Steph Wilson Photography

London based Fashion and fine art photographer Steph Wilson new series “Emoji” explores the use of emojis as a censor for female nipples, genitals and bums in art. 

Steph tells Dazed magazine that her series is inspired by:

The series was an idea that had been bubbling for a while. I remember seeing a stunning shot on Instagram taken by my good friend Eleanor Hadwick of her boyfriend, nude, on a cliff edge. His arse crack was censored with, what Elle coined, a “sparklefart” (the sparkle emoji). It made me laugh but also made me incredibly frustrated that such a striking, artistic image had been made into a farce. I wanted to play with that as a theme, and, for once, use emojis as censorship to my artistic advantage.

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Film Review: Five Cold Films

Our resident film reviewer is writer Harry Casey-Woodward who will be sharing his opinions on things he has watched…

Since the weather at the moment is rather grim, I’ve had a think about what handful of films mirror the British winter chill and would be horrific to be starring in, not just for the cold.

The Hateful Eight, 2016, cert 18, dir Quentin Tarantino

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I haven’t seen The Revenant yet, otherwise by the sound of the conditions depicted it would surely get a place here. But the Hateful Eight is another western coinciding nicely with the British winter. Except it’s depicting a Wyoming winter so naturally the weather is a bit more extreme. As in, everything is smothered in snow and looks like a Christmas card, except the very opposite of Christmas cheer and goodwill happens in the film. I just feel sorry for that stagecoach driver stuck on top of his coach the whole time while his passengers are sheltered below him, and the guy forced to walk naked in the snow. Yes that does happen. All in all, this film does a great attempt at showing how cold the American west could get and just how desirable a pot of fresh hot coffee would have been.

The Shining, 1980, cert 18, dir Stanley Kubrick

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I know most of the film’s action takes place indoors, but the ominous presence of winter just lurking outside is maintained throughout. Even at the beginning, the hotel manager is warning Jack Torrance how severe the winter can get, what damage it can cause to the hotel and what damage it caused to the mind of the last caretaker who, suffering allegedly from ‘cabin fever’, murdered his family. All the other staff members are hurrying to leave before the roads are snowed in. So while the Torrances are trying to have a relaxed, normal time (besides the ghosts, the kid’s powers of prophecy and daddy’s slide into psychosis), the raging winter outside is cutting down telephone wires, shutting down roads and generally making it difficult for the Torrances to escape or be rescued when things start going down the toilet. Plus Jack Torrance freezing to death outside looks a chilly way to go.

The Thing, 1982, cert 18, dir John Carpenter 

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For one thing, this film is set in Antarctica, the coldest and remotest place you can get. Not only that, but you’re stuck in a science base with a bunch of experts and one bearded alcoholic pilot played by Kurt Russell, so you could die of boredom as well as cold. Unfortunately, a shape-shifting alien is unleashed from the ice and starts taking over everyone like a parasite that’s really good at impressions. Cue some traumatic 80s prosthetics of human bodies tearing apart and sprouting new alien appendages, but at least the gushing bodily fluids that flood this film might keep you warm. Funnily enough, season one of X-Files did their own tribute/rip-off of this film in one episode about parasitic aliens set in an Antarctic science base, which looked equally cold.

Dead Snow, 2009, cert 18, dir Tommy Wirkola 

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Let’s bring some world cinema in. Of course, the term does suggest sophistication, not students getting slaughtered by Nazi zombies. Try telling that to HMV, however, whose ‘world cinema’ sections appear to be mostly stocked of all the nasty pulp foreign language films. Anyway, it does look pretty cold in this particular Norwegian snowbound shocker. The constant running away and the brain-bashing of undead fascists would keep you warm though, as would being soaked in the copious amounts of spilled blood from you and your friends. I thought the most unpleasantly cold-looking moments in the film were in the outdoor toilet next to the students’ wood cabin. How did two characters have sex in there? It’s bad enough with the zombies pulling you down the poop chute afterwards.

