Interview with Hannah Willison

Hannah Willison is a travelling artist who creates bright and bold gemetric tattoos featuring every aspect of nature. We chat to Hannah about her experimental style and what inspires her work… 

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How long have you been tattooing? How did you get into it? Five years so far. I was offered an apprenticeship at a local studio in Exeter. After a year, the owner decided he didn’t want another tattoo artist. So, I left that studio and set up a market stall selling my own graphic t-shirts and hand painted converse. One day when I was working on the stall, the owner of another local studio approached me. She really liked the artwork I’d painted on the shoes, and asked if I’d ever considered becoming a tattoo artist. She offered me an apprenticeship on the spot. The opportunity was a gift from the universe, and I was grateful for the second chance. So, I closed my stall and the rest is history.

What were you doing before? I was working as a model in London and internationally.

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Do you have a background in art? I attended an art foundation course and dropped out after a month. I didn’t pursue further education after that. I’m pretty much self taught. Drawing and painting has always been a form of self expression for me, something I’ve always enjoyed doing in my spare time.

How would you describe your style? It’s hard for me to pin-point a particular style. I like to mix and collage monotone illustrations with coloured graphic/geometric elements. My style of work is constantly evolving and changing. Each new design is a process of discovery.

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What kinds of things do you like to tattoo and draw? Up until now I’ve mostly drawn, painted, and tattooed animal designs. As a vegan I like exploring themes related to our connection with nature, and concepts related to human and animal consciousness.

What inspires you? Nature. Everything related to the natural world interests me. Also travelling. I take inspiration from what I see, i.e. old architecture and street art.

I’ve recently joined The London Library, and feel like a child in a sweet shop when I’m there. I’ve fallen in love with their old collection of 18th century books. I enjoy looking through vintage natural history illustrations. Aside from this, I like the ‘Lowbrow’ art scene- Mark Ryden, Lori Earley, Tara Mcpherson are a few artists I admire.

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Do you have any guest spots planned or conventions? Yes, I plan to travel a lot in 2016. I will continue to guest at The Family Business in London, I’ll also be working in Berlin, France, and New York.

Can you tell us about your own tattoos? I have a dotwork sleeve by Tomas at Into You.This was my first piece and it’s my only piece at the moment.

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At the box office with Sophie Elizabeth

Sophie Elizabeth is a 24-year-old social media/SEO executive and part-time blogger from London. We chatted to Sophie about her love for films, her fashion style and reactions to her ink at work… 

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When did you start blogging, how did you get into it? I started blogging around three years ago and it was more just an outlet to improve my creative writing and share what I was interested in. It started out as a way for me to write film reviews and then I introduced the odd outfit post and it sort of just grew from there. The more I posted, the more people started to take notice and now here I am. I think at the time, I felt that there weren’t many bloggers out there (who I followed anyway) that really represented me and my style and so I figured I’d just create one myself.

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What kinds of things do you blog about? My blog is essentially film and personal style although over the last year or so it’s progressed more in to London lifestyle, events, food and a bit of beauty also. It’s pretty much all the stuff I’m interested in and the random things I get up to.

How would you describe your style? I think my style changes like the wind – I tend to combine vintage inspirations with modern trends and I love all things 80’s and 90’s. I wear a lot of black (perhaps too much) and I love to play around with textures and prints.

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What inspires you? For me, it’s totally film. Filmmakers, directors and other critics really inspire me to write and learn more. I love going to the cinema and, for me, it’s always been the experience and the nostalgic values that come with it. I think I’m also inspired by other tattooed women – I’m very much in awe of them a lot of the time. I have a major girl crush on Hannah Pixie Sykes.

Do you have a favourite designer/artist? My boyfriend is a designer and so I’m probably supposed to say him! I follow a lot of tattoo artists such as Claudia De Sabe, Matty Darienzo and Thomas Hooper – I think they’re probably among my favourites.

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When did you get your first tattoo? Do you still love it? I got my first tattoo aged 16 and under age tattoos are never good tattoos. It was well done and by a good artist but it’s six stars on my stomach and very emo. I wouldn’t get rid of it though and I completely forget it’s even there now.

