Is it time to say goodbye? The Final Editor’s Letter

 

Wandering around the Vogue exhibition at The National Portrait Gallery, I think of the magazines that have inspired me over the years – and still continue to do so. I have always collected magazines, devoured every page, every inspirational photo shoot and article. From More and Sugar magazine when I was a teenager, to Dazed and Frankie when I was at university, I loved them all! I never dreamt that one day I would launch my own magazine… But I did.

I launched Things&Ink more than three years ago to become a part of that inspirational world that had spoken to me so much while I was growing up. I wanted to provide a source of tattoo inspiration for women and men just like me – who adore tattoos and wanted to see them presented to them in an arts and lifestyle publication.

From the first ever cover with the tattoo artist who inspired me to want to become heavily tattooed to our latest cover for The Horror Issue, the magazine has progressed and grown immensely over the years… and I really hope we have inspired readers, young and old.

Working on the first ever cover
Working on the first ever cover

Alice Snape with Claudia de Sabe

As we prepare for our latest exhibition called The Archive, which sees artists who have featured on our pages over the years turn our back catalogue into works of art in their own right, I realise that it’s time to say goodbye to Things&Ink as a print magazine. Our latest exhibition was created to celebrate everything we have achieved over the years since we have been in publication. And I truly believe that we have made an impact on the tattoo world and beyond by representing tattoos in a interesting and thought-provoking way.

Editor Alice Snape with the now sold-out Horror Issue
Editor Alice Snape with the now sold-out Horror Issue

However, as much as it pains me to say it, print is dying. Which is heartbreaking for me, I always loved the feel of a new book or magazine! Even the smell, opening the cover and wondering what you will discover… But the magazine world is changing, and without financial support, independently run magazines just cannot survive. As much as I have loved creating every single issue of Things&Ink, I just cannot take the financial burden anymore. Although the magazine looks like it is thriving, it is actually really struggling. I work as a freelance magazine editor and writer, and almost every penny I have earned over the years has been ploughed back into the magazine.

Is it time to say goodbye?

But not to dwell… Things change, evolve, and move into something unexpected. Things&Ink has become a very recognised brand, and although we will no longer exist in print, we will exist online in the form of this blog, and our social media accounts. We will also still organise events and exhibitions and be a hub for people who are passionate about art and tattoos.

I would also like to take this time to thank everyone who has contributed to the magazine over the three years that it has been running. Especially my right-hand women Rosie and Keely, without them I would have probably had a nervous breakdown a long time ago. And also my sister/stylist Olivia and my digital genius friend Pares, who helped me right back when the magazine was purely a figment of my imagination. They have put up with my tears and dramas, and dedicated hours, days, weeks to Things&Ink. All unpaid, all voluntary, just for the love of it. And that goes for every single person who has done something, no matter how big or small, for the magazine. That includes photographers, stylists, designers, writers… So many people.

"I loved watching the magazine come off the presses... such a magical moment every time"
“I loved watching the magazine come off the presses… such a magical moment every time”

 

Running a tattoo magazine means that we have had a rare glimpse into the tattoo world, tattoo artists have opened up to us and given us a unique take on what could have been a very closed world. We have met some of the most incredible artists along the way, and hope we continue to do so… I also hope that as many of our readers, contributors, artists, friends and supporters will join us at our exhibition The Archive, opening on Thursday 31 March at the Circle in London… and don’t be sad, come celebrate!

Team T&I at London Tattoo Convention over two years ago...
Team T&I at London Tattoo Convention over two years ago…

 

Thanks so much for reading this, what is my final – and most difficult to write – editor’s letter… it has been a pleasure compiling every issue for you, and I hope I can continue to inspire by curating content for this blog and also artwork for future exhibitions… there’s lots of cool projects brewing.

Much love, your editor,

Alice 

PS you can grab a back issue and a little piece of tattoo history for £1 from Newsstand

Interview with Sophie Adamson

We chat to 30-year-old tattoo artist Sophie Adamson who works out of The Projects in Plymouth about the bright tattoos she creates and her love for skulls… 

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How long have you been tattooing? I started tattooing about four years ago.

How did you start? It all started for me when I saw a local studio were looking for an apprentice, I nervously took along my portfolio of designs. The feedback I received was equal in good and bad. I made it my mission to stalk them, returning each week with new artwork until I was given a trial. I’ve never been so excited and terrified.

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What drew you to the tattoo world? The idea of producing custom artwork for people feels very special

Describe your style, how has it changed? Feminine. Id say my work was quite traditional moving towards neo traditional. Over time it has become more detailed and a little more natural looking.

