Playlist to get you moving

Our music writer Amber Carnegie has created a playlist to get you moving,  give it a listen and let us know what you think!

We are all guilty of loving those tracks that get us moving. I can’t resist a catchy chorus or something I can wield my leg as a pretend guitar to. So no apologies if this gets your feet tapping or if it makes you question your dance moves but hopefully as these playlists pick up you’ll be engrossed in throwback tracks or something you may have never listened to before.

The Dillinger Escape Plan – Milk Lizard
The Dillinger Escape Plan were kind enough to come to the UK to play two festivals over my birthday this year so I cannot help but picture myself dancing around in a field as soon as the jazzy intro kicks in. Regardless of my questionable moves when their labyrinth of riffs pick up.

Billy Joel – We Didn’t Start The Fire
If you are familiar with the American version of The Office then you will agree when I say when anything goes wrong in my life I can fit the blame into the lyrics of this song.  There isn’t a better way to get over something rubbish happening.

Every Time I Die – We’rewolf
What gets you dancing more than a cowbell?

The Ghost Of A Thousand – Knees, Toes, Teeth
Every Birthday and Christmas I wish for this band to reform but as it’s yet to happen I’ll probably just continue to get my hopes up every time I hear this song start up.

Four Year Strong – Wasting Time
As cheesy as it is this is ‘my jam’ I cannot believe I just typed it – but it’s true.

Jason Derulo – Trumpets
I’d love it if someone felt the same way about me as Jason Derulo does in this song… or if they at least came with a marching band.

Frank Turner – Photosynthesis
Do you have a song that makes you dance like an idiot but it’s so good you couldn’t care less? This is that song. When the club lights come on and your spinning in circles with your best friend singing ‘I won’t grow up’ there isn’t a better way I could think of ending a night out.

Images from Itunes & YouTube

Reading And Leeds Preview 2015

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Festivals can be the best opportunities to see bands you never thought you’d see – or discover bands you may never have given a chance. To help you out for Reading and Leeds festivals, we’ve come up with a list of bands who are about to make your weekend. And be sure to keep an eye out for our music writer Amber Carnegie who will be street spotting for our style pages. 

Beartooth

If you haven’t caught them on tour in the past year or heard them on the radio, this weekend is your chance to catch Beartooth. They’ll have you dancing around with some of their massive choruses so give them a go. Believe us, we still have dents in our shoes from the last time we saw them.

The Maccabees

We all know and love The Maccabees but with ‘Marks To Prove It’ only released last month this could be one of the first chances you get to hear those new tracks live.

Black Honey

The mysterious identities behind the band that is Black Honey have always let their music speak for themselves. Let them do that and get lost in their seductive pop this weekend.

Queen Kwong

‘Get A Witness’ is the title track of Queen Kwong’s album due out this month. With a renowned live show it will incredible to witness how this transfers to the festival stage.

Alexisonfire

We never thought we’d see Alexisonfire again so of course we’re all on some sort of pilgrimage to witness what could be a rare occurrence.

Echosmith

With an incredible array of influences coming through their tracks, Echosmith are undoubtably ones to watch at Reading and Leeds. They have this sweet pop feel with all the hazy undertones you can get lose yourself in.

And So I Watch You From Afar

If you’ve never given instrumental music a chance before this is the time to embrace it. And So I Watch You From Afar will not only blow your mind but their group vocals will have you singing your heart out at the pinnacle of their set.

To help you make it through the weekend check out our Festival Tips and download the Reading and Leeds Festival app for the best updates over the weekend.

 

Hevy Festival Diary 2015

Regarded as one of the best small festivals in the UK, Hevy Fest has come back better than ever from its 2013 cancellation. After a smaller but incredible affair in 2014 check out what happened when our music writer Amber Carnegie descended on Port Lympne for the diverse line up they whipped up for 2015. 

Thursday 14th of August

Shortly after arriving at Hevy, we soon realised that not only had we brought the wrong tent but that Camp Things & Ink was held together with worn out bamboo, wasn’t entirely waterproof and wouldn’t be around for long.

A fact we learned pretty quickly as the weekend started with some expected thunder and lightening. Lucky for us our lovely neighbours let us throw our belongings into their tents while we helped other drenched campers set up. We then escaped into the larger tents for a good wringing out.

