A Things&Ink wedding, our editor @morewhitequeen married her prince

Friday 14 October 2016, our editor Alice Snape got married to her love James. It was a day filled with love and fun, from getting ready with the bridesmaids and the beautiful ceremony in the Council Chamber at Islington Town Hall to the party at Wunderlust in Deptford and drunken dancing. Beautiful memories were made and captured in these stunning photos by Eclection Photography and Lisa Jane Photography.

 

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Garter compulsory

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Makeup by Keely Reichardt

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Alice through the looking glass, a present from mother of the bride

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Hair by Lou Culley, slavehair.com

Getting ready photos all by Eclection Photography

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Bridesmaids and bride, by Eclection Photography

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James and Alice, the bride and groom say “I Do” Islington Town Hall

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The perfect confetti moment outside Islington Town Hall

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The bus from Islington Town Hall to Deptford South East London

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Capturing moments on the bus Lisa Jane Photography

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Say something funny bridesmaids! 

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Take a moment with your sister…

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The newlyweds 

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Let the party commence #stittlewedding

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Location: Wunderlust at the Big Red

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Guests!

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aj-eclectionphoto733The bride with tattoo artist Emily Johnston

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The happy ending, the most perfect end to a perfect day. The bride and her groom. Love.

Crafters and the ink on their skin

Ahead of Sunday’s BUST Craftacular in London’s East End, our editor Alice Snape interviews three vendors about their creations, why they love crafting and the ink they wear on their skin. With over 70 independent designer-makers featuring at ‘London’s coolest craft fair’ (Time Out) we knew there had to be some awesome tattooed folk in there too.

Sarah Corbett, 32, Founding Director, Craftivist Collective, London based, works worldwide.

sarah“All of my tattoos help me on my journey to be the best version of myself. They are a mix of craft related tattoos, nature and music. I have scissors to remind me to help shape the future, thread to encourage me to thread my values through all that I do and jigsaw pieces to remind me to see where I can be part of a positive world and where it’s best to prioritise my time and energy. I also have Bjork ducks because she is such an inspiring innovator, quotes like ‘tough mind tender heart’ which is a Martin Luther King quote and reminds me to always be kind to people but always work as strategically as possible too and never get complacent. They might look fun to viewers but they all have big meanings for me and some of those meanings I keep secret.

“There are so many links between crafts and tattoos! Handicrafts are naturally a slow process and so is tattooing because you need to work carefully and often with courage. The physical results of both are permanent so people really take ownership of their tattoos or completed craft object because so much love and care has gone into them. They are both often very personal for the creators and intimate things to do.”

“I call myself a “craftivist”, which is someone who uses craft (mostly handicrafts) as a tool to deliver activism. Protesting against systems and structures of injustice using objects to help do in different ways from encouraging us to be the change we wish to see in the world, giving gifts to power holders to become critical friends rather than aggressive enemies and work together to leave small pieces of provocative street art to provoke passersby on particular injustice issues.

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“I started creating my own craftivism projects with my ‘gentle protest’ approach in 2008. Within a few months people asked to join me in my projects and the Collective was born as a small group of people in the British Library cafe meeting up monthly in London. Now groups and individuals around the world take part in our projects and use our DIY kits and tools. I will be at BUST Craftacular with some of our lovely craftivists from the collective in our ‘Craftivism corner’ where you can join us anytime 11am-5pm to rest and take part in some slow, gentle, positive activism alone or with friends. Every single one of us has gifts and talents we can use to be the change we wish to see in the world and our activity area hopes to help remind us of that. We will also have our own stall with other craftivism projects and tools people can buy and be inspired and empowered by.”

Check out how you can become a Craftivist at their BUST Craftacular workshops here craftivist-collective.com

Lucian, 29, Cambridge, artist, Vapvla leatherworker and Real Wizard

lucian-profile“All my tattoos are artwork that I’ve drawn up myself specifically for my body and its shape. I endeavour to portray, through my tattoos, inner workings of my mind, creative process and spirituality that would otherwise be invisible. These days, I am sufficiently covered that I think I could explain my religion just by rotating, naked and silent, before an audience – but I’m not finished yet! I had my first tattoo – my favourite David Bowie lyric – when I was 22. I wanted it to encompass as much of my hidden self as possible just in case I hated the process and wouldn’t want another. It turned out to be completely fine. People have said that I must be addicted – but when I receive a tattoo, the whole process – from idea genesis, to body painting, to drawing up, to needle, to clingfilm, to healing – leaves me with such an immediate positive effect upon my self esteem that I see no real reason to stop!

