Yoga on my Skin

Yoga On My Skin is a collective show curated by Rossana Calbi and Giulia Piccioni, in collaboration with Parione9 Gallery, Rome. On Saturday 24th February Yoga On My Skin came to its natural location: The Other Side of the Ink, the Roman convention dedicated to the art of female tattoo artists.

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Spiritual stability comes from the experience of a calm and clear state.

Yoga On my Skin is a project born from a collaboration between curators Rossana Calbi, Giulia Piccioni and Parione9 Gallery. The project traveled to amanei in Salina and reached Parione9 Gallery in Rome, a gallery that is always very interested in tattoo art.

Yoga is a sacred science. It is a science because it bases its principles on specific affirmations on the human nature and universe, it is sacred because it represents the interior path of the individual to gain awareness of his own divine self.

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In the middle of this inner path, there are asana, body positions according to the yoga discipline. Asana are postures, and asana is the art of using the entire body with a physical, mental and spiritual attitude. The structure of an asana is not changeable because each asana is a piece of art. In the Yoga Sutra, Maharishi Patanjali stated that when an asana is perfectly done, there is no duality between body and mind, spirit and soul. According to yogi T.K.V. Desikachar through yoga the mind and senses are directly connected to the consciousness and they are not perceived as separated or disorganized.

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The project consists of two asana for each chakra (from Sanskrit wheel or disc). The asana are selected according to the physical appearance of the posture and the relevance of the specific chakra stimulation. There is no asana for the seventh chakra because no postures directly stimulates it.

Yoga teacher and psychologist Giulia Piccioni embraced Rossana Calbi’s curatorial idea with the technical support of studio d’arte Candeloro to set up an exhibition that is a physical and mental experience.

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Art work is by Nicoz Balboa, Genziana Cocco, Cecilia De Laurentiis, Cecilia Granata, Marta Ierfone, Marta Messina, Roberta Kinney, Anita Rossi, Maria Grazia Tolino.

The next stop for Yoga on My Skin will take place in an abbey, in Italy. Find out more about the original location and the future projects here.

Interview with Ruslan & Tonya

26-year-old Tonya and 29-year-old Ruslan are tattooers from Russia. The couple work together in their private studio Abusev Tattoo in Moscow. We speak to Tonya about their unique style of tattooing…

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When we’re not tattooing at our studio we travel around Europe, soon we’ll be working in Barcelona, then Istanbul and Berlin.

We started our tattoo collaboration over five years ago in Russia. Since then our tattooing has transformed into what we call BIOGRAFIKA. It is not a style it is more like a way to see form and composition on human body. We both tattoo in black and color ink, although I mostly enjoy playing around with my colours and Ruslan likes to stick to black.

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We both work on the composition of a tattoo, creating its shapes and forms. Although I enjoy using colour  in my work, I do agree with Ruslan that black fits best on skin.

Inspiration is what makes our collaboration so special. We inspire each other to be better people, better artists, better tattooers! Working together is not always easy, it takes a lot of patience, and a great will to create something truly unique! We always try to bring something new into every tattoo project.

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It is pretty hard to describe how we met and how we started tattooing together, but each of our lives had wild twists before fate brought us together. Ruslan was working as a professional tattooer when I found him, he did a cover-up for me, and it all went from there – it’s our crazy story!

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One which you would love to see in a movie. I truly love the place we have reached so far, it’s a happy life of two tattooers that never let eachother get bored. Tattoos brought passion into my life. And from what I see, every tattoo we create brings a new life chapter to the person wearing it.

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Interview with Lucy O’Connell

Lucy O’Connell creates stunning tattoos filled with colour and personality at Red Tattoo and Piercing in Leeds, UK. We chat to  Lucy about her evolving style and inspirations…

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What made you want to become a tattoo artist? I started drawing tattoo designs for friends who were older than me when I was around 14. And through doing doodles for them, which I now realise is the most irritating thing to receive as a tattooer, because I knew nothing about the fundamentals of tattoo design, I realised I could do this for a living when I started to do more research. Fortunately tattoos were more accessible in terms of media. I would buy all the magazines available from my area and then go and look up the artists.

