Merpola Clothing

25-year-old Toby King is creator of streetwear label Merpola a mixture of maritime whimsy and urban sensibilities. We chat to him about what inspired his debut collection, how The Prince’s Trust helped him set up his business, and his aquarium of oceanic tattoos… 

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How did you start your company? What inspired you? The ocean is the main inspiration for the pieces I make. Merpola worships at the alter of the world Ariel left behind, that inspired Cher for Halloween, that Rose survived and Jack froze in, that swallowed Pinocchio, that produces up to 70% of the oxygen we depend on for survival… it’s an endless source of inspiration. I’m really proud to be the founder of a company that I always wanted to exist, no one else was doing it so I decided to do it myself.

I started Merpola with the help of Prince Charles’ charity; The Prince’s Trust. They have a scheme called Enterprise for young people who want to be trained in entrepreneurship, they are honestly Jedi Masters at what they do (and to be their Padawan was a huge honour) they taught me a lot and helped get Merpola up and running.

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Can you tell us a little about your brand? Merpola is my own clothing and accessories brand that launched in Winter 2015. The first collection is on sale now and is made up of t-shirt prints, beanie hats and tote bags. The brand is independent, unisex and forward-thinking. I didn’t want to gender any of the items because the concept of giving a sex to threads of cotton or a design element is ridiculous. If you like it, put it on. A focus on high quality within affordable limits is a number one priority, it’s important to me that I offer something that isn’t set at an elitist high fashion price but that still feels unique and special, like a lot of passion has gone into the creation of it. I source components as ethically and ecologically-friendly as I can given the budget and sell worldwide.

Do you have a background in fashion?  I don’t have any background in fashion, no! I studied Media & Communications at university and went into television and PR after graduating. I love all forms of expression though, from tattoos to clothing, and the idea for Merpola has always been in the back of my mind. I had been working for a company that I didn’t respect – the way they did business was without any moral compass. I had to get out of there, and that’s when I went to The Prince’s Trust with my idea for a streetwear label.  They provided classes to teach me all about being an entrepreneur and helped fund the equipment and fabrics I needed to get going, it’s an amazing organisation.

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Can you tell us a bit about your new collection? With the debut collection, I wanted to create a solid baseline and incorporate certain staples that would help define Merpola moving forward. I think there’s a very playful and rebellious attitude to all the things I’ve created so far, I’m really proud of everything. There wasn’t much money to get started with so I chose to focus on creating a small run of a select pieces that build the foundation of what I want to achieve whilst still having opportunities to expand upon on and adapt as the business (hopefully) grows. Some sizes are already selling out, and because there’s only a few dozen of each item I think the first batch will be quite special one day. RuPaul has already given Merpola his stamp of approval, which was a massive confidence boost when I needed it most. Starting a business is scary!

The brand is a reflection of maritime whimsy and kitshy elements mixed with some urban sensibilities picked up from my current surroundings in London.

What do you want your collection to say? I want Merpola to inspire rebellious spirits and invoke a sense of adventure. If you want to feel empowered like a menacing sea witch, cover yourself in our tentacle print. If you want to tell the world “watch out, I will drown you” then represent that with the Sea Tee. You haven’t escaped the Matrix so you don’t need to dress in plain black every day of the week. Break the rules, have fun with your style.

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What is your favourite piece from the collection? I’m proud of the little details in all of my first collection. I don’t have a background in fashion or design, and it was a long process to teach myself how to do it properly – nothing is worth doing unless you throw yourself into it 100%. I actually feel like my DIY approach has benefited the clothing, there’s no fashion rules to follow when you don’t know them! But it’s little details mixed with a sense of humour and rebelliousness that give my label its identity. I really appreciate and strive for humour in what I do and hope it comes across.  And I’m getting better at what I do every day, I’m starting the process of creating Collection II now so there’s a lot to be excited about going into 2016.

Where can people buy them? I set up Merpola.com as a platform to sell the collection, that’s where you’ll find my garments. There’s also a blog there with updates on the business and more creative writing planned for the future, swing by and have a poke around.

