Fashion and beauty Archives - Page 19 of 33

April 10, 2016April 10, 2016

Differently Abled Women Taking Back the Beach

Online women’s lifestyle website Refinery29 created a beautiful and inspiring photographic series titled ‘9 Stunning Photos Of Differently Abled Women Taking Back The Beach‘. The series showcases four stunning women who all have disabilities enjoying their bodies and holidays as well as the stories behind their bodies…

Despite often facing additional logistical challenges, women who are differently abled “take back the beach” in their own way, whether that means making their way through the sand in a wheelchair, overcoming insecurities around removing prosthetic limbs in public, or simply asking for help when they need it.

And since we don’t see enough of these women in ads or on the pages of magazines, we decided to spend a day at the beach and the pool with four differently abled women and find out what their experiences are really like. Of course, these four stories don’t represent every single differently abled woman out there, but they’re definitely a start.

danie

Danielle Perez Age: 31 Location: Los Angeles, CA Job: Comedian

beach

Kristen Parisi Age: 31 Location: New York Job: Public relations executive

bbba

Lacey Henderson Age: 26 Location: Phoenix, AZ Job: Professional long jumper for the U.S. Paralympics

bbbbbbb

Caxmee Age: 26 Location: Brooklyn, NY (originally from Haiti) Job: Fellowship/program manager at the office of the mayor of New York City

March 26, 2016

Careers: Tattooed Visual Merchandiser

We chat to 23-year-old Stefaine who works as a visual merchandiser at Tiger UK in Canterbury, Kent about her beautiful traditional tattoo collection and her love for all things interior design…

I begged for my first tattoo for about a year. I was the youngest in my group of friends outside of school, they all had tattoos and at sixteen I was desperate to get my first one.
I went into a shop in Margate,my dad was childhood friends with the owner. I remember walking in, it had wall to wall tradition old school designs. I picked a classic swallow. I think as I aged and I became more aware of the tattoo industry, especially through Instagram. I’ve since had it blasted over by the incredible Philip Yarnell, With a sombre looking cowgirl and I love it!

My mother was the first person to really open my eyes to tattoos, I distinctively remember her coming to my year six sports day with a fresh tattoo and thinking ‘this strong, beautiful woman is my mum and she has tattoos, what a badass’.
I feel tattoos have enhanced the love I have for my body. Every time I get tattooed I’m able to make a lifetime connection with an incredible person and artist. I started getting tattooed at a stage where your mind can very easily be warped by not always positive influences. Allowing outside negativity about my body is something I’ve always struggled with but as I’ve aged, with each new tattoo I’ve found an acceptance.

I have a real eclectic collection of work on me by some truly amazing people. Almost all of my tattoos are traditional/neo-traditional and mainly all in colour. Although I wouldn’t change that, I am always quite envious of people with all black work, it’s definitely a style I want more of going forward.
My good friend, Amy has done a majority of my work, we started as soon as I turned 18 and it’s been a pleasure seeing her grow in popularity and really push her distinct style. We recently put my beloved pooches portraits on my skin, I feel like it really helped me heal the grief I had in losing them.

I met Harriet Heath last year, I loved her style from day one. The last pieces she did for me was a kewpie Frida kahlo on me and a lucky black cat with a good luck swastika on the inner of my leg. She’s an amazing person and I really want more from her this summer!

Right now I’m between having day sessions to complete my woodland leg sleeve by Becca and finishing my knee by Aaroné Realmao. I feel very fortunate to be tattooed by these people. I’m always in awe when I see Aaroné free hand on designs. I think you have to put a lot of trust in someone to do that and it always pay off. I’m already thinking of what I want him to do once we finish my knee, his lady faces are stunning!

I started working at Tiger in 2014. Tiger is a Danish variety design store, it’s been dubbed the poshest, brightest, happiest pound shop in the land but it’s so much more than that. Tiger is a name play on ‘tier’, which is Danish slang for 10 kroner, the equivalent to £1.10. I was a Christmas temp for two of the company’s busiest months before being given a part time weekend job. I then began working my way up to a full time position as a visual merchandiser. I really do love my job and the team I work with are like a slightly dysfunctional second family to me.

