Tattoos that Change Lives: Realistic Nipple Tattoos on Breast Cancer Survivors

45-year-old tattoo artist Ron Antonick creates nipple tattoos for women who have had breast cancer. Often his clients have had re-constructive surgery or are unhappy with the options offered to them by medical practitioners. We talked to Ron to find out more about his experiences helping women to regain their confidence after breast cancer. 

Can you tell us a bit about your studio? I own Sacred Tattoo in Wickliffe Ohio, just east of Cleveland. It is a private custom studio, not open to the public. I am the only artist there.

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How long have you been tattooing? I started tattooing professionally in 1988, working at a local street shop before doing a bit of travelling and guest spots around the country and then opening my own shop in 1997.

How did you start tattooing nipples? For the past decade or so, most of the tattoos I did were portraits or photo realism of sorts… so when a friend’s wife was diagnosed with breast cancer, they went to see the doctor together. The doctor explained about nipple reconstruction, where they attempt to create the nipple again or at least a bump of skin for lack of a better term and then have the nipple and areola tattooed to look more natural. He proceeded to show them a portfolio of nipple tattoos done by medical professionals that looked like peach or salmon colour circles but not anything close to what a real nipple would look like. So my friend called me and asked if I would do them for her when the time came and of course I said I would be honoured.

How did you perfect the technique? I started to research it and found some other artists doing them, with very few artists doing them well. I began drawing different types of nipples, sizes, shapes, textures and colour ranges to see what looked most realistic and what fell short. I worked with slight shadows and light sources to give them the most 3 dimensional appearance I could. When I had done enough of these drawings that I considered successful I then started to advertise for breast cancer survivors, that I could tattoo for free in order to gain some experience.

I had no shortage, almost right away, of women who contacted me looking for help and most of them already had been tattooed by medical professionals unsuccessfully and really wanted them to look natural.  The only stipulation I put on it was that I expected to take anonymous before and after photos which most had no problem with. I was shocked to find out just how many people this was affecting and that many of the women were so young. I would always make sure to take time to sit and talk with each client before hand to make sure they were completely comfortable with both myself and the process before starting anything.

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Do hospitals ever refer patients to you? Yes, it all started with my friend talking to his wife’s surgeon, saying that I would be better suited to do her tattoos, at first the doctor seemed uninterested. He persisted each visit telling him more and then showing him before and after photos of tattoos I had done and before too long he was opening up to the idea. His wife later set up a meeting between myself, her surgeon and his assistant that went very well. I met with Doctor Steven Bernard of the Cleveland Clinic and his assistant Jaquie Frazee. Dr. Bernard was also a part of the team who did the first successful face transplant so needless to say I was very nervous meeting him. I explained what I do, that I have 27 years of experience as both a professional tattoo artist and business owner, I showed them my portfolio and studio. I explained that I use only Fusion Tattoo Pigments because they are all natural organic pigments which are also vegan friendly. In closing he told me he felt that him and his partners clients would be well served by me and he would be referring them to me in the future.

Who was your first client? The first client I had was a woman in her early 30s who drove up from southern Ohio to have her existing nipple tattoos reworked by me.  I reworked her tattoos, correcting colour, adding depth, texture and shadows to give it a more realistic and natural appearance and she was extremely happy with the results! I spoke with her during the healing once and after the healing to make sure everything healed well, colours held up and the results remained, which happily they did. I say this because working on scar tissue is completely different than working on healthy skin tissue. It can be damaged much easier than normal skin and sometimes if not careful in the application of the tattoo , the pigment is more likely to lighten or even fall out of the skin completely during healing.

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Do you tattoo other things other than nipples? I still do regular tattooing  and as rewarding as it is to see a beautiful tattoo on a happy client, it just doesn’t compare to the look of joy on a woman’s face when she sees herself in the mirror for the first time after tattooing nipples on her. It absolutely helps to restore their sense of beauty, self image, confidence and makes them feel somewhat whole again, also in most cases giving them a sense of closure. Now they can move on from the cancer experience and feel comfortable with themselves again. The tattoos help to camouflage scars and in some cases make the breasts look a bit more shapely where they may be slightly misshapen due to surgeries. It feels so good being told afterwards and getting phone calls weeks later telling me that they don’t avoid seeing themselves in the mirror anymore.

Do you do any cosmetic tattooing? I have started getting inquiries about other issues that the doctors and nurses have referred clients to me in hopes of helping them. Some women after being treated for breast cancer never have their eyebrows grow back so I also have started doing these as well as correcting pigment colour on scars. I had a recent client who had hair plugs done in the 90s and since decided he wanted to go with the shaved head look but was self-conscious because he had multiple rows of small round scars that were much lighter in color than his normal skin colour. I matched the pigment and we did a small test area and let that heal to make sure he would be happy with the results before having him shave completely.

