All of us over here at Things & Ink can’t pretend that we don’t love Marilyn Manson …especially in this recent shoot with photographer Terry Richardson for Paper magazine.
Embracing female tattoo culture
All of us over here at Things & Ink can’t pretend that we don’t love Marilyn Manson …especially in this recent shoot with photographer Terry Richardson for Paper magazine.
We are SO excited to announce that the cover star for issue 10 – The Anatomy Issue – is the insanely talented tattoo artist CALLY-JO… get your hands on a copy now… thingsandink.com
We love collaborating with tattoo artists to create interesting and innovative photo shoots, and this one is simply divine… the cover looks like a modern-day Death and the Maiden… order the latest issue now to see the full photo feature and read an exclusive in-depth interview in which Cally-Jo reveals all about her move to New York, how she has grown artistically as a tattooist and what it was like creating this stunning cover…
The new issue can be purchased from Newsstand… plus the first 100 people to order will receive a free treat on us from our friends at Sun Jellies…
Photography and Art Direction by Philip Rhys Matthews
Hair, Make-up and Styling by Adrianna Veal
As you know, we are kewpie crazy here at Things&Ink… so here’s a little history about the kewpie, first published in The Love Issue of Things&Ink #3.
Words by Kelli Savill.
Rose O’Neill first illustrated Kewpie dolls to be featured in the Ladies’ Home Journal, and they swiftly became extremely popular. Born in Germany, their name derived from the word “Cupid”, the Roman God of love.
Shortly after Rose was 19, she moved to New York city alone with only sixty drawings. Within three months, she had sold them all. She was shocked by their popularity. She began illustrating children’s books and was highly successful, appearing in many popular publications including Harper’s Bazaar and Good Housekeeping. She drew over 700 cartoons for the humour magazine, Puck, which was a predominantly male-centric title at the time.
Her career was unparalleled and she truly demonstrated the traits of a strong woman. During her success, she sent her earnings home to her father, who converted their two-bedroom cabin in Missouri into a 14-room mansion. Rose also bought homes in New York, Connecticut and the Italian Isle of Capri. In a time where women could not even vote, she was truly supporting her family and allowing them to live a life they were not previously accustomed to.
Rose took inspiration for her work from many different areas of her life. Her Kewpie dolls came to her in a dream. Rose O’Neill had a dream of little cherub-like elves jumping on her bed, one night in 1909. When she woke, she hurried to her drawing desk and sketched the first Kewpie. From there, her love of the small creature never faltered.
Kewpies took their doll form in 1913, manufactured in Germany, designed byJoseph Dallas. They were five inches tall, with jointed arms, painted eyes and a distinctive moulded face. They became highly collectable, and in 1939 a Kewpie doll was entered into a time capsule in New York’s World Fair. Early dolls now raise thousands of dollars, and are highly collectable by men and women of all ages. But they were not only captured in celluloid and plastic, Kewpies were immortalised in colouring books, stationery, cups, plates and poems. More recently, they have been commonly eternalised in tattoos. Many artists now tattoo the dolls in different outfits and styles, but always keeping to the distinct Kewpie characteristics Rose O’Neill designed.
Kewpies were popular in tattoo flash around the time of their conception, but faded out by the 1950s, being seen as old-fashioned. Today, they are almost as famous in tattoo flash as other bold traditional designs, such as the pin-up girl. Many artists are known for their amazing renditions of these cherub-like children, including Kim-Anh Nguyen, Lauren Winzer, Jemma Jones and the late tattoo legend Mike Malone whose work is notoriously not online or republished. ❦
A year in the Things&Ink world – 2014, some highlights
The first issue of 2014, was The Modification Issue, issue 6 of Things&Ink. And we shot our amazing cover with space elf Grace Neutral in January 2014 at the London Film Museum. The magazine was released at Brighton Tattoo Convention in February 2014.
Here’s some behind the scenes footage of the shoot, which really gives a feel of how impressive the photo shoot venue was and how beautiful Grace is.
The Modification Issue also featured one of our most moving shoots to date. Therapist and model Laurence Moniasse tells the story of her tattoos and scarification, and how they link to her past and her family. During the emotionally charged photo shoot where old family photos were projected onto the background, Laurence shed tears as she remembered her grandmother. It was a beautiful moment and a stunning editorial feature.
In February 2014, our most popular blog posts were: SHORT FRENCH FILM REVERSING GENDER ROLES and CELEBS WITH TATTOOS #SHOPPEDTATTOOS
Issue 7, The Identity Issue, was launched in May 2014, and starred Wendy Pham on what is – surprisingly – our most controversial cover to date. She looks strong and powerful in the image we chose for the cover, however some readers commented that it was too “sexual” and were shocked that it wasn’t a “typical” Things&Ink cover. We like to divide opinion, and get people talking. But it also reminded us that all our covers are collaborations between us and the artist who is featured – they choose how they are portrayed too. Their personality is represented and so is the ethos of Things&Ink… what do you think of the Wendy Pham cover? We would love to know.
In June 2014, our most popular blog posts were: WOMAN TRANSFORMS HER FACIAL SCARS WITH TATTOO INK and MUM TATTOOS HER 12 YEAR OLD DAUGHTER.
September 2014 saw the launch of The Illustration Issue, starring tattoo artist Danielle Rose. On the cover she becomes one with her artwork – the artist becomes artwork, the illustrator becomes the illustrated. This cover was one of our most collaborative and the results are simply breathtaking. This issue also marked a change in our identity, instead of our tagline: Embracing Female Tattoo Culture, it was Independent | Tattoo | Lifestyle that was printed underneath our logo on issue 8. We had occasionally been criticised for being a “female-only” magazine (which we actually never have been, we set up Things&Ink as way to portray art and not objectify the person wearing it), so we wanted to clear this up in our strapline and allow as many readers as possible to enjoy reading the magazine.
In September, we also celebrated our two-year birthday with a charity exhibition of post card sized artwork by over 100 of the world’s leading tattooists. The opening of ‘Miniature Ink’ was electric – readers even queued outside Atomica Gallery from 3pm in the afternoon (the exhibition opened at 6) to get their hands on a tiny piece of art. We were even lucky enough to get a special guest appearance from tattoo artist Cally-Jo and her friend, supermodel Cara Delevingne. The night was incredible and the exhibition ran throughout September and during the London Tattoo Convention, with all profits from sales going to the charity Sarcoma UK.
Throughout September and October 2014, we also worked really hard on issue 9, as it was the last issue of the year, we wanted to do something extra special. S0 we created three extra special covers for you to choose from – including a woman, a man (for the first time ever) and a couple. Flo Nuttall, Brian Wilson, and Yann Brenyak and Delphine Noiztoy were all a pleasure to photograph and each of their personalties shines through.
2014 has been an incredible year for Things&Ink and we want to thank everyone who has made it possible: readers, writers, contributors, photographers… – we are sure 2015 will be as full of surprises… we can’t wait to share it with you. What has been your highlight of 2014?
“I met a lady in the meads,
Full beautiful, a faery’s child;
Her hair was long, her foot was light,
And her eyes were wild.”
– from La Belle Dame Sans Merci by John Keats
Full “stripped back” beauty photo shoot in issue 9, Things&Ink.
Art Director – Marina De Salis
Photographer – Philip Rhys Matthews
Makeup, Hair & Styling – Adrianna Veal
Model – Elena Wood