Bongjin Jeon (he/him) creates bold black work tattoos at Tenderfoot Studio at 199 Cook St #103, Brooklyn, New York 11206. We chat to the tattooer about his journey into the tattoo world, art style and proudest moments…
Tattoo artist Bongjin JeonFloral tattoo by Bongjin Jeon
How long have you been tattooing and how did you get started in the industry? I’ve been tattooing for around one and a half years. I’ve always been into tattooing since I was young.
During the pandemic, I approached my favourite tattoo artist and asked if he could be my tutor – he accepted and that was when everything started.
How has your experience of the tattoo industry been so far? Are there any moments or stories that stand out? It’s been great so far honestly. It’s been better than I expected and I’ve not regretted it.
A moment that shocked me the most was when the boss of this huge tattoo shop in our shop’s neighborhood wanted to get a tattoo from me even though I was in an early phase of tattooing. It was a big compliment for me – it convinced me that I’m doing the right thing in the right way!
What inspired you to become an artist? Do you have a background in art? Frankly, I wasn’t into ‘art’ when I was child. I was more of an athletic student. But at the same time, I was interested in something distinctly different in many areas like comics, music, doodles and of course tattoos.
Then I realised I liked fun, goofy and creative tattoos the most. After realising that, I went to art school and learnt how to draw, craftmanship and how to market myself – all of these have been the root of my career.
What’s your first memory of tattoos? My first memory, always cracks me up. I did the tattoo on an old friend after learning to tattoo from my tutor. It was lettering on the clavicle so I had to stand up leaning forward all the way during the whole session. Of course I had practiced on fake skin before that day but still, it was somewhat overwhelming and a lot. Fortunately my tutor was with us so everything was under control. It was a pretty chill and fun time; my friend and I still laugh about that day.
How would you describe your style? My tattooing style is called black work with bold outlines. It’s from solid black to zero for strong contrast. This strong contrast makes tattoos alive and also surreal at the same time. It feels like these tattoos are about to jump or move around and I love that.
What inspires your designs? I always find fun in the paradox and unusual, especially when two different things or styles are put together, like serious and dark drawing styles with silly subjects like a Pikachu.
What are your biggest artistic influences? One of the biggest is from the movies. I draw movie scenes and characters sometimes but also just get influenced by the mood of a movie whether that’s the emotions or sense of humour of it. I mainly take inspiration from comedy movies, like Step Brothers, 21 Jump Streets, The Office, The Hangover…
Another influence is nature. I’m obsessed with going to parks and I get ideas for flash tattoos by watching animals and plants there.
What do you like to tattoo and what would you like to do more of? My tattoo style itself with bold lines is fit for something strong, solid and that stands out. And I believe there’s a charm to these strong subjects being funny and silly with a small twist. So far, my works have been 50/50 serious themes and funny themes. I’d love to work on these silly goofy tattoos with bold lines more by collaborating with clients who have similar tastes with me.
How do you see your tattoos evolving in the future? I’m thinking about adding other line thicknesses, especially thinner lines for more abundant details depending on designs and sizes. I also may start putting some colours in depending on themes.
What was your first tattoo? To be honest, I don’t have any tattoos myself so far. I know some people in this industry will disagree and hate this, but I can take it. In my opinion, having zero tattoos and a bare body is also one kind of body design in the tattoo sense. Not having any can stand for having a cool one.
Where’s been your favourite place to travel and tattoo? I would say New York is a pretty decent city for a tattoo trip. New York is one of the cities that has the most old and also new tattoo artists and shops in the world in smaller areas compared to other big cities. This means each tattoo artist has gotta be competitive. In terms of the city itself, I think New York gets underestimated like people saying New York is overrated.
Another city I’d love to travel to is Madrid. I want to experience working in another atmosphere with New York like weather, people and buildings.
What’s the tattoo scene like where you are? I’m working in Bushwick, Brooklyn. I’d say Bushwick is pretty vibey and has a good atmosphere with fancy bars and restaurants but also calm to walk around at the same time. That’s my favourite part.
Most shops in Brooklyn are new and young so you can find new styles of tattoos easily in this town. Tattoo artists are also young and usually chill. Come through, we won’t bite!
What do you do when you’re not tattooing/drawing? Besides tattooing, I play soccer and tennis for my back and wrist pain from tattooing. Or I love to go to big and small parks in my neighbourhood and lie down. I always say the best part of New York is parks.
What moment in your career are you most proud of? When clients come back and get a tattoo from me again. It always feels like a big credit and I’m so happy about it. And also lots of my tattoo flash designs are designed as patch works. So if a client gets another tattoo or even more from me, it would look better together. This makes me proud and increases my happiness.
Make sure to follow Bongjin Jeon (@telephonepole2) on Insta for more bold tattoos.
