Interview with Elle Donlon

30-year-old tattoo artist Ellena Donlon works out of Sweet Life Gallery in Birmingham and creates traditional tattoos. We caught up with Elle to chat Korean tigers, as well as what and who inspires her work…

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How long have you been tattooing? I started my apprenticeship September 2015. Prior to that I went to the University of the Arts in London studying a degree in Fine Art and I think I graduated in 2012. Graduating was a tough time, I never really enjoyed my degree as I felt I had to stop drawing and painting to make way for more conceptual work to please the tutors, that meant I lost a lot of direction, so I decided to figure things out and move back to my hometown, Birmingham.

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What inspired you to join the industry? Did you do anything related to art before? Me and my partner opened up a record shop and as I started to get tattooed again after a good 5 year gap, I realized that tattooing would be my dream job. I started to seek out an apprenticeship, which took a long time, but I persevered it was the only thing I could think of that I wanted to do with myself, and that was worth waiting for.

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Can you describe your style? Starting off my apprenticeship my style was very different to what it is now. Then it was purely a case of turning my style of illustrations into tattoos. I’ve only ever really had traditional tattoos on myself, and as my career has progressed my designs have evolved into a stylised version of western traditional.

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We love your Korean style tigers and animals, what inspires these? What influences your work? What inspires you? Korean style tigers! They’re so freaky I love them, I have a huge one on my back done by Will Geary who has a crazy good imagination, it’s actually bonkers. I guess I’m drawn to beautiful oddities. I see no point drawing things how they are in real life, the world can be very monochrome it’s up to artists to mix that up, so I guess that’s why I’m drawn to them.

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Also you create more traditional women and flora is this inspired by something completely different? I get inspired by a lot of religious imagery particularly from Asia, I love south western tribal art, alchemy and witchcraft and the 70’s! But I must say my biggest push are other tattoos artists. Some of my inspirations are Walter McDonald, Dan Higgs, Robert Ryan, Windle Berry and Gregory Whitehead. All of these people adopt this weirdo traditional style, which is what I hope to one day pursue. I love that surreal style it pushes me to work harder with my own and attempt to think in different ways.

But my true loves are Claudia de Sabe, Rachel Rhatklor, Valerie Vargas, Wendy Pham and Lizzie Renaud. Apart from Wendy Pham these women predominantly tattoo traditional ladies and lady heads. Ladies and flora have always been my favorite subject to draw even before I tattooed, I can draw and tattoo them forever no inspiration even needed, it just cheers me up. I don’t really see my lady heads as a separate thing per se, but they certainly come a bit more naturally to me than my animal or surreal work.

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Is there anything you would love to tattoo? I’m desperate to do more famous lady heads. I Would love to do anything from a John Waters’ film, Dolly Parton, Cher, Poison Ivy from the Cramps, the girls from B-52s, Kim Gordon if any of those trigger anyone’s fancy!

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Can you tell us about your own tattoo collection. My personal collection is predominately traditional. The thing I love so much about a traditional tattoo is that is gets better with time, like fancy cheese! In my opinion this is the style (alongside Japanese traditional and tribal) that celebrates the body so perfectly, it is timeless yet has still evolved with each decade. I love Dan Higgs, I have tributes from both Nick Baldwin and Teide who are both fans of his work and I think they’re my favorites. Me and my partner are going to LA later this year we’re hoping to get tattoos from Derrick Snodgrass, And I’m saving my hands for Rachel Rhatklor, if I ever get chance to go over to Australia or she guests over here.

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Do you have any guest spots planned? I will be guesting at Crooked Claw in Sheffield in April and Death’s Door, Brighton in June, with some other exciting ones in the pipeline!

Nicola Gaskin & Winter Wolfe

Blogger Nicola Gaskin gave birth to her son Winter Wolfe on 23rd October 2015, Winter lived for one day before he died from a number of complications. In this raw and honest interview Nicola talks about her loss, feelings of grief and the ways that she honour her son’s short life…

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Can you tell us about you and husband’s relationship, how did you meet? How long have you been together? Where did you get married? Myself and Dean have been a team for ten years.  We met on the clichéd night out and realised we shared many friends in common, in particular he was close with my brother.  In many respects, it was quite a feat that we hadn’t met before, but when we did the timing was perfect. We hit it off instantly.  I loved the way he dressed like a cartoon and we shared the same sense of humour and love of partying and travel.

