Tattoo artist Isle (@1sle_tattoo) works in Korea and has been honing her craft for the past five years. We sat down for a chat about her journey, her inspiration and what’s next for her beautiful botanical tattoos…
What first made you fall in love with tattoos? Do you have a strong first memory?
I’d always wanted to get a tattoo since I was a college student. But Korea was a very conservative society at the time, and the various styles of tattoos didn’t exist like they do today. I just thought that people with the tattoos looked so cool. After college, I switched my thinking, I started to think about what I actually wanted for myself and my life.
My body is mine, and I thought I should do what I want no matter what others think.
So I got my first tattoo, and two years later, I started learning the craft. The reason I started was not because I liked tattoos, but the more I did it, the more difficult it became, and the more fun and rewarding it was. It’s the same now, five years after I started tattooing.
What made you want to become a tattoo artist?
I’ve been doing painting whole my life since I was kid. So I’ve been thinking about how I can use my paintings commercially – other than exhibiting. And I wanted to learn a technique that will never disappear.
How long have you been tattooing for and how did you practice?
I started tattooing in 2019, so it’s heading to five years now. At first, I learned tattooing from my teacher. He thought me basic skills and then I practiced on a silicon pad. I repeated it until I drew the line straight, practised with my drawing, and I got confirmation from my teacher. I did it many times, and I finally did it on the human body. It became my graduation work and my first work.
We absolutely adore your beautiful botanical style, how would you describe it?
Thank you for the compliment. In fact, I don’t just stick to botanical tattoos, I can draw anything interesting. But most interests come from nature. That’s why I’m drawing a lot of things related to nature. When I draw for tattoos, I use an iPad and a coloured pencil brush the most. Sometimes I use a watercolour brush when I want to express it in a different way. My style is hard to describe in one word, but I think it’s a mixture of asian and western paintings. Since I majored in oriental painting, I think that kind of atmosphere naturally manifests itself.
Where does your inspiration come from?
Art work, films, landscapes, everything visual. Most of the subjects are nature, and the way of expression and colour are inspired by many things such as paintings and the scenery made by light.
You’re currently based in Korea, what’s the tattoo scene like there? Do you often tattoo tourists or mostly locals?
Mostly local. Korea’s tattoo scene has grown so quickly. As I said, Korea was a very conservative about tattoos but suddenly it became a trend. A lot of tattoo artists in Korea have good skills and a unique style.
How do you like to work with your customers to bring designs to life? Is it a collaboration, or do you prefer to have full control of your work?
Normally I prefer to have full control of my work. Clients come to me believing in my paintings and abilities so I want them to trust my aesthetic. Tattooing is based on mutual respect. So It’s important to find the middle point between what the customer wants and what I want.
Do you tattoo flash pieces or mostly custom?
Mostly custom I think. I’d love to do more flash works, but it takes a lot of time. Flash designs are good because I can present more in the direction I want.
What are your hopes and dreams for the future?
I want meet a lot of clients who can make a bond with me. I want to do more big pieces and develop my skills and style. And I want to draw many paintings and maybe even put on an exhibition.
Any other thoughts on the tattoo world itself?
It’s getting more competitive. With different styles emerging and blurring the boundaries between tattooing, painting and illustration, more artists seem to be entering the field.
It’s a good thing for the clients, but I’m not sure if it’s a good thing for an artist. Tattooing is not a must, so it’s also an industry that is badly hit by the economic situation. I think it’s been tough worldwide since COVID-19. Still, I love this job and I don’t think I’m going to quit art, so I try to survive.
Do you have any plans to travel for guest spots?
Maybe Europe. Since I started this work, I have become more brave. To live in a place I don’t know well, meet various people, experience culture, etc. After going through it, it’s not as difficult as worrying about it, but I think it’s a good experience to expand my world.
Make sure to follow Isle on Instagram for more stunning botanical tattoos.
