Halina Mutinta Jewellery

26-year-old Halina Mutinta Hamalambo is a silversmith and a part time photo re-toucher at a photography studio based in Brighton. We caught up with Halina to find out more about the jewellery she creates, what inspires her and of course her growing collection of tattoos…

How long have you been making jewellery? I’ve been making jewellery for around two years now, and I started my first jewellery class in early 2016.

How did you get into making jewellery? I was actually doing a photography degree at the time I got into making jewellery. I was interested in finding a creative hobby alongside my photography degree (said no student, ever) and jewellery making/silversmithing seemed to appeal. So I enrolled on an evening jewellery making class in Brighton. Armed with my new skills and knowledge I’d picked up at my classes, I started looking for work in silversmithing, that’s when I began working once a week for Freddie Grove in London.

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What did you do before? I dropped out of college and became a dental nurse at 16 – I did this for around six years. Dental nursing was a huge part of my life at the time and I genuinely thought that was it; that was what I’d be doing forever! After years of working in a medical profession I figured that a dental nursing career wasn’t my calling, I felt there was something more creative within me and I wanted to explore this in my day-to-day work. That’s when I started studying photography at Brighton University. I never studied jewellery at university, only photography – they both amalgamate pretty well though, which is a bonus!

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What inspires your designs? A lot of things inspire me to create my designs, my background is pretty diverse – I’m half Polish, half Zambian and I was born in Sweden; so I’m fortunate enough to visit some amazing places. Nature, animals, insects, books, art, anatomy, tattoos, textures and patterns are just a few things that inspire me. Oh and my mum! She always wore heavy, chunky silver and large stones around her neck and hanging from her ears. Since I was a kid my mum has always passed her jewellery she’d outgrown down to me, which I’ve been collecting for years.

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How would you describe your process? My process usually starts from sketches, I’ll then figure out the materials I would like to work with (mainly silver) and then I begin making. Some of my designs are created in wax and then cast in to silver or gold; this is so I can reuse particular designs. Initial ideas don’t always work out so it can be challenging, yet it’s fun and rewarding. Silver can easily be recycled too; I can melt it down and forge it, which is great – no waste.

What is your work station/room like? I love my little workstation, it’s usually pretty tidy with MOST things in order – it’s quite literally the opposite at home though! I’ve gained so many great tools too, my boyfriend’s mum used to make jewellery so she’s handed down loads of her cool tools and stones from around 30 years ago. I never thought I would I enjoy tool collecting so much!

Can you tell us about your tattoos? I’ve been collecting tattoos for a while now, I have some that are pretty shitty but they mean a lot and a load that are personally meaningless yet the coolest designs. My most recent tattoo was an anvil made by Adam Sage.

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Do your tattoos influence your designs? In some ways yes, they definitely do. A lot of my friends are also tattooed and my boyfriend, Jack Thomas Newton is a tattooist so there’s always a load of inspiration around me – especially in our home. Jack influences me a lot creatively. My next tattoo will be a Rangoli, so I reckon some of my next designs may be inspired by Asian art and culture.

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How do tattoos make you feel? Tattoos make me feel good and I’m sure this goes for most people that have some! I think it’s amazing that we can wear a piece of art – even if that is something meaningful, decorative or even just silly.

Tattoo Artist Fede Gas

Known for his realism tattoos, 38-year-old tattoo artist Federico Andújar, aka Fede Gas works out of Gas Tattoo Studio in Seville. In this interview he tells us about how he started in the business and what he loves most about tattooing…

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I’ve been tattooing since 2006, so 12 years now. In the beginning I just wanted to paint graffiti, but one day a friend of mine asked me to join him in a tattoo studio. This is when I started to learn about tattooing and how to tattoo. After a long period spent as a tattoo apprentice I started my own career as tattoo artist. I’ve worked conventions in Barcelona, Milan, Brussels and London and I hope to work them again some day and new ones.

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I would say my style is a mix of realism and watercolor or abstract effects. Now it’s changing though as I am starting to work with more Neo-traditional styling.  I think it will allow me to develop my ideas further and really connect to tattooing in a more personal way.

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What I love most about my job is the freedom and that everyday is a new and different day. My favourite sentence is “always learning”, I even have it tattooed on my fingers, this is how I want to live my life.

After 12 years of tattooing what I really want is to express myself in every tattoo, to put a piece of myself into every tattoo I make. I don’t really care that much about the subject, but I do care about the confidence my clients put into me, how they let me create my vision. I need to express myself and not to copy an image onto the skin.

Sylvia Rose Novak

28-year-old Sylvia Rose Novak is a folk/Americana songwriter, a multi-instrumentalist and activist based in Birmingham, Alabama, USA. We talked to Sylvia about the inspirations behind her songwriting, her growing collection of tattoos, and background in horse-training…

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When did you realise that music and songwriting was what you wanted to do?It hit me kind of like a train in the summer of 2013. I wrote a couple of songs in the six months leading up to that revelation without any real purpose or desire to make it “a thing”. But, honestly, it feels like lightning hit me at some point that June and I’ve never looked back.