Ever since then we’ve been pretty much inseparable, travelling to 29 countries together.  He takes the greatest care of me and always makes me feel loved and safe.  We decided to get married secretly, not really for any other reason than we wanted to.  We planned a trip to Sri Lanka and made wedding plans over there.  We had had such a devastating year, we had lost our baby suddenly at a day old as well as a subsequent early pregnancy loss, and we just wanted to escape, have some fun, be a little mischievous and tie the knot so we were all connected by a family name.  We got married on the beach, just the two of us.  My wedding dress was made by a friend of mine, with snowflakes on it for Winter, and our wedding rings were made from his ashes.  We chose the date 23rd August as the 23rd of every month marks another month of our son’s brief life.  It was the perfect day, I wouldn’t change it for the world.

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How did you feel when you found out you were pregnant for the first time?How was the pregnancy and the birth? We were delighted to be pregnant.  I had been hoping for children for a little time, and Dean had agreed that we should start trying.  I fell pregnant on our first month and didn’t realise until I was six weeks pregnant. Looking back, I just had no idea how fortunate we were. We were also both incredibly naïve, from a single pregnancy test I believed I would have a baby in nine months’ time, I really had no experience of miscarriage or pregnancy loss.  We just thought ‘yes we are pregnant’ and began making plans. I loved every moment of my pregnancy, I was blessed to have very little sickness and a smooth ride, really relished it all.  I loved the preparing, the washing baby clothes and folding blankets and decorating the nursery. I was so ready to be a mother, I daydreamed about it constantly. Even in early labour I set up the Moses basket with soft toys and sheets ready to bring home our baby.  My waters broke at 5.30am, we went to hospital and were advised to go home and await contractions and return when they became regular and strong.  At 6.30pm my mum drove us to the hospital where I laboured for a further 10 hours until we welcomed our son into the world at 4.37am the following morning, October 23rd 2015.  He was placed on my chest and we looked right at each other then he looked at his dad, we all fell in love.

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Can you tell us about what happened to your son Winter? 30 minutes after his birth, Winter became poorly. He just suddenly stopped breathing and became limp.  The midwives hit a panic alarm and the room filed with doctors and nurses as they worked to resuscitate him. We were all in absolute shock.  On the one hand, it was pure panic and I just sat there numb, on the other hand I thought ‘he will be ok, look at all these doctors and nurses…’ But after some time, he was whisked away and a nurse said to us ‘I need you to know that your baby might die’ and I said ‘But we’ve only just had him.’ The next few hours were difficult to navigate. We called family, hearing their excited anticipation for the long-awaited phone call and having to break it to them that their newborn grandson/nephew was likely to die.

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That whole day Winter was in an incubator with tubes and machines, and every now and then we would sit with his doctor whilst he talked to us about a possible diagnosis, and the option to turn off the machines. I was exhausted from labour and anxiety and was hooked up to a drip to rest for the night. Early the next morning Winter was transferred to Leicester Glenfeild where they specialise in heart problems. I waited to be discharged and given medication before we drove up there to be with him. We were so full of hope in the car, I felt certain he would be cured and saved, but we arrived just in time to hold him as he died. We spent time alone with him, kissing him, bathing him, dressing him. We invited family in to hold him and say hello and goodbye. Then we had to leave the room and drive home with a memory box, to a house full of expectant preparations. It was extremely painful, surreal.

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How has your faith helped you through this? What teachings have you drawn upon? How have you tried to find the positive in so much negative? Without a doubt, my Buddhist teachings have helped immensely when dealing with such a great loss.  I have accepted grief as a normal emotion, and one that will last a lifetime, although it shifts and changes over time. ‘Patient acceptance’ is one of the greatest teachings I have drawn upon since losing my son. Accepting his death is something I may never fully come to terms with, but I accept all the emotions that come with grief. The realisation that death is a certainty and its timing is entirely out of our hands is also a huge Buddhist teaching.  In the western world we are always surprised by death, yet in Buddhism meditating on death itself is a huge part of the daily practice.  Every morning Buddhist practitioners spend time quietly reflecting on the truth that ‘I may die today’.  It sounds a little doom and gloom but actually when practiced with wisdom and understanding, it is an enlightening realisation and brings greater spiritual meaning to each and every single day we live.

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I also think that finding the positive amongst such pain is a matter of perspective.  Winter died after a day, but he LIVED for a day.  I have found that many bereaved mothers in similar situations are able to find many positives in their loss, that’s not to say their loss is a positive experience in any way, but more that the love they have for their baby and the experience of meeting and holding them greatly outweighs the pain of their loss. A beautiful phrase I have come across regularly on this journey is ‘Even if I knew you were going to die, I would still choose you’.  I wish Winter had lived but I wouldn’t swap Winter for a living baby, he’s still my special baby to me.

You’re an active blogger and social media user, why do you choose these platforms to share your story, Winter’s story and your journey? When Winter died it was never my immediate intention to blog about him and share so openly on Instagram, it just felt like a natural progression from sharing my life previously and in particular my pregnancy.  At the time, I had a small following and really just posted little snippets, but over time I discovered a whole community on Instagram centred around baby loss and I felt as though I had a place to talk about my baby and share my journey.  To an outsider it may seem a little morbid or unnecessary but finding people in similar situations talking so openly absolutely encouraged me to find my own voice, and also the realisation that my feelings were normal and valid, and it was ok to tell people about my baby, that even though he died his existence was real and he was important to me and loved.