A mother’s love is said to be unconditional – an unbreakable bond like no other. Something so meaningful it needs to find a home permanently on your skin in ink. Editor Rosalie chats to tattoo artists and collectors about their mother tattoos and the stories behind them…
“I’ve done quite a few mother and daughter portraits now. They have become more and more popular. It’s lovely to see a design come to life that represents a mother and child’s love.”
” I have a baby girl on the way and I will be looking for someone to create something similar for me when the time comes. It’s been lovely tattooing while pregnant. It’s nice to hear positive birth stories from my customers. I’ve not got a tattoo to represent my own mum but if I did it would be something expressive yet minimalistic.”
“This tattoo is definitely a favourite of mine. It’s on a woman who got in touch with me and kindly travelled to get this special tattoo, she wanted to commemorate the feeling of motherhood and love for her two children.”
“This tattoo experience was lovely, we got on really well and found we spoke a lot about our motherhood experiences – I do that with a lot of women I tattoo (and men, although I tattoo a lot less of them, the conversation generally moves to parenthood). It always makes me reflect on my own experiences, it’s nice to compare notes and swap stories and listen to other parents about their lives and how their children fit into it. I love listening to people’s birth stories too, if they’re happy to talk about it. “
“When it comes to tattooing women, as a mother, it can also bring up occasions when customers talk about their own struggles to conceive or even trying to figure out whether they want children or not too.”
“I had both of my children’s names tattooed on my hands not long before returning to work, so it felt like I had them with me even when we were apart”
Tattoo collector Corinne
“In 2013, I had an ectopic pregnancy. I’d been trying to get pregnant for a while and after waking one night in excruciating pain I was rushed into hospital where I found out I was finally pregnant, but unfortunately it was ectopic. Not long after I had the lyrics: ‘there is a light that never goes out’ tattooed on my side, because that’s how it feels when you lose a baby. At the time, I only had a few tattoos, so I just went to a guy in town to have it done and it wasn’t great.”
“But I started getting tattooed more and more, and discovered so many amazing artists. A few years later, I was lucky enough to get tattooed by Susanne König (@suflanda) and after two tattoos from her I knew I wanted her to do a new tattoo in memory of the baby I lost. I really clicked with Susanne and I have loved everything I’ve ever seen her draw so I knew she’d create the most beautiful tattoo for me.
“I emailed her with my idea, but for the most part left it up to her – I feel you get the best art when the artist isn’t too constrained. When I saw the drawing it was more beautiful and special than I could ever have imagined. I couldn’t get over the expression she’d captured in the mother’s face.”
“It’s my most favourite and meaningful tattoo and I’m so happy I got it from a wonderful woman. I went on to have a baby through IVF in 2017, my daughter loves it and she thinks the baby is her.”
“I guess really it’s just the perfect depiction of a mother’s love for the babies we have and the babies we have lost”
“My client, Molly, sent Klimt’s The Three Ages Of Woman as a reference – as well as some other tattoos inspired by the original artwork. She asked for an overall softer look and was open to interpretation in my style. We focused on the embrace as this was an important nod to my client’s mum who passed away a few years ago. I don’t often base tattoos solely off an artists’ work, but I really enjoyed re-imagining this one.”
“I am heavily inspired by renaissance and baroque artists, particularly when it comes to designing pieces based on Greek and Roman mythology. This was a really lovely thing to tattoo – it made me think of the unique kind of love that exists between a parent and their child. I really wanted to capture tenderness in the mother’s expression and a feeling of safety and comfort for the child – I hope I did that.”
“My mum died of cancer when I was a teenager and the tattoo represents that everlasting maternal love between mum and baby. Love that endures even if mum or child has passed away. The tattoo is permanent to remind me that I still embody that love – I am tied to her even though I can’t reach out and touch her anymore. The Klimt painting was just inspiration and Alice captured the embrace perfectly.”
“My mum was the most amazing selfless woman and if I had to choose my mum again, I would choose her”
“My mum and mother tattoos were both done by @shedwolf in Huddersfield, my hometown. I wanted a tattoo that would serve as an everyday reminder of my mum, who sadly died in 2005, and I love how special the tattoo looks.”
