Alice Nicholls: An79 Tattoo Balm

Alice Nicholls is a tattoo artist, permanent cosmetic specialist and creator of An79, a vegan friendly tattoo aftercare balm. Specially formulated to complement her work and cosmetic artistry, An79 balm has highly moisturising properties to keep new tattoos hydrated and protected. Resulting in a fully healed tattoo and the added bonus of super soft skin. The cruelty free and homemade balm consists of all natural ingredients, and it features a relaxing mild lavender scent and is gentle on sensitive skin.

Our editor, Rosie tried some on her latest handpoked cat tattoo created by artist Lydia Amor, this is what she had to say:

I loved how easily I could apply the balm to my skin, it seemed to melt into my hands. It soaked in really quickly and wasn’t at all sticky to touch. I couldn’t really smell the lavender which was a shame, but I’ll be using An79 again to heal some of my newer tattoos for sure.

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Rosie’s leaping cat freshly done at Black Market Tattoo, Leicester

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Rosie’s tattoo with balm added

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Rosie’s happy little healed kitty

You can buy your own pot of An79 balm here. Let us know what you think! 

The Circle: International Women’s Day 2019 Exhibition

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Head to The Circle, London on International Women’s Day Friday 8th March 2019 to view an exhibition of works from a group of seven female artists:

Athena Anastasiou
Pang
Heleena Mistry
Laura Callaghan
Sally Hewett
Linzie Elliott
Catriona Faulkner

Sally Hewett

Art by Sally Hewett

Their work ranges from collage to paintings to assemblage to textiles. Rather than prescribe a theme, the organisers decided to ask each artist to simply create pieces which celebrated womanhood and what this means to them. Their work will be on display in the ground floor gallery space.

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Art by Linzie Elliott

Meanwhile downstairs in The Circle’s basement, tattoo artists Paula J DaveyKenzie  and Liz Clements will be holding a tattoo flash event, tattooing pre-drawn designs from £50 for the evening. All proceeds from the flash will go to the charity Refuge.

Don’t forget to register for IWD at The Circle here

Plastic in the Tattoo Industry: Time to Kill the Waste

Everywhere we look there is plastic and it’s starting to become a big problem. Plastic waste is the environmental crisis of the 21st Century and it threatens to choke our seas and decimate aquatic ecosystems. Writer and tattoo enthusiast Matt Haddon-Reichardt met up with vegan tattooist Ashley Thomas to find out if anything can be done by the tattoo industry to cut the waste…

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“I would say that my shop, Echelon Tattoo probably generates 1300 bags of trash every year, and fills six sharps containers. Since we are an all disposable shop, the sharps container contains probably 80-90 percent plastic (cartridges, disposable tubes and needles, razors), and our trash bags are probably about 40 percent (gloves, rinse cups, ink caps, blue medical bib backing, equipment barriers, and the trash bag itself). That’s a lot of plastic but most of the waste I would say is a serious mountain of paper towels and gloves.” Ashley explains as we sip black coffee.

Ashley owns Echelon Tattoo in Midvale, Utah, and is a passionate vegan, environmentalist and artist. She has been tattooing for 13 years and is acutely aware of the plastic waste problem. I ask her how plastic heavy tattooing actually is.

“Ink caps, razors, cartridges, gloves, rinse cups, equipment barriers and medical bibs are all items that either contain or are composed of plastic in varying quantities. The good news is that industry manufacturers are starting to consider this and coming up with new products to address the growing concern over plastic. Black Claw now produces disposable tubes made from cork, and Rose City Supply was offering biodegradable equipment barriers. I think you’re going to see more artists and shops look for these products too as awareness increases. In terms of metal tubes, I think there’s still a fair amount of waste; there’s still the matter of the autoclave bags that need to be used daily, and the water and electricity to run each load in the autoclave and the plastic container for the distilled water used in the autoclave. I think whether or not to use cartridges or plastic tubes vs. metal tubes will always come down to personal preference of the artist.”

