Category: Tattoos

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“Working on sugar-paste and soft skin feels sort of the same – and a moving person is similar to a spongey stacked cake!” from cake maker to tattoo artist, interview with Laura Raña

From cake decorator to tattoo artist, Laura Raña (@lifeininklr) runs a private, eco-friendly, vegan and woman-led studio and she holds the honour of “Surrey’s best tattoo studio 2023”.

She was a cake artist for 16 years – and she used to teach and write columns for magazines – so Laura came to tattooing late, but her passion shines through. Here she chats all things cakes, tattoos and creating a welcoming studio for all to enjoy. Make a cuppa and settle in for the ride…

Before you became a tattoo artist, you were a cake artist, what inspired you to make that change?

After spending 16 years juggling life as a mum of two daughters (Bella now 16 and Eva 14 ) and being a cake artist, I felt like I had achieved everything that I wanted in the cake world. I was 35 and I wanted to use my artistic flare and creativity for something that wouldn’t  get stuffed down the throats of my customers week after week.

After spending so much time perfecting colour blending, modelling and painting on tiers of delicious sponges, I began thinking how I could transfer the skills I’d learnt. I wanted to create something that would last forever and not just briefly as brightly coloured crumbs on the side of people’s mouths.

Tattooing had always been something I was fascinated with. My grandad, who was an antiques dealer in the 50s until the 80s, was covered head to toe – back then, it was very taboo and frowned upon in his industry. I used to glare at the naked ladies and dragons strewn across his back, chest, arms and legs. He was six foot five, both tall and wide, his art work made quite an impression on me as a keen young creative artist in the making. He would definitely be one of my inspirations. 

Tell us about your journey to becoming a tattooer…

I started slowly getting covered in tattoos at the very illegal age of 14. I would walk past the only tattoo studio in my town, hoping they wouldn’t notice me in my school uniform. Then when it came to holidays or weekends, I’d try to dress older and strut into the studio beaming with anxious confidence to keep topping up my ink collection. This was when my interest was sparked.

Skip forwards 21 years and after ignoring the narrow-minded warnings from everyone (including my parents) that it was a dangerous industry to get involved in, I began my search for a studio that wouldn’t laugh in my face. 

That was the hardest thing – starting a new career at 35. I’m a strong-headed person, so  I kept knocking on doors, in the hope someone – anyone – would see my passion. Rejection came thick and fast, but I found a studio, eventually.

Apprentices make zero money, well at least I did. I had lots of people offering their skin but trying to throw myself into this amazing new career was not financially viable. So I’d work four days at the studio, then balance part-time work and cake making around that.

What was it like being a cake maker? And how does it compare to tattooing?

I adored my career as a cake artist, what a dream to have a career in the cake industry. I actually entered Kirsty Allsop’s Handmade Christmas TV show by making a fully decorated Christmas cake in under four hours – I ended up winning. It blew up my career and I began making celebration and wedding cakes, and that led me to teaching. Then I opened my own cake studio – I even had my own little cake column in a magazine. I felt just like Carrie Bradshaw. I began entering cake competitions and I’m very proud to have many gold awards. I was even cast for Extreme Cake Makers on TV. I specialised in chocolate modelling, airbrushing and then painting on cakes – all things I brought through to my tattoo career.

Cake and tattoos although very different, there are some elements that feel similar. The use of colour and blending work is the same in tattooing. Working on soft sugar-paste and soft skin feels the same too. Also a moving person is similar to a spongey stacked cake! It could move at any time…

Can you tell us about your studio?

Everyone is welcome in my little private studio. It’s nestled among the bamboo trees in my back garden. It’s a comfortable, cosy, funky little safe space where no one should feel intimidated. I created a studio I would be comfortable being tattooed in, as I think the more at ease you are, the better the whole experience will be.

Tell us about the award your studio won…

Having spent seven years building up my (very) little business, I was stunned to be nominated for England’s Business Awards in 2023. I was even more taken back when I won the title of “Surrey’s best tattoo studio”.

