Oh Bones Illustration

25-year-old Brit is an illustrator, writer and musician from London. We chatted to Brit about her dark gothic archaeology inspired drawings and her tattoos…

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Inspired by Things&Ink Brit created this self portrait just for us…

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Do you have a background in art? How and when did you start drawing? I don’t have a background in art at all, I began drawing at university when I was studying archaeology – In the labs we had to draw the artefacts and bones. It was there I noticed that my drawings were good and not going so badly.  I then graduated and moved to Amsterdam to do an MA in archaeology and I started drawing for an hour a day and thought, this is much better than being in a library studying. So I didn’t do the MA and continued drawing instead!

What inspires you? Being an archaeologist inspired me the most because I spent years researching the human psyche and behaviour throughout time. My speciality is death and burial, and I guess that often comes across in my art work. I also love poetry, which inspires my art quite a lot and along with every illustration, I write a poem.

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What medium do you use? How do you create each piece? I use both digital and non-digital. I love using fine line pens and Indian ink to create my work. I like things to be imperfect because that way you seen the human in it.

What kinds of things do you draw? Usually I will draw people, disembodied limbs, plants – anything really. I almost always draw around a poem or song I’ve written, to give some visuals to my other artwork in my music and writing. I like it all to be one big art piece – audio, visual and written.

Describe your style? Tailored, black, kind of like an old fashioned 1920’s boy!

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Do you admire any other artists, do they influence your work? I usually admire artists whose work is nothing like mine! It’s nice to clear my head of anything remotely like my work now and again, so I really like the work of Gordon Armstrong and Robert Saeheng they’re really great. But I also like old school artists like Patti Smith, her word work really inspires me in my own poetry and in-turn in the art I create around the words.

Can you tell us about your tattoos? I don’t have too many tattoos, definitely under 30 but most of them I love, even though some of them are definitely bad prison style ones. I have some plants, pinky promise hands, trouble making pigeons, dead fish, skulls, love letters, words. Everything! My first one was was just a small one on my foot in Hebrew, nothing too interesting!

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How do tattoos make you feel?
My tattoos mean a lot, I’m sure a lot of people say that. Because most of my work is visual, it’s a way that I express myself, so I really do try and add some depth to the things I get tattooed! But sometimes you have so many tattoos there’s only so much meaning behind all of them – some don’t mean a whole lot, but there’s always a good memory behind getting it tattooed.

Do you do commissions? I do commissions, I do ink originals and screen prints for sale on my shop, but I also do a lot of album cover work, tattoo designs and logo designs.

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Where can people buy your art? They can head over to ohbones.com and find my shop that way, I will be stocking up for the summer soon, so there’ll be some new T shirts and badges!

Quick-fire questions with tattoo artist Claudia Ottaviani

Our resident make-up artist and managing editor, Keely, recently got tattooed by tattoo artist Claudia Ottaviani while she was guesting at Sang Bleu in east London… she asked her some quick-fire questions that she doesn’t normally get asked!

 

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If you could tattoo anyone dead or alive who would it be and why? I’ve never really thought about it, but it’s always an honour when another tattooer asks you to get a tattoo. I’ve never met him in person, but I’ve been in his shop and I think it is one of the most powerful places… So I’d have to pick Freddy Corbin at Tattoo Temple – and I hope he will never read this ha ha!

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If you weren’t a tattoo artist, what would you be? Some other creative job for sure: singer, guitarist, wood artisan, writer… I just need to use my hands when I work.

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What’s the strangest body part you’ve either tattooed or have been asked to tattoo? I tattooed a girl’s pubis, that was pretty strange, but not so difficult.

 

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Who is your favourite artist of the moment? I follow so many artists who don’t come from the tattoo world, so I can’t choose just one… Here are a few: Robert Ryan, Adde, Jess Swaffer, Matt Chahal, Bailey, Cheyenne Sawyer, Tony Nilsson, Becca Gennè-Bacon, Lina Stigsson and I have no idea how many more…

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What is your response to someone saying to you “what will you think of your tattooed body when you are old?” First I laugh… I think I get tattoos to make the body more beautiful. I love to see the story on the skin! The body and the skin will grow old in any case, with or without tattoos, so why wouldn’t I get something that I think makes my body more beautiful now? It will be even more beautiful in 40 years.