What inspires your songwriting? Is there anyone you admire? Ryan Adams. I want to grow up to be Ryan Adams, pinball machines and black Cadillac and all. He fascinated me. He’s also one of my favorite writers and musicians. I also greatly admire Jason Isbell. As far as what inspires me, that’s a grab bag. It could be a minor character in a book I’m reading or maybe just the state of the world. I’ve written songs about people I’ve never met just because their story struck me. I tend to prefer writing about things and people that are not me or my life, but I do that on occasion too.

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How does music fit with your other interests, such as yoga and horse training? One of my friends and, for lack of a better word, “mentors” in the yoga community (Ruby Chandler. She owns Shakti Power Yoga Athens. She is beyond amazing.) played one of my songs in a class I was attending once and, to my surprise, it actually worked! I always kind of wondered if it would. Outside of that, I think my live performances are more directly influence by my yoga practice than my writing is. I try to stay totally present for and connected to the audience – that is yoga.

I was a horse trainer for a long long time. I actually still do one-off training work sometimes. It’s in my blood. People will bring me a horse and say “This horse isn’t safe. It’s explosive. It’s impossible.” and 99% of the time, they’re just not listening. The horse is scared or anxious. Some of the best horses I’ve ever worked with were “impossible”. Now, I mostly just hack around on my horse of 11 years, Milo (who was also “impossible”.) I got him in 2007 and love him more than almost anything. He’s a big fat thoroughbred and he’s ridiculous. Like a giant dog.

With so many projects going on what do you do to relax? I’m actually currently sitting on my couch rereading “Sex, Drugs, and Cocoa Puffs” for the fourth time. This is one of my very rare quiet mornings, so I’m enjoying it immensely (as I wait for the internet installer). I find ways to decompress when I can, but it’s rare. Hitting my yoga mat and working with my horse both help even though they’re active things. I also like to run when I can. I’m also a big fan of wine. Specifically Pinot Noir and Shiraz.

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Can you tell us about your tattoos, you’re an incredibly creative person, are your tattoos a reflection of this? I think they’re more a reflection of the tattoo artists. Most of the time I walk in and say “this is kind of what I want and where I want it”. And let them do the rest. I am by no means a visual artist. I once did an acrylic painting of Warren Zevon that looks a lot like Jim Henson. [My husband hangs it up in the house, anyway.] I have the album artwork from Jason Isbell’s “Here We Rest” on my back. It’s a piece of artwork by Browan Lollar. I love that record but, moreso, love that piece of artwork. My favorite tattoo is the big Ryan Adams tribute that I have on my forearm. Radar at Walk The Line in Athens, GA knocked it out of the park. I think my tattoos are more a tribute to the things that inspire me than of my actual creativity. – except for the compass earth between my shoulder blades. That one’s a reflection of being 18 and making a poor life choice.

Photos by Wade Allen

Interview with Jonny Saunders

31-year-old tattooist Jonny Saunders tattoos out of Pulse tattoo studio in Banbury, Oxford. We chatted to Jonny about his dotwork swirl designs, how art relaxes him and how he chooses to decorate his own body with tattoos…

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How long have you been tattooing? I’ve been tattooing professionally for four years now. I used to study art, I had private art classes with Sue Burns who is the wife of Jim Burns the airbrush comic artist. Growing up with ADHD I found nothing interested me, except art. Art was the only thing I could do for hours on end and it helped to calm me down, it still does.

What made you want to become a tattooist? I wanted my artwork to have a bigger impact than I got on paper – it’s one thing to draw on paper and frame it but it’s another to mark someone for life. I love the rush of tattooing knowing I cant make any mistakes, the whole way from the power output to my running of the machine to how deep to go and what angle, and having it all work together to create amazing artwork to last a lifetime.

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You tattoo in a lot of different styles, which is your favourite? Working full time as a tattooist brings many different styles of art daily. My favourite style and the one I want to make my name for is my 3D Dotwork stippling.

What do you love to tattoo and what would you like to do more of? As I’m still fairly new to tattooing I would love to do more and be known for my dotwork paint swirls and my custom mandala geometric designs. Big plans and designs to come.

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What inspires your work? Are there any artists that you admire? I get inspired by doing photography and speaking with customers and their ideas. Without sounding stuck up I don’t admire anybody. I’m a strong independent artist with my own ideas and way of thinking. I have taught myself to tattoo and because of this I have my own way of working. I have my own thoughts on how art should turn out. In truth I want to be the one other admire.

When did you get your first tattoo? When I was 22, I got a tribal rose that was for my mum as her middle name is rose, but now I have it blacked out (my mum forgives me).

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You’re heavily tattooed, including your face, what sort of reactions do your face tattoos get?  Having face tattoos for me has done nothing but make me so much more confident and free. I get stared at constantly and random people come up to me asking about them and I love the attention. I blacked out one of my ears as I didn’t want to look stupid by blacking out both.

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What inspired you to cover your face and black out your ear? Was this a journey or more of a spur of the moment thing?  For me just the look of black abstract tattoos is as deep as it gets. It doesn’t mean anything to me there is no planing when it comes to the outcome of my body art. I get tattooed by Eli who works in Brighton, I show up and get tattooed. There is no plan, I just let him go crazy and I feel that with this way I won’t ever regret my body art. To be completely free of planing or worrying about if it will come out as planned feels amazing, there is no goal and no end.

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Head to Jonny’s website to see more great tattoos or follow him on Instagram.