Dokhwa (@lookatthe_dokhwa) creates incredible pet portraits at 369ink.studio in South Korea.We chatted to the artist about her journey into the tattoo world, inspirations and future plans…
DokhwaDog tattoo by Dokhwa
How long have you been tattooing and how did you get started in the industry? I’ve been tattooing for five years. It all started with a friend who had a lot of tattoos on his body, that’s how I became interested in them. Also when I got my first tattoo, the artist who gave me the tattoo looked really cool, that piqued my interest so much so that I decided to become a tattoo artist!
To see paintings on a body rather than paper was really cool. So I decided to become a tattoo artist.
What inspired you to become an artist? It was painting and my love for finding a variety of paintings and artistic styles. Hyperrealism in particular inspired me a lot and made me fall into tattooing and the art world even more.
Do you have a background in art? No, I have no experience in art. So while I was working, I would draw and paint as much as I could – whenever I had time.
How would you describe your style? My tattoo style is realism, my tattoos show almost every detail of the subject. They’re like a picture. In fact I try my best to make them exactly like the pictures I see or the ones my clients bring to me.
What drew you to colour tattoos? I was doing black work tattooing when I started. However I soon became interested in the work of an artist who does colour tattoos. It felt so different to black ink tattoos, so I started to do colour tattoos too.
You tattoo a lot of pet tattoos, can you tell us about these? I like pets! That’s why I do a lot of pet tattoos. When I finish the tattoo my customers feel like they always have their pets with them I like to see my clients happily looking at their pet tattoos.
What inspires your designs? I take inspiration from a lot of things – movies, books, other artists’ work, etc. I think I get the most inspiration from seeing a lot of paintings.
What do you like to tattoo and what would you like to do more of? I like to make pet tattoos, but I also like portrait tattoos. So I want to do more portrait style tattoos, as I like to create the details of the person I am turning into a portrait tattoo.
How do you see your tattoos evolving in the future? I think my tattoos will evolve naturally as I start to focus on more portrait tattoos. I want to make a design by mixing various themes such as portraits, collages and pop art. So I can add even more details.
What was the first tattoo you did? My first tattoo was a whale. It was a very simple black whale, but it took a long time. It’s a tattoo I never forget about and I won’t forget the experience of making it either.
Do you still like your first tattoo? How has your tattooing style developed since then? Yes, I like it! It was my first tattoo and it’s still really meaningful. Since then, I have practiced a lot more and tried various styles of tattooing – old school, black and grey and colour realism. After a lot of trial and error I found I was interested in colour reaslism, which is what I’ve been doing.
Where’s been your favourite place to travel and tattoo? I think it’s Amsterdam. When I worked in Amsterdam, there were so many customers who liked my style and my tattoos. And I love to see works of art, so I really loved it when I went to the art museum.
Do you have any travels or guest spots planned? Not yet. But I want to go to Istanbul in the future. The tattoo studio I want to go to the most is in Istanbulm it’s filled with so many talented artists. I look forward to going there as soon as I can.
What’s the tattoo scene like where you are? There are so many talented artists in Korea. So everyone tries really hard on their craft. Tattoos are still illegal in South Korea, so we’re not legally protected. There are, however, artists in Korea who are campaigning for legalisation.
What do you do when you’re not tattooing/drawing? I recharge and regain my energy by watching movies and exercising or spending my own time. I think maintaining my health is important, especially for my work, so I try and keep looking after myself.
What moment in your career are you most proud of? I participated in a tattoo convention with the artists who work in the same studio as me. That was when I felt really proud. Especially as it was my first tattoo convention and a lot of people were interested in and liked my work. I got a lot of experience and learnt a lot.
Arirang (@tattooist_arirang) works in his own tattoo studio in Seoul, South Korea where he makes beautiful painting-like tattoos. We caught up with the tattoo artist to find out more about his aesthetic, journey into the tattoo world and beautiful brush work tattoos..
How long have you been tattooing and how did you get started in the industry? My journey to becoming a tattoo artist has been marked by a series of twists and turns, fueled by a deep and abiding curiosity about the world and a persistent search for my own true passion. As a young person, I struggled to find my footing and often felt adrift, unsure of what direction to take in life.
Despite the uncertainty, I remained determined to explore my options, taking on a variety of different jobs and experiences in an effort to discover my true calling. However, my physical and financial health began to suffer, and I knew that I needed to make a change.
It was during this challenging time that I began to reflect deeply on what truly sparked joy and fulfillment in my life, and I came to the realisation that tattooing was a craft that held a special allure for me. With a sense of newfound purpose, I made the decision to pursue my passion, saving up money by working at a construction site and enrolling in tattooing classes to hone my skills.
Since embarking on this journey, I have discovered a deep and abiding love for the art of tattooing, finding fulfillment and satisfaction in the act of creating unique, meaningful designs that carry a deep personal resonance for my clients.
