Search & Rescue Denim Co. – Tattoo Aprons made by Bad Ass Women

Search & Rescue Denim Co.  based in Canada, create extraordinary custom aprons. Running since 2012, the Search & Rescue Denim opened their flagship store, where all the aprons are made in 2015. We chat to Sarah Bromfield, about the brand’s beginnings and how you can create your own custom apron…

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Bad Birdy in her custom apron

How did the company come about? Our founder Will was working in retail but had some sewing experience and a passion for design. When his friend Mitch Kirilo, a tattoo artist and owner of Vancouver’s Gastown Tattoo, asked if he could make a tattoo apron for him he took on the project. Once Mitch received Will’s apron it started popping up all over Instagram and more people started to contact Will and ask him to make them one too. At that point Will roped in his wife Jill to help out and started building the brand from the kitchen table where the aprons were being made.

What was the inspiration and vision? Will didn’t realise there would be a market for aprons and started by just taking the requests from friends and admirers of the original apron, but then once it started to take off he began his mission to design and produce the best quality aprons out there.

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Can you tell us about the team We are a small team made up of our production manager Joy plus her two sewers Keith and Lee-Ann. They are aided by Itsuki and Bonnie who prep all of the pockets and apron bodies once they have been cut by Sarah. Once the aprons are done being sewn they are finished off by Kirsten with metal grommets and rivets to reinforce the pockets and attach the straps.

Where do you source the materials for the aprons? Our fabrics are sourced from a local wholesaler here in Vancouver and our leather is all from North America and purchased from Lonsdale Leather, a local leather shop run by our friend Riley.

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Can you tell us about the process behind each piece? We have a very collaborative process here; new designs either come from requests by clients or ideas thrown around by the team. We all have our own aprons that we wear either in the shop, at home or during whatever creative side hustle we have going on – this helps us really get to know what works well and what activities each style is best suited to.

Has there been an apron order or design that has really stood out to you? There have been many! Because we offer full customization we get some really creative requests that are great fun to fulfill. We’ve had clear plastic lap pockets so a tattoo artist could read his phone while in his pocket, a recent holographic print that sent half the production team dizzy while cutting and sewing plus a beautiful split leg apron for a farrier with leather panels to protect from horse’s hooves. But probably my personal favorite is the collaboration apron that we designed with bartender extroadinaire Bad Birdy. It’s a buttery soft leather body (lined with duck canvas) but the pockets are all in this gorgeous matte crocodile print leather. The contrast of the different materials really makes this apron sing plus it has some great little extras such as the key-ring clip and towel loop which make it really practical.

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What sorts of people order from you? We get all sorts – from grandmothers who want a feminine apron for baking to heavily tatted up 20 somethings who want them to fix up their motorbike! Our store is located in a popular tourist destination (Granville Island in Vancouver) so we get a lot of international visitors who typically purchase an apron for cooking, cleaning or whatever their hobby is. But then we have a lot of local creatives who come into the store to design their custom aprons – ceramicists, jewellers, painters, carpenters, etc.

Are there any trends or industries that buy from you more than others that you’ve noticed? The business started off by making aprons for tattoo artists and they are still one of our biggest customers. We have many different styles of tattoo aprons from our minimalist right up to full length split legs. We also sell to a lot of barbers and stylists as we offer vinyl reversible aprons that protect them from colour or water and have places for all of their tools. After these two bartenders and restaurants are our biggest clients.

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How can someone order their own apron? Anyone local is welcome to pop into our shop as we’re open seven days a week and love to meet the people who are going to be wearing our aprons. We were an online shop before we opened our store so we have a very comprehensive website with all of our most popular styles and last year we launched our long awaited online apron builder which is the first of kind. Customers can build a 3D rendering of their apron by choosing the fabrics, thread colour, pockets, placement and more! This is really exciting for us and has had a great reception from our customers who have used it to get creative!

Sasha Nicole: The Black Heart Project

Tattooer Sasha-Nicole works out of Gold Irons Tattoo Club, Brighton and is the founder of the black heart project. Sasha tells us all about the creation and inspiration behind the charity tattoo project and how you can get involved…

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The black heart project is something I created a couple of years ago, with the sole purpose of raising awareness and funds for mental health. Primarily the charity ‘Mind’. I designed a simple image to hold a word relevant to the client’s own experiences, whether that be their struggles or their triumphs, to display as a badge of honour in place of the stigma we’re often subjected to when it comes to these things. I wanted people to be able to be proud of who they are, despite how difficult things may be.