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How do you match the tattoo to skin colour? As far as matching skin pigments for different women, I just ask them to describe what they had, what they prefer as far as tone, texture size etc and do my best to make it look as natural as possible. I end up doing a lot of mixing pigments to get the right tones for each individual and always keep in mind, as well as tell each client that because of red or pinkness of the skin after being tattooed that there will be a 15-25% lightening in tone once the tattoo is healed and the skin irritation subsides. I also encourage if possible that they make a follow up appointment about two months after to make sure the healing went well, that the tone is correct and if needed do any layering or touch ups that may be needed ,which is all included in the cost. I do both bilateral (meaning both) or unilateral (meaning one) and the unilateral is always more difficult because you are trying to match the existing nipple colour, size and texture but is by no means impossible.

You have mentioned that you do a lot of free tattoos, how does this work? I did quite a few sets for free the first 8-10 months just trying to get as much experience as I could and feedback. Unfortunately I do need to make a living and feed my family as well but I feel good knowing that I am doing an amazing job for less than a third the cost of what most hospitals are charging – and a few hundred less than what most of the other professionals are doing. There are so many breast cancer survivors in need without the means to pay so I put aside 10% of every nipple/areola tattoo that I do and then reapply it to someone who cannot pay. So in short, every 11th nipple tattoo is done on someone in need who can’t pay, which helps keep me feeling balanced. In a perfect world, I would do them all for free.

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How long is your waiting list? My waiting list is normally anywhere between a month to two months depending on the season, but I see that filling up more and more as word spreads, as I network with more and more medical professionals and breast cancer resources. People can always reach me via email at ronantonick@gmail.com or my cell # which is 440 226 0069 although it can take a while for me to reply as I am extremely busy.

To find out more visit Ron’s website BreastRenew

Celebrating Frida Kahlo at Haunted Tattoos, north London

Tattoo artist Araceli 4ever presents two tattoo flash days dedicated to Mexican painter, Frida Kahlo, on Friday 7 August and Saturday 8 August 2015, at Haunted Tattoos in north London. To celebrate the life of Frida, Araceli will be tattooing Frida Kahlo designs all day on both days from 12 until 7pm.

Araceli 4ever as Frida Kahlo for Things&Ink magazine, issue 12 due out in September. Photographed by Lola Swan. Styled by Olivia Snape. Make-up by Keely Reichardt. Hair by Nuriye Sonmez. Photo edited by Riccardo Raspa. Earrings by Gypsy East.
A selection of Frida designs by Araceli that will be available.

Two days dedicated to Frida Kahlo, with tattoos by Araceli 4ever

Where: Haunted Tattoos, 159 Holloway Road
N7 8LX London, United Kingdom

When: Friday 7 August and Saturday 8 August 2015, 12-7pm

Email araceli4evertattoos@gmail.com for more information… tattoo designs will be available on a first come, first served basis and booking is not required… simply head to Haunted for a special Frida walk-in.

Frida Kahlo tattoo by Araceli

Saffron Reichenbacker at Axios Tattoo

Saffron Reichenbacker solo exhibition at Axios Tattoo studio.
Private View: Friday 17th July, 6 – 8:30pm
1 Hove Park Villas, BN3 6HP, Hove
Axios Tattoo studio opening hours: 10am – 5:30pm, Tuesday – Saturday
Exhibition runs until 3rd August.

Saffron Reichenbacker is a Brighton based artist inspired by a dream world of silver screen vampires and Weimar Berlin ghosts. She works primarily with ink sketches, which are then scanned and developed digitally. Using strong lines and bold colours, her pieces commonly take the form of imagined portraits. In these, she creates a mood that brings to life her dark dream vision of the 1920s. She loves cats, aerial circus and damn fine coffee.

Follow her on Facebook, Instagram and Twitter for more art.


Axios Tattoo is run by Ade and Nigel,  the studio creates custom work with a high degree of freehand tattooing. Ade and Nigel are  both artists outside of tattooing, specialising in painting. Axios are unique in that they ‘want the shop to represent artists both inside and outside of the tattooing community, to become a hub for ‘outsider-lowbrow’ artists to show their work’.

Follow Axios on Facebook, Twitter and Instagram for more art work and tattoos.

Blind Tiger tattoo studio

Blind Tiger tattoo studio in Newcastle burst onto the scene in early July 2014 as a solo project by owner and artist, Gabriela Lastra. “Blind Tiger”, was a “speakeasy” during the 1920s prohibition, which promoted mystery and hedonism, inspiring the studio’s unique spirit. This hidden, intimate gem, which differs from its surroundings is a place where friends can come to feel comfortable and share their stories. Its private status gives it the feel of a personal art studio rather than a walk-in shop, placing the quality of work at its heart. Little Si joined Blind Tiger Tattoo in October 2014 as Gabriela’s co-pilot and the studio’s reputation and body of work has continued to evolve and adapt.

Gabriela Lastra’s niche style is influenced by Neo-Traditional veins of tattooing, favouring a dark colour palette and unusual subject matter, along with producing technically flawless black and grey work.