Through my work as a tattoo artist, I have found a sense of direction and purpose that has allowed me to thrive both creatively and personally, and I look forward to continuing to explore the endless possibilities of this incredible craft in the years to come.
What inspired you to become an artist? My artistic journey has been a dynamic and ever-evolving process, fueled by a complex interplay of personal passion and a deep fascination with the inner workings of the human psyche. At its core, my inspiration to become an artist can be traced back to my abiding interest in the mysteries of the human mind and the emotional complexities that drive our thoughts and behaviors.
My path to becoming an artist began with a simple passion for drawing, which eventually led me to pursue a career in tattooing. However, it was not until I began interacting with the diverse array of people who sought out my services that I truly began to understand the power of art to touch people’s lives in profound and meaningful ways.
Through countless conversations and interactions with my clients, I came to realise the deep-seated emotions and personal stories that underlie the decision to get a tattoo, from the light-hearted and whimsical to the deeply personal and sometimes painful.
In response, I sought to create art that not only captured the individuality and uniqueness of each client’s vision but also served as a means of healing and transformation. As I continued on my artistic path, I discovered that the process of creating and sharing my art had a profound effect on me as well as my clients, imbuing me with a sense of purpose and strength that carried me forward in my career. In this way, my artistic inspiration has become a mutually reinforcing cycle of creativity and connection, driven by a deep commitment to the transformative power of art and the human experience.
Do you have a background in art? Despite my early affinity for art, I was regrettably forced to relinquish my passion during my high school years due to familial financial constraints. This decision was not an easy one, as my artistic inclinations had been evident since my formative years, having been encouraged by supportive instructors from kindergarten through elementary school.
During my time in middle school, a teacher recognised my potential and suggested that I pursue gifted education, which would have been a significant stepping stone in my artistic development. Alas, the financial burden of such a program was too great for my family to bear, and I was unable to pursue this opportunity.
As a result, I never had the privilege of receiving formal art education, which has often been a source of frustration for me. However, this did not deter my passion for artistic expression, and I continued to nurture my creative inclinations through self-study, experimentation, and a commitment to honing my craft through practice and hard work.
My journey as an artist has been unconventional, to say the least, and it has required a great deal of determination and resilience. Despite the lack of formal training, I have remained steadfast in my pursuit of artistic excellence, drawing inspiration from a diverse range of sources and using every opportunity to refine my skills and deepen my understanding of art and design.
While the absence of professional art education has presented its share of challenges, it has also given me a unique perspective and approach to my work, and has ultimately served as a source of motivation to push myself further and achieve my artistic goals through perseverance and dedication.
How would you describe your style? My aesthetic sensibilities are centered around a profound appreciation for the beauty of softness. There is something particularly alluring and captivating about the delicate and subtle elements of design that are often overlooked by others. In my creative process, I am constantly seeking to imbue my work with a sense of tenderness, a quality that speaks to the human spirit and taps into our shared humanity.
One of the key motivations behind my work is the desire to create garments that not only make individuals look their best, but also have a therapeutic effect on the wearer. I strongly believe that clothing has the power to transform our moods and emotions, and as such, I strive to create pieces that can uplift and inspire the people who wear them.
Moreover, my approach to design is informed by a deep respect for the human form and a keen understanding of how different materials can accentuate its contours and features. I am particularly drawn to the use of tattoos, which I believe can be harnessed to create an aesthetic that is both elegant and striking. My aim is to leverage the inherent beauty of tattoos to create a sense of quiet strength and poise in the wearer, as opposed to the more traditional, confrontational approach to body art.
My style is defined by a sensitivity to the nuances of design, a commitment to therapeutic principles, and a unique perspective on the role of tattoos in fashion.
You tattoo a lot of brush stroke tattoos, can you tell us about these? My artistic style is deeply rooted in my love for the tactile sensation of the brush, which I find to be an incredibly versatile and expressive medium. From a young age, I was captivated by the raw energy and intensity of the brush, which allowed me to create bold, dynamic strokes that conveyed a sense of power and emotion.
However, my attraction to the brush is not solely based on its forceful nature. In fact, one of the things that draws me to this medium is the subtle nuances and delicacies that can be conveyed through a single curve or line. With the brush, even the slightest variation in pressure or angle can produce a dramatically different effect, imbuing each stroke with a unique sense of character and depth.
As a tattoo artist, I have found that the feel of the brush is particularly well-suited to the art of body ink, as the flow and movement of the design can be shaped and molded to fit the curves and contours of the human form. The soft, flowing feel of the brush allows me to create designs that feel organic and natural, seamlessly integrating with the lines and curves of the body.
My passion for the feel of the brush is born out of a deep appreciation for its versatility, expressiveness, and ability to convey a broad range of emotions and sensations through the delicate interplay of strokes and curves. It is a medium that continues to inspire and challenge me in my work as a tattoo artist, and I look forward to exploring its endless possibilities in the years to come.