Die Another Day, 2002, cert 12, dir Lee Tamahori 

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Honestly I had a hard time thinking of things for this list, but this movie sure looks chilly, especially since the second half is set in some ice palace in the Arctic. They must have had some magical central heating system where the guests didn’t freeze but the palace didn’t melt around them. James Bond even managed to persuade Rosamund Pike to lose her clothes in some icy bedroom. There are many cold scenes throughout the Bond franchise (as in temperature not the acting). I haven’t seen Spectre yet but there is another Pierce Brosnan flick called The World is not Enough, the predecessor to Die Another Day, where Bond and Sophie Marceau lose some baddies in a ski chase but end up buried under an avalanche. Luckily Bond’s array of gadgets includes a bubble that pops up around them and shields them from the evil snow. This doesn’t stop Marceau from having a panic attack and Bond has to calm down the silly woman. At least he didn’t do it the Sean Connery way and slap her.

Interview with Lu Loram-Martin

28-year-old Louise Loram-Martin works out of Spike at the  in Plymouth, and creates dotted pattern work tattoos. We chatted to Lu about  her love of mehndi and where she finds her inspiration… 

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How long have you been tattooing? Eight years.

What drew you to the world of tattooing? To be honest I never made a conscious decision to be involved in the world of tattooing but my life took that path. It was meant for me.

What did you do before, do you have a background in art? I’ve been lucky enough to have been involved in the tattoo world for a long time thanks to Mike and Julia at Spike at the Art, so there wasn’t really a before for me. I began working at the studio as a teenager, just to help out on Saturdays, then I started to do design work for clients and everything just sort of unfolded from there. I did study architecture for a while, but that was during when I was still trying to figure out what was for me. It wasn’t.

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How would you describe your style? Feminine

What inspires you? I think that being immersed in the tattoo industry itself is enriching as you get to be involved with both clients and peers, each with their own interests and ideas. And I guess that really allows you to find beauty in everything, but on a personal level. Nature, sacred geometry, eastern philosophy, architecture, literature, truth, fiction, imagination -they all inspire me. Beauty,  it’s always there you just have to look for it.

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What do you like to draw and tattoo? My preference within tattooing tends to be mehndi inspired patterns and dotwork, but I like to think of myself as an all rounder. At the moment I am really enjoying combining colour realism and mehndi patterns. I find the contrast really aesthetically pleasing. But I believe that tattooing is a continual evolution, so my preferences are always changing. For me it is important to have a range of styles within my art so that it doesn’t become stagnant. I guess I’m easily bored.

When I draw and paint for myself I tend to gravitate towards natural, organic aesthetics; flora, fauna, figures, natural landscape, the ocean, sacred geometry, golden ratio. I’m very inspired by eastern artwork. I tend to paint more realism than anything else at the moment. And I still enjoy sketching architecture. Right now I intend to do more life drawing, I just need to find the time!

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Fashion Pearls of Wisdom: Winter Anonymous

Our columnist Natalie McCreesh aka Pearl, is a fashion lecturer, freelance writer and creator of Fashion Pearls of Wisdom. In this post she’ll be talking about how she misses seeing tattooed people in winter… 

Jumper and jeans, jumper and jeans, jumper and jeans… That’s been my staple wardrobe for the past few months. Three near identical pairs of skinny jeans, three near identical black shirts and three crazy vintage 80s mohair jumpers, my unfaltering uniform of warm semi-smart winter work wear. Replaced on the weekend by a less smart pair of baggy boyfriend jeans and a plaid shirt with a stray hole in the back. For someone who works in fashion you’d think I might be more creative but in winter I just long for comfort. I’m not alone, for the most part everyone you see walking around is wrapped up, in coats, hats, scarves, gloves.

