Category: Interviews

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Interview with SIGAK

SIGAK or @tattooist_sigak as you might know her, creates magical dream-like tattoos at Sol Tattoo Studio in Seoul, Korea. She also specialises in out of this world cover-ups, read on to find out more…

What inspired you to become a tattoo artist? How did you become an artist? I graduated from art middle school and high school and majored in fine art and art history at university. After graduating from university, I worked as an illustrator. While I was working a friend of mine who was a tattoo artist suggested that I learn to tattoo. So I did just that.

How would you describe your style? The world I create is a dreamy fantasy. I make fairy tale-like images with blue, purple and pink as the main colours.

Have you always tattooed like you do now? At first, I tattooed illustrations that looked like they had been drawn with a pencil. My Instagram profile image is one of them. In the past I would draw galaxies, constellations, the night sky and clouds. Then after using only black ink, I gradually used various colours.

What attracted you to this type of tattooing? I am instinctively attracted to mother nature including her galaxies, night sky and the sea. Mother nature is an unknown world that humans cannot imagine, she is naturally out of reach. But, when you tattoo her on your skin you can have your own world.

Can you tell us about the process behind your tattoos?  I discuss with a client the design they want and what we can do based on this. After that, I search for a reference image and create an appropriate design, then show it to the client. It usually takes three or four hours to make a design, but it depends on the details.

After the client confirms the design and I make any necessary modifications, tattooing then takes four to five hours. This is from the stencil to the photo shoot. This can also vary depending on the design or size.

Do you prefer to work in black and grey or colour? Both black and white and colour have their own charms, but I prefer colours. This is because even if the image is the same you can create a different atmosphere depending on the colours you use.

What inspires you? I get inspiration from a variety of things. Sometimes I think of design from novels, plays and music. But the most important thing for me is to always look at various pictures. The type of picture doesn’t matter as I try to encounter an array of arts, because anything from modern art to commercial design can inspire me.

What do you like to tattoo and what would you like to do more of? My childhood dream was to become a writer like Antoine de Saint-Exupéry. Not only did he write a beautiful novel, but he also drew his own illustrations. I love how pictures and words can tell a story in different ways. It’s a vague dream, but one day I want to be someone who delivers what they want to say in writing and illustrations.

You specialise in cover-ups can you tell us more about this? Cover-up tattoos are making new tattoos on existing tattoos, scars, dots, etc. When designing cover-up tattoos it’s best to design them in darker or similar colours than the existing tattoos. In addition, the condition of the existing tattoo or scar determines whether the procedure is possible or not. There needs to be a discussion between the artist and client before anything can happen.

Are there any challenges when covering tattoos? If your tattoo is too dark or you have a lot of damage to your skin from when you got it, you will have difficulty in proceeding with the cover-up tattoo. The damaged skin is slightly convex compared to the other skin. which makes it difficult to paint a new colour onto it.

In the past, tattoo machines and needles were not as delicate as they are these days so, some people’s skin was damaged during the tattoo process. I’m always more careful when I design cover-ups like this.

What would you like our readers to know about their cover-up options? If you want to cover your existing tattoo there are some things to consider. First of all, you’re better off choosing a colour similar to or darker than your existing tattoo when you ask a tattoo artist for a design. You can try covering your tattoo with a brighter colour, but you may see your existing tattoo after everything has healed.

Secondly, you should be aware that the cover-up tattoo should be bigger than your existing tattoo. Thirdly, if you want to get a bright cover-up tattoo you’ll need to remove the existing tattoo with one to two sessions of laser treatment. After that, when your skin is fully regenerated you will be able to choose a brighter colour.

Can you tell us about your own tattoos? Are you a tattoo collector? I’ve only got four tattoos so I wouldn’t call myself a tattoo collector. My first tattoo is a drawing of the earth, it’s my Instagram profile picture. When I learnt to tattoo I had to practice on real skin so I tattooed myself. It’s not great but I’m satisfied with this tattoo because it encompasses memories and my initial intentions.

My other three tattoos are about my family; I have a tattoo for my mother on the back of my neck, one for my father on the inside of my arm and tattoos related to my sister on my thighs.