We can all make a difference to the plastic problem and Ashley is doing her upmost to eliminate plastic from her tattooing:

“I am always looking for ways to reduce waste and be more environmentally friendly at work, just as I am at home and in all aspects of my life. It can be really tricky in tattooing; so many plastic items keep both us and our clients safe. I don’t know of a current alternative for gloves, but I am looking to try out biodegradable trash bags. I was using the biodegradable equipment barriers from RCS, but I believe they’re discontinued as I haven’t found another supplier that carries them.”
One problem with tattooing is that contaminated waste must be disposed of safely.  Ashley appreciates that it’s not just a matter of eliminating plastics but how we process then when they are thrown away. “Waste disposal in general is woefully inadequate when it comes to factoring in environmental impact. I think it would require working with environmental and health officials to come up with the greenest possible solution to this problem. I’m certain that manufacturing and using biodegradable options whenever possible would be helpful.”

Many artists are now going vegan when it comes to tattooing. Ashley feels vegan tattooing is the future when it comes to managing waste products including plastics.

“I believe using a vegan option is generally always a good thing. Animal agriculture, and therefore animal products and by-products, consume larger resources to produce than their plant-based counterparts, so production waste is typically less. In terms of plastic that’s obviously not a win for the environment, that’s why we need more plant-based, biodegradable solutions.”

One big waste product from tattooing is the cling film used to cover fresh tattoos. I ask Ashley if there are any alternatives.

“I believe a barrier is absolutely necessary to keep the customer, the artist, and everyone else in the shop safe from cross-contamination until the customer leaves the premises. I think, again, that we really need to work with the industries that manufacture the products we use to come up with biodegradable alternatives – biodegradable barrier films, tapes, razors, ink caps, etc, would all be a huge win for us and for the environment.”

Words: Mathew Haddon-Reichardt
Image: Ashley Thomas

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

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When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

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What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

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How would you describe your style? Which do you love tattooing more colour or blackwork?  I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

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What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

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I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

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Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.

Interview with Tattoo Artist Liv Frost

24-year-old tattooist Liv Frost works out of Tattoo HQ, Chesterfield, UK where she creates amazing blackwork tattoos. We chat to Liv about her recognisable style and love for patterns found in nature…

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When did you start tattooing and what made you want to join the industry? I joined Tattoo HQ seven years ago in March. I had been searching for a shop to take me under their wing as an apprentice for quite a while beforehand and then I got introduced to Brenden Jones and Chris Cross the owners. Who I not only look up to as inspirational tattooists and bosses but also like father figures (I’ve got a tattoo for them on my leg saying “HQ Pops”). Truly lucky and grateful to have to them in my life and for everything they have done for me over the years.

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What did you do before tattooing? Did you study art? I did an art and design BTec at Chesterfield college when I left school, specialising in ceramics and jewellery making in my first year and then textiles in my second year. Looking back at old sketchbooks and pieces drawn/made throughout this time, they all reference tattoos, whether that be the style or the history. Tattooing was something I’ve always just been drawn to and interested in. I’ve always had a strong mindset – if you want something bad enough, you have to go out and do it, regardless of what others say, you’ve got to do it for you!

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How would you describe your style? What drew you to blackwork?  I originally started out wanting to tattoo traditional based work, but something wasn’t quite right. I’m a lover of textures, a mix of line thicknesses and patterns. I think that’s why I use a heavier lines for the main outline of my work though as I like that bold statement that traditional work gives. When I was apprenticing I used to draw on little wooden boxes to sell and Bren and Chris suggested I tried some dotwork out on them. I loved it and I would happily sit for hours dotting away on them. I then drew flash sheets of bugs and butterflies in this style and it all started from there. Just black, dots and lines. Various textures creating depth and forever learning what liner would create the best dotted fade or how adding the smallest of line details can make such a great impact on a piece. When tattooing I only show the customer the main outline of the piece and add all the fine linework and dotwork as we go along. I find that this way, the piece flows better! Trusting customers are everything!

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What inspires you and what would you love to tattoo?  I love butterflies and moths, the unique prints on them and just like leaves and petals, the impressions from their veins. I love tattooing floral pieces and mandala/pattern work, I’ve found they go hand in hand with each other for creating larger scale work! Another of my favourite things to tattoo is small frilled hearts with anything inside them – often writing or something Disney related! I’d love to tattoo more large scale pieces, I’ve got a few back pieces coming up that I’m really looking forward to and this year I’m definitely going to focus on drawing up more flash sheets based around nature, patterns and of course some more Disney will pop up in there!

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Do you have any guest spots or conventions planned? I currently don’t have anything lined up for any guest spots or conventions but I’m definitely going to change that! My books reopen in March so by that time I’m hoping to have a few shops booked for guesting at! I always post about anything up and coming on my Instagram and work Facebook page!

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