What do you love most about your job? I love so many aspects of my job. I love developing my practice, the ability to share ideas and discuss with people I admire, working on a moving canvas is forever a challenge. I just feel like I’m learning all the time, but I also like talking to new people about their experiences in life. And currently I’m really trying to give myself a shove to develop myself more, I give myself a hard time a lot.

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What inspires your work and drawings? Everything. Recently I’m trying to look more into myths and old stories to inspire me, but I’ll probably sit on them for a while as they’re such epic tales I need a while to ponder it before I know how to combat it. Nature has a lot to play. Whatever I’m watching can have an impact, or just my mood in general. I find if I’m struggling I’ll watch Attenborough or go to a gallery. Just kind of soak something new in.

What would you love to tattoo? Like I said before I’d like to sink my teeth into some myths and legends. Maybe some religious stuff too from all faiths. Norse gods are really interesting. I think subject matter that’s way bigger than me so I can try break out of my comfort zone. And always birds.

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Do you have any designs that you really want to do? I’ve got loads of designs I wanna tattoo, I keep a majority in a little book and take them everywhere with me, and the big ones don’t often get a home so they end up getting painted. I’m struggling more than ever to get rid of stuff I draw, which I can’t decide if that’s me, social media or brexit. I’ll keep trying.

How would you describe your style? It’s a clash of a lot of things. I can’t quite put a definition on it, I’m usually categorised as neo-traditional but I wouldn’t put myself there. I think neo-traditional lines have been blurred. I kind of think I’m a pop culture, neo-trad, art nouveau clash.

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Is it fair to say that it has been evolving lately? I hope so, I’m trying to evolve all the time but I’m very aware of it, currently. Since the first convention of the year I’ve had a fire lit under me that makes me want to push myself somewhere that’s not so comfortable. But I hope everyone likes it or can see I’m trying.

What kind of direction would you like to take your work in? I’d like to go into a more layered version of my work. And making everything more animated. I’m also trying to take in light sources. We’ll see what happens.

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Do you have any conventions or guest spots planned? I do! No mor plans other than these:

Newcastle – Big North Tattoo ConventionApril 28th & 29th

Essex – Jayne DoeJune 14thth, 15th & 16th

Leeds Tattoo ExpoJuly 7th & 8th

Berlin – Sticks and StonesAugust 9th, 10th & 11th

Interview with Joaquin Ardiles

Because music is in itself an art, it comes as no surprise that so many involved in the industry also have an affinity for tattoo culture. 31-year-old guitarist Joaquin “Jo” Ardiles of Good Tiger has taken his love of tattoos one step further by becoming a tattoo artist. When he’s not on tour, Jo can be found tattooing a mx of western traditional and illustrative styles at Kilburn Tattoo in London. 

Photo by Tom Barnes

How long have you been playing guitar and how long have you been tattooing?I’ve been pretending to play guitar now for about 15 years, and tattooing for about six or seven years I don’t remember exactly.

Which one do you love more? Or is it like picking a favourite child? They are both a lot of fun and I enjoy different things from each of them, I’m lucky that I get to do both. I think I get the same enjoyment from playing a sickhead riff as I do from finishing a cool tattoo. I like the freedom the tattooing gives me to be able to go out and play music and I like that playing music means I get to be tattooed by people in different parts of the world that would be difficult/expensive to get to otherwise.

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What was it about each craft that drew you in and peaked your interest? How do they make you feel? I started playing guitar because I thought chicks dug that shit, but actually they like saxophone. I quit playing the saxophone to play guitar, so I really fucked up there. By the time I realised it was too late and I was already invested, so I just kept going. Also I wanted to slam some sick riffs and be Tom Morello from Rage Against The Machine. Playing guitar means that I get to hang out with my friends and play a lot of Nintendo Switch with them in tiny backstages across the world, which is cool, I’m into it.

I started tattooing because I thought it would be easy and I could make some money in between touring but it turns out it’s not and I had to work hard for my place. Luckily I had a bossman that was ok with me going on tour, as long as when I was back I was at the studio watching and learning. I knew very little about tattoos when I started, I was a bit of an idiot actually. I love the world of tattooing now, I love that it’s not easy to get into, and I love that I still have a lot to learn.

