Tattoo Street Style by Alice Snape

Our editor Alice Snape’s Tattoo Street Style book came out last year. It features more than 400 original portraits in cities from London and Brighton to LA and NYC, and a directory of studios in each city, a guide to tattoo styles and a personal foreword from tattoo artist Cally-Jo. Here’s a peek inside, and the reasons why Alice wrote the book.

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Derryth Ridge, spotted in Brighton. Photo by Heather Shuker

I’ve always been fascinated by people and enjoyed glimpsing them from afar, and spying what they’re up to. When I travel to a new city, my favourite thing to do is find a little café and sit sipping a cup of coffee, watching the world go by. I love looking what someone has chosen to wear or their hair colour, wondering why I might be drawn to that person’s particular style, the way they walk or hold themselves. I make up little stories about them in my mind – perhaps they are on their way to a meeting, to call on a friend, to hang out at the park or to go to work? This fascination is why I fell in love with street style photography. I love that it captures a moment, a city, a person at that exact point in time. Street-style photos tell a story – tiny but complete – of a place and the people in it.

Manni Kalsi, spotted in London. Photo by Heather Shuker
Manni Kalsi, spotted in London.
Photo by Heather Shuker

What I have loved about writing this book is not only capturing a sense of each city, but working with different photographers in each location, whom we briefed to capture their city through their own lens. The result doesn’t just provide a snapshot, it communicates a particular vision, with each photographer contributing his or her own unique style and interpretation of what ‘street style’ looks like.

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Simone Thompson, spotted in New York. Photo by Elena Mudd

Alongside the imagery, I have loved delving further into what motivates each of those people and gathering snippets of their life stories. This volume of Tattoo Street Style allows me to introduce you to some prominent figures in the tattoo world, such as Wendy Pham in Berlin and Angelique Houtkamp in Amsterdam. But we’ve also spoken with random inhabitants of the eight cities we have featured – people I never would have discovered if I hadn’t written this book. In my everyday life, I often wish I could stop someone in the street and find out more about them – this book has given me the chance to do just that. In London, businesswoman Sian Rusu shared that her tattoos make her feel “different – and difference is what makes us unique”. In contrast, Berlin’s stylist Flora Amelie talks honestly about sometimes questioning her decision to become heavily tattooed, a revelation you wouldn’t expect from someone who portrays such confidence.

Flora Amalie Pedersen spotted in Berlin. Photo by Lisa Jane
Flora Amalie Pedersen spotted in Berlin.
Photo by Lisa Jane

It has been a joy to curate this compendium of tattoos and fashion in eight of my favourite places around the world, cities I have lived in, loved spending time in and dream of returning to. I love that it will immortalise this period in time. I love that one day, someone will look at it as a historical document, in the way that I have looked at old photos of tattooed women from the 1940s. What feels so thoughtfully current now as you flick through the pages will one day be but a memory of our own moment in time.

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Cally-Jo, spotted in Brighton. Photo by Heather Shuker

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In all good bookshops and available to order online here

For Identity // Against Stereotypes

A couple of months ago, lingerie brand The Underargument asked our editor Alice to model for their new campaign: For Identity // Against Stereotypes. This inspiring lingerie brand is a wearable reminder to embrace individuality and argue against the norm.

The For Identity // Against Stereotypes collection illustrates that we are more than the boxes that we are sometimes put in. Your identity does not start or stop with your gender, your religion, your abilities, your cultural, occupational or social background. This underargument will remind you that you don’t have to be the product of your environment and predispositions or let stereotypes define you.

Here is Alice’s story for the collection. 

 

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“One of my favourite things about my tattoos is that they challenge traditional stereotypes of beauty, that a woman’s skin should be pure or unmarked. It still shocks me that, in 2019, some magazines and mainstream media push the idea that we should look a certain way, by losing weight or using make-up to conceal our so called imperfections. It is so damaging.”

“Perceptions of tattooed women have always suggested sexual promiscuity and over-confidence. And I think that society still views female confidence with an irrational disdain. Perhaps that is why tattoos on a woman are so provocative. I don’t often wear shorts in the summer now for fear of #tatcalling. As dependable as clockwork – when you’re a tattooed woman in public, some guy will eventually shout, “I like your tattoos!” My tattoos aren’t an invitation to leer at me. My tattoo on my back is certainly not permission to run your hands down my spine or pull my top down to “get a better look” or ask me “how far does that go down love?”; I am not public property. Tattoos don’t make me “easy”, they are not any reflection of my morals and they don’t mean I am seeking attention.

I bumped into an ex a few years ago who was like “what are you, good girl gone bad? “

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“Whenever I go back to my hometown, it’s a small place in the midlands, people are always shocked that I have tattoos. I bumped into an ex a few years ago who was like “what are you, good girl gone bad? “. My uncle has a few tattoos and even he is surprised that I am the one in the family who is heavily tattooed. Women with tattoos are never portrayed as the “girl next door”, they are never the nerdy girl, they are the bad girl, and they are sexualised. Women with tattoos have been painted that way for years. The Tattooed Lady in the circus, for example, was literally a freak, a strange creature to be objectified.

