Fashion Pearls of Wisdom: Erasing the Past

Our guest blogger is Natalie McCreesh aka Pearl, a fashion lecturer,  freelance writer and creator of Fashion Pearls of Wisdom. This is the third of many posts to appear on th-ink.co.uk, in which Natalie will be telling us about her life in tattoos. Catch up on the first, second, third and fourth posts in the series. 

Are we tattoo snobs? I think I might be. I have not so long since covered up my last teenage tattoo. I had laser removal for some of them and it was during this procedure that a friend challenged my intentions. ‘Why would you get a tattoo removed? Don’t you know they are permanent, they are markers of your life, don’t throw away your memories’. His body is covered in what must be close to one hundred tiny tattoos, each linked to a memory, a person, an event, an emotion. He collects his tattoos using his body as a trinket box. None of them you would describe as a piece of art, but they are pieces of him.

Beginning of backpiece with cover up

The tattoos I had early on in life I wanted covered up for two main reasons, firstly they were badly done and secondly they were taking up space on my body which I wanted to cover with large, professionally done tattoos. My tattoos now could be classed as artworks on my skin, they are beautifully executed and original in design.

But is that the point of getting a tattoo? I really don’t know, we all have different reasons for going under the needle. It cannot be as simple as collecting art, I could and do have a multitude of art hanging on my walls at home, there was no need to have it on my body. Most of my tattoos cannot be put down to any special meaning either, of course there are the traditional meanings, I have a rooster which is my Chinese zodiac sign, I have a Foo-dog which represents protection but these aren’t meanings deeply personal to me. I have a peony on my knee which is solely there to fill an awkward gap, there for aesthetic purposes does that make it purely fashion?

 

Like fashion, tattoos can cost very little or exorbitant amounts. You have the high street budget fashion comparison in the street tattoo shops, often boasting special offers ‘all you can sit for £250’, ‘full sleeves £300’, ‘any two names £20’ (all genuine offers seen on the streets of Sheffield), you can get a full outfit from Primark and your boyfriends name tattooed for under £50. On the opposite end of the spectrum you can pay $500 per hour – I won’t say who quoted that but on large pieces you can pay an average £80-100 per hour. Some artists charge by the piece and depending on the size and details a fairly large tattoo can cost between £200-£500. Just like a Chanel handbag, if you embark on a body suit you will look to pay into the thousands.

Therein lies the elitism, not everyone can afford the best artists and the largest tattoos. For some having a spare £50 for a tattoo is a struggle. When I had my early tattoos done they were the ones I could afford.  But does erasing those tattoos mean I’m erasing my past? Am I trying to hide my working class background? Every now and again I forget I had my first tattoo covered up and get confused for a second when it’s not on my wrist, there instead the snake concealing it. Throughout our lives we change, we change – our clothes, our hair, our jobs, our homes so why not change our tattoos to better reflect the people we are now rather than the people we were.

 

 Snake by Kelly Smith

Sick Girls Official

Our guest blogger is 34-year-old  Southsea creative Alanna Lauren, founder of RubyxRedxHeart. She chatted to Natalie Watts and Fox Xoft founders of Sick Girls an online store which sells creepily cool  prints and accessories, about how they met, what inspires them and their tattoos… 

Tell me a bit about yourselves! How long have you gals known each other and what was the inspiration behind sickgirlsofficial.com?

Fox: We’re both freelance illustrators from Toronto, Canada who graduated from OCAD University in 2012. We weren’t friends right away though. Eventually we bonded over Keyboard Cat, because remember that used to be a thing?

Natalie: We met in second year, some bogus computer class, it was supposed to teach us how to make a website, but clearly I learned nothing.

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Fox: SadGirls started off because I used to be really into making zines at the time and Nat and I had a graphic novel class together and liked each other’s work. We decided to do a zine based on bad ass babes.  I think we were vicariously living through our work and creating the world we actually wanted to inhabit, because in reality we were VERY poor, eating A LOT of ramen, while our tears bled the ink on our mountains of school assignments. Fast forward to three years later and basically we just got our shit together and shifted our medium from viewable art to a wearable product with a similar intent.

Can you tell us about your tattoos? 

Fox: I’m in love with Alex Snelgrove’s work. She did the black woodcut flowers on both of my arms. Last month she did a woodcut Pegasus on my hip because I’ve been obsessed with Greek mythology for as long as I can remember. Those ones are amazing, but I’ll always have a soft spot for the stick-n-poke on my ankle done by the talented Open Entity, which is a drawing of the welcome mat on the door to Hell that Natalie drew as flash art. Because Nat is MLC (Major League Complainer) and has that WAH tattoo, I started calling her “Wahwah” or “Wahtalie” a while ago and it stuck.