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How would you describe your style of tattooing? What influences you? Are there any artists you admire? I think my style is a twist on western traditional, I like to keep things a little weird, make it’s something that’s mine as much as something the client wants. I’m influenced by other tattooers, by video games, music, comics. It all plays a part in influencing the way I draw, even if its not obvious in the piece itself. There are so many good tattooers out there right now, I could probably make a really long boring list but I think right now @greggletron is next level. @scumboy666 and @wan_tattooer have such a cool style, I wish people in the UK got more stuff like that I’d love to do shit like that. @joefarrelltattoo is the bossman at my shop he taught me everything I know and I owe him a lot. I work with @lauralenihantattoo and she has been putting out some bigboy pieces recently. HOLD TIGHT THE KILBURN MASSIVE.

How does your music and tattooing go hand in hand? I like to try and get tattooed while I’m on tour if I can. It’s not always easy depending on routing and timing and such, but it’s a nice way to meet tattooers and visit cool shops. Playing music means I get to meet a lot of people and tattoo a lot of people that have found me through the band. Also the music world is full of people with tattoos, I’ve been lucky enough to tattoo people in my favourite bands or talk to musicians about their tattoos and where they got them. I think both those worlds are interlinked, the first tattoos I saw were on musicians in magazines and on tv.

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Good Tiger released their new album We Will All Be Gone on Feb 9th 2018 via Metal Blade Records. Can you tell us a little bit about the new album, what is your favourite track? The new album rules and it’s gonna make me bigger than Kid Rock I think. We really pulled it out of our arses with this one, managed to make a non stop, start to finish, banger after banger, perfect album. Have you guys heard Dark Side of the Moon? This shits all over it and then some. My favourite track is Blue Shift because I think it will make me the most money/chains/emerald encrusted pimp canes.

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Photo taken by Kayla Surico

Will you be touring? What can fans expect? We will be yes, our next tour is in the states, little headline run followed by a load of dates in the US/Canada with our favourite beanheads Protest the Hero. Fans can expect a lacklustre show because we are old now and don’t have the gusto or the legs to put on a show with any kind of enthusiasm. Gonna keep it tight though and play real good. I might get a rat tail haircut again so if I turn around during the show, the front row is going to get a real visual treat, a battering of the senses, even. Prepare yourselves.

Lucy Thompson: Breast Cancer Survivors & Tattoos

27-year-old tattooist Lucy Thompson based in at Skinflicted in Keighley, Yorkshire, has travelled to the US to learn how to create realistic three-dimensional tattooed nipples for women who have had a mastectomy…

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Last year Lucy travelled to Texas to be the first UK artist to receive specialist training in the art of tattooing realistic areolas on breast cancer patients. It was her aim to shake up the industry and illustrate to breast cancer survivors that “they deserve better” when it comes to post op cosmetic reconstruction.

My Auntie had a mastectomy and got a tattoo done in hospital which has now faded to almost nothing so it needs re-doing – why is a surgeon even attempting to tattoo?-  the experts should stick to what they know. This just isn’t good enough for a cancer surviver.

Lucy trained with The House of A.R.T (Areola Restorative Tattooing) in Texas, who have pioneered a unique way to give the illusion of a permanent and three-dimensional nipple opposed to other methods. Having learnt this skill Lucy is now offering this restorative service to mastectomy clients locally,  the first being her auntie.

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Lucy, who’s been a tattoo artist for the last four years explains what influenced her to help cancer survivors:

After the trauma of going through cancer, I want to make the restorative period as stress free as possible and help women feel whole again. Why should they have to return for future treatment when it can be done in one process? Women are accepting second best as there has never been another option, but not many cosmetic tattooers have experience or have dealt with scarred tissue, especially tissue that has been through chemotherapy or has radiation burns or stretch marks from skin grafts – this is a huge concern. A tattoo artist understands the skin in a different way. We want to achieve painterly results  and have the techniques to work with the skin and its delicacies to get the best possible results – the quality is of utmost importance.

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Lucy  is also offering tattoos to any trans/non-binary clients who have had surgery and unsuccessful  nipple grafts. Her long-term plan is to open a clinic specifically for post medical treatment. She also plans to run drop in clinics throughout the country by travelling the UK visiting other studios, to enable others further afield than Yorkshire to benefit from the skills she has learnt.

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