I’ve never claimed to be the most sought after artist – and there are thousands of artists around Surrey that are phenomenal – but these awards are about your art and your business. So that includes reviews and customer service, amongst other things. I was even mystery shopped so they could see the kind of service I offer, how I dealt with my client and the overall experience.

My little framed award sits proudly in the studio where all can see.

How would you describe your style, what do you like to tattoo?

My style isn’t just one thing. Tattooing different styles and using different techniques allows me to broaden my work to appeal to a larger client base. I know it’s probably frowned upon in the industry, but I did the same with my cakes.

Learning different things is beneficial for a successful business and it enables me to become a better artist. I don’t want to pigeon-hole myself to just one thing. I don’t want to wake up one morning and be bored of the same old stuff. So, for me personally, variety is most definitely the spice of life.

How do you work with clients, what’s your tattoo process?

I find the industry has changed from years ago when you’d walk into a studio covered wall-to-wall in flash designs and people choose “number 10”. There’s absolutely nothing wrong with that, but now with Pinterest and social media, people find ideas they like and perhaps want to combine a few ideas together. That’s where I come in, to create a design that fits their brief.

My focus is to ensure my clients are well informed, feel heard and understood and happy with their tattoo.

Is there anything you’d love to tattoo?

My “wannados” are based around pop art – bright, bold, almost comic sketches. It’s timeless art that stands out and looks super cool. But I feel like there isn’t much of a place for that as many clients want super fine line delicate pieces. I’d love to continue to tattoo thick lined patterns that are edgy and look amazing on everyone. 

Any guest spots or travel plans?

I’m going to start guesting at a few studios towards the end of this year to get myself out there and socialise with other artists. I might attend a few conventions too.

Follow Laura on Instagram for more tattoos and updates on guest spots.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“I always wonder how to explain my tattoo style, I think it’s just my own,” interview with Pisatché

From a private studio in Seoul in South Korea, tattoo artist Pisatché (@pisatche) creates incredibly detailed, cute and futuristic tattoos. We spoke to the tattooist about his craft, influences and future plans…

How long have you been tattooing? And what first made you fall in love with tattoos?

I started tattooing in November 2018 – so it’s been almost six years! I can’t believe it. I’ve been interested in painting ever since I was very little. Naturally, it led me to study design.

I first encountered tattoos when I was much older. I can’t forget the shock I felt at the time. It was then I realised my paintings could last forever on someone else’s body! After that, I studied and started learning about all about them.

What made you want to become a tattoo artist?

Tattoos were so attractive to me as they’re a way for my painting to live on forever on other people’s bodies. How incredible is that? Also, it is a super-interesting job that provides various stories, both from clients and other artists. I love listening and telling. This career has its own unique charms. I think that’s why I like tattoos and tattooing.

How do you like to work with customers? Is it mostly custom work or flash too?

Well, recently, I started making flash designs for customers to choose for themselves. But before, I have always collaborated with them to make the designs. I like both methods.

Do you have tattoos yourself – can you tell us about them? How do they make you feel?

Of course, I have about four tattoos. I did one on myself for the first time when I was learning how to tattoo. I also did a self-tattoo whenever I needed to research a new tattoo skill. I haven’t done this for a while, in fact it’s been more than five years since I got a tattoo.

I would recommend tattooing yourself to other tattoo artists. I found it really helpful especially when I had concerns about my tattooing skills. I also understand the pain that customers are feeling.

What was the first tattoo you did on someone else?

The first tattoo I did on someone else was on my best friend. It was some lettering. He trusted me and gave me a chance. But the tattoo wasn’t perfect and I’ve been expressing my infinite gratitude to him ever since.

How would you describe your style?

I always wonder how to explain my tattoo style. I think it’s just my own style. I am inspired by Japanese animation from the 1980s. The Japanese animation and films back then were detailed and beautiful. There was a lot of capital and labour invested in it and it brought huge economic growth. I’m always inspired by the art of that time. Especially Akira, it’s the best film.

