I started out as the one and only Things&Ink intern, fast forward a fair few amazing years and I now run the blog and our social media accounts. You'll more than likely find me scrolling through Instagram (@cupofrosalie) looking for new tattoo artists to share, surrounded by my cats and a cinnamon bun or two.
From a private studio in Seoul in South Korea, tattoo artist Pisatché (@pisatche) creates incredibly detailed, cute and futuristic tattoos. We spoke to the tattooist about his craft, influences and future plans…
How long have you been tattooing? And what first made you fall in love with tattoos?
I started tattooing in November 2018 – so it’s been almost six years! I can’t believe it. I’ve been interested in painting ever since I was very little. Naturally, it led me to study design.
I first encountered tattoos when I was much older. I can’t forget the shock I felt at the time. It was then I realised my paintings could last forever on someone else’s body! After that, I studied and started learning about all about them.
What made you want to become a tattoo artist?
Tattoos were so attractive to me as they’re a way for my painting to live on forever on other people’s bodies. How incredible is that? Also, it is a super-interesting job that provides various stories, both from clients and other artists. I love listening and telling. This career has its own unique charms. I think that’s why I like tattoos and tattooing.
How do you like to work with customers? Is it mostly custom work or flash too?
Well, recently, I started making flash designs for customers to choose for themselves. But before, I have always collaborated with them to make the designs. I like both methods.
Do you have tattoos yourself – can you tell us about them? How do they make you feel?
Of course, I have about four tattoos. I did one on myself for the first time when I was learning how to tattoo. I also did a self-tattoo whenever I needed to research a new tattoo skill. I haven’t done this for a while, in fact it’s been more than five years since I got a tattoo.
I would recommend tattooing yourself to other tattoo artists. I found it really helpful especially when I had concerns about my tattooing skills. I also understand the pain that customers are feeling.
What was the first tattoo you did on someone else?
The first tattoo I did on someone else was on my best friend. It was some lettering. He trusted me and gave me a chance. But the tattoo wasn’t perfect and I’ve been expressing my infinite gratitude to him ever since.
How would you describe your style?
I always wonder how to explain my tattoo style. I think it’s just my own style. I am inspired by Japanese animation from the 1980s. The Japanese animation and films back then were detailed and beautiful. There was a lot of capital and labour invested in it and it brought huge economic growth. I’m always inspired by the art of that time. Especially Akira, it’s the best film.
What else inspires you and do you have any artists you admire?
I’m always inspired by animations and cartoons. And these days, I look up a lot of vintage posters. There are a lot of things to see and things to feel especially when it comes to the colours used in those days. My favourite artist is Katsuhiro Otomo.
How can clients book in with you?
I use Instagram messages and email. I plan to make a website later on as well.
Do you have any guest spots planned? Where would you most like to travel to?
Right now, I want to go to Australia. My favourite studio is the Eastcoast Social Club in Brooklyn, New York. There are many talented artists there who inspire me.
Tell us about what it’s like to tattoo in Seoul?
There are still restrictions, but it’s not bad. My personal hope is that more customers will visit me. I like Seoul, mainly because I have my family and friends here. Everywhere can’t be better than here because of that.
What’s been your proudest moment so far?
Being able to give my parents and my girlfriends good gifts. These moments are when I am most proud and happy. It helped me show them how important they are to me. Also that I plan to be with my girlfriend forever. I’ve worked hard to do this.
Tattoo artist India @india.tattooartist (she/her) owns a gorgeous monochromaticstudio in Lisbon, Portugal, in which she “welcomes all souls seeking to connect” through her art.Here she shares her tattoo journey, opens up about creativity and her tattoo tour plans…
How long have you been tattooing?
I’ve been tattooing for about seven years now and each day feels like a new adventure in self-expression and creativity.
How did you become a tattoo artist?
Growing up with a Portuguese mother and an Indian father, I’ve always been surrounded by creativity. From my mother’s ceramic art to my own love for drawing and painting. Despite initial discouragement, I pursued my artistic interests through academic studies and eventually found my way to tattooing in 2018, thanks to the encouragement of my husband.
I decided to explore this new artistic avenue, and I haven’t looked back since.
What first drew you to the world of tattooing?
What initially drew me to tattooing was the opportunity to delve into another form of artistic expression. I’ve always been passionate about art and tattooing felt like a natural progression in my creative journey.
What was the first tattoo you did? Do you still remember how you felt doing it?