Little Si is fluid, dynamic and personal across the spectrum. He specialises in Neo-Japanese, his bright colours bursting through traditional Japanese mythology.

The studio’s strong resident duo, the industry greats that form its guest artist repertoire, and the homely and relaxed vibe at the studio, along with its support system of loyal clients and friends, mean Blind Tiger Tattoo is becoming an unstoppable force that shows no signs of slowing…


CHECK OUR INTERVIEW WITH GABRIELA AND LITTLE SI

How did you get into tattooing?

Gabriela Lastra (owner): Ever since I was a child, I wanted to grow up to be some kind of artist, not the generic astronaut or fairy fantasy job kids normally have! I was the weird foreign looking kid at school who spent all her time hidden away in the art class drawing at lunch.

I went to college and studied a B-Tech in Art and Design. This was when I started to notice tattoos a lot more and they started to influence my art, but with such little knowledge of the industry, I didn’t think it was something I could do. After college I ran as far away from Sheffield as I could do to Bournemouth, where I studied illustration at university. After three years I came back to Sheffield with a degree and still had the desire to tattoo.

I did my time in a couple of tattoo studios as “shop bitch”, which I think is really important, but torture! In the end, I was lucky to get an apprenticeship at Couley’s Tattoo Studio in Newcastle. I’ve also been lucky enough to have been helped by some good friends and fellow artists along the way, as well as masses and masses of help from my bearded beauty, Greg Scott!

Little Simon Gunn (resident artist):  I was given an apprenticeship in South Shields, alongside one of my best friends, who is also still a tattooist! We learned the craft for around three years on handmade rotary machines and used a single needle for everything. It’s crazy to see how it has all changed!

How would you describe your style?

Gabriela:  This is possibly the hardest question as I never know how to describe my work. I would probably lean more towards “Neo-Traditional” tattooing but I do my own thing with it! I love strange pieces of work, bold lines, the technical aspects of traditional tattooing and having studied illustration… I love incorporating that into my work. Doing my apprenticeship with a bunch of Realism and New-School artists has had a massive influence on me as I can use techniques related to those styles and it’s brilliant to have a completely different set of eyes analysing my work. There are so many styles out there that don’t fit in a category, but I think that’s cool because who wants to follow trends and fit in little labelled boxes? I think it’s important to be artists and not just tattooists trying to fit in a style.

 

Little Si:  I think if I had to put myself into a category it would be Neo-Traditional Japanese. I love tattooing in every style. My roots are in New-School and Traditional veins of tattooing, so I constantly take influence from those in terms of my technique and colour palette.

How long have you been tattooing for?  

Gabriela:  I have been tattooing for three years, including my apprenticeship which really isn’t long. Everything is moving so fast for me with Simon and the studio and I didn’t expect it to at all. I’m very thankful to have Simon working alongside me.

Little Si:  I was 17 when I started my apprenticeship and didn’t start tattooing until I was nearly 20, so I’ve been tattooing around 4 years now.

Where do you get your inspiration from? 

Gabriela:  I’m in love with so many amazing artists! It’s so hard to specify where I get my inspiration from. I’ve recently been tattooed by an amazing artist in Berlin called Daniel Gensch, so he’s my current favourite.  Apart from the many artists I admire, I also love going to see fine art in galleries and I absolutely adore statues!

Little Si:  I’ve always been a huge fan of cartoon, which comes across in my work a lot and feeds into my Neo-Traditional Japanese style. I’m obsessed with Japanese art and folklore, where a lot of my inspiration comes from! I think I’m probably single-handedly funding Amazon with my book addiction. Everything inspires me really, my family is a huge inspiration and support system for me and seeing other artists killing it pushes me to work harder too.

If you weren’t a tattoo artist, what would you be? 

Gabriela: I would hope that I would be doing something related to art, probably an illustrator or maybe just a bum.

Little Si:  Just happy in whatever I did, I hope. I have a long list of things I would do if I wasn’t a tattoo artist, but as long as I was happy,  jobs a good’un!

All enquires can be made to info@blindtigertattoo.co.uk and any studio updates are available on their Instagram and Website 

Songbird Tattoo Studio

Songbird Tattoo Studio has recently moved to Exeter’s High Street, becoming the most central shop in the Southern City.

This beautiful emporium is a custom shop, which is open to the public but maintains the ambiance of a private studio. A highly unique space with much to spark the imagination, the studio has an air of relaxation and friendliness about it.

Studio owner and tattooist Nic Smith works mainly in Mehndi, geometric pattern decorative styles, and also enjoys colour work. She’s inspired by patterns, fabrics and varied religious iconography. All of these things not only inform her work but have impacted on the shop’s interior.

Syluss focuses his attention on custom illustrative work and also excels at portraits and black & grey.

Ryan Ousley works primarily in a bold new school style, favouring bright colours.

Email songbirdtatoo@live.co.uk for booking and enquiries and follow Songbird Tattoo on Twitter, Facebook and Instagram for studio updates and more tattoos.