What else inspires you and do you have any artists you admire?

I’m always inspired by animations and cartoons. And these days, I look up a lot of vintage posters. There are a lot of things to see and things to feel especially when it comes to the colours used in those days. My favourite artist is Katsuhiro Otomo.

How can clients book in with you?

I use Instagram messages and email. I plan to make a website later on as well.

Do you have any guest spots planned? Where would you most like to travel to?

Right now, I want to go to Australia. My favourite studio is the Eastcoast Social Club in Brooklyn, New York. There are many talented artists there who inspire me.

Tell us about what it’s like to tattoo in Seoul?

There are still restrictions, but it’s not bad. My personal hope is that more customers will visit me. I like Seoul, mainly because I have my family and friends here. Everywhere can’t be better than here because of that.

What’s been your proudest moment so far?

Being able to give my parents and my girlfriends good gifts. These moments are when I am most proud and happy. It helped me show them how important they are to me. Also that I plan to be with my girlfriend forever. I’ve worked hard to do this.

Follow Pisatché on Instagram for more awesome tattoos and travel updates.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Tattooing is leaving a lasting impression that transcends skin,” interview with tattoo artist India

Tattoo artist India @india.tattooartist (she/her) owns a gorgeous monochromatic studio in Lisbon, Portugal, in which she “welcomes all souls seeking to connect” through her art. Here she shares her tattoo journey, opens up about creativity and her tattoo tour plans…

How long have you been tattooing?

I’ve been tattooing for about seven years now and each day feels like a new adventure in self-expression and creativity.

How did you become a tattoo artist?

Growing up with a Portuguese mother and an Indian father, I’ve always been surrounded by creativity. From my mother’s ceramic art to my own love for drawing and painting. Despite initial discouragement, I pursued my artistic interests through academic studies and eventually found my way to tattooing in 2018, thanks to the encouragement of my husband.

I decided to explore this new artistic avenue, and I haven’t looked back since.

What first drew you to the world of tattooing?

What initially drew me to tattooing was the opportunity to delve into another form of artistic expression. I’ve always been passionate about art and tattooing felt like a natural progression in my creative journey.

What was the first tattoo you did? Do you still remember how you felt doing it?

The first tattoo I ever did was on my boyfriend, who’s now my husband. I tattooed a mermaid on his ankle and it was a mix of nerves and excitement. But his trust in me fuelled my determination to create something beautiful on his skin. Nowadays he has a lot of tattoos done by me and I don’t feel nervous anymore.

Can you tell us about your own tattoo collection? We’d also love to know more about your “lockdown leg” tattoo project? 

My own tattoo collection is a reflection of my journey as both an artist and an individual. I started getting tattoos at the age of 17, always with designs I had created myself. During the lockdown, I embarked on a personal project – tattooing ornamental and floral designs on my own legs.

This experience marked a significant turning point in my career, showcasing my dedication to my craft and my commitment to pushing artistic boundaries.

People began to see how well my tattooed style looked on legs and started requesting more projects from my portfolio. I can say that legs are my favourite areas of the body to tattoo.

How did your ornamental style come to be and what inspires you?

My ornamental style is deeply inspired by my Indian heritage and my love for intricate details. I find inspiration in everything around me, from nature to cultural symbols, and I strive to infuse my designs with elegance and femininity.

My ornamental style focuses on delicacy and intricacy.

I utilise techniques such as contrast and variation in line weight to enrich and add interest to the designs. By incorporating these elements, I create tattoos that are not only visually captivating, but also dynamic and engaging.

Each project is carefully crafted to achieve a balance between elegance and complexity, resulting in unique and compelling pieces of art. I’m also greatly inspired by nature and constantly take photos of flowers and plants to incorporate into my projects.

Do you have a favourite style of art, artist or work?

