Interview with Gaston Tonus

25-year-old guest writer Jessica Miorini chats to Gaston Tonus, an Argentinian tattoo artist based in Germany, as she gets tattooed in his private studio. Between a thigh piece and a Fritz-Kola, they chat about his unique graphic style, his inspirations and his background as a tattoo artist…

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It’s a long way from Argentina to Wiesbaden, both physically and culturally. What brought you here? Here, in Europe, I believe I can express myself better. People give me the freedom to tattoo these crazy things on them and this gives me the greatest satisfaction.

What made you want to become a tattoo artist? I first approached tattooing as I wanted to get tattooed myself. This was 20 years ago in Argentina, where I started to build my own machines and experiment with them. You’ll have to imagine a completely different industry, where there weren’t too many machines available and still a strong stigma attached to tattoos.

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How would you define your style? I would define it as graphic blackwork. It’s also sketchy and dark, but it has something more personal to it.

Among graphic tattooers, your artwork has a distinctive identity. What is your style most influenced by? The work of other tattoo artists, especially here in Europe, has definitely had a big impact on my art. My stylistic influences come from a lot of different places, from painters and cartoonists, like Caravaggio, Dürer, Mark Ryden, Alberto Breccia and H. R. Gige, to film directors, like Kubrick, Lynch, Cronenberg and Hitchcock. Music also plays an important role, there are bands that take me to a dreamland, like Tool, A Perfect Circle and Deftones, among others. I tend to mix all these different inputs together and translate them into tattoos.

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 Your works include traits of both surrealism and dark naturalism. Where do you draw your inspiration from? I find inspiration in almost all things, from nature, dreams and places, to people and buildings. I love tattooing animals, I’m a vegetarian as well, and I’m deeply inspired by nature, plants and birds, as well as manmade objects. I like to mix them, merge animals and faces, and come up with some strange and crazy combinations.

 Do you prefer to tattoo your own flash or enjoy the whole custom-made process more? Most of the time I prefer to tattoo my own pieces, as I invest so much energy and time in drawing them. But if the client’s idea speaks to me and we’re like-minded, it can turn into something even more beautiful, as this exchange of ideas and thoughts can spark my creativity even more.

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What are your favourite pieces that you’ve tattooed so far? I put too much of myself in each single piece to choose one. They all have a unique history or meaning, which will end up being completely different from my clients’.

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Finally, how has your art evolved and what further direction do you see yourself taking in the future? When I started, almost 20 years ago in Argentina, there weren’t many styles and techniques to choose from. You had magazines full of mainly tribal and traditional tattoos, and that’s what I started tattooing. With time, I started to draw more, I studied graphic design and decided to focus on my own artwork.

I never stop, I love spending my time drawing all day in my studio to make better tattoos every day. I keep pushing myself to improve and always keep an eye open for new things that might tickle my imagination. I always hope I will get to know new people, make good friends all around Europe and keep sharing experiences and good times with clients and colleagues.

You’re Not Ovaryacting…

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…That’s the message The Robin Cancer Trust is telling ladies in its latest campaign to raise awareness of the symptoms of ovarian cancer. The Robin Cancer Trust was founded to increase awareness of germ cell cancers, including ovarian and testicular cancers, following the death of Robin Freeman, 24, of Wivenhoe, after his battle with germ cell cancer.

The charity teamed up with local companies including Flaming Gun Tattoo Studio, Racket Video and Joli Studies to create a social media campaign. Through the colourful use of tattoo-style imagery and video, they want to highlight the symptoms of ovarian cancer that should not be ignored.

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Claire Neal, Trustee of The Robin Cancer Trust, explained how she “wanted to do something different for Ovarian Cancer Awareness Month, in March this year and thought this would be the perfect opportunity to get creative. We hope this fun and engaging campaign will raise awareness in young woman as ovarian cancer is not a silent killer if the symptoms can be recognised early.”

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We chatted to tattooist Julie Clarke who works at Flaming Gun Tattoo in Colchester to find out how she got involved with the project and what it meant to her…

When the opportunity came to get more involved with the ovarian cancer campaign myself and fellow tattooist Alex Bach jumped at the chance. I am now two years clear from my surgery, and I would not have been so lucky if I did not regularly go to my GP for smear tests or to question any abnormal symptoms, so I can not stress enough, if you’re concerned get it checked out!

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The “you’re not ovaryacting” campaign was such a wonderful way of promoting awareness of the possible symptoms.  In the studio, we tattoo some wonderful people who have survived cancer and their family members too. It is a real pleasure to be part of the recovery process, either through covering scars, nipple tattooing, or unfortunately creating memorial tattoos. Cancer affects so many people and every type is worth consideration.