Tell us about your other tattoos? Most of my tattoos are traditional Navy inspired with thick, blown lines but I like to put a girly spin on it. Lots of flowers, animals and bright colours. I think my favourite is the Victorian lady on my thigh by artist Naomi Smith – I love the lines in her hair, the colours are amazing and how she’s got kind of a big nose. She’s perfectly imperfect.

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Do you have any future tattoo plans? I’d love to get more in the future as I haven’t had any in a while – I have some plans to get some dot work or menhdi and I find myself really drawn to bold, black tattoos lately. I’d like to add more to my legs and maybe get some more film inspired pieces too.

Do you consider yourself a tattoo collector? I don’t think I ever set out to be but given the amount I now have, I imagine I am. I am running out of space now though so not sure how much longer the collection can go on for.

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How did you get your current job? I worked in retail for about seven years, from turning 16 to finishing university, before finally making the move in to an agency environment. I applied as an Office Administrator originally, to get a foot in the door, but luckily I was able to work my way up very quickly.

Did you study, did you do work experience? I did my degree in Film Theory and Major Production and I don’t think I’d even heard of SEO or anything at that stage. I wasn’t 100% sure of what I wanted to do and had lots of experience but not necessarily in the correct fields. Luckily, because of my blog, I was able to use that as a sort of portfolio. I’m surprised how many doors it’s opened for me. If you can show you’ve done work off your own back and followed through with it then that’s good experience to have.

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What reactions do your tattoos get at work? Do you cover them or show them off? When I first started I was terrified of having them on show in case someone said something or it upset the directors. Thankfully, after a few months I eased up and they didn’t care either way anyway although I don’t think they’d ever seen anything like me before. I have them out sometimes at work (especially when it’s unbearably hot in summer) and hide them for some clients but that’s my choice to do so. I think I’m very lucky to be in an agency that’s very laid back and embraces individuality. I know a lot of other corporate companies may not see it that way. I’ve always said that if they asked me to cover them, that’s fine – I’ll do that; but it also doesn’t affect my work performance.

The Art of Tom Bagshaw

Tom Bagshaw is a digital painter from Bath, UK who creates fantastical works that explore themes of beauty, darkness and femininity. His art lies in the realm of realism yet alludes to spaces of mystery and intrigue…

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Below the Surface

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Pandora

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Chasca

Follow Tom on Instagram for more art

Paul Clark: Scalp Micro Pigmentation

Paul Clark initially trained as a tattooist before specialising in scalp micro pigmentation and works at Brandwood Clinic. We chatted to Paul about the processes behind his work and the clients he works with… 

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What is scalp micro pigmentation? Do you tattoo hair onto other parts of the body? Scalp Micro Pigmentation is a procedure that creates the appearance of hair using an insertion of ink and the micro-dermal level. It is (as the name suggests) mostly for the scalp but we also replicate facial hair -beards, stubble. This is particularly for alopecia but also for those who want the look of stubble without the work of keeping it trimmed or people whose natural stubble isn’t dark or thick enough.

We work with other technicians who are skilled in semi-permanent make-up for eyebrows and the like. Essentially we can offer the whole package.

How does it work? What is the process? How long does it take to heal? We insert a pigment into a shallow layer of the scalp, we use thousands of impressions randomly distributed in order to replicate the appearance of hair follicles. The end effect is an appearance of hair at its shortest, we regularly describe it as the ‘buzz cut’ look. When working with clients who have some hair it can add density to the thinner or thinning areas, something we’ve done with both women and men.

It’s a procedure that usually takes three sessions distributed over four weeks or more. Overall the healing process is five days from the last session, when the pigment size has reduced to appear ‘as hair’. It’s effectively healed when the pigment size matches the existing or previous hair follicles.

How do you match the colour? We have 70 different shade variations which get close to any hair colour. They are specifically mixed for each client. We use a special pigment which is totally organic, all plant based and suitable for vegans – very important to me as I am one!