The first tattoo I ever did was on my boyfriend, who’s now my husband. I tattooed a mermaid on his ankle and it was a mix of nerves and excitement. But his trust in me fuelled my determination to create something beautiful on his skin. Nowadays he has a lot of tattoos done by me and I don’t feel nervous anymore.
Can you tell us about your own tattoo collection? We’d also love to know more about your “lockdown leg” tattoo project?
My own tattoo collection is a reflection of my journey as both an artist and an individual. I started getting tattoos at the age of 17, always with designs I had created myself. During the lockdown, I embarked on a personal project – tattooing ornamental and floral designs on my own legs.
This experience marked a significant turning point in my career, showcasing my dedication to my craft and my commitment to pushing artistic boundaries.
People began to see how well my tattooed style looked on legs and started requesting more projects from my portfolio. I can say that legs are my favourite areas of the body to tattoo.
How did your ornamental style come to be and what inspires you?
My ornamental style is deeply inspired by my Indian heritage and my love for intricate details. I find inspiration in everything around me, from nature to cultural symbols, and I strive to infuse my designs with elegance and femininity.
My ornamental style focuses on delicacy and intricacy.
I utilise techniques such as contrast and variation in line weight to enrich and add interest to the designs. By incorporating these elements, I create tattoos that are not only visually captivating, but also dynamic and engaging.
Each project is carefully crafted to achieve a balance between elegance and complexity, resulting in unique and compelling pieces of art. I’m also greatly inspired by nature and constantly take photos of flowers and plants to incorporate into my projects.
Do you have a favourite style of art, artist or work?
I’m an admirer of all forms of art, but I can say that Baroque painting has always fascinated me. When I studied Art History in high school, I remember being captivated by the intricate floral arrangements of Jan van Huysum. He has always been a reference for floral delicacy and the texture of plants with remarkable precision.
Nature plays a significant role in my life and consequently in my art. I’m also greatly inspired by the Indian tradition of Rangoli, which involves creating geometric and floral designs on the ground using rice powder or coloured sand. In the world of tattoos, thanks to social media, I am inspired daily by various artists, and it’s incredible how accessible the connection becomes.
Do you prefer flash or custom designs?
I prefer custom projects because they allow me to create something that connects my artistic creativity with the essence and desires of my client. I always have numerous ideas and my mind is quite creative when fueled by my client’s concept.
There needs to be a lot of trust and freedom in the development process and I’m grateful that my clients are always incredible and trust me as an artist.
We engage in a collaboration of ideas and opinions, always resulting in a wonderful and unique project.
I also work extensively with my freehand technique, which allows me to create a fluid and harmonious design on the chosen area of the body. Since we are all different, it’s essential to create something unique and tailored to our physique. I enjoy understanding what the client wants and, before finalising the design, I send them a mock-up for visualisation. On the day of the appointment, we take the necessary time to refine the details and bring the creation to life.
How many sessions does a delicate sleeve tattoo take?
A delicate sleeve tattoo can require two to four sessions to achieve the desired level of intricacy and detail. The number of sessions can vary depending on the size and complexity of the design, but I always prioritise quality and precision in every session.
Is there anything you’d love to tattoo?
I’m intrigued by the idea of delving into full-body concepts, infusing them with my signature ornamental and floral style but with heightened contrast and diverse dimensions.
Exploring the human canvas in its entirety, weaving intricate designs that dynamically interact with the body’s contours and movements, is a creative endeavor I eagerly anticipate embracing.
Can you tell us more about your tattoo studio? Why did you decide to use just one colour?
The studio was designed to be a safe and comfortable space for my clients. Its decoration exudes calmness due to the chosen colour: terracotta, a hue reminiscent of the spices of India, known for its tranquil and harmonious sensation; leaving those who behold it pleasantly surprised by its aesthetic.
My clients find the studio’s concept quite different from the usual tattoo shop, they appreciate the visual and are fascinated by the fact that all the decorations match with the floor, the ceiling and the walls by being in the same colour. With everything in terracotta, the space directs focus to the main art, the one we will create.
My clients and the art we will create are the main focus, with energy concentrated fully on them.
We’ve seen you’re on a tattoo tour; how can people book in with you and where will you be?
Currently, I am travelling to various countries to share my art with new audiences. Those interested in booking a session with me can reach out through my website www.indiatattooartist.com. I’ll be visiting some countries in Europe but I would love to tattoo in USA and maybe go back to Australia.
What’s been your proudest moment so far?