I didn’t have any previous experience in retail or merchandising, I had worked in the nightclub industry for three years prior, although I loved that social scene at the time I knew I wanted something more creative. I’ve always had an eye for interior design. Visual merchandising at Tiger is like no other, the foundation of what you’re working with is very minimalistic, so the products speak for themselves.
Visual merchandising has given me the confidence boost I needed to pursue bigger goals, so I’m looking to do a silver smith course during the summer. It’s something I’ve wanted to do for a while so I’m excited for things to come.

At Tiger, merchandising involves the constant rotation of stock around the store to keep it ‘fresh’, in order to do this we group products by relevance and by use. In the summer we focus of children, so kids arts and crafts and toys will dominate the front of the shop. The development of planograms for tables and window displays are a critical part of being head VM, it’s really exciting to see the new products coming in for the monthly kamp! It’s definitely my favourite part of the job. We try to keep in mind what’s current right now, moustaches were a really big deal last year so our designs were focused on that. We use emotional attachment and retro music to build a positive shopping experience. To us customer experience is key.

Right now I’m responsible for stationary, adult/kids hobby and professional art. I’m a DIY fanatic, I thrive off creative ideas on how to use products not always how they’ve been intended for. We have such a high turn over of products, that displays need re-merching weekly. I find if i have a product that’s a slow seller, it often is down to placement, which is my job to recognise and change.

There’s no real dress code for work, we’re given a black t-shirt with our logo on it. Clothing has to be practical as there are some very manual aspects of my job. My go to outfit is a long sleeve black midi dress, with tights and boots. I’m quite reserved about all of my tattoos being on show, Canterbury is diverse but is still predominately middle class and being a young woman with a lot of visible tattoos I sometimes, rarely though, encounter sour opinions. I’m lucky though, Tiger embraces individuality and is probably the most laid back retail chain you’ll find on the high street. I’ve always said if I need to cover my tattoos, I’m happy to do that but I’ve never been asked to.

The end of last year I took the plunge and had my chin tattooed by my lovely friend, Kamila. It was a huge decision for me which I definitely didn’t take lightly. Its completely dotwork and it’s just so beautiful. I’ve had super positive feedback from customers, I get ‘that must of really hurt’ a lot and they’re always surprised when I tell them it didn’t, a little pinchy around the jaw but nothing too bad!

The most important thing to consider when getting tattooed is will this burden my pursuit for my dream job. I’ve always tried to live by if it makes you happy, do it. Sadly happiness doesn’t pay the bills every month! I think if you’re driven and passionate, I’d like to think your employer will look beyond being tattooed and see it doesn’t change your values or your work ethic. Society is changing, a lot of companies are realising there is a wide demographic they can appeal too by having (I hate to say it) ‘alternative’ looking employees. For a lot of high street retail , Topshop, Lush etc it’s ‘cool’ to be quirky and you’re more likely to get an interview if you have that edge about you.
That being said I feel there is still a bit of a shock factor when you see face tattoos, it won’t always be that way I’m sure but until you’re 100% certain of you career pathway I’d say hold off on anything that could hold you back. I don’t want to be defined by my tattoos, I want to defined by being a good person and a hard worker.

March 24, 2016

Illustration: Melly Em Clark

24-year-old Melly Em Clark is an full time illustrator from Lincoln, UK. We chatted to Melly about her art based around themes of feminism, fashion and body positivity…

Inspired by Things&Ink Melly created a tattooed babe just for us…

Do you have a background in art? How and when did you start drawing? It’s hard to remember when I started drawing as it feels like something I’ve always done! I was encouraged from an early age to be creative by both my parents and my schools-school provided great projects and my parents always took me to creative activities outside of school, so I’ve always been motivated to make things. While I struggled in other subjects, art always felt fun and something I was confident doing- it was only when I was nearing my GCSEs that it occurred to me that I could make art for a living. I studied Illustration at the University of Lincoln and graduated in 2013, and last May I took the plunge into full time self employment! While at times, I feel limited by Art being my only strength, my love for drawing is still strong and I still find it incredibly fun!

What inspires you? Content-wise, I am inspired by inter-sectional feminism and pop culture. There are many feminist artists, writers and creatives that I look up to, and strive to be like-this is always a drive of mine when creating new work. Like most people, I’m constantly devouring films, books, television and social media, and can find inspiration from any and all of these. Style wise, I love 20th century fashion illustration by artists such as Rene Gruau and Lucia Lerner. While I don’t agree with a lot of the messages portrayed in mid century advertising, the vivid colour schemes and sense of playfulness are always something I try to recreate in my work. Contemporary artists I admire are Jon Klassen, Grayson Perry, Johnny Hannah and Meg Hunt.

