Apprentice Love: Hannah Elizabeth Gehrke

We just can’t get enough of new tattoo artists, and this is what fuels our Apprentice Love series. A selection of posts and interviews in which we like to showcase new talent in the industry. Hannah Gehrke is a tattoo apprentice at Broadside Tattoo in Swansea, UK, who our editor Rosalie was lucky enough to be tattooed by too. 

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How long have you been tattooing and how did you get into the industry? I’ve been tattooing for a little over two years and apprenticing at my shop, Broadside, for three years so far! I’m part of the herd; I did the normal thing of doing my A Levels and going to University where I studied counselling and psychology with the aim of being an art therapist, but it wasn’t panning out how I wanted it to. Art was still a big hobby of mine though, and half way through my final year of university when I was writing my dissertation and preparing my final exams, I saw Broadside advertising for an apprenticeship position and I just went for it!

Scott allowed me to apprentice at the shop whilst doing my university work which worked out well, and now I both have a degree and a job that I absolutely adore (I didn’t get the first in my degree I was hoping for, but we won’t talk about that). I wouldn’t change it for the world now. This is basically a form of art therapy anyway so I have the best of both worlds!

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What inspired you to become a tattoo artist? I’m going to say it: Miami Ink. It was always on the TV at home and it had a big impression on me. In my tweens I was watching it and just thinking, this is so cool! I love it! I didn’t know any people with tattoos then, so this TV show was really my only source of knowledge. As I grew, tattoos were slowly introduced to me by friends, and I’ve been hooked ever since. My mum booked her first tattoo in her 40s before I booked my first at 18, and I wasn’t having that so I snuck in an appointment before her. Sorry Mum!

I’ve always been creative and loved art at school, even though l ended up packing it in because I lost my spark and I didn’t think that pursuing any career in art was doable, let alone tattooing, or more so that I wasn’t capable enough, but here I am! Living my dream. Sometimes I can’t quite wrap my head around the fact I actually do this for a living and I’m so grateful for the opportunity. A little determination and perseverance goes a long way. I’ve had a lot of support from my family, friends and my boyfriend, and without them I don’t think I’d have done this and got to where I am today.

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How does it feel being a woman in the tattoo industry? It feels great and I’m honoured to be a part of it. I’m very much aware that tattooing is quite the male dominated industry, but times are changing and I’m very happy to be involved.

There are so many fantastic female artists out there who’re a huge source of inspiration to me, such as Lucy O’connell, Sadee Glover, Natalie Gardiner, Debbie Jones: I want to be like them one day! I also like to think that in 10 or so years time, maybe a young girl my age now will think, if she can do it, so can I. It’s all about supporting each other and holding each other up, and as much as I’m here for all my girls, I’m here for all my boys too.

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How would you describe your style? Has this changed since you started, what direction would you like it to go in? I’d say my style leans more towards colour neotraditional, but I bring a lot of illustrative, “organic” elements into my work too. Dotwork is also something I do a lot of. Generally, I just draw, and what comes out… comes out.

I’ve noticed big changes in style since I started tattooing, and it’s only been two years! I can’t wait to see what I’m working like in another two. As I’m still an apprentice, I’m still learning and adapting to different styles too. I’m happy to do traditional, black work, I’ve tried black and grey, script, Japanese and Maori… it’s adding more strings to my bow and I love learning new methods, however I would like to purely work in my own style one day, and the demand is growing which is amazing! But if someone wants something which isn’t my usual style, I’m more than happy to do it and I think being able to do a little bit of everything is important. I want to have my fingers in all the pies!

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What inspires your tattoos? Happiness! I love making people happy! Whether that happiness is derived from a majorly colourful Kewpie dressed as Dolly Parton, or a blackwork tombstone commemorating the death of your diet, if it makes you happy I’m all about it.

I work with some fantastic artists and Swansea has a lovely little hub of us who all to different styles, so there’s endless inspiration. I’m also a really big fan of vintage Hallmark designs and botany books, and I reference them throughout my work frequently. I take a lot of my own reference photos too, whether that be wildlife, plants or myself (I have nice hands, OK?!)

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What do you love to tattoo and what would you like to do more of? The list of things I love tattooing is endless! I really enjoy doing florals and botanicals, they’re always my go to, however I also absolutely adore tattooing the more obscure and personal. Does your nana have a brooch that you’ve always wanted to get your hands on? Did you really enjoy that hotdog you ate in New York back in 2011 and haven’t stopped thinking about it since? I want to tattoo it! I want you to have a memory to wear forever, and it’s such a wonderful feeling being part of the process and making it happen; I get to share and cherish your memories with you. Meaningful or meaningless (and it’s ok to get a tattoo with no meaning just because it looks cool!), I’ll work with whatever you want and do my best to turn it into a tattoo for you, and generally the more detail I can get into something, the better!