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I was going through a particularly rough time myself. I’ve struggled with a variety of things in my lifetime, and I guess I just wanted to put that energy into something positive and help other people along the way.

We all know that we need to talk more, and that doing so helps enormously, so the idea was to create a chain through these blacks hearts.

One person has a black heart tattoo, someone may then ask them about it, opening up topics that may have otherwise not come around, they may then tell someone or even get one themselves, and so on. When people come in for these tattoos they really open up to me, whether I know them already or have never seen them before in my life. The tattoo chair is a fairly vulnerable place and with this project solely based around mental health, I think it kind of gives people a safe avenue to open up and talk about it. I’ve seen people around town who have come up to me weeks or months after their tattoo, and they update me on how they’re doing, or tell me that their friend got one. I’ve had people from Brighton to Scotland get involved in this project so it’s nice to know that even a handful of people from different parts of the country have been made to feel a little better about what they’re going through.

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I generally advertise on my Instagram when I’m going to be doing a flash day, and then take bookings and cram as many people in as possible! I’m looking to expand this project over the next year, I won’t say too much now but I’m planning on taking it into schools (obviously not the tattooing element), but I want to spread the general idea as far as I can.

I get asked what word I would have in a heart on every flash day and I honestly still don’t know! I think I would probably have a blank one, just as a starting point for the logo and the concept, and then if people ask I can direct them to the black heart project from there!

Hexagon Tattoo Project: Martin Dobson

Martin Dobson is a self-confessed tattoo addict and owner of the incredible hexagon tattoo project. An enterprise that starts life as simple outlines of  hexagons that are then filled by various tattoo artists from around the world.  We caught up with Martin to find out more about his inspiring tattoo collection and the thinking behind it…

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What was your first tattoo and how old were you? I got my first tattoo when I was 17, yes I lied that I was 18. It was a tiny piece of terrible tribal flash on my arm, which has since been covered by a slightly less terrible tribal wrap around which I got a few years later in Thailand.

What inspired you  to get tattooed in the first place? I don’t really remember what inspired me to get a tattoo. I lived in a provincial town in the UK and in 1997 there was no one I knew or anyone I was even at school with that had a tattoo. I think it must have been a rebellion thing but I was just drawn to it. Something that 22 years and over 60 tattoos later I understand was the start of an addition and calling.

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How did your hexagon project come about? I travel a lot with work and a few years ago whilst on a long trip taking in NYC, LA, New Zealand, Oz and Singapore I starting thinking that it would be cool to mark each country or city I go to with a tattoo from a local shop. My first (probably bad) idea, was to get the logo of the shop tattooed in a circle on my leg, like a passport stamp. Whilst discussing with my wife this morphed into what it is today. My wife, Dawn came up with the hexagon shape so that they tessellate.

Do you go to tattooists with a design or let them have free reign with the space? No I give them complete free reign. We usually talk about their options and they ask my opinion. But honestly I love that I don’t know what design I’m going to get when I wake up on the morning of getting a new tattoo or even when I’m walking into the studio – sometimes even when they are starting the tattoo! It’s my experience and I think a universal understanding that you definitely get an artist’s best work if you allow them the freedom to do something they like doing or that challenges them. It’s been fun to see seasoned, highly talented artists freak out about what they are going to do in such a small space. All bar none have completely nailed it too!

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You’ve got some amazing work from some incredible artists, who else is on your list? My list is endless. With Instagram people’s work is so accessible, it’s crazy – my wish list gets bigger everyday. It also gets longer every time I go for a session and the artist I’m working with starts recommending their friends and peers. I’ve had to stop talking about new artists! I put out a post on International Woman’s Day recently asking for recommendations of female artists as I’m embarrassingly low on woman tattoo artists compared to men. I got over 125 comments with atleast 200 artists tagged, it’s taken me hours just to look at their profiles let alone start contacting them.