One of my proudest moments so far was winning first prize at Lisbon fest tattoo convention for my ornamental leg project. It was the first time the fine-line category existed in my hometown. It was a validation of my artistic vision and a reminder of how far I’ve come on this incredible journey.
Finally, what does tattooing mean to you?
Tattooing is more than just a job for me; it’s a form of self-expression and a way to connect with others on a deeper level. It’s about creating meaningful art that resonates with both the wearer and the observer, leaving a lasting impression that transcends skin.
Tattoo marketer andartist Sandy (@sandy_inksane) owns Inksane Tattoo in Belgium. Not only does she create amazing art but she’s also developed a digital agenda system for tattoo studios. Here we dive into her tattoo style and how she’s helping other artists in the industry…
First of all, tell us more about your work as a tattoo artist, how did you get into it?
I’ve been asked this question a lot and I still don’t have a fancy story for it. I was young, 24, full of energy (still am), and I just wanted to do it. Being self-employed and making an income with art was appealing to me.
How would you describe your tattooing style?
My style was black ‘n’ grey and colour photorealism. In the last few years, I’ve evolved into bio-organic tattoos. This style has always been more of a hobby for me. I would do it when I was drawing or painting for myself on a daily basis. I would do this type of art more on a canvas rather than on actual clients.
Can you tell us more about what bio-organic tattoos are?
Bio-organic is a style that pays a lot of attention to the anatomy of the to be tattooed bodypart. It follows the muscles. It was first done by HR Giger, who also created the creatures and scenery for the Alien movies. I guess it can be compared to biomechanic, where the mechanic version is mostly insinuating metallic, smooth shapes. The organic version is insinuating ‘organisms’. We use a lot of textures we find in nature in these tattoos. You see a lot of unearthlyy shapes flowing, some would describe it as a horror style.
What’s your studio like and where is it?
My studio is called Inksane (www.inksane.be ), and it’s located in Roeselare, Belgium. It’s been around 13 years since I opened it, and we’ve been growing steadily ever since.
Every time it got too busy or our waiting list per artist was over six months, I’d accept an extra artist or apprentice. It grew to the point where we had 15 artists working on a daily basis. To manage all of that I hired a marketing manager and a shop manager. Also my partner helps with the reception and bookings. Because of the pandemic and the economy we’re now at around 12 artists a day, so we are still a large studio.
Around four years ago, we started expanding the studio to different locations through a franchise scheme. The other two Inksane shops aren’t run by me, but they’re under a franchisee system.
From left to right: Anke (receptionist Roeselare), Michael (owner Brussel), Maxim (owner St-Niklaas), me, Danny (reception Roeselare, my partner). Photo taken by our marketing manager Tom. For an Inksane promotional campaign.
Where are the two other Inksane shops and who runs them?
We have Inksane Roeselare run by me. Inksane Brussel by Michael, Inksane St-Niklaas by Maxim and Inksane Gent will be run by Cristian.
What’s the tattoo scene like where you are?
The tattoo scene around here is normal, steady, and friendly. Nothing fancy either. There are a few smaller conventions in the area on a yearly basis.
Do you remember what first made you fall in love with tattoos?
The focus. The way you can get sucked in and keep drawing and practising for days and weeks and years. Also the ongoing learning process. It never ends. You can get better every year for the rest of your life.
And what do you still love about the tattoo world now?
I’m not tattooing much these days. I gradually moved into business and marketing. It was not a consious decision.
In the past, when I was tattooing, I felt guilty I was not working on my business. And when I was doing marketing, I felt guilty I wasn’t drawing or tattooing. This inner fight took about 10 years, until I gave in to the business side.
Now with my studio (and the franchise locations) I make sure that our artists can focus on only being creative. We do all the other work for them. Like social media, drawing, managing customers, taking bookings, answering emails, reception and ordering stock etc.
We have the right person in the right place and the right tools – like our agenda system.
Sandy’s agenda systemSandy’s agenda system
What exactly is a digital agenda system? What does it do?
Tattoogenda.com is a digital calendar/CRM (customer relationship management) for tattoo studios. Think Google Calendar, Calendly, Square, but mixed and fine-tuned to the tattoo industry.
It takes digital deposits from clients, sends automated reminders via sms or email, it has consent forms, waiting lists, aftercare emails, keeps track of deposits, etc. You can also use booking forms on your tattoo studio’s website to take consultations or piercing appointments.
Sandy standing and teaching her receptionists & franchise managers some marketing. “We do this on a monthly basis. Every month we have another topic to teach or talk about.”