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How does tattooing make you feel? Including the tattoos you create and the tattoos you have on your own body. When I’m tattooing, I don’t think about anything else. I’m completely engrossed in what I’m doing and don’t have the time to think about anything but the tattoo; I’m in my own little bubble! Don’t get me wrong, throughout this learning process there have been tears and tribulations, but thankfully they’ve just made me work harder, and my will to succeed is huge. I really, really want to do well and there is absolutely nothing that can stop me. I’ll have my ups and downs, but that’s all part of it and I respect that.

I don’t think there’s any better feeling than completing a tattoo and not only being proud of it, but your client being proud of it too. I’m not in it just for myself, and I’m aware how much of an impact a tattoo can have on a client regardless of how big or small, simple or intricate, and I want them to walk away from the experience fulfilled because that’s how my own tattoos make me feel.

Tattoos have allowed me to accept and love the parts of my body I didn’t, show off my interests and memories… they’re more than just tattoos; they are my own personal accessories and I wear them all proudly, old and new. Tattoos and tattooing are a major source of joy in my life, and I want to share that with as many people as I can.

Still Not Asking For It Tattoo Flash Event

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The worldwide tattoo charity event is back on Sunday 9th June 2019

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Born in 2015 by tattooer Ashley Love, Still Not Asking For It, an annual tattoo event, aims to bring people together to support and speak out about sexual assault and abuse. In their own words the charity fundraiser is ‘making efforts for awareness, prevention and recovery from sexual violence.’

Starting out in a just one tattoo shop, this year’s tattoo event sees over 80 tattoo shops and hundreds of tattooists and artists from around the world taking part in a co-ordinated charity flash day. From London to New Jersey, Johannesburg to Florence, tattoo shops are coming together to support this event and survivors.

Tattoo designs will be available from each artist in the shops, and the proceeds of these will raise money for local and national organisations that fight for issues around sexual violence. Each shop or artist will choose a charity to donate to, and since 2015 the event has raised and donated $367,000.

Just some of the tattoo shops taking part on June 9th:

Yellow Rose Tattoo, Salt Lake City
Red Point Tattoo, London
Diving Swallow Tattoo, California
Lotus Body Adornment, Utah
Lizzie Renaud, Toronto
Ninth Wave Tattoo, New Jersey
37tattoo, Peru
Tooth and Talon Tattoo, Manchester
Black Iris Tattoo, New York
And many many more

Make sure to follow @stillnotaskingforit_flashevent and #stillnotaskingforit2019 for more tattooists, tattoo shops and information.

Apprentice Love: Lucy Alice

Here at Things & Ink we like to share our love for finding new tattooists and support those who are making a name for themselves in the industry. Lucy Alice is a tattoo apprentice and true cat lady, who tattoos out of Cat’s Cradle Tattoo Studio in Rawtenstall, Lancashire UK. 

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How long have you been tattooing and how did you start your apprenticeship This is a super long story, so I’ll just attempt to keep it short and sweet. I’ve been tattooing just over a year now at Cat’s Cradle. I have had a few apprenticeships here and there before this one though. I started an apprenticeship when I was 18 and had another after that, but unfortunately both didn’t work out due to other commitments. I’m 24 now so it’s been a long journey but totally worth it. When you want something this much, you have to work for it and accept that it’ll take some time.

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What inspired you to become a tattoo artist? I’ve always been into art, since I can remember. I’d spend my Saturday job money on paints and sketchbooks every single week without fail. I never knew what career path I wanted to take until I was 17. We have two hair salons in the family so it was almost compulsory to go into the hair business. It was only until a customer asked what I’d like to do eventually, when my colleague said she could see me being a tattoo artist. So here we are!

How does it feel being a woman in the tattoo industry? To be honest, I haven’t had too much experience whilst tattooing. I’ve been extremely lucky with my clients, they’ve all been amazing. So that side has been great so far. Whilst apprenticing at other studios, I do believe woman are treated differently. I get told far too often that I’m too nice and therefore get taken advantage of frequently. I’m really lucky to be in a studio now in which I feel equal and taken care of. And let’s not leave out tattooed women in general! The looks we get, the amount of people that grab your arm to “take a closer look”. Not forgetting the “what about on your wedding day?” speeches from the older generation.

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How would you describe your style? This is always a difficult one for me. I’d say traditional with a little crazy spin. I love drawing faces on anything! Using wacky colours for animals that aren’t technically that colour (*ahem* pink). I draw a lot of cute bits and bobs but still love old school traditional. Muted colours mixed with brights are my favourite colour palettes.