How do you create the paint like texture in your work? Creating paint-like texture in artwork requires a thorough understanding of how to use various paint textures, densities, and techniques to achieve the desired effect. By experimenting with different brush strokes, paint densities, and the amount of water used, artists can create a wide range of paint textures that can be used to add depth, dimension, and character to their work.
One technique for creating texture is to use a dry brush or a brush with less ink, which can produce a rough, grainy texture that is perfect for creating a variety of effects. Alternatively, using a lot of water in the brush can produce a smooth and fluid texture, which can be ideal for blending colours together seamlessly or creating a soft, misty effect.
What inspires your designs? As an artist, the sources of inspiration for my designs are numerous and varied. I draw creative influence from a wide range of people, experiences, and cultural artifacts, as well as from my own internal emotional landscape. My designs are informed by everything from the mundane details of daily life to the grandest and most profound moments of human experience.
Does your heritage influence your art? As an artist of Korean heritage, my cultural background has certainly had a significant influence on my creative process and artistic output. Korean culture is known for its rich history and unique artistic traditions, including intricate patterns, bold colours and stylised depictions of nature and everyday life.
Korean culture is known for its use of specific colours, including vibrant red, blue, and yellow hues. These colours have particular cultural significance and are often used to convey a sense of energy, vitality, and passion. I find myself drawn to the rich, bold qualities of these colours, and often use them in my own work to create a sense of dynamism and intensity.
My Korean heritage has also influenced the subject matter of my work. Korean art often depicts elements of nature, such as birds, flowers, and landscapes, and these themes have become an important part of my own artistic vision. Whether through tattoo designs or other visual mediums, I find myself drawn to the beauty and complexity of the natural world, and seek to capture its essence in my work.
I believe that my Korean heritage has had a profound influence on my artistic vision, creative process, and visual output. By drawing on the rich artistic traditions of my culture and blending them with my own unique perspectives and experiences, I am able to produce work that is both culturally specific and universally resonant.
Can you tell us about the process behind your tattoos? As a tattoo artist, I believe that collaboration with clients is crucial to creating truly unique and meaningful body art. During the initial consultation, I make a point to discuss the client’s vision for their tattoo, exploring their creative preferences, stylistic influences, and personal history to ensure that the final design is a reflection of their unique personality and style.
To bring these visions to life, I work with clients to experiment with different designs, colour schemes, and placement options, carefully considering their individual characteristics and artistic preferences. Once the design is finalised, I use a stencil or transfer to carefully apply the design to the skin, taking care to ensure that it is aligned and proportional to the client’s body.
During the tattooing process, I use a range of specialised techniques and tools to meticulously apply ink to the skin, creating a highly detailed and precise design that fulfills the client’s expectations. This process can involve everything from shading and colour blending to line work and specialist equipment to achieve certain effects.
After the tattoo is complete, I provide clients with detailed aftercare instructions to ensure proper healing and maintenance of their body art. This can include advice on cleaning, moisturising, and protecting the tattooed area, as well as guidance on avoiding certain activities or exposures that could damage the tattoo.
Overall, each tattoo that I create is highly individualised, taking into account the unique characteristics and preferences of each client. By working collaboratively and creatively with my clients, I am able to create highly personalised and meaningful works of body art that reflect their unique personalities, histories, and styles.
What do you like to tattoo and what would you like to do more of? I get inspiration from a variety of subjects. Tattoo art allows me to interpret and bring to life objects, people, and even intangible concepts. I love working with clients to create custom tattoos that reflect their style and personality. I adore using bold colours, precise line work, subtle shading, and tonal variations to bring these drawings to life. I love working with clients on fresh and challenging projects, but certain topics inspire me. I like designs with animals, plants, and landscapes, as well as abstract or intellectual subjects.
I want to try new tattoo art challenges that push the limits. I love trying various colour palettes, shading techniques, and cultural and historical design influences. I believe tattoo art is a deeply personal and expressive form of creative expression, and I feel honoured to help clients realise their artistic aspirations.
I love taking on new challenges and creating unique and inspired body art, whether it’s portraying nature’s beauty or exploring abstract and conceptual topics.
How do you see your tattoos evolving in the future? As a tattoo artist, my work is always evolving and changing, reflecting my own artistic growth and the shifting trends and influences within the wider tattooing community. I believe that as I continue to develop my own artistic vision, my tattoos will become increasingly nuanced and refined, incorporating new techniques and styles that allow me to express my ideas in complex and intricate ways.
Additionally, I am excited to see how the wider tattooing community will continue to evolve, and I am committed to staying current and up-to-date on the latest trends and techniques. As I continue to develop my artistic style and technique, my tattoos have taken on a distinct character that reflects my own creative vision and personal interests. At the same time, I am always attentive to the needs and visions of each client, ensuring that every tattoo is a truly unique and exceptional piece of body art.