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What do you like to tattoo and draw? I always enjoy tattooing flowers! And I love sketching skulls a lot, I really need to tattoo more of them!

What inspires you? My biggest inspiration growing up was my nan, Joyce. My nan loved her garden of beautiful flowers and bird watching, I was always fascinated by her pressed flowers, botanical books, her collection of fancy teapots and all her trinkets and costume jewellery. She was my biggest fan and always spoilt me to lots of art supplies and her inspiration has stayed with me.

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What would you love to tattoo? I’d love to tattoo more of my lady face designs and take on larger pieces featuring ladies. I want to start working with darker colours while still focusing on jewellery and skulls.

Can you tell us about your own tattoos? My favourites are my ornate cameo inspired frame on my hand, by Matt Drury. My first tattoo machine on my arm by Dave Crossett. A large realistic robin on my thigh by Radu Rusu, and a bunch of art and tattoo supplies on my shin by Caroline Derwent.

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Goldengrove Jewellery: Margaret Cross

Margaret Cross creator of Goldengrove Jewellery, Brooklyn, NY, designs and makes beautiful pieces inspired by antique momento mori jewellery. We talk to Maggie about how she started her business and her tattoo collection… 

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Photograph by Maxim Ryazansky

How long have you been creating jewellery? I took my first silversmithing class in college in 2003, but I was creating jewellery for a few years before that.

How did you start, what inspired you? After taking a few classes in the jewellery department in college, I realised that I loved the process, it’s tedious, but there’s a lot of freedom for your mind to wander while you work, so I’m constantly filing, designing, sanding, etc. Jewellery was a sweet relief from the printmaking department in college where I majored. I’d hide up in the jewellery department casting and soldering human teeth and tiny animal bones for me and my friends to wear. My focus shifted to mourning-specific jewellery after the sudden death of my best friend in 2008. It was really traumatic. I bought my first antique mourning piece in memory of him, and made memorial pieces for each of his family members and began to wonder why something so seemingly important to the grieving process had become so obsolete.

I use his writing desk as my jewellery bench, with his eye glasses sitting on top, my daily memento mori. I still mourn him.

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Photograph by Maxim Ryazansky

Did you take a course or study? I have a BFA from Pratt Institute, my scholarship program wouldn’t allow me to be a jewellery major (the materials are really expensive) so my electives were in the metal arts department, and I stayed an extra year to focus on jewellery. I still occasionally take classes independently to learn new techniques and skills.

12716759_1580785585493377_1880924051_nWhat inspires your pieces? I’m obviously inspired by antique memento mori and mourning jewellery, but I also draw inspiration from travel. Both of my parents are immigrants and I draw a lot of inspiration from their respective motherlands (England and Italy). After a trip I’ll usually come home and design a new collection with direct references to places, people or pieces I’ve seen. I see both cultures influence in my work. I still continue to make pieces in memory of my friend as well as pieces that might be comforting to someone going through the same thing today.

Where do you source your stones? Each stone is hand picked by me in New York City. Some stones are salvaged from antique pieces ruined beyond repair. My favorite stone dealer has been in the business for 57 years, he’s a WWII survivor and such a pleasure to see every week. He likes to say he “knows a little about stones”. He must be in his 90s, he’s great.

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How would you describe your style of jewellery? Tough and pretty, having a future and a past.

Can you tell us about your tattoos? I started getting tattooed really young at shitty street shops in the city. I’d also let my friends practice on me and we’d give each other stick ‘n’ pokes, so I have lots of that stuff, little inside jokes and punk band references. I’ve become a little more discerning and now I only get tattooed at Rose Tattoo in Brooklyn. Mostly by my husband Mark Cross, but also Hillary Fisher-White and Frank William really appeal to my macabre sensibility, plus there are always great guest artists coming through.

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Where can people buy your jewellery? You can shop the collection online at goldengrovejewelry.com, on Instagram and in store at a handful of shops around the US.

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Mondial du Tatouage

Mondial du Tatouage is known as one of the world’s largest conventions with over 30,000 visitors and over 300 artists. In this post our Italian contributor Ilaria Pauletti shares her first time at Mondial du Tatouage convention in Paris… 

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This was my first time in Paris and my first time at Mondial du Tatouage. A dream come true!
It was Friday 4th March and obviously I woke up very early, feeling pretty nervous as usual but also very excited for my upcoming appointment with Rodrigo Souto– I just couldn’t wait.