What is the tattoo scene like where you are? In Asian cultures older generations have negative perceptions of tattoos. Some of them think tattoos are related to gangsters and violence – they think it’s a dark culture. However, this perception is changing in the younger generation. Most people in their 20s and 30s are open to tattoos as a way to express their individuality. They also regard tattoos as fashion, accessories or art.

What moment in your career are you most proud of? I have met a wide variety of clients in this job and they often tell me their tattoo stories. The most memorable moment for me was the day I gave a cover-up tattoo to a client who had a tattoo associated with bad memories that she wanted to forget. The tattoo was very thick and big, so she couldn’t erase or cover it.

She said she was grateful that I covered the bad memories with happy ones. Moments like this are the proudest moments of my career.

How have you been affected by the pandemic? Before the pandemic I met so many foreign clients and I’m thankful that they came to Korea to get tattooed by me. The pandemic made it difficult to travel between countries and I lost the opportunity to meet foreign clients. I hope the pandemic will be over soon so I can meet everyone again.

Make sure to follow @tattooist_sigak for more incredible tattoos and astounding cover-ups.

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Interview with Ria Kim

Ria Kim or @tattooist_kimria as you might know her, tattoos adorable pet tattoos at Sol Tattoo Studio in Seoul, Korea. We chatted to her about her tattoo collection and the tiny tattoos she creates…

What inspired you to become a tattoo artist? How did you become an artist? I actually majored in design, but always dreamed of a career in drawing. However, the reality was tough and I ended up getting a job in a field that’s totally unrelated to drawing. Then I became interested in being a tattoo artist.

The idea that someone will have my drawing on their body for the rest of their life seemed very attractive and I decided to pursue being a tattoo artist. Looking back, it was the right choice. The only thing I regret is not doing it sooner.

Have you always tattooed like you do now? I didn’t start with micro tattooing. When I started my technique was limited. I was doing less detailed and more rough styled work. My subject matter wasn’t pets either.

As I gained more experience, my drawings became smaller and more detailed works were possible. That’s when I started focusing on pets.

What attracted you to this type of tattooing? In the beginning I thought small tattoos had limitations, especially in what you could express in them. Like a lot of people I also had negative views on the colouration of micro tattooing. But it’s not like that all.

You use a very thin needle for micro tattoos, so you can still get those details and they’re very realistic. Also, thin needles allow the colour to penetrate deep and accurately into the skin, so as long as the artist has the right skills, the colouration is not a problem. The more I do micro tattoos, the more I seem to overcome prejudices and limitations. It’s such an attractive genre.

Can you tell us about the process behind your tattoos? Most of my clients come to have their dog or cat tattooed, so communication is very important. From choosing the photo they like to sharing stories of their pet, having their precious family member tattooed means a lot to me as well, so we talk a lot.

You do really cute small tattoos, why do you think small tattoos are so popular? Smaller tattoos tend to be more popular among the younger clients. The younger generation see tattoo as an accessory, so I think they just want a piece they like and have it placed on their body without it being too serious. 

Are there any challenges when doing tiny tattoos? Of course. Tattoos are different from drawing on paper, so I must be very thorough and I do feel the pressure. Tattoos change over time with your body, so I need to keep that in mind. The size of the piece matters as well. The appropriate size varies from person to person because everyone’s skin is different.

I always communicate with clients to figure those out. That means, sometimes having to persuade clients to change their design when they ask for tattoos that are too small for their preferred spot or skin type.

What inspires you? I get inspired by my client’s stories. I work on the pieces as I recall what they told me about their cats and dogs during the consultation. I feel so many emotions especially when I’m drawing their eyes. 

What do you like to tattoo and what would you like to do more of? I’ve been specialising in pets so far and I love this theme, so I want to continue to grow within it. My clients come to me from all over the world and if I had the chance I’d love to meet them and their pets in their homes. I also want to write a book by weaving their stories with my drawings. 

Do you prefer to work in black and grey or colour? I prefer black and grey. It’s always interesting how a black ink alone can be used to express so much depth and various tones.

Can you tell us about your own tattoos? Are you a tattoo collector? I have lots of tattoos, I’d say about 15 to 20. My first tattoo was done by me. When I first started learning how to tattoo, I was curious about what it would feel like to get tattooed, so I did one on my arm. It wasn’t all that pleasant!