What was your first tattoo? My first tattoo is a very sloppy cartwheel.
Do you still like it? Yes, I still love my first tattoo. While I understand that to some, these types of tattoos may not look very impressive, to me, this particular design holds a special place in my heart. In fact, I put a lot of time and effort into perfecting this design, even though it may not look like it at first glance. There are a total of 19 lines inside the round tyre, and each one was an experiment in different techniques, which I carefully recorded in a notebook and observed. Despite the imperfections in the final design, I love the earnestness and passion that I poured into this tattoo. It represents an important moment in my artistic journey, and serves as a reminder of the hard work and dedication that goes into every tattoo that I create.
How has your tattoo collection developed since then? Since my first tattoo, my collection has continued to develop and evolve, with many of the tattoos on my body being self-tattoos that were the result of my experimentation with new needles and inks. I have also traded tattoos with friends, further expanding my collection and providing me with new opportunities to experiment with different designs and techniques.
In the future, I am eager to continue exploring new and exciting tattoo designs, whether through experimentation or by finding tattoos that I particularly admire and want to add to my collection.
For me, tattoos are not just about the final product, but about the journey of creative exploration and self-expression that goes into each and every piece.
Ultimately, my tattoo collection is a reflection of my own artistic journey and personal interests, and I look forward to continuing to add to it over time, exploring new designs and techniques and pushing the boundaries of what is possible with tattoo art.
Where’s been your favourite place to travel and tattoo? My favourites are USA and Australia. I felt a lot of emotions there and it is a thankful space that has helped me grow.
Do you have any travel or guest spots planned? Yes, I would like to travel to the U.S. and I am planning on working there.
What’s the tattoo scene like where you are? It seems normal here. I think it’s somewhere in between, neither bad nor good.
What do you do when you’re not tattooing/drawing? I meet friends or go camping. After working non-stop for a long time, I sometimes travel. It’s so nice to have a relaxed mind because I think it’s the most important thing.
What moment in your career are you most proud of? One particular moment in my career as a tattoo artist is etched in my memory as the most meaningful and rewarding. It was when a dear friend of mine, who had endured the pain of a suicide attempt, came to me with a wound. Instead of concealing the wound, I decided to use my art to create a staircase tattoo on it. My intent was to symbolise his journey of recovery, growth, and transformation, with the staircase as a powerful metaphor for the steps he would take towards healing.
To witness the impact of the tattoo on my friend’s life was beyond what I could have ever imagined. It went beyond just being a work of art, but it became a symbol of hope, resilience, and determination. He was no longer ashamed of his wound, but instead, he took pride in it and wore it as a badge of honor.
For me, this experience was a defining moment in my career, as it reminded me of the power and responsibility of art to inspire, heal, and transform people’s lives. It reaffirmed my belief that tattooing is not just skin deep, but it can penetrate to the soul and help people navigate the darkest of moments. It’s moments like these that make me feel proud to be a tattoo artist, and it gives me a sense of purpose to continue using my art for the greater good.
We sat down to have a chat with tattoo artist Paula Castle, who owns Black Sheep Tattoo in Bristol. Paula is one of the most passionate and creative people in the tattoo world. And our chat covered everything from her fave subjects to tattoo to the deep-rooted misogyny in the tattoo world and the importance of safe spaces. Make yourself a cuppa and settle in for the ride…
We absolutely adore your tattoos, tell us more about them, your style and any themes that people love coming to you for…
I did my version of a crying heart as a sticker in 2017. Then in 2020, one of my clients said to me, I want your sticker tattooed on me. I loved doing it. And if I really enjoy doing a tattoo, my favourite thing to do is come up with different themes for that design. It’s just a really fun and interesting way to work. When people give me challenging themes, it’s fun working out how to do it or how to represent something. The crying hearts are especially fun to theme.
Drag queen, Divine themed crying heart tattoo
I’ve also done a few tickets, too. I’ve done a couple of those as memorial tattoos. It’s a nice design to incorporate dates into, without it being overtly memorial. I did one recently that was a ticket for a festival that my client had been to with her dad, and she lost her dad during Covid. I put a few important dates into the ticket. The problem with things that are obviously in memory of somebody is they lead to people asking questions. Sometimes that might be welcome, but for some people, they never feel comfortable sharing that stuff. Some people want something that doesn’t scream RIP.
Another fun design I’ve done recently is a rear view mirror tattoo – another design that’s good to add themes to.
Do you have a favourite tattoo that you’ve done? Or a favourite by someone else that you can’t stop thinking about?
There’s a tattooer called Josh Todaro who does traditional pieces. He did a portrait of Adam Sandler from The Wedding Singer – and Oh My God. “Somebody kill me please”. And it’s my most favourite tattoo I’ve ever seen. I just love it so much. One of those tattoos I wish was on me. I still look at it all the time.