What medium do you use? How do you create each piece? My work is predominantly digital-I start by hand drawing each piece, taking time to draw each section separately and arranging them together in Photoshop. Then comes the process of colouring in the piece digitally. I used to paint every piece by hand and simply edit in Photoshop, and while now I work in digital techniques, I still like to keep the texture of paintings, and include a lot of hand painted textures in each piece. As I have a tiny studio, working digitally works better for me, but I still like to crack out the paintbrushes once in a while and I love supporting artists that continue to work in traditional mediums.

What kinds of things do you draw? This can really vary- most of my work focuses on themes of body positivity, but I’ve also made pieces based around themes like baking, fashion trends and inspirational quotes. I try to keep my work feeling positive and playful, whatever the content. I design prints to sell in my Etsy store, but my ‘bread and butter’ comes from custom artwork, which can vary from family portraits to logo design, so my drawings can differ daily!

Your illustrations focus on body positivity is this something you like to advocate? Body positivity is something very close to heart. Like many people, I’ve spent many years hating my appearance, and my general outlook on life has improved since learning to love myself. As I can struggle to articulate my thoughts into words, I started to create artwork that expressed a body positive theme-my first ‘bo po’ illustration was a piece entitled You Don’t Need Abs To Be Fab. Once made, I posted it online and the reaction was bigger than I could have expected. Since then. I’ve aimed to make art that helps people feel better about themselves, even if only in a tiny way. I know so many wonderful people who advocate a body positive lifestyle, and I’m definitely inspired by them. I think we all deserve to feel great about ourselves and love our bodies, and it’s important to me to get that onto paper.

Can you tell us about your tattoos? What was your first, do you still love it? How do they make you feel? I have eleven tattoos in total, my first was just before I turned 21. To symbolise my Irish heritage, I got a small claddagh design on the inside of my wrist. Since then, I’ve embraced the idea that tattoos don’t have to have a story behind them, and have covered myself in tattoos with no tale or theory behind them. Over three years, the quality of my first tattoo isn’t great and I would love to have it reworked-it’s a simple line drawing and I would love for it to be more intricate and colourful. My biggest tattoos are floral designs, but I have a few other pieces, including a kraken taking down a ship, heart finger tattoos, a stag, a fox, a kewpie, and an Adventure Time inspired tattoo, all of which I’m still head over heels with!

Do you do commissions? Where can people buy your art? Most of my custom artwork operates via my Etsy store where I have listings for personalised portraits, business design packages and invitation design, as well as my pre-made art prints. Alternatively, I can be reached at mellyemclark@gmail.com for commission enquiries!

Follow Melly on Twitter, Instagram, Facebook and Tumblr for body positive art work…

March 20, 2016April 14, 2016

Goldengrove Jewellery: Margaret Cross

Margaret Cross creator of Goldengrove Jewellery, Brooklyn, NY, designs and makes beautiful pieces inspired by antique momento mori jewellery. We talk to Maggie about how she started her business and her tattoo collection…

Photograph by Maxim Ryazansky

How long have you been creating jewellery? I took my first silversmithing class in college in 2003, but I was creating jewellery for a few years before that.

How did you start, what inspired you? After taking a few classes in the jewellery department in college, I realised that I loved the process, it’s tedious, but there’s a lot of freedom for your mind to wander while you work, so I’m constantly filing, designing, sanding, etc. Jewellery was a sweet relief from the printmaking department in college where I majored. I’d hide up in the jewellery department casting and soldering human teeth and tiny animal bones for me and my friends to wear. My focus shifted to mourning-specific jewellery after the sudden death of my best friend in 2008. It was really traumatic. I bought my first antique mourning piece in memory of him, and made memorial pieces for each of his family members and began to wonder why something so seemingly important to the grieving process had become so obsolete.

I use his writing desk as my jewellery bench, with his eye glasses sitting on top, my daily memento mori. I still mourn him.

Photograph by Maxim Ryazansky

Did you take a course or study? I have a BFA from Pratt Institute, my scholarship program wouldn’t allow me to be a jewellery major (the materials are really expensive) so my electives were in the metal arts department, and I stayed an extra year to focus on jewellery. I still occasionally take classes independently to learn new techniques and skills.