“I will be at BUST Craftacular with my exciting “new” endeavour – my leather company VAPVLA, which I founded last year. I love harnesses and leather, but always found the world of harnessry disappointing in that it assumes that, if you want to wear a harness, you must be either a cis woman who wants to appear vulnerable or a cis man who wants to appear powerful. Drawing lines across the body with a hard, restrictive (but supple) material like leather (or our vegan-friendly heavy vinyl) is inherently a neutral action. Bodies are wildly variable, much like gender and power presentation. I didn’t want to be prescriptive. I like to think our harnesses will do anything, or nothing, for anyone. The name, VAPVLA, is a stylisation of the name of a Goetic demon that I came across in 2014 when I produced an illustrated edition of the Ars Goetia – a demonology grimoire from the 17th century.

“My future plans are to render my body both more explanatory of my inner self and more baffling through tattooing and surgery, and to be number one in What Wizard! magazine, should such a thing exist.”

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VAPVLA is available at etsy.com/shop/vapvla, and Lucian’s artwork is available through misterlucian.bigcartel.com and you can buy in person at BUST Craftacular of course too!

Ella Masters, 28, Freelance illustrator

ella-masters-portrait-ink“My first tattoo was of a swallow and stars with music notes on my left wrist, I’ve also got a siren’s head on my thigh that I got at Brighton Tattoo Convention on a whim a few years ago. I have a large skull and kewpie on the back of my right arm done by Hugh Sheldon – I love his work. I recently got two that mean the world to me. I had a sentence tattooed near my heart on my side, it’s for my mum, we lost her suddenly and it’s been devastating, but we had a strong bond. I have “always be by your side” and, just last week, I got the Joy Division lyrics “love will tear us apart” in a heart. It’s by Luke Jinks, he took my illustration and did his own twist on it, which I’m in love with. I have eight hand poked tattoos on my ankles, which I did myself, and seven others dotted around my body, they all mean a little something, a moment I want to remember. I feel more me the more tattoos I get.

“I find inspiration in most places, and I love nature. I trained as a fine artist so I carry my sketchbook wherever I go. I will be doing live portraits of customers at BUST Craftacular! And I can’t wait to draw you all, so come see me!

“As far as the future goes, I’m hoping to just keep creating art, I’m currently writing and illustrating my own book about life, dating, tattoos and loss – a real mix of things. I’m working with some great companies at the moment illustrating for them and just creating great commissions for people. My blog is doing really well and collaborating with some big brands has given me a real boost, so hopefully just going with whatever feels right.”

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Visit ellamasters.co.uk and for a chance to be drawn by Ella, tattoos and all, visit her stall on Sunday at BUST Craftacular

The I’m Tired Project

We chatted to 22-year-old Paula Akpan co-founder of The I’m Tired Project, about how she and Harriet Evans started the project, how they hope to make a difference and how you can get involved… 

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“I’m tired of people saying I inherited my queerness…
Photo credit: Harriet Evans and Paula Akpan
Photo editing: Harriet Evans

The initial inspiration for the campaign was the ‘Free the Nipple’ movement, however, after asking around some groups within our university, for example our feminist society, there was not much interest in a project like this. We assumed this was because students our age are about to start their job hunt and didn’t want to have their naked breasts plastered over the internet. Yet, we both wanted to do something which ‘makes a difference’ because there are so many groups which have a large following, (not to name any names) but that do not use their following for any sort of ‘good’. For example, they don’t share petitions, protests, or take on any project, which could make a change or even simply highlight social problems currently being faced in society.

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“I’m tired of working two jobs to make the salary of one man…
Photo credit:
Robert Olsson and Hudson Valley Centre for Contemporary Art
Editing credit: Robert Olsson

Harriet and I were bouncing ideas off of each other and thought that instead we could have quotations of some sort written on people’s backs. This way its anonymous if the person chooses, as you never see anyone’s face, but also synonymous with the idea that someone has been labelled by society. We kept discussing what sort of quotes we could have written on the backs, and eventually it came to things that we are tired of: tired of being ‘the angry black woman,’ tired of being told ‘I’ve never slept with a black girl’, tired of being called ‘bossy’ etc. and thus ‘I’m Tired’ was born! Finally, we got the idea for the ‘blurb’ that accompanies each picture from Humans of New York, we thought it was great to have a picture that told a story on its own, but also important for the person who’s sharing their story to be able to explain their lived experiences and why it is important to them.

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“I’m tired of being represented by loud close-minded fools…
Photo credit: Robert Olsson and Hudson Valley Centre for Contemporary Art
Photo editing: Robert Olsson

Making a difference for us, in the short term, is really about highlighting the stereotypes and micro-aggressions that are still faced by society. We’re so often told that many social problems are disappearing: homophobia, racism, sexism, victim blaming, but our subjects and both myself and Harriet are still facing problems like these on a daily basis. For us, if this project changes even one person’s mind about the preconceived notions they might be holding, or inspires someone to ask more questions, or even for someone to feel more confident in themselves and think ‘hey, there’s someone else who goes through this too, I’m not alone’, then we would be extremely happy.