“Tattoos have always been for “tough guys”, and men with tattoos aren’t sexualised in the same way that women are. I was a studious girl at school, quiet, shy, forever with my head in a book. The fact that I have ink on my skin apparently doesn’t fit into mould. But I am still that person. In fact, tattoos have given me confidence. I used to hate the way I looked and adorning my body with beautiful artwork has been empowering – and I can’t wait to see how my collection grows. I would love to fill all the gaps. It will be my life’s work. It is funny. People often ask if I worry about what I will look like when I am older, but, really, why would I? I don’t plan on fitting into another stereotype about what I should or shouldn’t look like in my seventies, eighties, nineties…”

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View more at theunderargument.com

Halloween Spoopy Tattoos

It’s Halloween and we’re celebrating with our favourite #spoopy tattoos from some of favourite female tattooers. But what are spoopy tattoos you may ask? For those of you not familiar with this genre of tattoos, you’ll be pleased to know spoopy tattoos are a mixture of spooky and cute. Kinda like kawaii inspired tattoos in their colour palette. Although they typically feature pumpkins, bats and ghosts, they’re not just for Halloween. They also combine classic creepy themes with food, cute faces and sparkles! 

@melvin_arizmendi – so cute, we want to lick that icing right off! Hope it isn’t a trick cupcake though.

melvin

@alexstrangler – aw a ghosty holding a balloon, will the helium make it float away?

alex

@keelyglitters – ghost, tick; grave stone, tick; adorable glitter, tick – great example of a spoopy tattoo.

keely

@roxyrydertattoo – what’s more Halloween than the phrase trick or treat? Make it spoopy by adding candy hearts and bat silhouettes. Nailed it.

roxy

@littlerachtattoo – is it a vampire? Is a pumpkin? We’re not sure, but it’s hella cute.

rach

@laurathedrawer – look at this little ghosty’s face! Looks so happy to be flying in the stars with its bat friends.

laura

@jodydawber – candy corn, not something we have in the UK but we’ve all heard the legends of this sickly sweet orange-coloured sweet.

jody

@bootattoo89 – this is how your trick or treat goody lantern should look at the end of the night!

boo

@kirabishoppp – please tell us this adorable ice cream is pumpkin spice flavoured?

kira

@staceymartintattoos – look at its little arm carrying that lollipop! We can’t cope!

stacey

@siknaktattoo – is the kitty trying to get out of the pumpkin, or is it loving sinking its teeth into that soft pumpkin flesh? We don’t know, but the little cat ghosts are killing us!

sik

Share your fave spoopy tattoos with us on Instagram by tagging us, @thingsandink

We love kewpies

Rose O_Neill 1907Rose O’Neill first illustrated Kewpie dolls to be featured in the Ladies’ Home Journal, and they swiftly became extremely popular. Born in Germany, their name derived from the word “Cupid”, for the Roman God of beauty.

Shortly after Rose was 19, she moved to New York city alone with only 60 drawings. Within three months, she had sold them all. She was shocked by their popularity. She began illustrating for children’s books and was highly successful, appearing in many popular publications including Harper’s Bazaar and Good Housekeeping. She drew over 700 cartoons for the humour magazine, Puck, which was a predominantly male-centric title at the time.

Her career was unparalleled and she truly demonstrated the traits of a strong woman. During her success, she sent her earnings home to her father, who converted their two-bedroom cabin in Missouri into a 14-room mansion. Rose also bought homes in New York, Connecticut and the Italian Isle of Capri. In a time where women could not even vote, she was truly supporting her family and allowing them to live a life they were not previously accustomed to.

Kewpie Postcard

Rose took inspiration for her work from many different areas of her life. Her Kewpie dolls came to her in a dream. Rose O’Neill had a dream of small little cherub-like elves jumping on her bed, one night in 1909. When she woke, she hurried to her drawing desk and sketched the first Kewpie. From there, her love of the small Kewpie never faltered.

Tattoo by Kim Anh-Nguyen
Tattoo by Kim-Anh 

Kewpies took their doll form in 1913, manufactured in Germany, designed by Joseph Dallas. They were five inches tall, with jointed arms, painted eyes and a distinctive moulded face. They became highly collectable, and in 1939 a Kewpie doll was entered into a time capsule in New York’s World Fair. Early dolls now raise thousands of dollars, and are highly collectable. But they were not only captured in celluloid and plastic; Kewpies were immortalised in colouring books, stationery, cups, plates and poems. More recently, they have been commonly eternalised in tattoos. Many artists now tattoo the dolls in many different outfits and styles, but always keeping to the distinct Kewpie characteristics Rose O’Neill designed.

Tattoo by Lauren Winzer
Tattoo by Lauren Winzer

Kewpies were popular in tattoo flash around the time of their conception, but faded out by the 1950s, being seen as old-fashioned. Today, they are almost as famous in tattoo flash as other bold traditional designs, such as the pin-up girl. Many artists are known for their amazing renditions of these cherub-like children, such as Kim-Anh Nguyen, Lauren Winzer and the late tattoo legend Mike Malone.

Kewpie necklace, by Bete Noire.

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