What inspires your pieces? I’m obviously inspired by antique memento mori and mourning jewellery, but I also draw inspiration from travel. Both of my parents are immigrants and I draw a lot of inspiration from their respective motherlands (England and Italy). After a trip I’ll usually come home and design a new collection with direct references to places, people or pieces I’ve seen. I see both cultures influence in my work. I still continue to make pieces in memory of my friend as well as pieces that might be comforting to someone going through the same thing today.

Where do you source your stones? Each stone is hand picked by me in New York City. Some stones are salvaged from antique pieces ruined beyond repair. My favorite stone dealer has been in the business for 57 years, he’s a WWII survivor and such a pleasure to see every week. He likes to say he “knows a little about stones”. He must be in his 90s, he’s great.

How would you describe your style of jewellery? Tough and pretty, having a future and a past.

Can you tell us about your tattoos? I started getting tattooed really young at shitty street shops in the city. I’d also let my friends practice on me and we’d give each other stick ‘n’ pokes, so I have lots of that stuff, little inside jokes and punk band references. I’ve become a little more discerning and now I only get tattooed at Rose Tattoo in Brooklyn. Mostly by my husband Mark Cross, but also Hillary Fisher-White and Frank William really appeal to my macabre sensibility, plus there are always great guest artists coming through.

Where can people buy your jewellery? You can shop the collection online at goldengrovejewelry.com, on Instagram and in store at a handful of shops around the US.

March 16, 2016

Careers: Tattooed Wholesale Manager

We chatted to 28-year-old Jenna Needham who is wholesale manager for Motelrocks.com about her beautifully dark tattoo collection and her role within the fashion company…

How old were you got your first tattoo, what was it? Do you still love it?Shamefully I was 13 when I got my first tattoo. I bunked off school to go at get it at a local place called ‘Dodgy Kevs’. Of course that wasn’t the actual shop name but its how we all locally knew it and since me and my friends all got tattooed there so young I’m pretty sure you can guess why!

I went in and picked my favourite Chinese symbol off the wall (that was big in 2000) and had it put on my butt! I had to have it there to hide it from my mum, he just sketched it free hand with a biro and away we went! I can’t say I’m a massive fan of it now but for comedy reasons (and the fact no one ever sees it) it doesn’t bother me too much. It means tiger in case you were interested!

What drew you to tattoos, did anyone influence you?
From a young age I was into a more alternative scene and so naturally from that point I saw more people with them. Not that I think tattoos are bound only to the alternative scene but I was definitely more exposed to them in that environment at that time.
I can’t really remember what it was that first attracted me to tattoos though to be honest, no one in my family has them but I was always drawn to them and the way the art looked on skin.

Can you tell us about your tattoos? I can tell you there’s not enough of them!
My tattoos are just a random collection of my likes and memories really. I have a few that I’ve had done that mean something to me and people close to me, some while travelling to remember a time or a place and then some which are just a memory of me getting tattooed by someone I admire and perhaps a point in my life.

When I got tattoos when I was younger I didn’t really think about what I wanted and getting a tattoo was just walking into a shop and picking something off the wall. Now it’s like having an artwork collection on my skin that I can see everyday. I remember when I first started to find peoples whose work I loved like Thomas Hooper and just being so excited to be able to put their designs onto me and finally finding people’s work that was in the style I like. My favourite thing to do on Instagram is find new tattoo artists, I think its amazing that now it’s so much easier to find so many amazing artists across the globe.

Are there any artists you admire?
Too many! I pretty much admire all tattoo artists. Being a person who is unable to draw I appreciate all their amazing skills.
Of course everyone I have been tattooed by I have the utmost admiration and appreciation for which is why I want their art on my skin and that includes, Raph Cemo, Grace Neutral, Rebecca Vincent, Jack Ede, Tiny Miss Becca, Aaron Anthony and Jemma Jones just to name a few!

What are your future tattoo plans?
I really want to get my back done and my arm completed in the near future but I don’t actually have anything booked in right now.
I never really focus on an area I just seem to know where something is going to go when I have it and so my pieces are generally just scattered around.
A few of my current dream people to get tattooed by are Guy Le tattooer, Sway, Thomas Bates, Kelly Violence, Thomas Hooper and Ryan Jessiman.