I’m an admirer of all forms of art, but I can say that Baroque painting has always fascinated me. When I studied Art History in high school, I remember being captivated by the intricate floral arrangements of Jan van Huysum. He has always been a reference for floral delicacy and the texture of plants with remarkable precision.

Nature plays a significant role in my life and consequently in my art. I’m also greatly inspired by the Indian tradition of Rangoli, which involves creating geometric and floral designs on the ground using rice powder or coloured sand. In the world of tattoos, thanks to social media, I am inspired daily by various artists, and it’s incredible how accessible the connection becomes.

Do you prefer flash or custom designs? 

I prefer custom projects because they allow me to create something that connects my artistic creativity with the essence and desires of my client. I always have numerous ideas and my mind is quite creative when fueled by my client’s concept.

There needs to be a lot of trust and freedom in the development process and I’m grateful that my clients are always incredible and trust me as an artist.

We engage in a collaboration of ideas and opinions, always resulting in a wonderful and unique project.

I also work extensively with my freehand technique, which allows me to create a fluid and harmonious design on the chosen area of the body. Since we are all different, it’s essential to create something unique and tailored to our physique. I enjoy understanding what the client wants and, before finalising the design, I send them a mock-up for visualisation. On the day of the appointment, we take the necessary time to refine the details and bring the creation to life.

How many sessions does a delicate sleeve tattoo take? 

A delicate sleeve tattoo can require two to four sessions to achieve the desired level of intricacy and detail. The number of sessions can vary depending on the size and complexity of the design, but I always prioritise quality and precision in every session.

Is there anything you’d love to tattoo?

I’m intrigued by the idea of delving into full-body concepts, infusing them with my signature ornamental and floral style but with heightened contrast and diverse dimensions.

Exploring the human canvas in its entirety, weaving intricate designs that dynamically interact with the body’s contours and movements, is a creative endeavor I eagerly anticipate embracing.

Can you tell us more about your tattoo studio? Why did you decide to use just one colour?

The studio was designed to be a safe and comfortable space for my clients. Its decoration exudes calmness due to the chosen colour: terracotta, a hue reminiscent of the spices of India, known for its tranquil and harmonious sensation; leaving those who behold it pleasantly surprised by its aesthetic.

My clients find the studio’s concept quite different from the usual tattoo shop, they appreciate the visual and are fascinated by the fact that all the decorations match with the floor, the ceiling and the walls by being in the same colour. With everything in terracotta, the space directs focus to the main art, the one we will create.

My clients and the art we will create are the main focus, with energy concentrated fully on them.

We’ve seen you’re on a tattoo tour; how can people book in with you and where will you be?

Currently, I am travelling to various countries to share my art with new audiences. Those interested in booking a session with me can reach out through my website www.indiatattooartist.com. I’ll be visiting some countries in Europe but I would love to tattoo in USA and maybe go back to Australia.

What’s been your proudest moment so far?

One of my proudest moments so far was winning first prize at Lisbon fest tattoo convention for my ornamental leg project. It was the first time the fine-line category existed in my hometown. It was a validation of my artistic vision and a reminder of how far I’ve come on this incredible journey.

Finally, what does tattooing mean to you?

Tattooing is more than just a job for me; it’s a form of self-expression and a way to connect with others on a deeper level. It’s about creating meaningful art that resonates with both the wearer and the observer, leaving a lasting impression that transcends skin.

Make sure to follow India on Instagram for updates on her tattoo tour!

We’re always talking to amazing tattoo artists, check out our latest interviews.

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What to wear when you get tattooed – a guide

Tattoo collector, writer and vintage fashion enthusiast, Carola Kolbeck (give her a follow @chameleoninhighheels) guides us through how to dress when we’re getting tattooed…

There are many important things to consider when getting a tattoo. First of all, the artwork itself and where it will grace your body for the rest of its life – and yours. Then, you need to find the right tattoo artist and have a few conversations with them about your idea and their take on it. Once you’ve paid your deposit and waited in giddy anticipation, the day has arrived and you’ll be getting ready, full of that indescribable excitement only an imminent new tattoo can evoke. And right at this point, we may forget another important question to ask ourselves: What should I wear when getting a tattoo?