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These days I talk about Winter publicly because he’s part of my life, just like moving house and getting married, he’s still very much part of our family and it would be unusual for me to not talk about him.  I also feel like there is a need for people to share their lost babies and not everyone understands that, so we are gently educating people.  About infant loss, the lasting effects of grief, the shameful rate of stillbirths in the UK.  I have had many moments online where people have asked ‘why do you share photographs of your dead baby?’  And I tell them, because they are the only photographs I have and I don’t feel the need to hide him away in shame, in fact I frame them and put them on my wall. I share him because I’m proud of him, like any mother showing off their newborn baby.  We should open up discussion and not be afraid of it or feel that it is wrong.  I write about my grief and the feelings I have encountered, the isolation that can come with losing a baby when people don’t know what to say to you and say nothing instead, the difficulties of overcoming jealousy and bitterness when friends around you announce pregnancies and give birth to healthy babies, the lasting and ongoing trauma that doesn’t just end one day when you’re suddenly healed.  This is why I share, to help myself as well as others.  And I love to talk about my little boy, what mother doesn’t?!

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Can you tell us about your tattoos, do you have any in Winter’s honour?  I have two tattoos in Winter’s honour.  One is a blue snowflake on the rib he kicked me in when he was growing in my belly. It was always this same rib and it got really sore and I would have to lie on the floor and stretch out to try and move him. At the time, I cursed that foot jabbing me so hard, but now it’s a fond memory.  The snowflake is simple, it is the same pattern that my grandma cut out for the table decorations at Winters wake, it’s very special to me.  The other tattoo is a quote on my arms, when I place them in the ‘baby holding’ position it reads ‘Most people only dream of angels, I held mine in these arms’.  It is just the perfect reminder that I held him.

You can read more uplifting and raw posts about Nicola’s experience of infant loss on her blog

Felix & Loretta Leu: Berber Tattooing in Morocco’s Middle Atlas

Crafted by Felix and Loretta Leu, Berber Tattooing in Morocco’s Middle Atlas is a tremendous account and celebration of the lives of the Berber tribe’s female tattooers in Morocco. Brought to life with illustrations by Aia Leu and edited by Joanna Kate Grant, the book opens up a new and fascinating unseen world of the Berber tattoo traditions…

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Berber Tattooing is a unique and tender record of the tribal skin art of Morocco’s Middle Atlas and the female tattooers who created it. Felix and Loretta Leu’s road trip in 1988 consisted of a series of chance encounters. Each one of which opened a doorway into the intimate world of the women of the Berber tribes.

In this book, the women tell their individual stories, revealing the traditions of the tattoo in their culture, together with insights into the lives that they led.

Sensitively captured in drawings from the time, by Aia Leu, the faces of the Berber women speak of a tribal culture that was fast disappearing, even then. As tattoo artists themselves, Felix and Loretta were able to find a common ground with the Berber families, gaining unprecedented access into this sparsely documented Berber art form.

This book of previously unpublished work, collected nearly thirty years ago is a tribute, to the art of tattoo, to tradition, to family and to love.

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Hajah pencil on paper, 32 x 24 cm, Aia Leu 1989.

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Loretta being hand tattooed by Fatima using the technique taught her by her mother.

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Loretta Leu with tattooist Aicha Bent Hamadi in 1988

About the authors:

Felix & Loretta Leu, both born in 1945, were artists, “freaks”, and adventurers. From 1965, when they met in New York City, until 1978, they travelled and lived in America, Europe, North Africa, India and Nepal, and in time were accompanied by four children, who were all born on the road. In 1978 they discovered tattooing as an art form, one with which they could support their family anywhere in the world. In 1981 they chose to settle in Switzerland where they created The Leu Family’s Family Iron Tattoo Studio. Felix died of cancer in 2002. Loretta, lives in Switzerland, walks in fields and forests with her two dogs, and is writing a history of her life with Felix.

Swiss artist Aia Leu was born in 1971, the daughter of Felix and Loretta and the granddaughter of Eva Aeppli, she was born in an old finca on the little Island of Formentera (Baleares). She lives with her family in the mountains of Kenmare, Ireland. Aia is currently working on a series of oil paintings for a two-woman exhibition planned with Titine K-Leu, and also illustrating a 78 oracle deck inspired by ‘Thoth Journey’ a book by JoannaKate Grant.