Art Macabre: Becoming Art for a Night

Our editor Alice Snape was asked to pose for an Art Macabre lifedrawing session at Museum of London, which was part of the Tattoo London exhibition. As a first-time naked model, here’s how she felt about the experience and seeing her body as art…


img_5701.jpg“Me? A model? That I am definitely not. I hate having my photo taken, and I am very critical of my appearance, which probably comes from years of self-conscious anxiety and a childhood spent in a chubby awkward body that I was never quite comfortable in – I think I am yet to grown into my nose! But when I was asked by Nikki, who runs Art Macabre, to be a lifedrawing model for the evening, I had to say yes. It felt like one of those experiences that should be on your bucket list, and as a 32-year-old woman who has worked really hard on overcoming that teenage insecurity and becoming comfortable in her own skin, there didn’t seem like a better time to do it.

“Before the evening, I asked Nikki to give me some advice, as a first-timer. She told me to: Breathe and relax into poses and, on a practical note, bring a dressing gown to wear in-between poses and during the break. All day before the event, I was a bag of nerves, running different scenarios though my mind – a constant reel of what ifs! But, the moment I took step onto that platform and got into the first pose (five minutes to warm up), I felt incredible, empowered, strong and beautiful.

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“I fixed my eyes on the twinkling lights that surrounded the space and they lulled me into a mediative state. I listened to the sound of pencils and quiet concentration, eyes looking up at me and back down to the blank canvas, pictures of my body and tattoos slowly forming on the pages. I thought about how my body might look through the eyes of everyone in front of me, during one pose I focused on a determined looking woman who seemed lost in the movements of her pencil. A few brief moments of self-doubt flitted through my mind – what if I am not interesting enough to draw? – but they soon dissipated when I realised everyone surrounding me was creating their own interpretation of me.


“The evening consisted of a few short standing postures and some longer (25 minutes) seated poses. As the night drew to a close, each of the artists lay their work onto the floor to share it with each other and the models… Looking at each work of art, I realised I have grown very fond of my body as it has become more covered with tattoos. I have taken ownership of my body by choosing where each tattoo goes, and I love my colourful skin. Over the past couple of years, I have also started exercising regularly and even ran a marathon! I love the fact that my body is fit and healthy, and that has boosted my confidence hugely. My thighs, for example, have always been a part of my body I have hated. I always think they are chunky, they have bumps and cellulite that no matter how much I exercise will not disappear. But they are mine, they are strong and that means they are beautiful.

“I saw that each person had drawn my body slightly differently, my curves slightly more or less rounded, in some I looked bigger and in some small. Everyone sees an object through their own eyes, putting on that object their own preferences. It was enlightening and uplifting to see that subjectivity about the form of my own body – no one is ever going to be as critical of it as myself.

“I walked away from the evening with renewed self confidence and a want to relive the experience. It felt like a true celebration of my naked self and at last a goodbye to any anxiety I had!”

Here’s some works of art created on the night:

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Brighton Tattoo Convention Street Spotter

Last bank holiday weekend, we had an absolutely blast at the 9th annual Brighton Tattoo Convention. The sun was shining and everyone was looking amazing, we couldn’t resist snapping a few of our favourite outfit/tattoo combos while we were there…

Amanda / Honey Pop
29, Blogger, Glasgow

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Amanda’s bee by Rebecca Vincent

Tessa Metcalfe
27, jeweller, London

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Tessa’s swan by Brian Wilson, jewels by David Corden

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Tessa’s rose tattoo by Clare Frances

Sophie
21, hairdresser, Brighton

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Sophie’s back by Dotwork Damian

Lucy, 27, marketing, London (left)
Lauren, 30, trainee tattooist, Eastbourne

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Lucy’s tattoo by Jaid Roberts

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Lauren’s tattoo by Kiley

Tiggen / thetigerstyle
19, blogger/works in coffee shop, Herts

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Tiggen’s tattoo by  Ricky Williams

Did you attend Brighton Tattoo Convention? Are you planning on going to any more tattoo conventions this year? Keep us posted @thingsandink 

Photos by James Gilyead 

Nicole Leth: Sex and Ice Cream

23-year-old Nicole Leth is an artist and designer based in Kansas City, Missouri. We chatted to Nicole about her self love journey and her new store which will celebrate the work of hard-working female creatives… 

How would you describe your style? My style is Katy Perry meets Marilyn Monroe meets Jeremy Scott meets Yayoi Kusama meets tween girl in America all wrapped up in a Miami in the 1970’s colour palate.