My second tattoo was for my birthday. I had one done by one of my favourite tattoo artists, @Oozy_tattoo. My very recent tattoo is of my precious dog, done by my teacher, @Soltattoo. I love all the tattoos on my body, but the one from Soltattoo is my favourite one.

What is the tattoo scene like where you are? The tattoo scene in Korea has progressed so much. Korean tattoo artists are so talented that they are said to be the best in the world. Before COVID-19, 80% of my clients were from overseas. That means all those people decided to come to Korea so that they can get tattooed by a Korean artist.

Moreover, Korean tattoo artists develop and produce needles and tatoo machines on their own. They are amazing quality and I also mainly use needles and machines made by Korean tattoo artists.

What moment in your career are you most proud of? I usually tattoo pets and my clients visit me to remember them. As I’m tattooing, the client and I talk a lot of about their relationship with their pets. We share a lot of feelings and emotions and it seems to go beyond the simple relationship between clients and artists.

When I hear that my work has consoled them, it makes me think that I’ve made the right choice by choosing this job. In these moments I feel the great power of the cute little tattoos I draw and I become very proud of myself. I want to continue to comfort and give precious memories to my clients.

How have you been affected by the pandemic? As I mentioned before COVID-19 80% of my clients were from overseas. They would contact me months before visiting Korea to get a tattoo from me. It’s amazing and I always feel so thankful.

They tell me how incredible my work is and how much they love my work, and when it’s done, they leave with faces full of happiness. Some of them send me photos of my work with their pets once they return home. They’re such valuable experiences for me, don’t you think? I’ve also received a lot of invitations from overseas studios, but it saddens me that that I can’t move freely because of COVID-19. I pray that this situation will end soon.

Finally are you a cat or dog person? I’m a dog person. I have a tattoo of my old friend on my arm. My friend’s name is Go Bok-su and he’s 13 years old.

Make sure to follow @tattooist_kimria for more pet portraits.

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Interview with Maksim Twenty Eight

Tattoo artist Maksim Twenty Eight of Gangstas Paradise Tattoo in Moscow, Russia tells us about his journey to become a tattooer and artist, how he strives to keep developing his craft and the ornament-inspired tattoos he creates…

What inspired you to become a tattoo artist? How did you become an artist? I’ve always loved tattoos and at school I became interested in heavy music and rock culture, which only increased my interest in tattooing. Back then I couldn’t imagine that tattooing would occupy such an important place in my life and become my main occupation.

Initially, I showed a great interest in music and dreamed of connecting my life to it. But I’ve always drawn and done art. It just so happened that in the end I received an art and pedagogical education in the speciality – Teacher of Fine Arts. Since then, drawing has taken up most of my time.

At the age of 18, I started getting tattooed in one of my hometown’s tattoo studios. At the time I was already getting an art education and somehow everything coincided so much so that my tattoo artist invited me to start working in his studio. And of course I agreed. It was in that studio that I learnt the basics of tattooing and began my journey.

Have you always tattooed like you do now? I have been tattooing for 11 years and I’m always in search of interesting solutions and new ideas for my work. During my career, I have worked in many artistic styles which has allowed me to gather enough knowledge and experience to develop my handwriting. It’s helped me find a balance between technical and artistic moments in my work.

Now my works are mainly Baroque floral ornaments and stylised realistic objects with the addition of ornaments and various details. These range from all sorts of realistic objects and lettering to cartoon characters and elements of street art culture.

What attracted you to this type of tattooing? It’s the perfect style for my mindset as it allows me to be creative in my work and be free, even within the limits set by my client. Very often, or rather almost always, I allow myself to go beyond these limits when creating a design. I am very glad that there have been no refusals and customers are always pleasantly surprised by what they see. This allows me to work with pleasure, which is very important when creating a good tattoo. 

I love the details! My perseverance helps me to give them a lot of attention. And I see that people like that. I think that sets me apart. 

Can you tell us about the process behind your tattoos? During the first conversation at the consultation, I try to get as much information as possible about how the client sees their tattoo. It helps me understand which direction to take the tattoo and what will suit this person best. If a person wants a certain object, but in my style, I just need to determine the list of details that are possible in the design. Some details I offer myself or add in when I create the design.

