Tattoo Journeys – Portraits from London Tattoo Convention

Portraits from London Tattoo Convention 2015 byHeather Shuker Photography

A snapshot of people who attended the infamous London Tattoo Convention 2016 including artists, the general public, organisers, performers and more. As they posed, they were interviewed by Alice Snape and Keely Reichardt.

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Sonja Punktum, 38, tattoo artist, Hamburg
“I’m not an angry person, but people who aren’t tattooed see rebellion, so are sometimes scared. People often comment on my tattoos, even if I don’t ask for it. Tattoos make people react, but I think that is because they are intense, they are created through pain and last forever, there is nothing else like it.”

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Arrienette Ashman, 26, tattoo artist, Bournemouth
“I was 19 when I got my first tattoo, I went big straight away, as I always knew wanted to be heavily tattooed. My mum picked me up after the appointment and was shocked, but she has learnt to love them over the years. I love the thought of having art on me always. It is not just physical – it is a spiritual process.”

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Ashley Green, 27, sports coach, Harrow
“I was drunk when I got my first tattoo at 16, it was a Chinese symbol. All my other tattoos are now family related, including a portrait of my mum.”

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George Crew, 21, tattoo artist, Leicester
“I was 16 when I got my first tattoos, it was a rose on my stomach. I got it because everyone around me was getting tattooed. If I could go back, I would think about it more and get something of better quality. I am saving my back, though, as a backpiece is the most important tattoo you will ever get, as it is the biggest canvas.”

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Monami Frost, 21, model/blogger/social media, Liverpool
“I cannot imagine my life without tattoos. Getting tattooed, for me, is a never-ending process. They are part of who I am. I think they are beautiful and they make me feel more full.”

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Ermine Hunte, 37, buyer for an airline, Luton
“Tattoos and piercings are so empowering and can change who you are as a person. I have gained more confidence as they have covered scars from a kidney transplant. I am constantly evolving and gaining control over my body.”

Interview with GaldaLou

26-year-old GaldaLou is a retail manager and SuicideGirl  from Leicester, England. We chatted to Galda about how she began modelling, her tattoo collection and how she has learned to love her body…

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When did you first become a SuicideGirl and what inspired you to do so?  I applied in August 2008, shot a few sets that weren’t bought, until early 2009 when I had my first set make Set Of The Day, and was made an actual SuicideGirl. At 15 I came across SuicideGirls. I was all of a sudden exposed to these women who were themselves. They seemed so confident and unafraid of being who they wanted to be, and at 15 I was desperately craving to find my place in the world. I made it my aim even at that young age that I would become one.

How have people reacted to our photos, or decision to become a suicide girl? My friends and family are overwhelmingly supportive. I’ve been with my boyfriend Russ since I was 17, and since the beginning he knew of my hopes to pursue things with SG.  He shot my initial application pictures for me, and even a couple of photo sets right at the beginning. My Mum actually follows me on Instagram and Twitter, she’s that supportive. Everyone at work also knows about my online life, which makes things so easy.

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What advice would you give to someone wanting to become one? Think long and hard about it. Whilst it’s been a huge part of my life for the last eight years, not everyone has such a supportive set of people around them. If you’re on a serious career path for example, being naked on the internet may well reflect badly on you.

Have you always liked your body? Have you always felt confident in yourself? Oh hell no. And I still have days where I hate myself! But you just have to keep in mind that it’s just a day, and tomorrow you’ll feel differently, and that every single person out there feels the same way about themselves. What I have always done is project confidence. It’s a fake it til you make it sort of thing I think.

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You used to follow a shake diet plan,  what motivated you to change your body in this way? Do you think this was a drastic way to do it? It was originally my doctor who put me onto the idea of doing Lighter Life a few years ago as I have Polycystic Ovary Syndrome, and often ladies with PCOS struggle with losing weight due to a chemical imbalance. I lost four and half stone in four months. It was hardcore, the last straw was when I started to lose my hair, because my body didn’t have the energy to grow it anymore. At the time, I lost my identity. I felt completely separate from myself. Sure, the compliments were nice from everyone, but they were complimenting the act of weight loss because it’s what society expects them to do. I’ve put a lot of that original weight back on in those three years since, but now I feel much more comfortable with myself as a whole.

When did you realise you had PCOS? Does it make you see your body differently? I had some unfortunately symptoms at first, like pain and copious amounts of bleeding after sex. I was 20 and I went and saw my doctor about it, and after some investigations was diagnosed with PCOS. It explained recent weight gain, and made me look harder at my body. At first I resented it for being another thing wrong with a body I already didn’t like, and hated the fact it most likely took away my choice to ever get pregnant naturally and easily, and it really took a while for me to get my head around it all. Now, at 26, I’ve realised I’m more than happy collecting cats instead of having a baby, so the only thing I resent is still having to have disgustingly painful periods each month.