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Aia Leu and Loretta Leu, 2017

Interview with Kerste Dixon

27-year-old tattoo artist Kerste Diston creates beautifully abstract watercolour tattoos at her tattoo studio, The Drawing Room in Coventry.  We chatted to Kerste about her style, and running a fully female tattoo shop…

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How long have you been tattooing? I’ve been tattooing around seven years.

How did you start? I started as an apprentice at a studio in my home town in Rugby where I worked for about four years.

What drew you to the tattoo world? Its always something I’ve been interested in. As soon as I turned 18 I was in studios getting work done. I’ve always been more interested in creative industries. I did footwear design at uni before getting my apprenticeship and I did art at college. I can’t imagine not doing something creative as a career.

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How long have you been a studio owner? How did it all come about? I’ve had my own studio for nearly two years. It just sort of happened – I left the studio I worked at in my home town in Rugby and I started working in Coventry. I had an old school friend who has their own business at Fargo Village where my studio is based. When I saw him posting on social media photos of Fargo I was intrigued. It’s a village for creative business and I thought that it would be the perfect place for a studio. They thought a tattooist would fit in well and they had a small unit available. My mum and dad encouraged me to go for it and set off on my own! I’m not sure I would have had the confidence without them to do it. But it’s definitely the best desicion I made. I opened in May 2016, and it started as a small private studio with just me. In May 2017 we expanded into next door and now we have myself and four other full time artists.

Who works in The Drawing Room and what kinds of tattoos do they create? We have myself who specialises in abstract watercolour and black work. Hanah who does super cute girly neotrad work, Emily our apprentice who does blackwork and Haley who does minimilist blackwork

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Was it your intention to have a fully female shop? To be honest it just sort of happened and now it’s a thing. Most of us have a mostly female customer base too because of the style of work we do so it all just sort of fits. That’s not to say if the right artist came to me looking for a job and was a guy I’d turn them down! It just happens that everyone so far that’s been right for us has been female! We also have lots of guest artists – we seem to have made this reputation where ladies like to come guest too, which is lovely! So many people think a big group of girls can be bitchy but honestly the studio is the complete opposite of that – it’s such a lovely place to work and I’m so pleased to have the team I do!

How would you describe your style? Has this changed? I do mostly rainbow watercolour work, however I’ve branched off into doing darker blackwork. It’s still quite abstract but it’s just opened up some more doors for me work wise!

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Do you prefer colour or blackwork? Is there anything you would love to tattoo? I like both colour and blackwork equally – it’s nice to break things up sometimes If I’ve had a week of all colour work and a blackwork piece comes in that’s nice and vice versa! Keeps things interesting! I love to tattoo all things nerdy/ponies and animals mostly!

Do you have any conventions planned? Just one more this year – Scarborough in May. We may look into a few more towards the end of the year though.

Yoga on my Skin

Yoga On My Skin is a collective show curated by Rossana Calbi and Giulia Piccioni, in collaboration with Parione9 Gallery, Rome. On Saturday 24th February Yoga On My Skin came to its natural location: The Other Side of the Ink, the Roman convention dedicated to the art of female tattoo artists.

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Spiritual stability comes from the experience of a calm and clear state.

Yoga On my Skin is a project born from a collaboration between curators Rossana Calbi, Giulia Piccioni and Parione9 Gallery. The project traveled to amanei in Salina and reached Parione9 Gallery in Rome, a gallery that is always very interested in tattoo art.

Yoga is a sacred science. It is a science because it bases its principles on specific affirmations on the human nature and universe, it is sacred because it represents the interior path of the individual to gain awareness of his own divine self.

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In the middle of this inner path, there are asana, body positions according to the yoga discipline. Asana are postures, and asana is the art of using the entire body with a physical, mental and spiritual attitude. The structure of an asana is not changeable because each asana is a piece of art. In the Yoga Sutra, Maharishi Patanjali stated that when an asana is perfectly done, there is no duality between body and mind, spirit and soul. According to yogi T.K.V. Desikachar through yoga the mind and senses are directly connected to the consciousness and they are not perceived as separated or disorganized.

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The project consists of two asana for each chakra (from Sanskrit wheel or disc). The asana are selected according to the physical appearance of the posture and the relevance of the specific chakra stimulation. There is no asana for the seventh chakra because no postures directly stimulates it.

Yoga teacher and psychologist Giulia Piccioni embraced Rossana Calbi’s curatorial idea with the technical support of studio d’arte Candeloro to set up an exhibition that is a physical and mental experience.

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Art work is by Nicoz Balboa, Genziana Cocco, Cecilia De Laurentiis, Cecilia Granata, Marta Ierfone, Marta Messina, Roberta Kinney, Anita Rossi, Maria Grazia Tolino.

The next stop for Yoga on My Skin will take place in an abbey, in Italy. Find out more about the original location and the future projects here.