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“I’m tired of being told to ‘let go’ of not knowing my birth parents…
Photo credit: Robert Olsson and Hudson Valley Centre for Contemporary Art
Editing credit: Robert Olsson

If you’re interested in getting involved in The I’m Tired Project, then contact Paula or Harriet through Facebook, Twitter or email theimtiredproject@gmail.com. The project is ongoing and there are a series of projects coming up as well as photos relating social groups that have not yet been covered by the pictures up so far.

Interview with artist Anna Volpi

Our Italian contributor Ilaria Pauletti chatted to Italian-American artist Anna Volpi about her photographic series Skin… 

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When did the Skin project come about and what is the idea behind these shots? Skin was created for a competition that I didn’t win, but that doesn’t matter now. I met so many wonderful people through the project which is more important that any prize.  The title of the competition was simply ‘Skin’. I began to think of the various interpretations of skin, what you can do with it, the way we can see and feel it. The skin is the largest organ of our body and we can not live without it. One thing all human beings have in common is their skin and how it can cause a variety of relationships and reactions among people. Love, hate, contempt, worship and much more. ‘Skin’ is more than just aesthetics it explores how we live in it and how people really are inside their own body.

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How did you select the personal stories of each one of the subjects? To select the people I searched the internet and I spread the word among my acquaintances. I only chose people who had interesting experiences or felt connected to their skin in some way.  I listened to the story of each of them and the ones I chose were those that struck me the most. In each photo there is a summarising sentence, that encapsulates them as a person.

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What did you like the most about this experience, both personally and professionally? What I liked the most was meeting extraordinary people that I would like to keep in my life. From a more professional side, this is the most methodical project I’ve done so far. From the start I already had an idea of how the aesthetics would be. However when photographing people I didn’t ask for them to pose, I took every picture naturally during our long talks. But I knew that I wanted clean, balanced and strong images. I usually get dragged a little more by improvisation and variety, but here I had to work within certain limits, and it was a great experience.

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What are your thoughts about tattoo art?  I have two tattoos, but I’ve never studied the history of tattooing. I don’t like how stereotyped people with tattoo are, and I don’t like them as a fashion trend. Saying that, not every tattoo should have a deep moral significance. My tattoos act as reminders for me. The words ‘here now’ remind me not to be anxious about the future, or decay in the past. ‘Write’, instead, reminds me to finish my novel. I chose Evelyn Hays, the tattooed girl in the Skin project, because she totally believes in this form of artistic expression. And I would have chosen her even if she hadn’t had tattoos, because she believes deeply in this art form.

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Evelyn Hays

Can you see a relationship between tattoos and photography? In a photographic portrait a tattoo can be a point of interest or it can be seen as a disturbance. I really like to photograph the naked body, and for some shots I look for women without tattoos, because the tattoo is somehow distracting. Tattoos attract the eye, and can disturb the lines of the body that I want to create. Other times, they accentuate the body.

Tattoo Journeys – Portraits from London Tattoo Convention

Portraits from London Tattoo Convention 2015 byHeather Shuker Photography

A snapshot of people who attended the infamous London Tattoo Convention 2016 including artists, the general public, organisers, performers and more. As they posed, they were interviewed by Alice Snape and Keely Reichardt.

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Sonja Punktum, 38, tattoo artist, Hamburg
“I’m not an angry person, but people who aren’t tattooed see rebellion, so are sometimes scared. People often comment on my tattoos, even if I don’t ask for it. Tattoos make people react, but I think that is because they are intense, they are created through pain and last forever, there is nothing else like it.”

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Arrienette Ashman, 26, tattoo artist, Bournemouth
“I was 19 when I got my first tattoo, I went big straight away, as I always knew wanted to be heavily tattooed. My mum picked me up after the appointment and was shocked, but she has learnt to love them over the years. I love the thought of having art on me always. It is not just physical – it is a spiritual process.”

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Ashley Green, 27, sports coach, Harrow
“I was drunk when I got my first tattoo at 16, it was a Chinese symbol. All my other tattoos are now family related, including a portrait of my mum.”

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George Crew, 21, tattoo artist, Leicester
“I was 16 when I got my first tattoos, it was a rose on my stomach. I got it because everyone around me was getting tattooed. If I could go back, I would think about it more and get something of better quality. I am saving my back, though, as a backpiece is the most important tattoo you will ever get, as it is the biggest canvas.”

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Monami Frost, 21, model/blogger/social media, Liverpool
“I cannot imagine my life without tattoos. Getting tattooed, for me, is a never-ending process. They are part of who I am. I think they are beautiful and they make me feel more full.”

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Ermine Hunte, 37, buyer for an airline, Luton
“Tattoos and piercings are so empowering and can change who you are as a person. I have gained more confidence as they have covered scars from a kidney transplant. I am constantly evolving and gaining control over my body.”