Once we began to resemble ourselves again we headed into the arena to catch the rest of the acoustic stage. Sam Duckworth and Dave McPherson both incited sing-alongs to those who had survived the rain but it was the acoustic set from Jamie Lenman that nearly had us in tears. Reminiscent Reuben tracks like ‘Moving To Blackwater’ and ‘Let’s Stop Hanging Out’ really hit the tone for all of those brought to Hevy this year. Dave McPherson also came back out to join Lenman for ‘I Ain’t Your Boy’ that brought together the camaraderie that you cannot miss at Hevy.

Friday 15th of August

Luke keeping up the caffeine at Hevy

After we assessed Thursday’s damage and sought out breakfast we ventured into the Port Lympne Wild Animal Park. A portion of each ticket sold for Hevy goes towards The Aspinall Foundation, to help protect endangered species, and where possible return them back to the wild. With little else to do before the bands start in the afternoon it’s amazing that you are able to wonder around the park free of charge. You can also pick up an actual meal or even some Kentish Cider if you fancy it.

If that didn’t wake you up, Continents had the task of kicking off the festival from the Main Stage. Despite pretty much baking in the arena the sounds of their upcoming album got people moving and early tracks like ‘Pegasus Pegasus’ began decimating the grass in front of the stage.  There is always a place at Hevy for instrumental, post rock bands and Chon certainly proved why. Chon bring movements between the stages to a stand still with riffs that mirror vocal chords in incredible succession. Closing with ‘Perfect Pillow’ with a guitar sequence that will be riddled in your brain for weeks. We highly recommend you check them out.

Even if you’re not into it, Hacktivist certainly got the Hevy party going. If they didn’t have you with ‘Djent In Paris’ then they had us in crowd peer pressure of waving hands to ‘False Idols’. We didn’t know the words but we soon picked them up before we headed to the Third Stage where Heck were destined to make us double check we all still had our limbs. What we were not expecting is the band formally known as Baby Godzilla to induce a stage wide floorshow with the audience as props. Tracks we’d never heard before had the crowd in a frenzy and if you didn’t feel the need to sing along, you’re probably broken inside.

Heck @ Hevy

Heck At Hevy

We headed back to the Main Stage for Touché Amore for a completely different feel, the band brought this closer environment as the crowd reached over desperate to shout lyrics. This amazing wave of post-hardcore has this insane ability to unify emotions that were once overlooked or hidden. To have witnessed this at Hevy within a crowd all clearly in touch with every word was striking and completely epitomises Hevy and the love and respect everyone has for the music and its abilities there.

Once we’d all pulled ourselves back together and the iconic intro to ‘Bloodmeat’ kicked in we knew we were in the midst of Protest The Hero. Wilding riffs and lungs you will never quite believe from Rody Walker. With his renowned anecdotes dropping momentum it allowed us a chance to breathe before winding back up into techy sequences and guitars that lick through ‘Clarity’ to see the blur in front of the stage give it one last go.

The Dillinger Escape Plan then called out the sunset with the most unnatural spasms their bodies could muster with ‘Prancer’ opening up the set and the ground. ‘Milk Lizard’s grooving rhythms had us more inclined to dance than to thrash about as the band seemed more and more determined fracture themselves. Although we’ve come to expect this self inflected battering while remaining indefinably tight it’s exceptional to witness every time.

The Dillinger Escape Plan @ Hevy

The Dillinger Escape Plan At Hevy

The iconic opening riff to ‘43% Burnt’ ensued madness immediately and carried through to ‘Panasonic Youth’. The crowd completely lost their shit when vocalist Greg Puciato dove into the crowd for ‘Farewell Mona Lisa’ only to immerse back on stage as bodies flung for ‘When I Lost My Bet’. With no time we legged it over to catch the end of Fightstar’s delayed set, seven strings and all. With a feral tent that proved that Fightstar could have headlined a bigger stage they tore out their new track ‘Animal’ with a new synth sound before nailing out titans tracks like ‘Deathcar’ and their first single ‘Palahniuk’s Laughter’. As we held each other up in the swarming stage it was so reminiscent of our swinging emo fringe days that we couldn’t thank Hevy enough for putting something so awesome together.