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As we shield our skin from the elements however in doing so we also conceal our tattoos. It’s almost like becoming invisible, no funny looks, no rude comments, no sneaky stares – well maybe the odd one at the novelty jumpers. It’s made me notice how much I miss seeing tattooed people. The vibrant, colourful bodies of the summer replaced with a sea of grey coats and black umbrellas. When I’m sat on the train I look out for a tattoo peeping out from a cuff, or a little one tucked behind the ear, call it commuters eye-spy. Myself, I find a ripped jean knee or turned up ankle cuff the only way my tattoos can be on show and it makes me realise that I do very much enjoy being tattooed. Not to show them off to other people, but seeing my roosters claw slipping out from an ankle gaps just gives me a reassuring pleasure that this is my skin.

Interview with Kirsten Holliday

30-year-old Kirsten Holliday tattoos out of Wonderland Tattoo in Portland, Oregon and creates beautiful botanical tattoos with a muted colour pallet. We chat to Kirsten about the things and people that inspire her… 

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Photo  taken by Adrian Whipp of Lumiere Tintype in Austin

How long have you been tattooing? Five years, not including my apprenticeship!

How did you get started? I’ve wanted to tattoo since I was 16! I finished college and was studying for the GREs to try to get into a PhD track program in rhetoric and writing and realized I was chasing my second choice profession in which there were no jobs. I packed up my car and moved to Portland without really looking at the insane licensing process here, but I lucked into an apprenticeship at a shop rather than one of Oregon’s infamous schools. I learned from Melanie Nead, who used to own Icon Tattoo here in Portland. I just showed up with an armload of framed work and threw myself upon her mercy! I’m super grateful to have learned there.

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What drew you to the tattoo world? I started getting tattooed by Scott Ellis, who now owns Triple Crown Tattoo Parlour in Austin, Texas. I think that cemented my feelings that tattoo shops were places I wanted to be; I loved being in the middle of a shop where people were talking and joking and having conversations about art. It had (and still has) such a feeling of community. I get to work there when I go home now, which is such an honor and still kind of intimidating in the best possible way.

What did you do before? The usual mishmash of college jobs. I worked at Starbucks, I worked at a law office as a legal assistant and a runner, I worked at a gelato shop.

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Do you have a background in art? My grandmother Betty Jo was a watercolour artist and started me drawing from still life when I was two, and I took high school art. I was fortunate to have an incredible art teacher in high school. Other than that, not really!

What do you like to draw and tattoo? I think my portfolio speaks to that – botanical and naturalistic work, animals, lady heads. I​​ love doing American traditional tattoos, too, though I haven’t been doing as much of that in the last few years.

How would you describe your style? Illustrative, with roots in American traditional

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What inspires you? Vintage science and botanical illustrations, vintage postcards, traditional tattoos, the world around me. The Pacific Northwest is such a beautiful, ecologically diverse place and that certainly influences all the work that comes out of Wonderland.

Are there any artists you admire, do they influence your work? I’m super lucky to work with really talented artists at Wonderland – Alice Kendall (who has been making incredible botanical tattoos for years in this town), Sean Wright, and Alice Carrier. I think we all influence each other a lot. Joey Ortega at Triple Crown has been a friend and mentor for years and his work is a huge influence on me. Josh Stephens in Richmond does such unique, strong floral work. I’d love to do more large work, so right now I’ve been specifically looking at a lot of large work compositions, too.

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Can you tell us about your own tattoos? I have mostly piecework. I have one large piece from knee to armpit on my right side by Joey Ortega and the rest is mostly pieced together. The most recent tattoo I got was from my friend Alena Chun at Icon, who is amazing. It’s a cat and a skull on my kneecap inspired by a Kuniyoshi print – we saw an exhibit together in Paris in October and it was so inspirational. We traded Kuniyoshi tattoos afterward; I did the samurai frog I included in my photos on her. I have a lot of tattoos from Silje Hagland at Scapegoat (we used to be room mates!), a couple from Atlas here in Portland, four or so from Sean Lanusse at Blacklist. I have a ton of small to medium sized tattoos from a ton of people. I did get tattooed by Eckel last year, which was such a dream! ​