How does it work for your studio? And are other studios using it? Is it a global thing?
I designed it myself so we could be more organised when running our own studio. When I made it available to my franchise locations, I realised I could also offer this software to other studios, too. Everybody can now take out an easy online subscription at www.Tattoogenda.com/pricing, so indeed it is a global thing.
I have the best development partner that takes care of the engineering part. I do quite a bit of development myself now. I also help other tattoo studios get set up with Tattoogenda and integrate it with their website.
Left to right: Michael (Brussel), Maxim (St-Niklaas), Sandy, Anke (reception at Roeselare), Danny (reception, Roeselare). Photo taken by Tom (marketing), for an Inksane promo campaign on a monthly franchise day.
What are your hopes for the future?
My goal is to work together with more tattoo professionals from around the world on getting their tattoo studio organised. Also improving my software along the way.
At the same time I enjoy running my own Inksane studio and intend to keep it that way. We will be opening a third franchise location next month in Gent. I’m very exited about that. The franchisee (manager) is a tattoo artist that has been working with us for a long time and I’m very proud of him.
Tattoo artist Isle (@1sle_tattoo) works in Korea and has been honing her craft for the past five years. We sat down for a chat about her journey, her inspiration and what’s next for her beautiful botanical tattoos…
What first made you fall in love with tattoos? Do you have a strong first memory?
I’d always wanted to get a tattoo since I was a college student. But Korea was a very conservative society at the time, and the various styles of tattoos didn’t exist like they do today. I just thought that people with the tattoos looked so cool. After college, I switched my thinking, I started to think about what I actually wanted for myself and my life.
My body is mine, and I thought I should do what I want no matter what others think.
So I got my first tattoo, and two years later, I started learning the craft. The reason I started was not because I liked tattoos, but the more I did it, the more difficult it became, and the more fun and rewarding it was. It’s the same now, five years after I started tattooing.
What made you want to become a tattoo artist?
I’ve been doing painting whole my life since I was kid. So I’ve been thinking about how I can use my paintings commercially – other than exhibiting. And I wanted to learn a technique that will never disappear.
How long have you been tattooing for and how did you practice?
I started tattooing in 2019, so it’s heading to five years now. At first, I learned tattooing from my teacher. He thought me basic skills and then I practiced on a silicon pad. I repeated it until I drew the line straight, practised with my drawing, and I got confirmation from my teacher. I did it many times, and I finally did it on the human body. It became my graduation work and my first work.
We absolutely adore your beautiful botanical style, how would you describe it?
Thank you for the compliment. In fact, I don’t just stick to botanical tattoos, I can draw anything interesting. But most interests come from nature. That’s why I’m drawing a lot of things related to nature. When I draw for tattoos, I use an iPad and a coloured pencil brush the most. Sometimes I use a watercolour brush when I want to express it in a different way. My style is hard to describe in one word, but I think it’s a mixture of asian and western paintings. Since I majored in oriental painting, I think that kind of atmosphere naturally manifests itself.
Where does your inspiration come from?
Art work, films, landscapes, everything visual. Most of the subjects are nature, and the way of expression and colour are inspired by many things such as paintings and the scenery made by light.
You’re currently based in Korea, what’s the tattoo scene like there? Do you often tattoo tourists or mostly locals?
Mostly local. Korea’s tattoo scene has grown so quickly. As I said, Korea was a very conservative about tattoos but suddenly it became a trend. A lot of tattoo artists in Korea have good skills and a unique style.
How do you like to work with your customers to bring designs to life? Is it a collaboration, or do you prefer to have full control of your work?
Normally I prefer to have full control of my work. Clients come to me believing in my paintings and abilities so I want them to trust my aesthetic. Tattooing is based on mutual respect. So It’s important to find the middle point between what the customer wants and what I want.
Do you tattoo flash pieces or mostly custom?
Mostly custom I think. I’d love to do more flash works, but it takes a lot of time. Flash designs are good because I can present more in the direction I want.
What are your hopes and dreams for the future?
I want meet a lot of clients who can make a bond with me. I want to do more big pieces and develop my skills and style. And I want to draw many paintings and maybe even put on an exhibition.
Any other thoughts on the tattoo world itself?
It’s getting more competitive. With different styles emerging and blurring the boundaries between tattooing, painting and illustration, more artists seem to be entering the field.