“My mum tattoo is actually a matching tattoo that I got with my sister, in honour of what would have been our mum’s 60th birthday. It felt like such a celebration getting this tattoo together and for an event that would have been such a big one to celebrate if my mum were still alive.”
“I had wanted my knuckles tattooed for so long but I always felt like it was such a huge commitment, and I really wanted to find a word that fit my knuckles and also meant a lot to me”
“I love my MOTHER tattoo so much, as it combines my love for being a mum, as well as honouring the mum I lost. I have always wanted to be a mum, and when my daughter was born it gave me that mother/daughter connection that I had been missing for so long. I really feel like this tattoo represents that.”
“I got my mother tattoo before Mother’s Day and that felt like a real treat to me. A lovely day of self care getting a tattoo that meant so much to me as a mum and as a daughter.”
“Both the kewpie tattoos for my children were done by @wolfspit in Manchester. I have always loved Jemma’s kewpie baby tattoos and knew I would get one once I had a baby of my own. We put so much thought into naming our kids and both hold such strong meanings, I love that Jemma could work that into the designs.”
“My son is called Abel Wolfe so his tattoo includes him cuddling a baby wolf. My daughter is named after Lilith, the first woman on earth who was banished from Eden, and rumour has it she returned as the snake that tempted Eve, so her tattoo includes her sliding down a snake. These tattoos mean so much to me and I love that they are pride of place on my arm.”
“I am so happy with my current collection for my mum and my children, I don’t have any plans set in stone for anything else. Although my daughter does keep doing some really cute drawings of flower fairies and I’m so tempted to get one in a little gap. Both the kids have some phrases that me and my husband really love and we have discussed getting a matching one related to that.”
“This was my customer Alisia’s first tattoo to commemorate the birth of her first baby, Everly. Alisia sent me a photo of her holding Everly in this position, as well as a few other mother and baby references she liked. Alisia specified this hairstyle as that’s how she wears hers. The flowersare cherry blossom, which is Everly’s birth flower. It’s always special when someone trusts me with their first tattoo but this felt even more special. I’ve done a few mother and baby tattoos and I always love translating someone’s memories into something they’ll wear forever.”
“This was my first tattoo and the experience was great. Hollie made me feel relaxed offering lots of breaks if needed. I wanted someone to represent my first daughter and our bond, I always wanted a tattoo but really wanted something with meaning.”
“My daughter had colic at a young age and was very uncomfortable and upset a lot as a baby. This position used to always comfort her and soothe her and to this day it’s a position that makes her feel safe and comforted. It just reminds me of my little girl as a baby.”
“The client was wanting to celebrate her own journey through motherhood and breastfeeding. She was great to work with and gave me the general idea and let me run with the artwork. I really enjoyed getting to make this piece for her. I have three daughters and it reminded me of those sweet moments when they were babies.”
Tattoo artist Melanie Milne (@melaniemilnetattoos), Hot Copper Studio, Melbourne, Australia
“I’ve done quite a few mother and baby tattoos, I love connecting with clients over being a mother/parent. Children are the most important thing in most parents’ lives and it makes sense you’d want to get a tattoo to immortalise that.”
“This tattoo’s story (above) is that the client is a friend of mine who has given birth to three babies and is now done having kids. She wanted to express her love of being pregnant and bringing humans into the world. Birth is so magical and transformative.”
“Being a mum has changed a few things for me in terms of tattooing. I have less free time so I have to be more efficient getting my drawings done and making sure I’m home in time for bedtime. Tattooing used to be my main priority but that has changed now.”
Melanie pregnant with OzzyMelanie & Ozzy
“I also think being a parent makes you softer, I’m definitely more affected by people getting memorial tattoos, especially for their children or just hearing stories of loss or fertility struggles”
“My wonderful friend Sera Helen made me the most beautiful tattoo of a charm necklace with my son’s name OZZY on my neck. I got it on my first Mother’s Day so it was very special. I’m pregnant with my second baby now, due in July, so I’ll have to come up with something for them as well.”