Some big targets currently are Filip Leu who is up for adding a design next to his friend Tin Tin’s but I need to go to Switzerland – I might just have to turn up on his doorstep! Nikko Hurtardo says he’s up for adding a piece but again he’s hard to tie down. I’d love to get something from Boris, Kahn Tofi. I have a long list of Japanese artists, but I’d like to go to Japan rather than doing it at a convention in London or Europe. There are a load of good artists in Korea that i’d like to get hexagons from too. Lastly I grew up watching Miami Ink, I know it can be derided in the industry but Ami, Chris, Darren and Chris are super talented and their show is how I got introduced to tattooing. Ami and Chris Garver have added hexagons and I have two spaces free next to them. Darren is visiting the UK in the summer and is going to add his – now I just need to get a line to Nunez and hopefully I can have them all together.

Do you plan on covering your whole body?  I’m about to extend to my other leg and do a full sleeve which should give me at least another 50 hexagons – after that it will be a conversation with my wife! She didn’t marry a heavily tattooed guy so I have to respect that. She loves the project and actually came up with most of the ideas but I’m not sure she’s up for a husband completely covered in hexagon tattoos!

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What sorts of reactions does your project get? Amazingly positive – I think I’ve been quite lucky and stumbled on a reasonably unique idea in a tattoo world that doesn’t have much left as far as new ideas on placement or collecting go. It’s even got to a point where there are a few people out there copying the idea exactly!

It’s amazing that pretty much every artist I contact is into the idea and usually fits me in to their schedules at short notice – even when they have long waiting lists. As I say I’m a lucky guy and feel humble that an idea that started off as a bit of a punt has turned into something that a lot of people are truly interested in and want to follow to see the outcome.

Photos by Dan Lowe

Apprentice Love: Hannah Elizabeth Gehrke

We just can’t get enough of new tattoo artists, and this is what fuels our Apprentice Love series. A selection of posts and interviews in which we like to showcase new talent in the industry. Hannah Gehrke is a tattoo apprentice at Broadside Tattoo in Swansea, UK, who our editor Rosalie was lucky enough to be tattooed by too. 

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How long have you been tattooing and how did you get into the industry? I’ve been tattooing for a little over two years and apprenticing at my shop, Broadside, for three years so far! I’m part of the herd; I did the normal thing of doing my A Levels and going to University where I studied counselling and psychology with the aim of being an art therapist, but it wasn’t panning out how I wanted it to. Art was still a big hobby of mine though, and half way through my final year of university when I was writing my dissertation and preparing my final exams, I saw Broadside advertising for an apprenticeship position and I just went for it!

Scott allowed me to apprentice at the shop whilst doing my university work which worked out well, and now I both have a degree and a job that I absolutely adore (I didn’t get the first in my degree I was hoping for, but we won’t talk about that). I wouldn’t change it for the world now. This is basically a form of art therapy anyway so I have the best of both worlds!

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What inspired you to become a tattoo artist? I’m going to say it: Miami Ink. It was always on the TV at home and it had a big impression on me. In my tweens I was watching it and just thinking, this is so cool! I love it! I didn’t know any people with tattoos then, so this TV show was really my only source of knowledge. As I grew, tattoos were slowly introduced to me by friends, and I’ve been hooked ever since. My mum booked her first tattoo in her 40s before I booked my first at 18, and I wasn’t having that so I snuck in an appointment before her. Sorry Mum!

I’ve always been creative and loved art at school, even though l ended up packing it in because I lost my spark and I didn’t think that pursuing any career in art was doable, let alone tattooing, or more so that I wasn’t capable enough, but here I am! Living my dream. Sometimes I can’t quite wrap my head around the fact I actually do this for a living and I’m so grateful for the opportunity. A little determination and perseverance goes a long way. I’ve had a lot of support from my family, friends and my boyfriend, and without them I don’t think I’d have done this and got to where I am today.

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How does it feel being a woman in the tattoo industry? It feels great and I’m honoured to be a part of it. I’m very much aware that tattooing is quite the male dominated industry, but times are changing and I’m very happy to be involved.

There are so many fantastic female artists out there who’re a huge source of inspiration to me, such as Lucy O’connell, Sadee Glover, Natalie Gardiner, Debbie Jones: I want to be like them one day! I also like to think that in 10 or so years time, maybe a young girl my age now will think, if she can do it, so can I. It’s all about supporting each other and holding each other up, and as much as I’m here for all my girls, I’m here for all my boys too.

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How would you describe your style? Has this changed since you started, what direction would you like it to go in? I’d say my style leans more towards colour neotraditional, but I bring a lot of illustrative, “organic” elements into my work too. Dotwork is also something I do a lot of. Generally, I just draw, and what comes out… comes out.