It may sound like such a benign thing, shallow even, to think about an outfit for your big day in the tattoo studio. It’s certainly not because your artist will rank you on a list of ‘best-dressed’, nor will they care about your sense of fashion. But given that their canvas is your body, they’ll have some thoughts on your foresight on making their job as easy and pain-free for them as possible. So, what are the sartorial recommendations of the professionals for a comfortable and seamless experience in the tattoo chair?

Tattoo artist Steph Hesketh, co-owner of Evergreen Tattoo Studio in Coventry, has been tattooing for over 15 years and is the creator of six of my tattoos. Most recently, she designed and tattooed pointe ballet shoes on my leg, marking my lifelong love for ballet and dance.

Steph isn’t just one of the most amazing artists I have ever met, she also has a wealth of experience from seeing hundreds of clients in her chair over the years. Needless to say, when it comes to outfits, she’s seen it all: the good, the impractical, and the downright useless. I asked her professional opinion and suggestions on what to wear and what not to wear, depending on where you’re having your new body art.

Carola’s ballet shoes by Steph Hesketh

Tattoos on your arms and legs

Generally, when it comes to getting your limbs tattooed, opt for tank tops, t-shirts, shorts or skirts in summer, and loose tops and trousers that can easily be rolled up and out of the way of the artist and the placement of your new tattoo. “We don’t mind you bringing anything that makes you more comfortable, like slippers, blankets, pillows, or towels,” says Steph, and also confirms that taking off your shoes for long sittings is completely fine.

Tattoo by Steph Hesketh

Hand tattoos

“Be prepared to remove jewellery for the tattoo process,” warns Steph. “Rings should be removed if you’re having a lot of work on your hands done. That’s not just for hygiene reasons, but also because any swelling could cut off the blood supply to your fingers if the rings are too tight.”

Foot tattoos

When you’re getting your feet tattooed, your main concern should be with what shoes to wear after, when you’re on your way home. Chances are, the area will be tender and swollen, so you don’t want to squeeze into a tight pair of boots or trainers. Wide and roomy shoes are best, or sandals that won’t rub and aggravate the affected area.

But what about those more hidden areas on your torso – what’s the best sartorial choice without compromising on comfort and dignity?

Neck tattoos

No roll-neck jumpers for this one, please! A tank top or vest is best, and a blanket in case you get cold. Also if you have long hair, bring clips and hair ties, advises Steph. That’s not just helpful when you’re getting a neck tattoo, but also if you get tattooed anywhere near your hair, such as upper arms, shoulders, chest, back, and ears.

Tattoo by Steph Hesketh

Full back tattoo

A button-up shirt worn backward is ideal, or if the back piece incorporates the bum, then a dressing gown worn the same way is a suitable choice. If dressing gowns outside your home aren’t your thing, then wearing joggers or bottoms with loose, stretchy waistbands will also work. They can be easily pulled down to give the artist plenty of space.

Tattoo by Steph Hesketh

Breast and chest tattoo

Here, a button-up shirt worn the traditional way is ideal, and you may want to combine it with nipple covers or pasties. Those pasties are adhesive stickers you can place over your nipples; you may well have seen them in various designs on celebrities wearing sheer garments on the red carpet. Generally, the pasties are provided by your artist but if you’re unsure, make sure to check with them when you book your appointment. In addition, think about bringing a big scarf or pashmina. If you get chilly, you can wrap it around your shoulders, or stomach area while getting your upper chest piece.

Tattoo by Steph Hesketh

Bottom

Bring your dressing gown or a kimono to be worn back to front. You should also make sure you wear stretchy underwear that can be pulled aside if the artist is only working on one cheek. If your whole bottom is covered, then thongs and g-strings are best, so both sides of your derriere are visible to the artist. If you think you’ll feel uncomfortable or any areas may be exposed, bring a large scarf so the artist can drape it across those body parts.