As for me, it’s such a hard question to answer. But I just did my first ever Muppet tattoo – Miss Piggy from Treasure Island. I just kept giggling the whole way through tattooing it, because I absolutely love The Muppets.
One of the reasons I love tattooing so much is because my favourite tattoo is always the most recent one I’ve done. It just feels like that’s constantly continuing forever – it doesn’t get old.
Do you have lots of regular clients that always come back to you?
I love, love, love building relationships with clients. I enjoy time with people that I’ve tattooed before, because it’s like catching up with an old friend. I’ve got some people that I’ve been working with now for the best part of my career. I’ve seen people move through life in such positive ways – going through beautiful moments like marriages and buying houses and having children. Then likewise, I’ve had long-term clients who sadly lost parents or gone through other stuff and I’ve been able to offer them support.
It’s been interesting, I was diagnosed with ADHD last year, and so many of my clients are also neurodivergent. I’d love to understand if there’s a correlation, whether neurodivergent people gravitate towards other neurodivergent people without really knowing that they’re doing it, you know.
Tell us about your shop, Black Sheep Tattoo in Bristol. We know tattoo shops can sometimes feel like intimidating places if you’ve never been in one before.
I try my best to make the studio safe and welcoming for everybody, but also I’ve taken as many steps as possible to make it really clear who we don’t want here. I think that’s just as important. We’re trans friendly, queer-owned, female-owned – it says female-owned on my sign outside – like I’m very upfront about it. I don’t want people in my studio who are going to make not only my artists, but any other clients feel uncomfortable. And that’s always been of the utmost importance to me. The clients that we have here really reflect that.
We have eight artists and a studio manager and tattooers who do regular guest spots. Then we also have The Tooth Pixie, who does a couple of days a month offering tooth gems. And Amanda who comes one Saturday every month and does brow lamination and eyelash tinting. When it comes to body modification, it it isn’t just about permanence. I love integrating to offer more than one service. Which brings people into a tattoo studio who’ve never thought about tattooing before, and might have a preconceived notion of what a tattoo shop is like.
‘Even now, you open a tattoo magazine and every advert has got a half naked woman in it’
Breaking down those kinds of social barriers is still something that’s really important. We have a responsibility to tattooing – and especially tattooing for women. It’s still an extremely male-dominated industry and it’s misogynistic, from a systemic point of view. Even now, you open a tattoo magazine and every supplier advert has got a half naked woman in it – it needs to stop.
We’re ready for change, why isn’t it happening quicker?
It’s those little micro aggressions of misogyny in advertising and in, you know, the percentage of sponsorships and things that go to men over women in the industry, that leads to inappropriate behaviour with clients in studios, and sexual assault and sexual violence against female clients and artists.
These things can’t be fixed by me opening a studio and not standing for that behaviour in my studio, the only way to fix the problem is to address the people doing the things in the first place. It’s not on us to fix it. But it is the responsibility of the suppliers and the media that work within tattooing to fix the systemic misogyny within tattooing, because it’s not acceptable anymore. And it needs to stop.
It’s been gorgeous to chat, and we loved you getting on your soapbox about the change that’s so needed. Anything else you want to share?
It’s my tenth year tattooing this year. It feels like such a milestone. It’s definitely been a roller coaster. But it’s so hard having your own studio. If I had been able to find a space to work in that was like mine, I would absolutely not choose to be a studio owner. If anybody’s really unhappy where they are, don’t think that the solution is to have your own place. It isn’t always the answer. But yeah, all I ever wanted was to have somewhere that I could truly be myself – like, you know, somewhere not to feel embarrassed all the time. That’s all I ever wanted was to not have that feeling anymore.
Tattooist and artist CAIN creates tattoos at Sick Rose Tattoo Parlour in Shanghai, China about his journey into the tattoo industry, his unique style and how he’s pushing the boundaries of tattooing…
How long have you been tattooing and how did you get started in the industry? In 2014, I embarked on a journey that would shape my artistic career. It was the year that I first learned the art of tattooing in Xinjiang. However, it took a couple of years of experimenting and exploration before my unique style began to take shape in 2016.
At that time, I was working at a contemporary art company. Although I enjoyed the work, I felt constrained in my ability to express myself fully. So, I made the bold decision to resign and embark on a new path – one where I could fully embrace my passion for tattooing and express contemporary art in my own way.
It was a challenging journey, but I was determined to develop a style that would embody the contemporary art aesthetic that I had been striving for. I spent countless hours experimenting with different styles, techniques, and approaches, seeking to perfect the balance of artistry and technical skill that would become the hallmark of my work.
Over time, my style slowly emerged – characterised by intricate designs, bold lines, and a striking use of colour. It was a style that I felt truly reflected my artistic vision and embodied the contemporary art principles that I hold dear.