Can you tell us about your tattoos? I’ve always been awestruck by tattoos. I craved having my own when I was younger because I viewed them as a sign of a free mind, a rebellious statement. Now finally having my own, I understand that they’re much more than that. They’re art, stories, history and emotion sitting under your skin. Unsurprisingly, most of my own tattoos are rooted in oceanic imagery, I’m my own aquarium and I love it.

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What was your first one do you still love it?  My first tattoo is terrible, but yes, I still love it. A lot of people I meet have a ‘first pancake’, that first tattoo that didn’t turn out right. I saw the movie Hedwig and the Angry Inch when I was around 14 and it blew my mind open. There’s a tattoo in that film which I wanted to replicate so I had a fake I.D. made, skipped school and went to a really crummy place in Exeter that tattooed it onto me for just £20. It’s sloppy and gross, but it’s been with me for over a decade now and reminds me of the fearlessness I had that day, it’s quite empowering.

Transformation tattoo for Transgender son

Steve Peace a Canadian tattooist has updated his wife’s tattoo of their children to reflect the new gender of her eldest son Ace. The original tattoo was done over 10 years ago, and showed a portrait of their children, Elliot, Hamish and Ace- when Ace was living as a girl.

Steve has now changed the tattoo of a young girl wearing a pink dress and pigtails into a boy wearing a blue shirt and shorts to reflect Ace who is a transgender teen. The tattoo transformation was kept as a surprise for Ace and shows how much they support his decision to be who he really is.

In an interview with Global News Steve said:

I think it really reaffirmed, for him, that we believed him […] Parents often sit in the closet themselves. This was putting it out there. Parents need to really support their kids in these situations. I thought he was happy before, but no — he’s happier now. It’s crazy. He smiles all the time.

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Tattoo by Steve

Watch the video below to hear Ace’s story:

Mais2 Illustration

Alessandra Criseo, better known as Mais2 on Instagram, is an illustrator and crafter from Italy who has lived in London for the past five years. Inspired by Things&Ink Alessandra created this tattoo inspired girl for us… 

 

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How would you describe your style? Sometimes it’s hard for me to see- I love trying a lot of different things and techniques so sometimes I feel inconsistent, but apparently other people can see my identity better than I can. People that know often talk about my style mentioning the fact that it has humour and makes them laugh, and that it has something creepy about it as well. Both compliments.

What inspires you? From my side I get inspired by things happening to me and sentences that I form in my head in specific situations, things connected to my childhood and people and things I love. Externally I get my inspirations mostly from fashion, food, objects, strange combinations of items together. I realised that I get inspired more by photographic stuff than illustration, I guess because it is a different media.
I do of course follow a lot of amazing artists, but often when I see a drawing I really love and I think that is perfect, I don’t feel like I need to repeat what they already did.

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Do you have a background in art? I do, instead of high school I went to art school in my city, but it was quite crap at the time. It was the only art school in town and It wasn’t very good. In my third year I have chosen to specialise in fashion, where I met two of my favourite teachers though, so no regrets. I also did a two year course in a school of comics that allowed me to meet some of my artist friends and professionals and start my career.

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What medium do you use? I tend to draw and ink traditionally (with any pencil and graphic liners) because it relaxes me much more than digital. I colour digitally in Photoshop, or if I go for a more traditional technique I use markers.

What do you like to draw? I definitely love to draw silly people,oh and food- if together even better. I love spooky and dark subjects too, drawing street fashion and animals.

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Can people buy your illustrations? I have a bigcartel shop where people can buy everything I put on sale. At the moment you can find a few things in there and between those there is my first self published book Memento Bento that is an illustrated diary of my first trip to Japan- I’m very proud of it!

Do you have any tattoos? What do you think about tattoos? I love tattoos, I adored them from far away for ages before getting mine.
It’s always hard for an artist to decide what to get as a first tattoo because we change our mind easily and in my case my only certainty was that I didn’t want to design it myself- but I couldn’t stop picturing the composition in my head!

Tattoos are a big influence on my style, a lot of people get my illustrations as tattoos as well. Becoming a tattoo artist and tattooing my pieces myself is a dream of mine, I seriously have thought about that but I haven’t been brave enough to just do it yet. I wish some of my friends were tattoo artists to teach me and help me get started! Maybe one day, hopefully soon!