I’ve noticed big changes in style since I started tattooing, and it’s only been two years! I can’t wait to see what I’m working like in another two. As I’m still an apprentice, I’m still learning and adapting to different styles too. I’m happy to do traditional, black work, I’ve tried black and grey, script, Japanese and Maori… it’s adding more strings to my bow and I love learning new methods, however I would like to purely work in my own style one day, and the demand is growing which is amazing! But if someone wants something which isn’t my usual style, I’m more than happy to do it and I think being able to do a little bit of everything is important. I want to have my fingers in all the pies!

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What inspires your tattoos? Happiness! I love making people happy! Whether that happiness is derived from a majorly colourful Kewpie dressed as Dolly Parton, or a blackwork tombstone commemorating the death of your diet, if it makes you happy I’m all about it.

I work with some fantastic artists and Swansea has a lovely little hub of us who all to different styles, so there’s endless inspiration. I’m also a really big fan of vintage Hallmark designs and botany books, and I reference them throughout my work frequently. I take a lot of my own reference photos too, whether that be wildlife, plants or myself (I have nice hands, OK?!)

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What do you love to tattoo and what would you like to do more of? The list of things I love tattooing is endless! I really enjoy doing florals and botanicals, they’re always my go to, however I also absolutely adore tattooing the more obscure and personal. Does your nana have a brooch that you’ve always wanted to get your hands on? Did you really enjoy that hotdog you ate in New York back in 2011 and haven’t stopped thinking about it since? I want to tattoo it! I want you to have a memory to wear forever, and it’s such a wonderful feeling being part of the process and making it happen; I get to share and cherish your memories with you. Meaningful or meaningless (and it’s ok to get a tattoo with no meaning just because it looks cool!), I’ll work with whatever you want and do my best to turn it into a tattoo for you, and generally the more detail I can get into something, the better!

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How does tattooing make you feel? Including the tattoos you create and the tattoos you have on your own body. When I’m tattooing, I don’t think about anything else. I’m completely engrossed in what I’m doing and don’t have the time to think about anything but the tattoo; I’m in my own little bubble! Don’t get me wrong, throughout this learning process there have been tears and tribulations, but thankfully they’ve just made me work harder, and my will to succeed is huge. I really, really want to do well and there is absolutely nothing that can stop me. I’ll have my ups and downs, but that’s all part of it and I respect that.

I don’t think there’s any better feeling than completing a tattoo and not only being proud of it, but your client being proud of it too. I’m not in it just for myself, and I’m aware how much of an impact a tattoo can have on a client regardless of how big or small, simple or intricate, and I want them to walk away from the experience fulfilled because that’s how my own tattoos make me feel.

Tattoos have allowed me to accept and love the parts of my body I didn’t, show off my interests and memories… they’re more than just tattoos; they are my own personal accessories and I wear them all proudly, old and new. Tattoos and tattooing are a major source of joy in my life, and I want to share that with as many people as I can.

Still Not Asking For It Tattoo Flash Event

Still Not Asking For It

The worldwide tattoo charity event is back on Sunday 9th June 2019

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Born in 2015 by tattooer Ashley Love, Still Not Asking For It, an annual tattoo event, aims to bring people together to support and speak out about sexual assault and abuse. In their own words the charity fundraiser is ‘making efforts for awareness, prevention and recovery from sexual violence.’

Starting out in a just one tattoo shop, this year’s tattoo event sees over 80 tattoo shops and hundreds of tattooists and artists from around the world taking part in a co-ordinated charity flash day. From London to New Jersey, Johannesburg to Florence, tattoo shops are coming together to support this event and survivors.

Tattoo designs will be available from each artist in the shops, and the proceeds of these will raise money for local and national organisations that fight for issues around sexual violence. Each shop or artist will choose a charity to donate to, and since 2015 the event has raised and donated $367,000.

Just some of the tattoo shops taking part on June 9th:

Yellow Rose Tattoo, Salt Lake City
Red Point Tattoo, London
Diving Swallow Tattoo, California
Lotus Body Adornment, Utah
Lizzie Renaud, Toronto
Ninth Wave Tattoo, New Jersey
37tattoo, Peru
Tooth and Talon Tattoo, Manchester
Black Iris Tattoo, New York
And many many more

Make sure to follow @stillnotaskingforit_flashevent and #stillnotaskingforit2019 for more tattooists, tattoo shops and information.