What sorts of clients to you get? What do they ask for? Are they happy with the results? Most clients ask for a natural, realistic end-result that can’t be detected easily. They are seeking the appearance of hair. It can be all ages, I’ve treated a 15-year-old with alopecia and a 70-year-old guy wanting his hairline back. It’s many different walks-of-life: celebrities, armed forces, musicians, sportsmen. Essentially anyone who is image-conscious and doesn’t want to be bald.

It often takes a long time for people to come to the decision that they want this treatment, we frequently talk to people who are on a journey and coming to terms with their hair loss. Once they’ve had the treatment it restores a level of self-confidence, they’re liberated and feel extremely happy. It’s an incredibly rewarding role to have in someone’s life.

Can you tell us about your pioneering work? It’s a relatively new industry, the very first procedure was probably only a decade ago. I was the first ‘full-time’ practitioner and have helped to train a lot of the people working in the business world-wide. The first treatments were in the straight-looking, defined hairline style and this is still something that a lot of clients like. What I’ve tried to do over the years is to perfect a more natural looking hairline because people’s hair tends not to grow in razor-sharp lines.

One of my early clients was Simon Lane who’s been on an incredible journey of his own  with scarring and hair transplants and the like. He trained as a practitioner and we’ve been close friends ever since.

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Simon’s hair journey

Working together we experimented with a few different styles of hairline and definitions. We first introduced the broken hairline, moved onto the jagged and eventually the feathered look which is one of the most advanced procedures that can be performed.

When we started Brandwood Clinic we were keen to introduce a whole new method and spent a few months perfecting something we call the 3D Scatter Technique. It’s a way of working, particularly with clients who still have some hair, to deliver the most realistic appearance possible. It is the most sophisticated procedure available and, at present, we’re the only two practitioners who can perform it. We’re naturally proud of it, as it demonstrates a great leap forward for scalp micro pigmentation.

Can you tell us about where you work? Me and Simon are at Brandwood Clinic in Solihull where we see people from all over the UK and further afield. We have a client regularly flying from Ireland and a guy coming to see us from Spain in early 2016. The whole ethos behind the clinic is that we deliver a professional service in a comfortable and clean environment. Our aim is to improve the overall respectability of Scalp Micro Pigmentation, improve standards and work towards regulation of the industry.

Costs are variable depending on many factors – what level of hair density you have remaining, whether there are scars from hair transplants or other treatments and what look you are trying to achieve. We also ‘top-up’ a lot of previous clients and have updated some of them to the 3D Scatter appearance.

Treatments (over three sessions) can take up to twelve hours, an average cost for a completely new treatment is in the region of £3,000.

Can you tell us about your tattooing background? How long were you a tattooist? Where did you tattoo? I did a six month apprenticeship in Birmingham. I studied art and felt that this was a natural progression but then found an opportunity with scalp micro pigmentation that didn’t exist in traditional tattooing. It was a chance to really help people but also, eventually, use some of my knowledge of art and tattooing background.

I felt that I wanted to concentrate more on that and not jump between the two. I wanted to immerse myself in the technique of micro pigmentation and perfect it. Trying to tattoo at the same time would be confusing, they’re different disciplines. I’ve treated tattooists and they’ve always been blown away by the work, I always felt like it justified the decision I made. I’m very passionate about scalp micro pigmentation.

Can you tell us about your tattoos?  I have quite a few tattoos, sleeve and chest area mainly and a recent one on my hand. Andy Cryztalz at Park Street Tattoo in Birmingham did the dot work and mandala on my hand, it’s a great piece. I also like Dawnii at Painted Lady who did my sleeve, Mike Philip at Immortal Ink did my chest, all great artists. In the new year I will be starting on my other arm!

Interview with Ali Samantha

31-year-old Ali Samantha works out of  Mom’s Tattoo in San Francisco and creates dark traditional style tattoos. We chatted to Ali about how she got started in the industry, the artists that influence her work and her dark sad girls… 

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How did you start tattooing? How long have you been tattooing? I started tattooing almost ten years ago under a bizarre set of circumstances. I have to give a lot of credit to my Schwinn bicycle because if I hadn’t been riding by a particular tattoo shop at a particular time on it I might never have become a tattooer. I started out with a lot of help and guidance from Devon Blood of Oakland California and put in a few years working the counter and watching other people tattoo at Sacred Tattoo which is also in Oakland. Devon taught me about passion and dedicating one’s life and body to tattooing.  I learned a lot of things through trial and error honestly. I had a lot of people come into my life at really important times.