The Grand Halle de La Villette was very easy to reach, located just 200 m from its own metro station, which was great and made the whole trip a lot easier. Giving me loads of time to walk around and see just how many people were attending the convention.

6_Hannah and GuyHannah Sykes and Guy Le Tattooer 

The doors opened at 12 and there was a huge queue at the main entrance, while waiting, I met a lovely Sardinian couple of tattoo collectors who had an appointment with Dane from Inkamatic – Trieste, and a German girl, Eva, who was waiting to get tattooed by Samuele Briganti. She got a beautiful black and grey lady head on her arm.

I ran to get into the convention, powered by excitement,luckily the map of hundreds of booths was right in front of us and I could immediately get to Rodrigo’s one.
He made me feel at ease and he totally got what I wanted on my skin. After he drew the design onto my arm by hand and I had a look in the mirror we were ready to go.

I have to say the pain was pretty bearable but that elbow/ditch spot was actually really for me. And my friend Marina, who was there with me, can confirm the struggle was real!
Three hours later my arm was like a giant sausage, and then I could walk around the convention.

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Ilaria’s peony

I met a lot of the artists I have been tattooed by, for instance Guen Douglas, Morg Armeni, Arianna Settembrino. They were all working hard! I also saw local tattooists who were also very busy, like Mikael de Poissy and Guy Le Tatooer. The booths were a lot larger than ones I have seen at other conventions, meaning that both the tattooist and client could enjoy themselves with no awkward positioning of limbs and machine.

I treated myself to lots of amazing prints by some of my favourite artists, it was really hard to decide what to buy and what to not. The main stage showcased the Best of Day contests, with some great judges including; Kari Barba, Filip Leu, Bill Salmon and Luke Atkinson.

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Yall Quiñones getting tattooed by Roberto Borsi

I hope to be back and I can’t wait to see what’s next, because tattoo conventions are made of this: good company, quality tattoos and a great location!

Careers: Tattooed Wholesale Manager

We chatted to 28-year-old Jenna Needham who is wholesale manager for Motelrocks.com about her beautifully dark tattoo collection and her role within the fashion company… 

How old were you got your first tattoo, what was it? Do you still love it?Shamefully I was 13 when I got my first tattoo. I bunked off school to go at get it at a local place called ‘Dodgy Kevs’. Of course that wasn’t the actual shop name but its how we all locally knew it and since me and my friends all got tattooed there so young I’m pretty sure you can guess why!

I went in and picked my favourite Chinese symbol off the wall (that was big in 2000) and had it put on my butt!  I had to have it there to hide it from my mum, he just sketched it free hand with a biro and away we went! I can’t say I’m a massive fan of it now but for comedy reasons (and the fact no one ever sees it) it doesn’t bother me too much. It means tiger in case you were interested!

What drew you to tattoos, did anyone influence you?
From a young age I was into a more alternative scene and so naturally from that point I saw more people with them. Not that I think tattoos are bound only to the alternative scene but I was definitely more exposed to them in that environment at that time.
I can’t really remember what it was that first attracted me to tattoos though to be honest, no one in my family has them but I was always drawn to them and the way the art looked on skin.

Can you tell us about your tattoos? I can tell you there’s not enough of them!
My tattoos are just a random collection of my likes and memories really. I have a few that I’ve had done that mean something to me and people close to me, some while travelling to remember a time or a place and then some which are just a memory of me getting tattooed by someone I admire and perhaps a point in my life.

When I got tattoos when I was younger I didn’t really think about what I wanted and getting a tattoo was just walking into a shop and picking something off the wall. Now it’s like having an artwork collection on my skin that I can see everyday. I remember when I first started to find peoples whose work I loved like Thomas Hooper and just being so excited to be able to put their designs onto me and finally finding people’s work that was in the style I like. My favourite thing to do on Instagram is find new tattoo artists, I think its amazing that now it’s so much easier to find so many amazing artists across the globe.

Are there any artists you admire?
Too many! I pretty much admire all tattoo artists. Being a person who is unable to draw I appreciate all their amazing skills.
Of course everyone I have been tattooed by I have the utmost admiration and appreciation for which is why I want their art on my skin and that includes, Raph Cemo, Grace Neutral, Rebecca Vincent, Jack Ede, Tiny Miss Becca, Aaron Anthony and Jemma Jones just to name a few!

What are your future tattoo plans?
I really want to get my back done and my arm completed in the near future but I don’t actually have anything booked in right now.
I never really focus on an area I just seem to know where something is going to go when I have it and so my pieces are generally just scattered around.
A few of my current dream people to get tattooed by are Guy Le tattooer, Sway, Thomas Bates, Kelly Violence, Thomas Hooper and Ryan Jessiman.

