in four and half hours!  I haven’t had a chance to go back and add to it, but I will.  Yeshe is such an amazing bloke, both him and his family and the extended family at the shop.

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Tattoo by Olivia Chell

Olivia Chell has a work in progress (wip) on my right forearm and Ellie Williams of Modern Body Art has two chest panels and a money toad on me, and more wip.  I also have ones from Banana Jims, who’ve I’d been corresponding with for years and Ali Baugh who did my plaice.

What sorts of reactions do your tattoos get from family and at work? My wife doesn’t really have an opinion on them but the kids love them; my boy is fascinated by them. My folks are none the wiser and that’s fine by me. I remember how Yeshe wanted me to go with him to see Aaron from Cult Classic Tattoo stand to show the koi half sleeve we did (Aaron is his friend and mentor and his views and comments on it were important to Yeshe), I was so happy I could do that for him and shows the measure of the man. I genuinely do not give a toss what people think about them, another stress relief mechanism – they’re mine, I love them.  I’ve paid good money to have them done professionally, so do one.

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Money toad by Ellie Williams

Are you allowed to have your tattoos on show when you’re working or do they have to be kept covered? When I worked on the stand for Welsh Government, my forearms weren’t done but I doubt they’d let me out in public without long sleeves or a fleece on – in saying that, nothing was said but I always covered up out of choice. Where I work now, loads of girls walking around with full sleeves! Great to see, but I’d bet they’d say something to me or anyone else. It is double standards but I get it – if you’re front of house, it’s one more thing for the neds to complain about.

Have your tattoos ever hindered your role or helped it? Never hindered me, although I had to declare them all for work!  The tattoos are a reflection of me, not the other way around, I do find them very personal and there’s a time and place to display them. I  cannot wait to finish some of the work that has been started, as I’ll be more easy to show them off, without impunity. Money is always the issue as ever – I have more money in deposits scattered across the country than I have in my bank account!