Coheed And Cambria closed Friday’s live music by playing ‘In Keeping Secrets Of Silent Earth: 3’ in its entirety. Coheed are incomparable, the album a spectacle in itself and it didn’t stop with the album. The encore saw their latest track ‘You’ve Got Spirit Kid’ carry away the audience as the eminent ‘Welcome Home’ took over Port Lympne to show that Hevy is well and truly back.

Saturday 15th of August

Despite some technical hitches the crowd spurred Milk Teeth in some of the freshest sounds that hit Hevy. Their grunge punk rock is something not to be missed and we can’t wait to see them live again. We were then allured into a doomy tent where Hang The Bastard had incited the slugging, aching head-bangs through layers of smoke. And then as if our eyes were deceiving us (they weren’t) a fluorescent pink two piece with a triangle found its way around the Second Stage for HORSE The Band.

HORSE The Band @ Hevy

HORSE The Band at Hevy

If you had never had the pleasuring of witnessing these guys before Hevy you were certainly in for a treat. Their sweet set of insanity blew Saturday up only to be followed by The Fall Of Troy on Main Stage. They were the second band of the weekend to play an album in full so when ‘Doppelganger’ kicked off we knew were in for unchartered territory. Within the first track they were a band we regretted never getting into. Impeccable guitar work with catchy rhythms had  us all dancing. For an album played on its ten year anniversary The Fall Of Troy not only kept everything so incredibly tight but probably gained a lot of fans who wished they tuned in a long time ago.

The Get Up Kids then followed in full album suit, and although it was now getting slightly tiring it is amazing to see so many albums still have the ability to pull in such crowds. ‘Something To Write Home About’ saw people singing word for word with ‘I’ll Catch You’ holding a quiet moment over the main stage as the album closed.

Thrice At Hevy

Thrice at Hevy

Headliners Thrice come together like they have never been away. Every track fell into the next and just the intro to ‘Of Dust And Nations’ sparked frenzy. With a varied set list that saw ‘The Artist In The Ambulance’ and ‘Deadbolt’ take off as if it was the early 00’s again the entire campsite was gathered around the Main Stage.

As they closed on 2011’s ‘Anthology’ we couldn’t quite believe that it was over for another year. Hevy have brought us bands in their revival that we could have never expected, what’s for 2016 Hevy?

Did you go to Hevy Fest? What did you think?

Festival Tips

Our music writer Amber Carnegie gives you her top tips for surviving festival season… alongside photos from her own festivalling experiences… 

So when it comes to festival essentials, you’ve probably already got the tent down – and hopefully your ticket – but what about those added extras that could stop you making those fatal festival virgin errors? Read on, so you don’t end up stranded, hungover and soaking this summer…

 

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Groezrock at sunset

Keep Those Toes Dry (and safe)

If you’re festivalling in the UK, you should never expect sun for the entire festival. You can wear wellies to keep those toes dry, but to keep them warm and safe when in a mosh pit you should really invest in a pair of Dr Martens. When you’re jumping around a field and everyone else is basically wearing  rubber socks, your toes will be toasty… you’ll have made every single penny spent on those DMs back.

Keep Connected (that doesn’t always mean an Insta selfie)

If you still have your good old brick phone, I suggest taking that with you to use – it shouldn’t need charging the whole time you’re there (remember the days of phones lasting three days on one charge?!). But if you’re uber-trendy and like to use social media to organise your whereabouts, invest in a portable charger. Although most festivals have power banks to charge up, this is a quicker cheaper version that you can carry in your handbag… You can pick them up online for under a fiver and they let you cling on to every last per cent of that extra charge.

Carb Up (and keep up)

You are entering a world of overpriced food, so it’s better to be prepared and carb up for those all-day drinking sessions, rather than spend all of your money on chips that add up to more than the cost of your ticket. Cereal bars, crisps and my all-time favourite brioche aren’t going to leak or spill anywhere and will keep you going while you pound your liver.

 

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ArcTanGent

Keep Clean (you don’t always need to shower)

In a field with sweaty bodies and portable loos, hand sanitizer is going to be your best friend – do not let it leave your side. We know you’re roughing it, but no one wants to get poorly mid festival! Having your own loo roll is always a bonus and a wet wipe shower will never go a miss. And if that isn’t enough, don’t forget that typically aerosols are not allowed into the campsites so roll-on deodorant is a must. If dry shampoo is on the no list, pack a little bottle of talc to perk up your sopping mop.