Most of the time I scroll through all the projects in my head, looking for new interesting options. This process is very important to me, because it means my brain is constantly working and processing. I develop the design the day before the session, my clients don’t see the design until the moment of the session. This usually adds a little intrigue and excitement – I love seeing their first reaction!

What inspires you? I am very inspired by music! It takes up quite a large part of my life. I create music in my spare time as it helps to relax my brain. I also love to watch detective thrillers – my love of observation and detail works here too. In general, I have a lot of sources for inspiration ranging from a simple smile to grandiose films and events.

What do you like to tattoo and what would you like to do more? Most of all I’m interested in Baroque floral ornaments and combining them with various objects and elements of street art culture. In ornaments and street art there is a certain and very strong atmosphere. They’re completely different, but saying that they do have something in common. The ornaments and street art are both part of the exterior and interior and I’m very interested to see where mixing them will lead.

Can you tell us about your own tattoos? Are you a tattoo collector? I have a lot of tattoos and they all appear on my skin often spontaneously. I never had the goal of tattooing my entire body, but over the years I’ve met many different and very interesting masters and received tattoos from them – as a sign of respect for their work. All my tattoos are like a part of my memory and I think it’s beautiful. I think I can call myself a tattoo collector. 

What is the tattoo scene like where you are? In Russia, modern tattooing, relative to tattooing in Europe or America, began its journey relatively recently. But in a fairly short time gained momentum and gave the world of tattooing a lot of big names. The growing interest in this craft among artists contributed to the rapid growth of the industry in Russia. Tattoo conventions in Russia are held at a very high level too.

It seems to me that the presence of modern and safe technologies as well as strong masters is only half of what is needed for tattooers to develop creatively. The other half being the mentality of the society in which an artist lives. Often new customers talk to me about the fear of accepting something new or something they’ve seen online. This fear of can hinder my development as an artist. To counteract this I’ve travelled a lot to help me develop creatively and communicate with other tattooists from other countries.

Have you got any plans for future tattoo conventions? In the past few years, it has been psychologically difficult for me to tattoo at large events, as my work requires a lot of attention to detail and focus. Tattooing at conventions can affect the quality of my work. That’s why I try to exhibit already existing projects, and devote time at conventions to communicating and demonstrating my work on canvases only.

Do you have any future projects you want to share with us? Currently, I try to devote a lot of time to painting and creating new concepts for myself. I also plan to participate in various exhibitions, including a personal one.

In the last year I have become very interested in graffiti which allows me more of an understanding and way to develop my drawing and tattooing. The attention I receive is very motivating and pushes me to create even more complex and interesting works.

Can you tell us about your own art exhibition? As I said, in addition to tattoos, I spend a lot of time drawing. In my spare time, I paint canvases, experiment with various techniques and materials. I try in every possible way to expand the range of my skills and abilities. 

At the Moscow Tattoo Convention 2021, I presented a series of my experimental canvases and art objects. All works from the exhibition are made in colour, which is rarely present in my work. On these canvases, I tried to show my vision of the problems of a modern person who tries in every way to hide from himself in pursuit of illusions, which leads to negative consequences.

I care about and want to show in my art similar topics, such as loneliness and depression. Unfortunately, there is a lot of this around us, but some do not see it, while others hide it. With my creativity, I want to show that if you listen to yourself, look a little further than you usually would and stop being afraid to accept this world, you can solve many problems and achieve a lot.

What moment in your career are you most proud of? I think for me it’s mostly moments of joy rather than pride that stand out. When you receive an award at the convention, when you read or listen to words of gratitude from colleagues or clients. All this is a reminder that all your trying is not in vain, plus it pushes me to start working even harder. As an artist, I’m not at all interested in getting credit without doing anything. I create because I can and because I like it – if it makes the world a better place then I’m happy.

Make sure to follow Maksim on Instagram for more amazing tattoos.

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Interview with Hernán Giamberardino

Tattoo artist and founder of Cry Baby tattoo in Palma de Mallorca, Spain, Hernán Giamberardino (best known as “Adamexiste”) tells us about his journey to become a tattooer, his appreciation for his clients and the detailed tattoos he creates…

What inspired you to become a tattoo artist? I got my first tattoo at the age of 15, but what inspired me to become a tattoo artist was actually TV shows. Back then we didn’t have social media, so I was exposed to the tattoo scene by the pictures hanging outside of tattoo shops in my hometown. I never thought about it as an art expression until these TV reality tattooing shows came out and I became obsessed.