How did you get your current job? What did you do before? Did you study for it, did you work your way up?
I was living in Wales at the time, I’d moved there for my boyfriend  and although I absolutely loved my time there and the people I’d met, when we broke up I felt I needed a fresh start. My friend at the time had just moved to Bristol and we were obsessed with shopping on Park street it was full of independent shops, vintage and clothes you definitely couldn’t buy in Newport! We were shopping in the Motel store and I noticed they were advertising for an assistant manager position in that store and I just thought why not! Got the interview a week later (which I actually don’t think I performed that well in) and just got on so well with the two girls who were interviewing, they called me back a few days later and said they wanted to offer me the job. At the time everyone thought I was mad because I was moving to a flat with rent three times more than what I was paying and a salary that was half of what I was currently earning but something just felt right and I guess it was the universe telling me I was making the right move.

When I started with Motel in 2007 it wasn’t that well know or big and one of the girls from the shop used to model for the website which only had a handful or products on it then we started to get more PR activity around our clothes including celebrities wearing the brand and everyone just started to notice Motel more and more. No one was doing printed dresses like Motel were at that point and so we were way ahead of the game!

From assistant manager I became store manager, then the website started to boom so they moved me over to work on that, managing the in-house buying, promotions etc. I was also already helping them with the wholesale trade shows in Berlin, Las Vegas and New York during that time so then when they eventually decided to open a London showroom and offered me the chance to work on the wholesale team I jumped at the chance.

What is a typical day like for you?
So I basically sell the collections that Motel creates to other boutiques and stores that buy third party brands. At Motel we sell 12 collections a year which pretty much means I am selling product all year round (as well as an additional swimwear line we now do!).
I deal with all our international agents/distributors, all of our UK key accounts and any boutique smaller accounts where we don’t have an agent servicing that area.

The best thing about my job is the variety of things I do really. I might have the wholesale manager title but I’ve been with the company so long I can’t help but get involved with other areas of the business and share my ideas! I’ve helped create a promotional street team family for Motel, I organised the recent Grace Neutral collaboration we did, ran the clothes show, designed a print, helped organise events and held sample sales as a few examples!
Mainly though on the run up to the ranges I spend time with design and production and we all discuss requirements and needs for future seasons, we go over any upcoming collections in sample form and will go through pricing and design to make sure the range is completely as we feel it should be.
Selling the range I am speaking with customers, maintaining relationship and meeting their Motel needs while also trying to source new relationship with potential new customers.
I work on exclusive designs with some of my customers and bridge the gap between all the agents and Motel helping them meet their customer needs to.
Its definitely not a 9-5 role but I’m fortunate that I love my job and that’s why I’m so passionate about it.

How do you dress for work, do you show off your tattoos? I’m pretty lucky that fashion is possibly one of the easiest sectors to work in and wear whatever you like.
I of course wear a lot of Motel anyway and I try and do this for meetings especially. Generally anything black, grey and a shade of in-between!
I don’t purposely get my tattoos out but I don’t hide them either. So long as it’s not a cold day I will happily have my tattoos on display for meetings, the office or any trade show we do!

What kinds of reactions do you get? From work colleagues, family and the general public. 
I think my mum has the typical parent reaction and worries about how many I have and if I will still like them in the future, like I say no one else in my family has them so I’m slightly different, but that said she often tells me she’s proud of me for being vegetarian and having tattoos. She’s happy that I express myself and stay true to me.
I generally get a really good reaction to my tattoos from the general public, work colleagues and anyone I might have in for a meeting. My hand is the most commented on, I guess because its the first people see a lot but I’ve never had any negative comments said to my face. I of course have had to challenge a few “what about when you’re older” comments like most!

What advice would you give other people considering their careers when getting tattooed?
I personally think that you shouldn’t let anyone tell you what you can and can’t do to your body. That’s the skin you have to live in and if you want to decorate your home, your body then you should. A tattoo doesn’t define who a person is or change their skill set or mind and therefore it shouldn’t change the jobs that you can to do. That being said there are still jobs/companies/careers out there which feel tattoos which can be seen in the working environment are not professional, so I guess at that point you have to make a choice on what’s more important to you and perhaps think more carefully about placement of what you want done. It still shouldn’t stop you though, there are plenty of ways to keep expressing yourself but just maybe avoid the hand, neck and face area.