Melanie & Ozzy
“Ozzy is 14 months, he hasn’t really noticed any difference between tattooed and non-tattooed people yet. I’m sure it won’t be long. My husband and I are both pretty heavily covered so I’m sure there will be questions in a few years.”
If you love finding out about the people behind the tattoos read our latest blogs:
*NSFW: YOU MIGHT NOT WANT TO OPEN THIS ARTICLE IN FRONT OF YOUR GRANDMA OR YOUR BOSS AT WORK, AS THERE IS A LOT OF NUDITY, INCLUDING FULL FRONTAL (UNLESS THEY’RE INTO KINK, TOO)*
We love that BDSM offers a community of acceptance allowing people to embrace and celebrate their sexualities… We also adore that many tattoo collectors are choosing to proudly adorn their bodies with designs that reflect their connection to this vibrant, sex-positive and ever-growing community.
We spoke to the tattoo artists specialising in these designs about their perspectives on the BDSM and kink scene. Of course, we also heard from collectors about why they love these tattoos too…
“I was a fetish fashion model for over a decade and found myself surrounded by strong, intelligent women who owned their sexuality – I’ve always tried to replicate that both personally and artistically. As a young adult, the community really shaped me in a positive way and taught me a lot about consent and communication, which helps so much with my own tattoo clients.”
“Fetish work always seemed like the most natural thing to transition into tattooing as it was something I had a lot of knowledge of (and experience in) and I loved drawing it. My style translated to tattooing perfectly.”
Sophie’s admiration for photographers such as Bob Carlos Clarke, Guy Bourdin, Helmut Newton, and artists including John Willie and Tom of Finland sparked her interest in Shibari. With her background in fetish work and love for drawing, she found Shibari a natural fit. Transitioning to tattooing, her style remained consistent, reflecting her passion with ease.
“I’d say that 75% of my clients who get kinky work are female and most are LBGTQ+. I’ve worked with Sub/Dom dynamics before, but most of my work centres on female empowerment. I don’t tattoo women participating in anything NSFW that could be even slightly misconstrued as discomfort or pain. I also don’t tattoo fetish work anywhere that is really visible or hard to conceal – I can consent, as can my client, but the general public can’t.”
“I have a responsibility as an artist to make sure my clients’ wellbeing is the most important part of the process – that includes appropriately placing a tattoo that could potentially jeopardise job opportunities and how they are perceived in an everyday setting.”
“This tattoo screams ‘female sexual empowerment‘ and that’s exactly why I chose it. I asked the tattooist to change the fingers to ones that looked more feminine as there’s nothing more powerful than a woman who’s sexually empowered. It’s one of my favourite tattoos.”
“I love creating sex-positive tattoos and working with a diverse group of clients who want to feel empowered through ink. These tattoos break stereotypes and attract people from all walks of life, each wanting a unique way to express themselves.
“From detailed designs celebrating body positivity to subtle symbols of liberation, sex-positive tattoos tell individual stories. I connect with clients who appreciate the art, building a community that values creativity over stereotypes – this means prioritising individuality, originality and diverse perspectives in artistic expression. It means embracing the uniqueness of each person’s creativity, regardless of societal norms or preconceived notions. It challenges stereotypes that may limit or box in people based on factors such as gender, race or background, making a more inclusive and open-minded creative community.”
“My clients might seem conservative on the surface due to their professional background or upbringing, but they express themselves through art that some might find taboo. It’s about embracing unexpected side.”
“My clients showcase the inclusive nature of sex-positive tattoo artistry. These tattoos aren’t seedy; they’re a celebration of personal thoughts and fantasies, breaking free from societal norms. My passion goes beyond the ink; it’s about witnessing clients reclaim their bodies and embrace their unique journeys.“
“Whether a client is quiet or outspoken, they become a platform for empowerment. Conversations sparked by these tattoos challenge norms and redefine beauty. This mix of art and self-discovery keeps me loving what I do, fostering connection and understanding.”