How did you become an artist? My grandfather was a musician, my mother is a painter, so I guess art is in my DNA. I knew that if I wanted to become a good tattoo artist I would need more information. I was studying fine arts in Barcelona at the time, but I wasn’t getting what I wanted out of it, so I quit and got into Illustration at the Superior School of Design in Palma. That was game changing for me, I finally got the knowledge I needed and became more confident about tattooing.

My first job as a tattoo artist was in a nightclub, I always say if you can tattoo in a nightclub you can tattoo anywhere! It was a lot of fun and I gained what felt like years of experience in just a couple of months. I’m very grateful for that opportunity, although I would never do it again. I then worked for the same company in downtown Palma and after three years I had gained enough clients that I decided to open my own tattoo shop.

How long have you been tattooing? Ive been tattooing for almost 10 years and hope to keep doing it for a very long time.

How would you describe your work? I would describe my work as “delicate and detailed”. I have some sort of Horror Vacui, so even if it’s a small piece it needs to be full of details. I’m a perfectionist and in small tattoos there’s no space for errors. I think that’s what I love the most about fine line and small tattoos, every piece is a challenge and you need to be focus a 100%. I also love the aesthetic, love to see a sleeve full of small tattoos and think of the story behind each one of them.

Have you always tattooed like this? When I started tattooing I tried a little of every style, mainly because when you work for a company you don’t really get to choose what you tattoo or just do the things you like. You have to do a bit of everything. Instagram and social media really helped me develop the audience and clients that I wanted. I only posted the kind of tattoos that I wanted people to ask me for. Now I’m very grateful that I can decide what I want to tattoo and what I don’t.

What do you love to tattoo and what would you like to do more of? I love tattooing anything related to nature. Now more than ever tattoo trends change so quickly and I find something timeless in nature related tattoos. You can see them 10 years from now and they will still work. Insects and plants are my favourite, and pet portraits too when you see the client’s reaction. I would love to do more portraits of people, I absolutely enjoy it and it’s the biggest challenge for me.

How has the pandemic affected you and your tattooing? I can’t really say the pandemic affected my business in a negative way. I had to close the shop for four months and stay at home and that gave me the chance to work on other projects that I had going on.

Once we could reopen I think I had even more clients than before. Bars and restaurants were closed, social events were cancelled so people that love tattoos had the time and money. I’m very aware that this hasn’t been everyone’s situation so all I can say is how grateful I am to all my clients that kept on coming to the shop in this hard times.

The bad part of the pandemic for me was the fear. Obviously the nature of our job demands us to take extra care regardless if we are in a pandemic or not. In the beginning it was very unclear what was the best way to keep everybody and ourselves safe.

Can you tell us about your own tattoos? Are you a tattoo collector? Most of my tattoos are handpoke. I’m very lazy on the aftercare, and handpoke doesn’t require a lot of it. I always have to think a lot for my clients, so when it comes to my own tattoos I prefer to go to my friends’ flashbooks and choose the first thing that calls my attention. 

I’m more of a friends’ tattoo collector, I love tattoos that makes me laugh when I see them or remind me of a special person. I have a lot of tattoos that were made by friends that had never done a tattoo before and they’re my favourite. I also have a lot of insects, animals and matching tattoos with people I love.

Plans for the future? I’m currently in the process of opening a second tattoo shop so I can have more artists with me. I love working with people and the inspirational flow it creates so I’m very excited about it. I’m also gonna be participating, for the first time, in a tattoo convention in October and I think that will be an amazing experience.

Give Hernán a follow on Insta for more incredible tattoos and keep up to date with his future plans.

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Interview with China’s “First Lady of Tattoo” Zhuo Dan Ting

We chat to 34-year-old Zhuo Dan Ting, China’s “First Lady of Tattoo” who owns Shanghai Tattoo in Shanghai, China, about what inspires her, how tattoos have changed how she sees her body and what her title means to her…

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How long have you been tattooing? I have been tattooing for 15 years now.

