Drawing Inspiration: The Journey to a Tattoo

25-year-old novice Yogi Leanna Daley based in West Bromwich, has yet to go under the needle, in this post she talks about when she first became fascinated with tattoos and what ideas are inspiring her future tattoo choices… 

I remember as a child listening to the gentle chords of an acoustic or the energetic sounds of my uncle playing his electric guitar. Curious, I always found myself wondering (sneaking) into his room and exploring all the hidden treasures. This expedition is where I first came across tattoos. I would look through the bits and pieces of paper I found that showcased the tribal tattoo designs my uncle would sketch up in his free time. Then one day, he came back with a sprawling black tribal tattoo snaking from his wrist, circling his elbow and creeping all the way up to his neck. As a child I was consequently amazed. So growing up I was used to being around motorbikes, video games, sketches of all kinds and magazines.
Then, there is my mother, free spirit and hippie at heart who over the years would come back with another new tattoo adorning her body. Whether it is the midnight black cat, colourful butterflies or random Tinker Bell, it now results in her boasting nine small to medium tattoos, with intentions to expand to larger designs of candy-coloured skulls and a watercolour style design. Tattoos and hippy vibes were always part of my upbringing.

One of Leanna’s mum’s tattoos

Then there’s me. Always having the intention of getting tattoos and searching tattoo designs, but at 25 I am yet to go under the needle and my skin remains (frustratingly) untouched. I’ve always admired and perceived tattoos as pieces of art rather than a permanent statement of “coolness”. I’m a perfectionist at heart and that could be one of the reasons why I haven’t got tattooed yet. I think to myself “If I’m going to go through all that pain, I better choose a  design that I will love!” Tall order in reality as tastes change, but on the other hand they are permanent reminders of what you once were and who you are today. A visual ink diary, as you will.

The other reason simply put, The Fear. It is that threshold where you are intellectually aware that it will hurt, but due to never experiencing it, in reality you have actually no clue until you take the plunge. As my mother always says so eloquently “Leanna, it’s basically a needle scrapping through your skin. It’s going to hurt. End of.” There’s not much I can say to that.

Henna from a holiday in Marrakesh

And lastly, there is the constant stream of ideas filtering my head space; “dream catchers, wolves, the moon, native American goddesses, skulls, watercolour, a scaled skinned Mystique out of X-men crossed with Grendel’s golden serpentine mother in Beowulf with the headdress of a lion with scorpion and lion like features- a hybrid (they would represent my Pisces sun, Scorpio moon and Leo rising).” Filtering comes to mind here and thus with all of the above, my mind becomes overstimulated with possibilities. So I am determined to start my journey to getting a tattoo before any more ideas take hold. I’m done with persistent imaginings and feel it is the time now to put them into physical form. It all begins with visually compiling the inspirations and ideas that have been floating around my brain for way too many years.

Pisces

As an avid astrology fan, anything to do with astrology especially Pisces, Scorpio and Leo inspires me every day. However, not in the popular designs you see on a day-to-day basis. I tend to lean to a more physical representation of the Zodiac signs. In addition astronomy has always been high on my list. I spend hours looking through NASA’s Instagram page and dream of the endless possibilities of tattoos with hints of watercolour to give that comic dreamlike effect.

Moons

A year ago I bought The Wild Unknown Tarot deck and was fascinated by the illustrations by Kim Krans. They all had a dark sketchy and haunting look, but was brought to life with the subtle vibrant hints of colours, again taking on a watercolour effect. Subtle shading, bold lines and geometric designs added variety to the deck. Then there is the ever present moon in all her glory. Visually I connected to the illustrations in the yearly calendar created by the Free People graphic team. The use of black and white strokes mixed in with inky watercolours gave that mystically dark edge that I seem to gravitate towards.
There’s constantly a stream of inspiration I come across every day in different mediums and now it is time to put that all together to create an actual tattoo! Next step? Discussing my ideas with a tattoo artist that can make these ideas into an actual form of art.

Have you started your tattoo journey, where do you gather your inspiration from?

Alopecia, body confidence and tattoos, by Drew Beckett

Embrace the change, don’t deny it.

We chat to 31-year-old civil servant Drew Beckett (@drewjbeckett) who lives in London about alopecia, body confidence and tattoos…

Drew Beckett
Drew Beckett

Can you tell us a little about your background, and what first attracted you to getting tattooed? I grew up in Hertfordshire in a very middle-class environment and enjoyed an extremely happy childhood. I went to an all-boys private school and had very little exposure to anything alternative beyond what I might see in films such as Bound and Run Lola Run.  Once I was old enough to establish a bit of independence, I began to commute to London a lot and fell madly, hopelessly in love with a city of infinite variety. I saw tattooed punks in Camden and realised that there was another world to explore, and more than one way to look and live your life. I also hit puberty about the time Angelina Jolie was emerging as an alternative figure in Hollywood, which certainly didn’t hurt my perception of tattoos! As soon as I was 18 I went with my best friend to a tattoo parlour in the basement of a Camden nail salon. As luck would have it, tattoo artists Thomas Hooper and Nica LeHead worked there. Forcing Thomas Hooper to tattoo a rubbish tribal dragon on my stomach remains a source of perverse pride. But even though the dragon is terribly dated, it began a fascination with tattooing and the culture of tattooing that I doubt will ever leave me. I have very fond memories of that basement!