How did you get your current job? What did you do before? Did you study for it, did you work your way up?
I was living in Wales at the time, I’d moved there for my boyfriend and although I absolutely loved my time there and the people I’d met, when we broke up I felt I needed a fresh start. My friend at the time had just moved to Bristol and we were obsessed with shopping on Park street it was full of independent shops, vintage and clothes you definitely couldn’t buy in Newport! We were shopping in the Motel store and I noticed they were advertising for an assistant manager position in that store and I just thought why not! Got the interview a week later (which I actually don’t think I performed that well in) and just got on so well with the two girls who were interviewing, they called me back a few days later and said they wanted to offer me the job. At the time everyone thought I was mad because I was moving to a flat with rent three times more than what I was paying and a salary that was half of what I was currently earning but something just felt right and I guess it was the universe telling me I was making the right move.

When I started with Motel in 2007 it wasn’t that well know or big and one of the girls from the shop used to model for the website which only had a handful or products on it then we started to get more PR activity around our clothes including celebrities wearing the brand and everyone just started to notice Motel more and more. No one was doing printed dresses like Motel were at that point and so we were way ahead of the game!

From assistant manager I became store manager, then the website started to boom so they moved me over to work on that, managing the in-house buying, promotions etc. I was also already helping them with the wholesale trade shows in Berlin, Las Vegas and New York during that time so then when they eventually decided to open a London showroom and offered me the chance to work on the wholesale team I jumped at the chance.

What is a typical day like for you?
So I basically sell the collections that Motel creates to other boutiques and stores that buy third party brands. At Motel we sell 12 collections a year which pretty much means I am selling product all year round (as well as an additional swimwear line we now do!).
I deal with all our international agents/distributors, all of our UK key accounts and any boutique smaller accounts where we don’t have an agent servicing that area.

The best thing about my job is the variety of things I do really. I might have the wholesale manager title but I’ve been with the company so long I can’t help but get involved with other areas of the business and share my ideas! I’ve helped create a promotional street team family for Motel, I organised the recent Grace Neutral collaboration we did, ran the clothes show, designed a print, helped organise events and held sample sales as a few examples!
Mainly though on the run up to the ranges I spend time with design and production and we all discuss requirements and needs for future seasons, we go over any upcoming collections in sample form and will go through pricing and design to make sure the range is completely as we feel it should be.
Selling the range I am speaking with customers, maintaining relationship and meeting their Motel needs while also trying to source new relationship with potential new customers.
I work on exclusive designs with some of my customers and bridge the gap between all the agents and Motel helping them meet their customer needs to.
Its definitely not a 9-5 role but I’m fortunate that I love my job and that’s why I’m so passionate about it.

How do you dress for work, do you show off your tattoos? I’m pretty lucky that fashion is possibly one of the easiest sectors to work in and wear whatever you like.
I of course wear a lot of Motel anyway and I try and do this for meetings especially. Generally anything black, grey and a shade of in-between!
I don’t purposely get my tattoos out but I don’t hide them either. So long as it’s not a cold day I will happily have my tattoos on display for meetings, the office or any trade show we do!

What kinds of reactions do you get? From work colleagues, family and the general public.
I think my mum has the typical parent reaction and worries about how many I have and if I will still like them in the future, like I say no one else in my family has them so I’m slightly different, but that said she often tells me she’s proud of me for being vegetarian and having tattoos. She’s happy that I express myself and stay true to me.
I generally get a really good reaction to my tattoos from the general public, work colleagues and anyone I might have in for a meeting. My hand is the most commented on, I guess because its the first people see a lot but I’ve never had any negative comments said to my face. I of course have had to challenge a few “what about when you’re older” comments like most!

What advice would you give other people considering their careers when getting tattooed?
I personally think that you shouldn’t let anyone tell you what you can and can’t do to your body. That’s the skin you have to live in and if you want to decorate your home, your body then you should. A tattoo doesn’t define who a person is or change their skill set or mind and therefore it shouldn’t change the jobs that you can to do. That being said there are still jobs/companies/careers out there which feel tattoos which can be seen in the working environment are not professional, so I guess at that point you have to make a choice on what’s more important to you and perhaps think more carefully about placement of what you want done. It still shouldn’t stop you though, there are plenty of ways to keep expressing yourself but just maybe avoid the hand, neck and face area.