“I am a big fan of trying to push the boundaries of what a traditional tattoo is. I often source my inspiration from vintage fashion and fetish illustrations and photography.”
“My goal is to create designs that will shock your grandma but still portray the high class. I want to make designs that are sexy but not pornographic.”
“I think people often get these tattoos for the same reason gay men used colour coded handkerchiefs in their back pockets – it allows the wearer to signal their preferences indirectly, without broadcasting them to everyone.”
“Other people might use them to celebrate or commemorate an event.I got a two-headed snake after my first MMF threesome, and a jar of coconut oil after I tried anal successfully for the first time.”
“Plus, some elements of tattooing revolve around trust and pain in the same way that BDSM does, it’s a practice that requires you to be present in your physical body and exert a considerable amount of willpower, and you have to have faith in and good communication with your artist.”
“Artist Damien Hirst once said he wished art would be treated with the same respect as medicine and I think tattooing is as close as we get to that. When done right a tattoo offers us the opportunity to test our physical limits in a safe and protected environment.”
“Getting into queer kink tattooing was a natural progression for me. This came from my growing confidence of my own sexual identity, and demanding space for acceptance and understanding. Because of this I have created a space where LGBT clients can come into a shop and feel comfortable to be 100% themselves throughout the experience. A lot of heteronormative clients don’t understand the stress and dilutions-of-self that queer clients go through. ‘Do I say boyfriend or partner? Is it a safe space?'”
“Queer sex still is still viewed as taboo; violence and rejection is a huge part of queer existence. Seeing that people have the confidence to wear what they were once ashamed of is exciting and opens fun conversations without judgement.”
“As an artist, it has made me push my drawing and ability to capture different positions and energy within an image. It’s always interesting to think how people can wear such an image, and how to play with ideas.”
“I’m not a gatekeeper in tattooing, but I also think that there’s something very fun about doing subversive tattoos in a world where actually being tattooed is no longer a subversive act. I like to be a part of that.”
“My name is German Ferreiroa AKA @gerfer_tattoo, I’m an Argentinian tattoo artist based in Dublin and co-owner of Secret Door Studio with my best friend Julie Midnight. My work is inspired by all gay subcultures, mostly leather and uniform men and, of course, I get specific requests and I do designs with whatever kinks or fantasies the custumer has.”
“At the end of the day what I love to do is to portray how beautiful the male body is in any way, shape and form.”
“I’m now known for my male genital tattoos [see below]. Something that not a lot of artists do. Alongside my tattoo career, I did a few different art projects including The Male Project and the Dick Pic Project, working with real models and self publishing six books. I’ve done different exhibitions in different studios and tattoo conventions around Europe and many more to come.”
“I created this because with all of the censorship that happens with vaginas and any sexual reference at all, I wanted it to be a confrontation to the viewer. And for them to simply enjoy it.”
Have you got any kink or BDSM tattoos? Or are you thinking about getting one? DM us on our Insta@thingsandink
About Things&Ink
Originally a printed tattoo magazine, Things&Ink is now a popular blog that takes an artistic approach to content. Our goal is to create work that utilises tattoo artists and people with interesting stories to share. This is a blog for artists, collectors, and those yet to go under the needle. As a reader, you will find out about new artists, products, and ideas that will enrich your tattooed lives. To stay up to date with our socials, check out the Things&Ink Instagram where we post frequently!
25-year-old digital creator Beckie Bold (@beckiebold) lives in North Wales where she creates inspiring content for her followers. We chatted to Beckie (she/her) to find out more about her tattoo collection and body confidence journey…
What made you want to get tattooed?
I’ve always loved tattoos and thought they were super cool when I was younger. Growing up I realised that I look at tattoos as someone painting their own canvas (their body). I think it’s really unique and brings lots of confidence and is definitely a way to express yourself as a person.