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What inspires your tattoos? Are there any artists that you love? My cats. End of. I say every day that I just flipping love cats! I currently have five so they give me a lil’ inspiration now and again. My all time favourite artist is definitely Jemma Jones from Sacred Electric. I get tattooed by Jemma when I can and have followed her work for years. She inspires me on the daily and she’s just a lovely person in general. Some other artists I absolutely love are Harriet Heath, Gemma Carter and Kelly Smith.

What do you love to tattoo and what would you like to do more of? I absolutely LOVE tattooing cats. Big cats, small cats, they’ll all do. I also love tattooing cherubs, babies, moons, clowns, lady heads, any animals. Basically if it’s cute, I wanna tattoo it!

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How does tattooing make you feel? Including the tattoos you create and the tattoos you have on your own body. It’s a crazy feeling when you really think about it. The fact that people enjoy my work enough to have it on their skin forever. It’s incredible. The pieces that I have on my own body make me feel so much more confident. I’ve collected pieces by all of my favourite artists and couldn’t be happier with the outcome. I love that when I get tattooed, people recognise pieces by different artists. It’s nice to know that they have perfected their own styles enough to distinguish it amongst others. That’s what I’m aiming for.

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CBC Arts: Art Hurts

CBC Arts is part of the Canadian Broadcasting Corporation, and it’s home to the most surprising, relevant and provocative stories featuring artists from diverse communities across Canada. In light of this, producer Lise Hosein, recently launched a digital series on their feed called Art Hurts. The series features some of the most innovative tattoo artists in Canada, who are also all female-identifying or gender non-binary.

In many cultures, tattooing was traditionally done by women and worn by women, and Art Hurts wants to show how these tradition has survived in an often male-heavy industry. The eight artists chosen for the video series, include; Hilary Jane, Liz Kim, Ilona Fiddy, Tee Fergus, Marigold Santos, Jessica Coffey, Amy Malbeuf and Nomi Chi.

Producer Lise Hosein explains the inspiration behind the series: 

This series came about mainly because I’m fascinated by tattoos and wanted to focus on some who had a compelling and really recognisable aesthetic, to really shine a light on the art and design that goes into tattoos. And along the way, I happily realised that there’s a growing community of female and non binary artists who are changing the landscape. So we decided to focus exlusively on them! And I hope we’ll get to do more.

These tattoo artists had been chosen because they have written meaning and symbology in their tattoos that is created in a way that it resonates with the people who get them, they are also doing new things with the craft, helping to bring it into a new era of tattooing.

Watch the first episode here, featuring Toronto based Ilona Fiddy, then head to the CBC Arts channel for more in the series. 

Tattoo Artist: Laura McLean

Tattoo artist Laura McLean works out of South City Market in London, creating blackwork, blast overs and minimal styled tattoos. We caught up with Laura to find out more about the tattoos she creates and how she chooses to decorate her own body…

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What drew you to the blackwork style of tattoos? I love tattoos that are bold and impactful from the moment you look at them. My style has definitely changed quite a bit since I first started tattooing and I’m sure it will evolve more as I get further into my career, which I’m excited for.

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Is this the style that you have decided to decorate your own body with too? My tattoos on my own body are pretty varied. I have some realism, some blackwork, some fineline black and grey, some neo-traditional and a lot of shitty doodles that I did on my own legs before I knew how to tattoo. I don’t have any colour tattoos because I’ve just never been drawn to them. I pretty much have my whole body planned out, I just need to follow through with it all. The end goal is a lot more heavy blackwork.

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What inspired you to get tattooed and start tattooing others? I honestly don’t know! There was never really a question in my mind that I was going to get tattooed and tattoo other people, it was just a given, and I have a pretty impulsive personality so I never really gave it much thought.

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What do tattoos and tattooing mean to you? I’m obsessed with tattoos. They’re the only thing I’ve ever felt completely passionate about and the only way I feel I’m effectively able to express myself, both through my own tattooing and the tattoos I have on my body. I think tattoos are really important in that way. It makes me super grateful that I’m able to do this for a living at the most amazing studio surrounded by such talented artists.

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What sorts of things do you like to tattoo, is there anything you’d like to do more of? Something I’m looking to do more of in 2019 is large scale projects, the bigger the better. I’m keen to black out some limbs! And more blastovers! I’m a huge fan of the way blastovers look.

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Your style is fierce yet feminine, would you use these words to describe yourself and your work? I’ve always considered my work to be pretty balanced between the masculine and feminine. I definitely wouldn’t describe myself as feminine. I actually find describing my work really difficult, I still don’t really know how to answer that question despite being asked it a lot.