How long have you owned your shop? I have owned my shop for a total of 13 years, with nearly three of those years being in Harbin, China. The shop was originally called “Wenyifuxing” 纹艺复兴, but after moving to Shanghai, I remained the shop to Shanghai Tattoo 纹艺复兴.

How did you start? I have always have been doing art. It was when I got my first tattoo when I was 17 was that I fell in love with tattoos and I knew this was going to be my trade. It wasn’t easy though, back in those days in Harbin, China, you couldn’t  just go and be an apprentice under someone, there were’t many shops. So I took it upon myself to travel around to different cities in China where there were more opportunities for me to learn how to tattoo.

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How does it feel being called the “First Lady of Tattoo”? I feel old! It is a great honour to have set the bar for the female tattooists here in China as well as female business owners. It’s kinda crazy that only 15 years ago it was frowned upon for a woman to be independent in my country. I’m so glad that I was able to break out of that and do my own thing and be successful at it!

What obstacles have you faced and overcome on your journey to becoming a tattoo artist? In the old times, when I was getting started, tattoos were looked down on and people were not very supportive. People would always ask what about your future? What do your parents think about what you’re doing? Other obstacles were simply trying to get better, learning from somebody else and improving. I had to travel and do my own research to learn the art of tattooing. Putting beautiful quality tattoos on people for life, felt like my destiny – I had no choice.

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Do you have a background in art? I’ve always been involved with art. My father was an artist too, and a art teacher. He started teaching me art when I was five years old, every night I would draw on the kitchen floor with him. This eventually evolved to paper and canvas, then art college and university.

What drew you to the tattoo world? I’ve always liked tattoos, and was drawn to them through a sort of obsession. It was when I got my first tattoo at age 17 that I knew this was it. I had to do it, and not only create tattoos but be the best tattooer What an amazing way to express your art, I absolutely love tattoos and couldn’t live without them.

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Can you tell us about the tattoo scene and culture in China? The tattoo scene is improving, especially these past five  years, as tattoos are getting more popular. For example when I started tattooing here in Shanghai, there were a handful of shops now there are hundreds – I can’t even count them! The tattoo scene and culture is really taking off, I only wish more people would take the time to investigate what a good tattoo shop is and isn’t. People are always wanting to save money and go to a scratcher. Overall though tattoos are being more and more accepted in China, it’s pretty awesome.

How do people view women with tattoos? People’s attitudes are getting better, they’re seen as cool. Before this it was pretty brutal, people would always ask how are you ever going to get married? (This being top priority in Chinese culture) How are you ever going to find man to take care of you with those tattoos? Most of the time it’s still like this but I’m married to a wonderful man, so I don’t listen to that shit anymore and we take care of each other.

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What kind of reactions do you receive? Reactions to my tattoos, green hair and clothes are pretty crazy! People stop dead in their tracks everyday and just stare! I’ve seen people almost get into serious accidents as they freak out when looking at me. I’m pretty much blowing their minds! Pretty funny, the closets people live in, and how they freak out when they see someone that doesn’t appear the same as everyone else here in China. The further you go out of the cities the more people freak out too – like they seen a ghost, alien or something. They just stare at you with no shame in total disbelief!

Have tattoos changed how you see your body, and how you feel about it? Yeah I feel good,  as there’s no blank skin. My tattoos are like armour for me, without them I would feel naked, bland and not like me.

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What do you like to tattoo and draw? I like to draw creepy different styles, snakes with legs and such. With my tattooing I like to focus on black and grey realism. I would love to do more large pieces including backs – the bigger the better! I love a good challenge.

What inspires you? Anything different or creative I suppose – movies, things on the internet and randomness. Walking down the crazy streets of Shanghai can be pretty inspiring!

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Do you have any guest spots or conventions planned? Yes actually I’m doing the Frankfurt Tattoo Convention this year in April, also I will be heading to Malmo, Sweden, guest spotting at my friend’s shop Malort. Hopefully Oslo in Norway too, but I’m still working out all the details. I’ll be heading to California as well to Sacramento, Bay Area possibly Portland, Oregon later in the year, around November, December. I will have more details later this year!

Can you tell us about your own tattoos? I have a lot of tattoos, around eight that I have done myself. Most of them are now covered up but still there to remind me of my beginning days. I love all my tattoos they all tell my stories, and I’m continuing to build my own canvas.