It’s a good thing for the clients, but I’m not sure if it’s a good thing for an artist. Tattooing is not a must, so it’s also an industry that is badly hit by the economic situation. I think it’s been tough worldwide since COVID-19. Still, I love this job and I don’t think I’m going to quit art, so I try to survive.
Do you have any plans to travel for guest spots?
Maybe Europe. Since I started this work, I have become more brave. To live in a place I don’t know well, meet various people, experience culture, etc. After going through it, it’s not as difficult as worrying about it, but I think it’s a good experience to expand my world.
Make sure to follow Isle on Instagram for more stunning botanical tattoos.
A mother’s love is said to be unconditional – an unbreakable bond like no other. Something so meaningful it needs to find a home permanently on your skin in ink. Editor Rosalie chats to tattoo artists and collectors about their mother tattoos and the stories behind them…
“I’ve done quite a few mother and daughter portraits now. They have become more and more popular. It’s lovely to see a design come to life that represents a mother and child’s love.”
” I have a baby girl on the way and I will be looking for someone to create something similar for me when the time comes. It’s been lovely tattooing while pregnant. It’s nice to hear positive birth stories from my customers. I’ve not got a tattoo to represent my own mum but if I did it would be something expressive yet minimalistic.”
“This tattoo is definitely a favourite of mine. It’s on a woman who got in touch with me and kindly travelled to get this special tattoo, she wanted to commemorate the feeling of motherhood and love for her two children.”
“This tattoo experience was lovely, we got on really well and found we spoke a lot about our motherhood experiences – I do that with a lot of women I tattoo (and men, although I tattoo a lot less of them, the conversation generally moves to parenthood). It always makes me reflect on my own experiences, it’s nice to compare notes and swap stories and listen to other parents about their lives and how their children fit into it. I love listening to people’s birth stories too, if they’re happy to talk about it. “
“When it comes to tattooing women, as a mother, it can also bring up occasions when customers talk about their own struggles to conceive or even trying to figure out whether they want children or not too.”
“I had both of my children’s names tattooed on my hands not long before returning to work, so it felt like I had them with me even when we were apart”
Tattoo collector Corinne
“In 2013, I had an ectopic pregnancy. I’d been trying to get pregnant for a while and after waking one night in excruciating pain I was rushed into hospital where I found out I was finally pregnant, but unfortunately it was ectopic. Not long after I had the lyrics: ‘there is a light that never goes out’ tattooed on my side, because that’s how it feels when you lose a baby. At the time, I only had a few tattoos, so I just went to a guy in town to have it done and it wasn’t great.”
“But I started getting tattooed more and more, and discovered so many amazing artists. A few years later, I was lucky enough to get tattooed by Susanne König (@suflanda) and after two tattoos from her I knew I wanted her to do a new tattoo in memory of the baby I lost. I really clicked with Susanne and I have loved everything I’ve ever seen her draw so I knew she’d create the most beautiful tattoo for me.
“I emailed her with my idea, but for the most part left it up to her – I feel you get the best art when the artist isn’t too constrained. When I saw the drawing it was more beautiful and special than I could ever have imagined. I couldn’t get over the expression she’d captured in the mother’s face.”
“It’s my most favourite and meaningful tattoo and I’m so happy I got it from a wonderful woman. I went on to have a baby through IVF in 2017, my daughter loves it and she thinks the baby is her.”
“I guess really it’s just the perfect depiction of a mother’s love for the babies we have and the babies we have lost”
“My client, Molly, sent Klimt’s The Three Ages Of Woman as a reference – as well as some other tattoos inspired by the original artwork. She asked for an overall softer look and was open to interpretation in my style. We focused on the embrace as this was an important nod to my client’s mum who passed away a few years ago. I don’t often base tattoos solely off an artists’ work, but I really enjoyed re-imagining this one.”
“I am heavily inspired by renaissance and baroque artists, particularly when it comes to designing pieces based on Greek and Roman mythology. This was a really lovely thing to tattoo – it made me think of the unique kind of love that exists between a parent and their child. I really wanted to capture tenderness in the mother’s expression and a feeling of safety and comfort for the child – I hope I did that.”
“My mum died of cancer when I was a teenager and the tattoo represents that everlasting maternal love between mum and baby. Love that endures even if mum or child has passed away. The tattoo is permanent to remind me that I still embody that love – I am tied to her even though I can’t reach out and touch her anymore. The Klimt painting was just inspiration and Alice captured the embrace perfectly.”