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Specifically with this project, creating the artwork to coordinate with the symptoms was a challenge, but with my colleagues Alex Bach and Toby Freeman, we managed to create the images you now see on the models. The models Tiffany Leather, Natasha Connor, Danielle Robinson, Charlie Newell and Josie Rackley looked amazing, and Racket Video and Joli Studies did a wonderful job of super-imposing our artwork onto them. We can’t believe how realistic they look!

To find out more visit www.therobincancertrust.org.

Yoga with Nina

We chat to 26-year-old Nina Goks, a yoga teacher and naturopathic nutrition student from London, about her vegan journey, tattoo collection and living a yogi inspired life…

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When did your yoga and vegan journey begin? My yoga journey started before veganism! I began yoga over four years ago, I was trying to get healthier, eating a more conventionally healthy diet, running and doing HIIT training. I tried a yoga style workout and quickly began doing yoga more than any other exercise – I enjoyed the peace, strength, release and focus. Before yoga I was relatively mindless when I worked out, I’d just get through it to get it over with and yoga is precisely the opposite.

My awareness of healthier eating initiated thoughts about compassion. I cut out meat and was vegetarian for a few weeks, until I watched Earthlings – I haven’t looked at the world the same since. Compassion, non-harming, living a simple life and being conscious of your health, the wellbeing of the planet and all life are certainly aspects of both yoga and ethical veganism, so it was natural for them to come along hand in hand. Then they spilled out into every aspect of my life and I quit the career I’d been very unhappy in to indulge in yoga and nutrition!

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Sunmer rolls made by Nina

What drove you to make such a huge lifestyle change? I was inspired by several people on social media, I enjoyed following along with their journeys. I was really introduced to veganism on those platforms, it enticed me to do research for myself. I chose to actively pursue it because once you know better, you can do better! It was time to be proactive. I was also having a lot of health issues, some diagnosed, some unexplained and for the most part I’d just accepted them as part of my life. Now that seems wild to me, I didn’t ever associate eating so unhealthily with ill-health – bare in mind I was a total junk food addict prior to the few months before I went vegan.

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Smoothie bowl made by Nina

Has it made you think about your body and yourself differently? Of course! I began to view myself as someone worthy of mindful health, I saw my body as something capable rather than deteriorating. It’s not arrogant or selfish to acknowledge your worth, in fact it’s liberating.

What advice would you give to others wanting to make a change? Educate yourself, watch documentaries, reach out to the online community for support and inspiration. If it’s something you want, then be kind to yourself on the journey. It can have its trials and tribulations but nothing worth doing just falls into your lap, it’s OK to be fearful, to take criticism. If you give yourself the information you need then it’s a much more simple transition. Choosing a positive outlook on something really changes the outcome!

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Pina colada smoothie bowl made by Nina

What do you share in your YouTube videos, what can people expect to see? I didn’t have a specific intention in mind when I started my YouTube channel. I just wanted to document my travels and make videos around the relatively new and exciting lifestyle I am continuing to learn about. So you can expect veganism, yoga, travel, yogi/vegan lifestyle, natural health and minimalism and probably a lot of other totally random musings.

How has your style developed? You’ve started to take more of a minimalist direction, what inspired this? With tattoos, I used to be more into traditional, but I’ve definitely developed a love for neo-trad. Minimalism was sparked by aspects of a yogi life. Living simply and the understanding that you have enough and you are enough. My aim is to have what I need, buy from independent, conscious small businesses or second hand but still use what I have now until it needs to be replaced. We are such consumers, totally feeding into what’s sold to us, when you reign that in you start to appreciate what you do have and where it comes from. My style has definitely evolved to much more clean and simple, tropical and nature inspired, vegan and barefoot living!

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Can you tell us about your tattoos? Do you think tattoos have to have a meaning? My tattoos are largely collected from female artists, but not all, especially anything I got in the past two years. Something about the experience of getting tattooed can become ritualistic. My husband, Goks, is a tattoo artist and his passion for tattooing expanded my own ideas about tattoos, I’d always wanted them, even though for a short time I said I wouldn’t have any that were visible.

That changed quickly, especially once I saw all the unbelievable artists out there. If you feel a connection with an artist, their work and their vibe, it totally changes your appreciation for the tattoo. Mine are really just things I was/am into, I’m not anal about what I get tattooed and often have my own ideas of what I want. I think there is a happy medium as far as meaning goes. If every single tattoo has to be sacred and super personal it could be hard to actually have ideas or be open to artist interpretation.

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When did you start teaching classes? How can people get involved? I’ve been teaching privately for a few months now, since I completed the start of my training. I’m in the midst of organising classes but I am available for private classes in south east London or within local areas. Information about events and classes can be found on my website and Instagram – new classes coming soon!