Drew and his tattoos

When did you get alopecia? Can you tell us a little more about what alopecia is and how you got it? Alopecia is an auto-immune condition initiated when the body attacks itself. There are three types – areata, totalis and universalis. Universalis represents total hair loss, and that’s  the type I have. There are many theories as to what triggers alopecia – from genetics to lifestyle – but there’s been very little research and no cure. The general consensus is that my alopecia was triggered by stress, though I choose not to dwell on the cause too much. I began noticing the symptoms  in 2011. At first it manifested itself as a hole in my beard about the size of a 50p coin, before clumps of hair fell out until my head looked as if someone had shaved a map of the world onto it. I saw a specialist, but by this point my hair was falling out at such a rate that there was nothing they could suggest, and any suggestion probably wouldn’t have worked anyway. I remember crying in the back of my parent’s car for around one minute once I realised doctors couldn’t help me. That was the first and last time I’ve cried about it. Soon after my eyebrows fell out, then my eyelashes, then everything else. Be grateful for having nostril hair – I now have no idea when my nose is running!

Drew – Before
Drew’s alopecia was brought on by stress and began as a small patch in his beard.

What artists have tattooed you and how did you pick them? I consider myself extremely lucky with regards to the artists I’ve been tattooed by. 14 years later, and the shoulder caps Thomas Hooper did for me still look amazing. Being tattooed by Nica LeHead changed my life in ways I didn’t understand until I was considerably older, but gave me access to places like Into You and Divine Canvas. I have a sleeve by Duncan X and the genius Delphine Noiztoy from the Lacemaker’s Sweatshop has begun an epic front-piece that I can’t wait to continue. I collect hearts as well, to which Alex Binnie and Matty D’Arienzo have contributed. My hands were tattooed by L’ain Freefall, and I have some awesome work from Paupiette, who designed the sexiest bald pin-up for me. I’ve also got a sleeve of Frith Street designs, and a cool Godspeed You! Black Emperor tattoo from Dwam. A lot of thought went into my Duncan X sleeve, but beyond that everything else has come about fairly organically. Alopecia was strangely liberating; by removing a certain level of control over the way I look, I was forced to find ways to re-define my image and have been able to be a more experimental and carefree as a result. My time at Into You was integral to that process as they are such a nurturing family of artists. Since then, Delphine has been instrumental in helping me rebuild my confidence and reshape the way I feel I’m perceived. So tattoos have formed two functions; the aesthetic and the therapeutic.

What is your favourite tattoo? There is no way to answer that question as I don’t really think of my tattoos as distinct pieces, more as components of an ongoing whole. I’ve always been proud of Duncan’s script of a Frank O’Hara poem on my arm, as well as the fact I have an example of his actual handwriting permanently inked onto me. Sometime I have to pinch myself when I think about how lucky I’ve been.

 

What tattoos are you working on at the moment? The main project is my front-piece, and I don’t think poor Delphine quite realises how much I’ve got planned. She is the only person I trust to tattoo my head and neck, which I think will be an extremely exciting project.

Drew was a model at an ‘Art Macabre’ life drawing evening at Somerset House last year. Photo by Heather Shuker

What next? What tattoos do you have planned? Beyond my work with Delphine, I haven’t got any concrete plans. I have a ‘party’ leg of random designs which I’d like to add too, particularly as everything on it so far has been done by artists I’m close to. I have saved my left leg for Paupiette, and one day I look forward to starting that – which will hopefully be a design that’s planned in advance!

Does alopecia make tattoos hurt more or less? Or does it make no difference The only difference alopecia makes is that you don’t need to shave the area getting tattooed, but after that the pain is just the same for everyone!

Do you think that getting tattooed is an important part of body acceptance? For me, yes. I was able to take control of how I presented myself to the world. If I was given the opportunity to have my hair back, I wouldn’t take it. But this is a personal and subjective decision. I certainly don’t think body acceptance is predicated on body modification. Tattoos aren’t for everyone, and I think there are other ways for someone with alopecia to mitigate their loss without the need to black in their nipples. Thanks to the democratisation of the internet, there is a lot of inspiration online for anyone wanting to own a condition they didn’t choose. Once you get your agency back – by whatever means – alopecia becomes much easier to handle. My outlet was tattoos, but I have seen some sufferers find all sorts of creative outlets to embrace the baldness, and that’s incredibly inspiring.