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What did you do before, do you have a background in art? So I’ve been tattooing for almost ten years, professionally for about 7 or 8 years. I’ve been in a few different art schools but was not what I would consider a visual artist. I really didn’t start drawing all the time until I started tattooing. When I was in school my focus was on writing but I took drawing classes as well, I just wasn’t very good at it.

Prior to tattooing I worked in a lot of restaurants and a couple retail stores. I had a short and unsuccessful stint where I tried to sell handmade shirts with a corresponding mixtape. That would have been cooler if it had worked out. I have realized over the years that I need to do things that keep me completely preoccupied and busy, things that are all consuming. And if there could also be a constant presence of mild to severe anxiety involved that’s even better. So tattooing is perfect for me.

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What inspires you? I get inspired by all sorts of things. Women, other tattooers, architecture, smut, art, movies, music, comics, books. I love that over the years this thing has developed where I’ll look at a person or a piece of art or something and go “that’d make a cool tattoo.” Being a bit of a creep really helps with that.

How would you describe your style? I would say the style I most admire and enjoy doing is traditional tattooing. I think that with the exception of a few stand by rules traditional has come to mean something more than I ever thought it could. Which is amazing. I love that something formulaic can be manipulated, played with and even distorted. People out there are doing some crazy shit.

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What kinds of things do you like to draw and tattoo? The things I most enjoy drawing are women, hands, reapers, hearts, eyeballs, flowers. I’ve always been drawn to images of women. Bodies can mimic architecture can mimic the human form. Which I find very interesting. I’m also really drawn to vintage flash. The tattooers before me knew what was up. Of course I enjoy tattooing things I draw but I’m also always down for walk in tattoos. When I was younger I had a lot of problems with depression and I noticed that every time I got tattooed I felt better. Adrenaline is super cool. Anyhow, I felt like that was a gift and I wanted to be able to offer that to other people too. So if someone needs a memorial tattoo or just something to make them feel better I have an equal appreciation for that as well.

Do you admire other tattoo artists? Do they influence your work? I am ABSOLUTELY influenced by other tattooers. I’ve had the privilege of working with some amazing people that I still keep in close contact with. Olivia Olivier is my number one crush in tattooing. She got me into this amazing life drawing class her mother teaches that has absolutely changed how I draw. She has shared references, tricks and tips with me and I am so glad that I know her. And she CRUSHES daily.

There are just too many good tattooers out there to list them all!  I also work with a really solid crew of guys who push me to be more productive, to paint, to draw, to not hate myself or what I draw so much. I think (like most people) I am my own worst critic so it has been really helpful to have worked with so many supportive people who are just like “shut the fuck up, that drawing is sick just do it”. My little sister just started tattooing too and she has been an integral part of my support system for years.

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We love your moody dark girls are these inspired by anyone in particular? I was asked where my moody dark girls come from and I honestly don’t know. They just showed up one day. I can say that my favorite depictions of women are the ones that are dark, dramatic and emotional. Powerful. Growing up I was often referred to as too sensitive, shy or emotional, so I think I relate more to people who seem to have a lot on their minds or carry a certain sadness with them. Happy people generally make me at the least suspicious, at the most uncomfortable. Which isn’t to say that I am never happy. I have my moments. I think it’s just that if I had to pick between a smiling girl and one on the verge of tears, I’d probably choose the crying girl.

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Can you tell us about your own tattoos? A lot of my personal tattoos happened on slow days in tattoo shops. I collect mostly traditional tattoos, and I have gotten tattooed by close friends as much as strangers. My back piece was done by Jason Phillips at FTW tattoo and it was the coolest most fucked up experience ever. Jason walked me through it with kindness and humor which was greatly appreciated. My first tattoos were little memorial pieces for my dad and grandpa.