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You’ve had breast enlargement surgery, did this influence your decision to start modelling? I started modelling at 18, and didn’t have my breast enlargement until I was 23. I was always a little blinded by my boob hatred, and I found it really hard to look past them and see the good parts of the rest of me.

Have your tattoos helped you to feel more confident? Absolutely. I can’t wait for my legs to be well and truly covered so I no longer have to worry about my thread veins being on display. It’s nice to be able to choose what people see and don’t see about me, but most people’s snap decisions of me are usually based on my tattoos and hair, and I’m fully okay with that.

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What would you say to people who aren’t supportive of the SuicideGirls group? Or who think you share too much on Instagram?  We are all different and that’s glorious and to be celebrated. SG gets a lot of stick sometimes, and some of it’s fair and people’s opinions and some of it’s unfounded gossip, but for me it has provided massive amounts of opportunity, and more importantly, gained me some friends for life.

Do you think tattoos have to have a meaning? No. Whilst some of mine do, actually the vast majority of mine are simply there because I appreciate that tattooer’s artwork. I am practically a walking timeline of Jody Dawber’s work, having one from the beginning of her career, and still being tattooed by her now. I adore her artwork, and her as a person. I’ve other pieces from artists that I adore, but don’t have any deeper meaning other than I love their style.

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All photographs shot by Shannon Swift

Princessehof Ceramic Museum: Sexy Ceramics

The Princessehof Ceramic Museum in Leeuwarden, the Netherlands presents Sexy Ceramics.

The exhibition runs from 27 August 2016 – 9 July 2017

‘The Princessehof National Museum of Ceramics in Leeuwarden presents a titilating exhibition about eroticism: Sexy Ceramics. Classical Greek vases, refined Asian porcelain and contemporary ceramics by artists such as Louise Bourgeois and Jessica Harrison escort the viewer into the world of sex and seduction. The exhibition follows the phases of love-play, from the first touch and gentle courtship to the act of lovemaking itself. Attention is paid to hidden symbols, evocative shapes and explicit objects, but also to the sensuality of the material, the clay itself.’

Artist Jessica Harrison has been commissioned to create a sculpture for the gallery exhibition, and she has crafted one her recognisable and beautiful enamel tattooed women, which we love so much.

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Megan Massacre Colouring Book

We chat to the infamous Megan Massacre, 30, tattoo artist and co-founder @GritNGlory, about her new colouring book, reality TV and her tattoo style

Megan, we love your work! How would you describe your style?
Thanks! My tattooing style is mostly known for my very bright, colourful palettes and I usually mix a few tattooing styles together such as realism, traditional, neo-traditional and new school.

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Tattoo by MeganWe loved you in America’s Worst Tattoos and NY Ink… Did you enjoy doing reality TV, what were the highlights?
Yes very much! The highlight for me was getting to share my work with such a large audience of people.

If you could tattoo anyone, dead or alive, who would it be?
Probably Gwen Stefani, I’ve loved her since I was a kid listening to No Doubt!

What made you decide to venture into colouring books?
I’ve always wanted to make a book of my tattoo drawings, tattoo flash is what we call it in the industry. When I realised it could double as a colouring book I thought it was such a cool, fun idea that even more people could enjoy.

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What do you hope people will get from it?
I like to think of it as a book for both tattoo artists and fans, as well as colouring fanatics. I hope that tattoo artists and fans find the book useful for tattoo ideas and flash, as well as fun and therapeutic for colouring as well.

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It is aimed at adults and children?
Yes I think it’s great for both!

Do you think colouring books are important for wellbeing?
I think colouring is a great way to relieve stress and relax your mind while also working in a creative outlet and creating something awesome you can feel proud of.

Is it important for you to be involved in lots of different creative projects?
For me personally yes. I always have a few different projects going on, I like to stay overly busy. I also like to be involved in as many different creative industries as possible, it allows me to keep learning through art.

What are your hopes for the future?
I hope to make more colouring and art books for fans to enjoy, and to continually keep breaking into new, creative industries.

When will you next be in the UK?
I don’t have any plans at the moment but I try to go once a year, I’ll definitely be posting on my social media when I’ll be heading there next!

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You can order a copy of Marked in Ink, the colouring book by Megan Massacre from Book Depository

“My own mark” – mastectomy tattoos

Diane de Jesús, 35, London, is owner of Piece O Cake Nutrition, a nutrition communications consulting and advisor for Personal Ink (P.ink) – an organisation to connect breast cancer survivors with tattoo artists. In this interview, Diane shares her own experience of breast cancer and how getting a tattoo made her feel about her mastectomy. 