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Natalie: I have one tattoo I had done when I was 18 somewhere in Oshawa that is of a Welsh Dragon and then two that are stick-n-pokes. One of them was done by Open Entityand of just ‘zzz’ on the back of my arm, and the other on my ankle by a guy I was seeing – which is probably my favourite one – of the letters ‘WAH’… because I like sleeping and complaining.

What’s in a name? Who came up with sickgirlsofficial.com and what does it mean to you?

Natalie: I came up with the name Sick Girls one night while we were drawing, the name describes our style of art and ultimately it’s just who we are… I like the idea of being an outsider, and I like illustrating really gross shit. I am very shy, and have a hard time expressing my thoughts; I’m also a huge mumbler. I like the idea of being able to express myself through my illustrations. Sick Girls is a unisex brand, but definitely caters towards more females who want it to be known that they aren’t just your average girl. Pretty flowers and kitties? BORING! Slime and barf coming out of your eye sockets? Now that’s more like it!

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What took you down the patches and pins route to showcase your designs?

Natalie: At first we didn’t have any patches or enamel lapel pins, for our first pop-up shop we began making Sculpey candy pins and necklaces, which were entirely handmade. I was also producing ShrinkyDink pins, which I still make today, but is time consuming and labour intensive. Once we started getting noticed on Instagram and making more sales, it was hard to keep up with producing all handmade items, so we started designing lapel pins and patches that we can get mass produced.

Fox: Patches and pins are great because they can add personality to a plain old bag or denim jacket. You can customize or make a statement on articles of clothing you already have. It’s great because everyone has their own collection that tells a story or says something about their personal aesthetic. I have my own pin collection on my bag, and I’m stoked every time I add a new pin because it’s another brand/artist I admire.

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sickgirlsofficial.com has a strong message for women. What does it mean to be part of the ‘sick girls club’?

Natalie: For me, it’s just not really giving a fuck, like what you want, even if it’s not the norm. I mean I like drawing stuff that gets me excited, and I get excited by drawing gross shit. I’m happy that other people enjoy it too.

Fox: We’re all about being tough, never giving up and in general not giving a fuck if other people tell you you’re not good enough. We’re “sick girls” because we don’t have a “typical girl” image to promote. Being ‘girly’ or ‘feminine’ isn’t a fault by any means, but we’ve always balanced the feminine imagery with things that were gross, disgusting, and visceral. Even though “girls” is in the name, the brand is unisex though obviously some products cater more to the ladies.

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What does the future hold for sickgirlsofficial.com?

Fox: We’re working on the wholesale game right now. We’re still selling products individually from our online store, but we’re starting to sell wholesale to shops worldwide. So far our merch is available in stores in Toronto and Ottawa and few cities in the USA. Next THE WORLD.

Natalie: I’d really like for Sick Girls to take off, I think in order for that to happen we just need to keep creating as much as possible. We’ve been discussing some collaborations with other companies, as well as working with a large design label, which will be using one of our products on their next spring/summer line. We seem to be getting more and more interest from stores to stock our products each month. It’s crazy to see how far we’ve come in less than a year, I think things just seem to be getting better with each passing month and can’t wait to see what happens!

New York: Museum of Tattoo History

Daredevil Tattoo studio in New York have been fundraising to create a tattoo museum, we chatted to tattoo artist Michelle Myles who works at the studio to  find out more… 

Who tattoos at the shop? I work at the shop full time and my business partner Brad Fink is based in St.Louis at Iron Age studio. He gets to New York as often as he can. Our other full time artists are Diego Mannino, Chilly Pete and Lara Scotton from Milan.

How long has the studio been open? We opened Daredevil in 1997 when tattooing was legalized in New York after a 30 year ban. Two years ago we moved from our original location on Ludlow Street to our new space on Division in Chinatown.

Can you tell us about the New York tattoo Museum you are creating? Our new space is larger and incorporates Brad’s extensive historical tattoo collection. Our new location is also just down the street from Chatham Square and the Bowery, the birthplace of modern American tattooing. We are very excited to be able to build a space that pays tribute to the early roots of modern tattooing in the same place where it all began.

How did the fundraising page start? In December we were able to buy the storefront that the shop is located in but it really wiped us out and we were anxious to finish the work needed to bring the rest of the collection into the space. We saw the fundraising campaign as a way to finish the work on the space and also to let people know about the museum and to get people involved in it. Probably the best part of the campaign was the amount of support we got from the tattoo community and really having a sense of people believing in the project and wanting it to come about.

What do you hope to achieve? These days with so many small businesses falling to high rents and being pushed out our goal has been to build a permanent home for tattoo history in New York City that is open to everyone and is a global destination for the tattoo community.

Why is the museum needed? New York City of all cities needs a tattoo museum more than any place else because of the history it gave us.