Since then, I have been committed to refining my craft and pushing the boundaries of what is possible in the world of tattooing. Each new piece is an opportunity to create something beautiful and meaningful, a testament to the power of art to inspire and transform.
What inspired you to become an artist? Do you have a background in art? My upbringing and experiences have undoubtedly played a significant role in shaping the person I am today. Born in Xinjiang, the same region where my ancestors and parents also came from, I was raised in a place with a rich cultural heritage and a complex history that has had a profound impact on my outlook on life. I did not receive any formal art training, but I loved art when I was young.
At the age of 17, I left home and went to Shanghai, where I had to learn to rely on myself without any help from my family. This experience taught me many things and made me more independent, which has been invaluable to me as I continue to pursue my artistic journey.
As a deeply thoughtful and introspective person, I have always had a lot to express, and being able to do so through my art has been a great source of joy and fulfillment for me.
My work reflects my personal experiences and thoughts in a deeply personal way, and I see art as not just a means of self-expression, but also a way of exploring the human experience and connecting with the world around me. In this way, my upbringing, experiences, and artistic expression are all interconnected, forming a tapestry of who I am as an artist and as a person.
How would you describe your style? The most well-known aspect of my work is undoubtedly my personal tattooing style, which I call “Postgulag”. Inspired by the Gulag labour camps of the Soviet era, this style incorporates modern painting and tattooing techniques to express resistance against thought control. The overall image is characterised by pure black, without any excessive ornamentation.
I began to focus on the Gulag style of tattooing because I felt angry, desperate, and frustrated about the many social phenomena and injustices. I had a lot to express, and after experimenting with different techniques, I created the Postgulag style that I have been committed to ever since.
In essence, Postgulag is a subversion of the classic “Gulag” tattoo style, infused with my own understanding of resistance, and creating a powerful and ironic aesthetic system using only black ink.
What draws me most to tattooing is its unique expression and the “canvas” that it provides, which encompasses not only painting but so much more.
What inspires your designs? My work is deeply rooted in my personal experiences, and the memories I have accumulated over time often inspire me to think more deeply and reflect on the world around me. This process of reflection and introspection is what motivates me to create and express myself through my art.
Does your heritage influence your art? Although my cultural background has undoubtedly influenced my work, I am very deliberate and selective about how I incorporate it into my art. I strive to discard elements that are outdated or unhelpful and keep only what is good and beneficial to me, my art, and my message.
As an artist, it is essential to remain mindful of the cultural traditions that shape us, but it is equally important to find ways to evolve and adapt these traditions in a way that is meaningful and relevant to our individual artistic visions. For me, this means drawing on my cultural heritage while still staying true to my own creative impulses and ideas.
Can you tell us about the process behind your tattoos? When clients make an appointment, they have the option of choosing from a selection of pre-drawn designs that I have created. This approach is a popular choice for those who want a quick and easy way to choose a design without the need for a consultation.
However, for clients who have a more specific idea in mind, I offer a consultation to discuss their preferences and understand what they are looking for in a tattoo design. This personalised approach allows me to incorporate the client’s ideas and preferences into a custom design that is unique to them.
During the consultation, I work closely with the client to ensure that their design is something they will be proud of and enjoy for years to come. This process can take more time, but it is well worth the investment to create a design that truly reflects the client’s personality and vision.
Ultimately, the decision to choose from pre-drawn designs or to have a custom design created is up to the client, and I am always happy to work with them to create a tattoo that they will love.
What do you like to tattoo and what would you like to do more of? I personally find the process of tattooing to be an incredibly powerful experience. Injecting ink into the skin is not only a form of visual art but also a sensory and emotional one. Although it can be painful, the act of tattooing creates a bond between the artist and the person receiving the tattoo.
This bond goes beyond just the physical sensation and taps into the deeper, more spiritual aspects of human experience.
For me, the ritualistic nature of tattooing is what sets it apart from other forms of art. It’s like etching an idea or artwork directly into the soul of the person receiving it, leaving a permanent mark that has a deeper significance. The idea that a tattoo is not just an image or design but a connection between people is what draws me to this art form.
However, as much as I love the personal aspect of tattooing, I also feel a strong desire to share my artistic vision with a broader audience. I believe that my ideas and impressions have the potential to resonate with others, and I want to continue pushing the boundaries of my art to connect with a wider audience.
That’s why I am committed to creating more art and exhibitions in the future. I want to showcase my skills as a tattoo artist but also express my thoughts and emotions in a way that can connect with people on a deeper level. I believe that tattooing is a way to create a connection between people, to share ideas and emotions in a way that transcends language and cultural barriers.
How do you see your art evolving in the future? For me, tattooing, art pieces, and exhibitions are all just different ways to express my complete aesthetic system. I have a strong desire to communicate a coherent set of ideas and emotions that reflect my personal vision of beauty.