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Photo of Diane by Lydia Perez DeJesus @momdetresshoots

Can you tell us about your  cancer diagnosis and treatment. At 29 years old, I was diagnosed with DCIS, ductal carcinoma in situ, which is the earliest stage of breast cancer. I was told that while my life was not in immediate danger, the cancerous cells would have to be removed. Thus far, the medical community is unable to determine which DCIS cells will become invasive cancer and when. This combined with my very young age meant that we couldn’t just take a “watch and wait” approach. Also, my disease was so extensive, filling nearly my entire left breast. This meant I would have to have a mastectomy to remove the entire breast.

How did you feel about your body after the mastectomyI was thrilled to have such a good prognosis and to have such great doctors who provided me with excellent mastectomy and (silicone implant) reconstruction results. After recovery, I was grateful to very quickly dive back into my normal life: working by day, going to school at night (working toward my registered dietitian certification) and exercising regularly. I thought I was adjusting just fine. It wasn’t actually until after I got my tattoo that I realised how much I had been through emotionally and how I had been avoiding looking at my chest in the mirror. I had always done everything in my power to care for my health and my body had always reflected that. Suddenly, my body had betrayed me.

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By Roxx, owner of 2 Spirit Tattoo, Los Angeles

Did you consider other options before deciding to get tattooed? No. I knew that I wanted to get a tattoo very early on, possibly even before having my mastectomy. While I researched what to expect from my surgeries and recovery, I came across stories and photos of women who were post-mastectomy and had chosen to cover their scars with tattoos. I wasn’t so much drawn to the idea of covering my own scar but of finding some way to encapsulate and honour all that my husband and I had been through and also to put my own mark, of my own choosing, on my body.

What made you decide to get that tattoo design? In some mastectomy cases, the nipple can be preserved but in most, the nipple and areola are removed with the rest of the breast tissue. This was the case for me. While I was discussing reconstruction options with my plastic surgeon, I was offered the option of nipple reconstruction many times. The idea of having a fake nipple constructed from the skin on my chest—a nipple that would never feel anything, respond to touch or temperature, or release breastmilk—just never resonated with me. Neither did the idea of having the image of a nipple and areola (even a fancy 3D one) tattooed onto my chest. What did resonate with me was something that Geralyn Lucas did, and wrote about, in her memoir of her experience with breast cancer. Geralyn also had a mastectomy with implant reconstruction but no nipple reconstruction. Instead, Geralyn had a tattoo placed on her chest, near her scar. As soon as I read about this, I knew it was what I needed to do and as I came across images of other women who’d done the same, I was motivated to find a way to make it happen. Of course, since I’d never been tattooed before, I didn’t know the first thing about selecting an artist, studio or design. I also didn’t realise the cost of tattoos.

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Photo by Gigi Stoll, Gigi Stoll Photography, New York

Did it transform what you thought about your body? Getting my mastectomy tattoo helped me to close the door on that chapter and finally move on. I was tattooed in October of 2013, three years to the day since I was told that cancerous cells had been found in my breast. After getting the tattoo, I could look in the mirror without averting my eyes from the sight of my chest. I found myself feeling more confident. I was myself again.

How do you feel about it now? I continue to be so grateful for my tattoo and for the woman who tattooed me: Roxx, owner of 2Spirit Tattoo in L.A. I also love that this tattoo continues to provide me with the opportunity to discuss breast cancer and reconstruction options with other breast cancer survivors and their support networks.

What advice would you give to other women who have breast cancer? Every single breast cancer experience is unique. It is overwhelming to receive a cancer diagnosis of any kind but I think that every person diagnosed can benefit from finding a way to listen to her (or his) body and making the decisions that are best for her/him. Also, it is unfortunate, but at some point you may find you really must be your own advocate. You will work with so many different individuals and sectors of the healthcare community who may have the best intentions of providing you with the best advice but this advice may not always be the advice that is best for you. This is easier done with a good support system. Having a spouse, family member or friend to come along to appointments or help with research, paperwork, phone calls, etc. is invaluable.

Can you give us some background about P.ink day… what it is and how others can get involved. P.ink (Personal Ink) is an organisation dedicated to educating breast cancer survivors about mastectomy tattoos as an alternative healing option, and connecting survivors with experienced tattoo artists who can help. One way we do this is through P.ink Day, an annual all-volunteer effort to connect tattoo artists and survivors for a day of healing with tattoos. What started with just 10 artists and 10 survivors at Saved Tattoo in Brooklyn, New York, for our first P.ink Day in 2013 has grown into a true grassroots movement, with 46 artists, 48 survivors and hundreds of volunteers across 13 locations in North America, as of October 2015. In total, we’ve facilitated nearly 100 incredible mastectomy tattoos via P.ink Day. P.ink Day occurs every 10 October and 2016 will be P.ink Day’s fourth year.

To learn more, visit the Personal Ink website at p-ink.org