What do you enjoy about the aesthetic of your tattooed body? First and foremost, I enjoy wearing my friend’s work and their love on my skin forms a permanent armour that I carry with me every day. Aesthetically there is something incredibly empowering about having a giant skull on my chest, and I enjoy the heightened feeling of otherness the combination of my tattoos and baldness give me. I hope to continue to explore that union and harmony, and eventually perfect a look somewhere between androgynous alien and Mad Max War Boy. There is nothing better than wearing a well-fitting suit with tattooed hands though!

Any advice to others who have alopecia? Alopecia is a deeply traumatic experience which no-one can fully empathise with until they’ve experienced it. As a result, it’s rare that people will accept how emotionally difficult the loss of control over your body is. So firstly, I would reassure anyone that it’s OK to grieve for what you’ve lost. Secondly, I would suggest (though this is a matter of choice) not fighting it. When my hair began falling out, Duncan tattooed ‘Adapt and Overcome’ on my neck. Embrace the change and style it out. Alopecia gave me a modelling contract, left me better dressed and – most importantly – forced me to become a kinder person. The process of change is wrenching, but once it’s over you have the opportunity to be reborn, to reshape your identity both spiritually and physically. Alopecia can grind you down, but it can’t kill you. You’ll still be hot without hair, you’ll still be charismatic and you’ll still be an amazing human. Embrace the change, don’t deny it.

Cats in Kimonos

Here’s a little something to brighten your day…
A new Japanese craze of dressing cats in kimonos, has anyone done this to their own cat?

 Images from Bored Panda

 

Ilaria Pozzi – tattooed model and muse

Ilaria Pozzi is a model, a muse and so much more. In photographs we see her portrayed as a woman, who is obviously tattooed, but that it not what stands out the most. The way that she can show her audience more than one person, more than just one facet in a two dimensional photo, is inspiring. The emotions that Ilaria can project hits the observer in so many different ways, meaning that she can be numerous people at any one time. 

Our Italian contributor Ilaria chatted to her about the tattoos on her body and the emotions connected to her photo shoots…

Which photo would you choose to introduce yourself to those who do not know you? The one above. Titled ‘Almost Blue’ by Francesco Tretto. 

Was your first love tattoos or photography? What is the relationship/connection you see between the one and the other? They both are two forms of art expressed through images, the mean of communication with which I have always had more affinity. They are often linked artistically but in my opinion their relationship is, above all, a huge historical and cultural value. The first memories I have are about photography. I remember that my grandfather took pictures of me in his garden.

 Mira Nedyalkova

Beauty is fragility. Beauty, however, is also strength. What is your concept of beauty?  For me, it’s uniqueness. I usually find beautiful what is outside the box, that is not how it should be or as you do not expect.

What emotional impact does getting a new tattoo have for you? How do you feel after a photo shoot? I choose to get tattooed because it makes me feel good. I am happy after every tattoo. After a photo shoot I feel different emotions, depending on the type of work and the team. I can be excited, stressed, calm, etc.

Ilaria’s favourite photo by Mira Nedyalkova

In many of your works we see you are almost or completely naked. What is your idea of intimacy? To me the moments of my private life are intimate, my thoughts and my feelings. As those who wear a uniform at work, I can be naked or I wear clothes that I will not use in my private life.

You cannot separate the body from the soul. True or false? False. There are two distinct realities: the physical one, which has a structure inherently mathematical, determines every physical process, chemical or biological. And there is psychic reality, that generates feelings and thoughts and that transcends the laws of physics.

Share Your Air by Mira Nedyalkova

A photo, a memory, can often become a tattoo. Those who photograph you also capture your life and your memories. How does this make you feel? I believe that, whenever you portray a tattooed or not tattooed person, you always capture their history, life and memories, etched on the face, the body or in the eyes. Yes, I can feel vulnerable, but if I have faith in who is behind the camera, that doesn’t happen.

Which are the tattoos you are more connected with? And the artists you admire the most? I am attached to all of them, because they were made by friends who are also artists I really admire. Here are some: Stefano Prestileo (who also tattooed my back piece) Carlo FastColors, Krooked Ken to name just a few.

Share Your Air by Mira Nedyalkova

How do you feel when it’s you behind the camera? I like to be able to observe and capture what I see as I see it. In a simple yet direct way, I can create an image from my point of view, always having a lot of respect for who or what I’m observing.

Do you have any ideas for your next tattoo? I should colour the snakes on my head, done by Stefano Prestileo, and I was also thinking to get a duck on my left foot!

Share Your Air by Mira Nedyalkova

Cross-Stitch Tattoos by Eva Krbdk

Turkish tattoo artist Eva Krbdk from Daft Art Tattoo creates beautifully crafty cross-stitch tattoos. From up close the designs are made up of tiny crosses, the tiny brightly coloured stitches also look like pixels, but look at the image from a far and you will see a colourful design, much like any cross-stitch embroidery.

Follow her on Instagram for more amazing tattoos