Ear Plugs (your ears will thank us)

Ear plugs will not hinder the music and you will thank us when you can still hear those same tones decades from now. Getting a decent set of molded ear plugs could make all the difference.

Torch (this is a must-pack item)

Weaving through tents in the dark may make you feel like a naff spy navigating a laser maze, but the second you trip on a rope and fall into a tent you won’t be making any festival friends. A torch will help you locate your tent and may even help you find the right end of your sleeping bag.

 

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Hevy Fest

Safety First (always)

Aside from the one person in every group who has the whole first aid kit with them, you probably want to make sure you’ve got your own supply of pain killers, plasters and even a few Berocca to help that hangover taste a bit better. You also don’t want to wake up to find a stranger spooning you and feel that instant pang of fear. Pack a few condoms and don’t let yourself get caught out.

And if the sun does come out… remember to protect those tattoos, which you’ve spent your life collecting, with some decent sun cream. And never let yourself get dehydrated. Sunstroke is not fun, so do not forget to drink water. You can push through a hangover but paying to miss bands is never fun.

Duct Tape

Because you never know when duct tape might just save the day… you’ll just have to trust us on this one…

What festivals are you going to? And will you be taking any of Amber’s essentials?

Music Review: Patti Smith

Our guest blogger is inventory buyer, freelance writer and creator of Typewriter Teeth blog,  Amber Carnegie. This is the second in a series of music review posts in which Amber will be documenting her experiences at various music shows. In this post she reviews Patti Smith who played at the O2 Apollo in Manchester earlier this month. (read first post here

‘Jesus died for somebody’s sins, but not mine.’ The iconic opening to ‘Gloria’ sees Patti Smith bring ‘Horses’ to the Manchester 02 Apollo in celebration of its 40th anniversary. The album has infatuated generations for decades and that is clear from the diverse crowd joining Patti to punch the air with every letter ‘G.L.O.R.I.A’ , which goes to show show that these performances are leasing a new life into ‘Horses’ with every distinctive moment.

‘Redondo Beach’ followed the sweet rhythms and brought around the first change in pace as the crowd settled into the track’s reggae tempo, before Smith emerges herself in the words of ‘Birdland’. Emoting every word that she recalls from the page until she is in throws with the piece, thrashing with every passion, locked within the lyrics, trapped in the torment of the track as the guitars wail around her and the incredible piano pulls her through convulsing in ‘Birdland’ grief.

Although we knew that we would hear ‘Horses’ from start to finish what you couldn’t predict were the anecdotes and insights that came with each track.  A pretty close impression of Bob Dylan brought the story to Manchester itself.  To the guitar shop that may or may not have been in ‘Don’t Look Back’ where Smith purchased a Rickenbacker in their first visit to the city. ‘All I can say is, husbands come and go, but I still have that Rickenbacker.’ Just one of the many stories that intertwined between tracks of love, loss and life.

‘Elegie’ completes ‘Horses’ in a moment of remembrance and celebration.  Originally written in the passing of Jimi Hendrix the track now goes out to honour all those we have lost. Smith closes the song calling out the names of dead, the audience joining in the memorial with names called throughout the 02 Apollo. Finishing the song and the album with a soft smile and ‘Yes, all of them’ in a beautiful moment of calm and remembrance not just for Patti Smith, the band or the crowd but for all those people ‘Elegie’ and ‘Horses’ has effected.

‘Because The Night’ instigated the last surge of vitality as the set drew to a close. The 70s anthem breathing life into its own title before the renowned protest chorus ‘People Have The Power’ has Patti Smith conducting her own demonstration.  The rally drawing to a close with their cover of  The Who’s ‘My Generation’ with Smith brutally plucking every string from her Stratocaster ‘Behold! The weapon of my generation. It’s the only fucking weapon we need’. Interestingly Patti only destroyed the strings, as if there was divine respect for the instrument that stopped her from trashing it.

Patti embraces the possession of the lyrics with ‘I don’t need any of that shit. I hope I live because of it’. The punk poet laureate commanding every right to her title closing the evening of the surreal and the sound with split strings swaying from her pale blue Stratocaster.

Image from The Guardian