What inspires you? I am inspired by day to day life and everything that goes along with it. When I first started designing I pulled a lot of inspiration from past relationships and break ups and now I like to view my work as an autobiography or visual diary where I can talk about things I’m experiencing and going through as a 23 year old woman in the world today. I like to translate these ideas and emotions through traditional textile processes, imagery from my diaries, and colour play. I guess to sum it all up: I’m inspired by the notion that everyone has a valid and important story to tell regardless of their age or gender.

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When will your new shop open? How have you made this happen? Do you have a background in retail?  Ah! My shop is opening on May 6th! ( Eeeee! I’M SO EXCITED!) I’ve been working my way up in retail jobs for the past four years and just recently quit all my other jobs to do Sex + Ice Cream full time. How did I make this happen? Hard work. No bull shitting. I don’t take days off — when I was working my other jobs I would work there for eight hours and then come home at night and work on my own stuff for eight more hours, fall sleep on a pile of sewing supplies, wake up and do it all over again.  I think that sometimes people underestimate what it means to be an artist, let alone have your own business, and make it work. I think its super important to set goals for yourself and be your own support system.

What can people expect to see in it? I’ll be selling my pieces that I’ve designed over the years. Everything that is for sale on my online store you’ll also be able to buy in my shop! I’ll also be selling one of a kind items that I’ve hand sewn and hand painted the fabric of. Also, I’ve brought in a lot of work from some of my favourite brands and artists from around the world! Lots of ceramic pieces, zines, handmade panties, patches, pins, and all that jazz. I like to think of it as a badass collective of work made and designed by extremely talented female makers.

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Are there any artists that you’ll be collaborating with? I think collaborating is one of the most important and stimulating parts about being a practising artist. I’m working on a million different projects: doing surface design on clay pieces from ceramic artists, creating handmade candles in candle holders with a candle girl, working with photographers and video graphers to produce digital work, and with writers on zines!

On your website you say that your garments are your personal diary, what do you mean by this? I mean it in both a very literal and theoretical way. A lot of my pieces have imagery or doodles that have been scanned directly from my diary pages and printed on the fabric. Other pieces I literally treat as my diary and hand draw, write, or paint on the fabric to record what’s going on in my life, what is exciting me or making me sad. Designing garments is a way for me to express my words in a visual way.

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Do you see yourself as a feminist? Yes.

How do you hope to empower and inspire other women? I chose to start designing and creating clothing because I had gone through a bad break up and wanted to do something to empower myself and reclaim the person I knew I was. That was a pivotal, breakthrough moment for me and led me to discover something I was truly passionate about and a future that I wanted for myself. Most importantly, it made me realise how I strong I could be on my own, for myself. I think every women should feel that way — like they are capable of attaining anything in the whole goddamn world. I think the thing that a lot of women connect to in my work is the way I tell stories openly, without shame.
Recently, I’ve also been doing a lot of community work with young women’s organisations. I’ve done a few empowerment workshops where I tell my story, talk about relationships and ambitions, and create shirts with the girls.

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Is self love and body positivity important to you? Is it something you want to share? Yes. Its one of the driving forces behind my work and the stories I tell.

Can you tell us about your own self love journey? My self love journey has been a long one with lots of ups and downs. My childhood was filled with endless crash diets and gym memberships. At my thinnest I’ve weighed 120 pounds and at my heaviest I was over 200. I’ve been in relationships that were so tormenting I lost 50 pounds and I’ve been put on medicines that made me gain it all back. It was hard to have a healthy and accurate relationship with my body because it felt like something that was always changing and that I had no control over.

It took years and years and years but over the past two years especially I have developed an intense love and acceptance for my body. It feels really good to finally be content. I think its important to realize and understand that your body is something that cannot be labelled. That your health and self love is not something that can be determined by someone else. That your body is the one thing that has been with you since the beginning and helped you get through every hardship you’ve endured. That your body is beautiful and perfect as it is at this very moment in time.

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Can you tell us about your tattoos? Which was your first, do you still love it? My first tattoo is a big feather that turns into birds on my lower back. My father passed away when I was 17 so it was something I got for him. Since then, I’ve gotten a lot of tattoos — all of which have personal meaning to me. My tattoos act a lot like a diary as well — I get them to record exact moments in time, experiences, feelings that I never want to forget. I have a portrait of my cat Sprinkle on my forearm (she was the first pet I ever adopted on my own, she’s handicapped and the most loving cat I’ve ever had). I have a few matching tattoos with people who I love. I have a diamond tattooed on my ring finger (my love for myself will always be the most important, I will always belong to myself). I have tally marks on my hand counting how many people I’ve truly been in love with in my life (right now there are two, I hope to add more to it someday).