Although tattooing is the foundation of my entire aesthetic system, I don’t limit myself to this one form of expression. I see tattooing as just one of many ways to express my artistic ideas and to connect with people.
My work is all about communication, about sharing my experiences with others and creating something that resonates with people.
I believe that art is not just about creating something that is aesthetically pleasing, but it’s about channeling my thoughts and emotions into something that has meaning and can speak to the human condition.
By focusing on conveying what I want to express, I trust that the rest will fall into place with the guidance of a higher power. For me, the creative process is about creating something that transcends the boundaries of language, culture, and time, and speaks to something universally understood.
What was your first tattoo and do you still like it? My first tattoo was on my chest, an image of a person hanging upside down on a cross. Coming from a Christian household, my mother was furious when she found out. She thought I had gotten a tattoo of Jesus. But after I explained the meaning behind the tattoo, she understood.
The person hanging upside down is a representation of myself. I know I am not worthy of being compared to Jesus who was nailed to the cross. But like Saint Peter, I know the path that I need to follow, and it is a path that I am committed to following.
Tattooing is a deeply personal experience, and for me, this first tattoo was a way of expressing my own beliefs and convictions. It’s a reminder of the path I have chosen and the journey that lies ahead.
Every time I look at my first tattoo, I am reminded of the journey that I have been on and the challenges that lie ahead. It’s a symbol of my own personal beliefs, and it reminds me of the importance of staying true to myself and my convictions.
Through my tattoos, I hope to continue expressing my thoughts and beliefs in a way that is both personal and meaningful. For me, each tattoo is a statement of who I am and what I stand for.
Where’s been your favourite place to travel and tattoo? At the moment, I don’t have a favourite place because there are still so many places I haven’t been to yet. My dream is to travel to every corner of the world and bring my artwork to people everywhere.
I believe that art has the power to connect people from different cultures and backgrounds, and I want to use my work to bridge those divides. There’s something special about being able to share my ideas and emotions with people from all over the world, and I want to experience that feeling for myself.
As an artist, I am always looking for new inspiration and ideas, and traveling is a great way to find them. Every new place I go to offers something different and unique, and I love incorporating those experiences into my work.
I hope that by sharing my work with people around the world, I can help to promote understanding and appreciation of different cultures and perspectives. For me, there’s nothing more rewarding than being able to connect with people through my art and to share a moment of understanding and connection.
So, do you have any travels or guest spots planned? I am planning to begin my world travel project in 2023, and I am hoping to make the United States my home base for this endeavour.
The United States is a country that has always fascinated me. It’s a place with a rich history and a vibrant cultural scene. As an artist, I am drawn to the diversity and creativity that can be found in American cities, from the bustling streets of New York to the laid-back vibes of Los Angeles.
I am excited about the prospect of using the United States as a starting point for my travels. It’s a country that offers so much in terms of inspiration and artistic opportunity, and I am eager to explore everything it has to offer.
Of course, there is still much planning and preparation that needs to be done before I can embark on this journey. But I am excited about the challenges and opportunities that lie ahead, and I am confident that this experience will help me to grow both as an artist and as a person.
I believe that traveling the world is one of the best ways to gain a new perspective and to connect with people from different cultures and backgrounds. I am looking forward to this adventure, and I can’t wait to see where it takes me.
What’s the tattoo scene like where you are? I, along with a few like-minded friends, have pooled our resources to create a shared workspace called Sick Rose (@sickrosetattooparlour). My friends specialise in the American traditional (Old School) style of tattooing.
It’s been a great experience to work together with people who share my passion for tattooing and art. We are all dedicated to creating high-quality work and pushing each other to new heights of creativity.
In our studio, we share ideas and techniques, offer feedback on each other’s work, and collaborate on projects whenever possible. It’s a supportive and inspiring environment, and I feel very fortunate to be a part of it.
I’m excited to see what the future holds for Sick Rose and for our individual careers as tattoo artists. I know that by working together and supporting each other, we can achieve great things and continue to push the boundaries of what’s possible in tattoo art.
What do you do when you’re not tattooing/drawing? In my quiet moments, I like to listen to music and read books. Good music helps me to relax, while books allow me to learn new things and generate new ideas. Among the writers who have had the deepest impact on me are Byron and Hesse. When the weather is good, I enjoy going to the boxing gym or taking a walk in nature.
What moment in your career are you most proud of? There may not be any one moment when I am most proud, as achieving success is a gradual process and each period may hold different surprises. In the past, when I released a piece of work and received recognition from many talented artists who shared and praised it or when I was interviewed by domestic or foreign media outlets, I would feel a sense of pride.
However, now I am perhaps more focused on creating work that resonates with me and directly connects with the emotions of my clients, or reflects the feelings of those who are carrying it.
Make sure to follow @no.cain for more awesome blackwork tattoos, travel plans and art.