I knew when I was younger that I would definitely be a tatted person.
What was your first tattoo? Can you tell us about the experience?
The last time I got tatted, I got three in one sitting. I got a small love heart with the number 13 in behind my ear, because it’s my favourite number and it seems to follow me around. I got a coffin with flowers around it on my upper arm because I thought it went with the spooky vibe of my sleeve and then I also got some crystals and flowers, again to fit the theme of my sleeve.
The experience was great! I was tatted by Emma-louise Bolton (@emm.dots) in Salford, she’s fabulous. She’s so lovely and chatty and always makes you feel super comfortable! She always gives me the prettiest ink.
Talk us through your tattoo collection – any favourites or meaningful ones?
I have lots of tattoos, probably too many to go into detail about each one. Some of my favourites are my mandala in my ditch, that one hurt super bad I wont lie but it’s absolutely stunning. I love my flowers on my chest too as they make me feel super pretty and confident. Another favourite of mine is my little skeletons with the black rose between them, little skeletons in love!
I have one on my back which is quite meaningful to me as it reminds me of my nana and taid (Welsh for grandad) as they were travellers back in the day, so I got a Gypsy wagon wheel for them.
Do you have any themes?
Yes! My right arm is spooky/space themed and I am totally obsessed. I love it and I can’t wait until its completely finished!
You share body confidence and your mental health, do tattoos help you love your body?
Definitely. They let me express myself in a way that is unique to me. They’re beautiful and I want to show them off, which helps me be confident in myself. When I have low days with my body image, I look at all the ink which helps me push through the body battles a little bit more.
Have they made you see your body differently?
I look at myself as a canvas. I get to fill in my own canvas with everyone I love or makes me happy. It’s such a brilliant way to be create in my opinion.
My tattoos make me want to be proud of the skin I am in.
What’s it like getting tattooed when you have lipoedema?
I think it’s different for everyone with lipoedema. For me personally, my upper arms (where the lipoedema is) have bruised whilst healing, while my lower arms (where I don’t have lipoedema) didn’t bruise at all. My lower leg tattoo didn’t hurt at all which surprised me as I have lipoedema there too.
Do you have any advice for anyone who has lipoedema and wants to get tattooed?
It depends on the person and pain tolerance but be prepared for it to potentially be a little more sore in areas where your lipoedema is! I can’t comment too much on this as everyone’s body will react differently.
Can you tell us about what you share on socials, how it all started?
In 2017/2018 when I started university, I began to use Instagram as a mental health diary to help me through my battles. I never set out to do any of this “influencer” stuff and never thought I would reach 40,000 people, but I somehow did.
Seeing all the different content creators on Instagram has saved me in a way, they’ve inspired me to love me for me and I can now hopefully inspire others to love them for them. It’s an amazing platform when you follow people and connect with people that help you feel happy and good about yourself.
I actively speak about body acceptance, mental health and sometimes chronic health such as lipoedema. I want to help people as much as I can. Even if its just one person that feels better because of something they have seen or read on my page, then I’m doing it right.
How do you want people to feel when they see your corner of the internet?
Safe. Included. Inspired. Beautiful. Good enough. Worthy. All the good things! I want them to start treating themselves how they would treat their loved ones. It’s great to love others, but lets love ourselves too shall we?
Follow Beckie for more beautiful photos and tattoos.
Emily Roberts (she/her) apprentices at Cock A Snook in Heaton, Newcastle Upon Tyne. You might know her as tv dinner tattoo (@tvdinnertattoo), here we about her “ignorant” designs, her journey into the tattoo world and her hopes for the future…
You grew a large social following through your art and flash designs before you were tattooing. Can you tell us about this?
I started my account in 2022 – the goal was to find an apprenticeship and get into tattooing as a career. To get my name and designs out there, I was determined to draw and post every day to help me find my audience. The support from my followers gave me great motivation to keep searching for a placement and improving my drawing until I eventually find my place at Cock A Snook.