How much have you raised? The kickstarter campaign raised $36,000

What’s next? Right now we’re working on getting all the rewards out to all the people who pledged for the campaign and finishing the projects in the shop that the campaign will be paying for. The main projects are the front display case that will hold the Thomas Edison engraving pen along with other artifacts, the signage out front that can go up when the work is done on the facade of our building and getting the crushed penny machine working that we got from Lyle Tuttle.

You can see the progress of the kickstarter campaign here

 

Apprentice Love: Roxy Ryder

We spotted the work of apprentice Roxy Ryder, 24 on Instagram and instantly loved her colourful, bright and cartoon-like tattoos. We chatted to Roxy to find out more about her life as an apprentice at Alchemy Tattoo Studio in Wigan, Manchester where she works.

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How did you get your apprenticeship? What were you doing before? I asked in the studio I was getting tattooed in at the time around three years ago and started by handing out flyers. I started my apprenticeship at Alchemy Tattoo Studio in Wigan, a friend of mine recommended me and it went from there. I’ve been tattooing as an apprentice for little under a year. The artists have made me feel right at home. Even if it is an all guy studio and I get a little bullied now and then!
Before working in the tattoo industry I worked in retail, I did this whilst building up a portfolio. Spending most nights drawing and painting.

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What do you like about it what do you dislike? I love that I get to do something I love everyday and stay creative. The guys I work with are awesome and getting to meet lovely people on a daily basis is great. The only thing I dislike about tattooing is feeling nervous before a tattoo and self doubt.

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Do you have a background in art? I have always been into art and crafts from a young age. I spent a lot of my childhood doing different crafts which followed through into school. I then studied a BTEC National Diploma in Art and Design at college as I always had my heart set on doing something with art. I then found my favourite medium to work with. I have been spitshading with watercolour inks for a couple of years now, trying to get better!

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How would you describe your style? I’m not too sure how to describe my style but I love to do bright bold designs. The majority of my designs are usually pretty cute and girly. Very colourful for someone who wears all black everyday!

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What is a typical day like for you? A typical day for me is coming into work and doing my little jobs around the studio. I usually prepare most of my designs a couple of days before so I have time to study a colour scheme and change any bits. That way I can make sure I am fully prepared and myself and the customer are happy with the design. I spend the rest of the time watching and learning from the other artists I work with and making brews! If it’s a quiet day I will spend my time drawing new designs and painting. I love to do commissioned paintings in my spare time but if I’m not doing those I love to watch a good B-Movie or a Horror!

How did you feel doing your first tattoo? I did my first tattoo on myself, it was a little moth on my lower leg. I was so nervous and it took me ages but because it was on myself it wasn’t too bad.

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What inspires you? So many artists and tattoo artists inspire me. Seeing how hard people work and how much talent they have makes me strive to be better and paint and draw more.

What things do you like to tattoo and draw? Everything I draw is always pretty bold and bright. I love drawing and painting cartoons. Most of the time people commission me for cartoon pieces, which is always fun to do! It all depends on the mood I’m in but I have lots of things I love to draw and tattoo! My faves are anything bright, cute and girly! I love doing spacey stuff, aliens, UFOS and rockets are super fun! Robots, little bloody weapons, kewpies, tropical, nautical designs and kawaii pieces. I love horror so I would love to start doing little horror pieces too.

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Can you tell us a bit about your own tattoos? I still have so much free space for tattoos. I currently have my lower legs and arms tattooed with a few others dotted about. My most painful tattoo has to be my palm. I decided to have a brain tattooed on it! My first tattoo was a ship on my foot. Most of my tattoos are pretty traditional. I have so many artists I want to get tattooed by so I’m saving my space at the moment!

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Flavia Carvalho: Transforming Scars

Brazilian tattooist Flavia Carvalho has been tattooing women who have encountered domestic violence or have had mastectomies. The marks caused by abuse and cancer are there for life, even though the scars will fade, the memories will always be visible.

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Flavia is transforming these scars into beautiful tattoos, for free, so that women can reclaim their bodies, find closure and love themselves again. Flavia’s project has been running for over two years , and is named “A Pele da Flor” which translates as The Skin of the Flower, taken from the Portuguese expression “A flor da pele” meaning deeper than skin. Flavia explains that “women are like flowers and deserve to have our skin protected and embellished.”

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Speaking to the Huffington Post Flavia explains how the project started:

It all started about two years ago, when I worked with a client who wanted to cover a large scar on her abdomen. She told me that she was at a nightclub, and when she turned down a man who approached her, he stabbed her with an switchblade. When she saw the finished tattoo, she was extremely moved, and that deeply touched me. I was suddenly struck by the idea of providing free tattoos to women who were left with scars following domestic violence or mastectomies. Each tattoo would act as an instrument for empowerment and a self-esteem booster.

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Images and quotes Huffington Post