I got my first tattoos two years ago, on both of my calves.They are subtle references to two video games that really influenced my taste during my childhood and I’m sure I will love forever: Monkey Island and Prince of Persia. I also have a moon on my right wrist and I love it.

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Are there any artists that you admire? One of my biggest weakness is making lists of things I love or hate, seriously, that’s so hard for me! I don’t even know what my favourite food or song or colour are! Generally speaking I love a lot of Japanese illustrators, ancient and modern. I love their humour, I feel like they get me. I love a lot of graphic illustrations- I enjoy the process of limiting yourself with the amount of colour and detail. It makes the result so elegant and timeless, and I find it calming as well when I do it myself.

As I have already mentioned, tattoo art is a huge inspiration as well. I love symbolism and really appreciate the composition that a good tattoo artist is capable of creating. I love how a well done design can stand alone perfectly without even any need for a context. I also follow a lot of illustrators that don’t fit in any of these categories, especially on Instagram and Tumblr- I kinda like everything.

Interview with Han Maude

22-year-old Han Maude works out of Jekyll & Hyde Tattoo Company in Rugby Warwickshire and creates all manner of tattoos in solid dot work. We chatted to Han about her love for Disney and what inspired her to become a tattoo artist… 

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How long have you been tattooing? Two years

How did you get into the industry? I became very persistent about getting my foot in the door, took my portfolio around numerous studios, until someone took the chance and saw potential in my work.

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When did you get your first tattoo, do you still love it? Unfortunately, I made the same mistake as most young insubordinate 16-year-olds did, and got tattooed at 16. Luckily for me I was realised quickly that it was a silly decision and had it covered up, once I was 18.  It was an upside down ribbon with some stars on my wrist, so no, I really don’t love it.

What drew you to the tattoo world? I always wanted to get into the industry, I remember being about nine and having my own play tattoo studio in my wendy shed, parents of the local area weren’t happy when their children went home covered in permanent marker. I always liked the seemingly male orientated jobs, and its amazing to see the amount of female artists pushing beautiful work out in the industry.

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What inspires you? I really fell in love with Studio Ghibli, and Japanese style anime, watching the films or spending an hour here or there with my nose in the animator’s books really inspired me too tattoo pieces like this.
I also spent some time in India last year, and the beautiful artwork was everywhere. While I was there a woman did some henna on my hand and completely freehanded the design, which made this stunning piece of art.
Obviously with sea, sun and sand it didn’t last long, but I couldn’t wait to get back home and start drawing.

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You tattoo a lot of cartoons and Disney are these something you love? Disney really was something I always loved, I don’t think I’ve ever met anyone who hasn’t loved Disney, in one way or another. Everyone wants a bit of sparkle in their life. And if I can be the person to do that, on someone’s skin forever, amazing!  I’m a child at heart.
Anime was what really got me into tattooing, I loved it, I wanted to draw like it and produce pieces to the standard these illustrators was creating , it was 70% of my portfolio when I applied for apprenticeships.

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Is there anything you wouldn’t tattoo? I remember maybe in my first year of tattooing, we had a guy come in and asked for EDL to be tattooed on the back of his head.  I really couldn’t believe what I was hearing.  I think I’d rather hang up my machines in a career I love than do something that could potentially cause offense or deemed racist.

Do you admire other artists? Definitely, the list goes on and on.
But a few of my favourite artists, would be Flo Nuttall, Amy Savage and Kolahari from the Circle London.

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You predominately do dot work how did this come about? When I first started my apprenticeship, I wanted to do traditional and then neo trad, and then black and grey realism. I had a bit of a bad attitude, and wanted to find me niche quickly.
I saw all these amazing artists producing pieces like they had been doing it their entire life, I felt so behind.  Then we had Ema Sweeney and Billy Hay guest spot at the studio, Ema is an amazing dotwork artist and I had maybe done one or two dotwork pieces and she really helped and gave a few pointers.
And everything after that started flowing, like my hand knew what it was doing before I did.

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