How did you become a tattoo apprentice? When did you start?
My account was still new when my now mentor sent me a lovely message about my profile and gave me some words of encouragement to keep pushing and building my portfolio. At the time, they already had an apprentice so there no space for me, but one year later I got a message asking if I’d like to come into the studio to see it and have a talk about a possible apprenticeship opportunity. It all went amazingly and I officially started my apprenticeship in June of 2023.
What inspires your designs?
I look to my personal interests for inspiration – I find enjoyment in drawing things I’m passionate about. For example, I look back to things I remember from my childhood or I’ll be inspired by a favourite film, song or video game. I also like to look to the ordinary and turn everyday objects into silly designs.
How would you describe your style?
Ignorant blackwork with some illustrative thrown in there.
What’s the studio like where you’re working?
The studio is an absolutely amazing space to work and hang out in. All of the artists I work alongside are so supportive and helpful and it’s somewhere I can openly be myself without fear of being judged. Cock A Snook always stood out to me as a studio, even before I found my place there, as it strives to be a safe and inclusive space that is welcoming to everyone.
We’re huge fans of tattoo artist Kezz and the work she does under Tattoo Smarter, is she mentoring you?
Yes, Kezz works as my mentor and has taught me an insane amount about all areas of being a tattoo artist as there is so much to learn both on skin and off. She is also just an incredibly thoughtful, kind and caring person who wants to improve tattooing for the better for artists and clients alike.
What’s been your favourite thing you’ve learnt so far?
I think trying out and learning how to use different types of tattoo machines was so fun and informative but I also love the satisfaction of being able to pull a crispy bold line. I’m constantly learning so my answer is always changing…
What’s a day in the life as an apprentice like for you?
During a typical day, I get to the shop and do some of the shared studio cleaning jobs and then start getting set up and ready for whatever I’m tattooing. Any spare time I have inbetween is spent drawing and catching up on admin as well as all the behind the scenes stuff that goes into the job.
When I have time I also like to record “Day in the Life” videos for my social profiles to show off specifically what I get up to as an apprentice. Now that I’m getting progressively faster at tattooing, I sometimes tattoo three clients in a day which is great practice! I also tend to ask a lot of different questions during a day so I can learn new things to help me progress in my journey.
Do you help set up for other artists?
Before I ever went near a tattoo machine, I used to set up my mentor Kezz’s station as much as possible. Repeating the steps I was shown repeatedly was so useful in teaching me the ways to assemble and disassemble a station correctly. There have also been times where artists have been running a bit behind so I’m more than happy to set up for them and help out wherever I can!
What drew you to the tattoo world?
I’ve been fascinated by tattoos since I was a child and I always knew I wanted to get tattooed myself. Even as a kid, I talked about wanting to become a tattoo artist but didn’t think I’d ever get there. Outside of that, I also just think carrying a permanent piece of art with you through life on your skin is the coolest practice.
What’s your first memory of tattoos or tattooing?
My grandad had a very old-school traditional swallow tattoo on his upper arm, which I remember being obsessed with when I was small – probably because he was the only person in my whole family with a tattoo. A few years ago, I got a swallow tattoo on my arm to match in his memory.
Can you tell us about your own tattoo collection?
I started getting tattooed just after my 18th birthday and now I have 21 tattoos in total by many talented artists from up and down the country. I’d say my favourite tattoos are probably my matching glittery knee webs by @keelyglitters. They’re just stunning and have helped me feel so much more confident about myself and the area they’re tattooed on.
What does the future look like for you?
My main goal is to continue learning and growing as an artist. In the short time I’ve been an apprentice, I’ve seen great growth in my art and in myself as a person, which I hope continues as I make my way. In the long term, I’d love to be able to guest spot at other studios as well as take part in tattoo conventions and other events. I’m just super excited to see what’s next and where this journey takes me.
Make sure to follow Emily (@tvdinnertattoo) on her tattoo journey and get booked in.