“My mum was the most amazing selfless woman and if I had to choose my mum again, I would choose her”
“My mum and mother tattoos were both done by @shedwolf in Huddersfield, my hometown. I wanted a tattoo that would serve as an everyday reminder of my mum, who sadly died in 2005, and I love how special the tattoo looks.”
“My mum tattoo is actually a matching tattoo that I got with my sister, in honour of what would have been our mum’s 60th birthday. It felt like such a celebration getting this tattoo together and for an event that would have been such a big one to celebrate if my mum were still alive.”
“I had wanted my knuckles tattooed for so long but I always felt like it was such a huge commitment, and I really wanted to find a word that fit my knuckles and also meant a lot to me”
“I love my MOTHER tattoo so much, as it combines my love for being a mum, as well as honouring the mum I lost. I have always wanted to be a mum, and when my daughter was born it gave me that mother/daughter connection that I had been missing for so long. I really feel like this tattoo represents that.”
“I got my mother tattoo before Mother’s Day and that felt like a real treat to me. A lovely day of self care getting a tattoo that meant so much to me as a mum and as a daughter.”
“Both the kewpie tattoos for my children were done by @wolfspit in Manchester. I have always loved Jemma’s kewpie baby tattoos and knew I would get one once I had a baby of my own. We put so much thought into naming our kids and both hold such strong meanings, I love that Jemma could work that into the designs.”
“My son is called Abel Wolfe so his tattoo includes him cuddling a baby wolf. My daughter is named after Lilith, the first woman on earth who was banished from Eden, and rumour has it she returned as the snake that tempted Eve, so her tattoo includes her sliding down a snake. These tattoos mean so much to me and I love that they are pride of place on my arm.”
“I am so happy with my current collection for my mum and my children, I don’t have any plans set in stone for anything else. Although my daughter does keep doing some really cute drawings of flower fairies and I’m so tempted to get one in a little gap. Both the kids have some phrases that me and my husband really love and we have discussed getting a matching one related to that.”
“This was my customer Alisia’s first tattoo to commemorate the birth of her first baby, Everly. Alisia sent me a photo of her holding Everly in this position, as well as a few other mother and baby references she liked. Alisia specified this hairstyle as that’s how she wears hers. The flowersare cherry blossom, which is Everly’s birth flower. It’s always special when someone trusts me with their first tattoo but this felt even more special. I’ve done a few mother and baby tattoos and I always love translating someone’s memories into something they’ll wear forever.”
“This was my first tattoo and the experience was great. Hollie made me feel relaxed offering lots of breaks if needed. I wanted someone to represent my first daughter and our bond, I always wanted a tattoo but really wanted something with meaning.”
“My daughter had colic at a young age and was very uncomfortable and upset a lot as a baby. This position used to always comfort her and soothe her and to this day it’s a position that makes her feel safe and comforted. It just reminds me of my little girl as a baby.”
“The client was wanting to celebrate her own journey through motherhood and breastfeeding. She was great to work with and gave me the general idea and let me run with the artwork. I really enjoyed getting to make this piece for her. I have three daughters and it reminded me of those sweet moments when they were babies.”
Tattoo artist Melanie Milne (@melaniemilnetattoos), Hot Copper Studio, Melbourne, Australia
“I’ve done quite a few mother and baby tattoos, I love connecting with clients over being a mother/parent. Children are the most important thing in most parents’ lives and it makes sense you’d want to get a tattoo to immortalise that.”
“This tattoo’s story (above) is that the client is a friend of mine who has given birth to three babies and is now done having kids. She wanted to express her love of being pregnant and bringing humans into the world. Birth is so magical and transformative.”
“Being a mum has changed a few things for me in terms of tattooing. I have less free time so I have to be more efficient getting my drawings done and making sure I’m home in time for bedtime. Tattooing used to be my main priority but that has changed now.”
Melanie pregnant with OzzyMelanie & Ozzy
“I also think being a parent makes you softer, I’m definitely more affected by people getting memorial tattoos, especially for their children or just hearing stories of loss or fertility struggles”
“My wonderful friend Sera Helen made me the most beautiful tattoo of a charm necklace with my son’s name OZZY on my neck. I got it on my first Mother’s Day so it was very special. I’m pregnant with my second baby now, due in July, so I’ll have to come up with something for them as well.”
Melanie & Ozzy
“Ozzy is 14 months, he hasn’t really noticed any difference between tattooed and non-tattooed people yet. I’m sure it won’t be long. My husband and I are both pretty heavily covered so I’m sure there will be questions in a few years.”
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