Private parts

If your tattoo is close to your nether regions, tighty-whities are not going to make for a comfortable experience. Stretchy underwear or tie-side bikini bottoms will ensure there are no awkward conversations about the artist being able to do their work. The advantage of tie-side pants: your artist can tape them in place to make sure they don’t fall down when you have to move.

Process of elimination is often helpful when you start thinking about your outfit choices when getting tattooed, so what, according to Steph, should you be leaving in your wardrobe?

Steer clear of anything white, brand new, expensive designer gear, and precious clothes and shoes. Although tattoo artists are meticulous and conscious people, at times, ink can transfer to your clothing and it will be difficult to wash out.

Leave anything uncomfortable or super-tight at home. You can wear that swag again when your tattoo is fully healed and ready to be admired in its eternal glory.

In the end, Steph says, “The most important thing is to think where your tattoo is going. Wear something loose and comfortable that gives us plenty of access not just around the immediate area that’s being worked on, but also the surrounding area. We need to place stencils without stretching the skin and want to see that your tattoo is central, straight, and exactly where it needs to be.”

Clothes are an important part of who we are and should reflect our personalities. Just bear in mind that not every outfit choice is ideal for a trip to the tattoo studio. Keep it comfy, loose and practical. And remember: when you’ve got a tattoo, you’re always looking the part. 

Carola’s beautiful tattoo complete with ballet-inspired outfit @chameleoninhighheels

Give Steph an Insta follow @stephhesketh

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Tattooing is based on mutual respect, so It’s important to find the middle point between what the customer wants and what I want,” tattoo artist Isle

Tattoo artist Isle (@1sle_tattoo) works in Korea and has been honing her craft for the past five years. We sat down for a chat about her journey, her inspiration and what’s next for her beautiful botanical tattoos…

What first made you fall in love with tattoos? Do you have a strong first memory?

I’d always wanted to get a tattoo since I was a college student. But Korea was a very conservative society at the time, and the various styles of tattoos didn’t exist like they do today. I just thought that people with the tattoos looked so cool. After college, I switched my thinking, I started to think about what I actually wanted for myself and my life.

My body is mine, and I thought I should do what I want no matter what others think.

So I got my first tattoo, and two years later, I started learning the craft. The reason I started was not because I liked tattoos, but the more I did it, the more difficult it became, and the more fun and rewarding it was. It’s the same now, five years after I started tattooing.

What made you want to become a tattoo artist?

I’ve been doing painting whole my life since I was kid. So I’ve been thinking about how I can use my paintings commercially – other than exhibiting. And I wanted to learn a technique that will never disappear.

How long have you been tattooing for and how did you practice?

I started tattooing in 2019, so it’s heading to five years now. At first, I learned tattooing from my teacher. He thought me basic skills and then I practiced on a silicon pad. I repeated it until I drew the line straight, practised with my drawing, and I got confirmation from my teacher. I did it many times, and I finally did it on the human body. It became my graduation work and my first work.

We absolutely adore your beautiful botanical style, how would you describe it? 

Thank you for the compliment. In fact, I don’t just stick to botanical tattoos, I can draw anything interesting. But most interests come from nature. That’s why I’m drawing a lot of things related to nature. When I draw for tattoos, I use an iPad and a coloured pencil brush the most. Sometimes I use a watercolour brush when I want to express it in a different way. My style is hard to describe in one word, but I think it’s a mixture of asian and western paintings. Since I majored in oriental painting, I think that kind of atmosphere naturally manifests itself.

Where does your inspiration come from?

Art work, films, landscapes, everything visual. Most of the subjects are nature, and the way of expression and colour are inspired by many things such as paintings and the scenery made by light.

You’re currently based in Korea, what’s the tattoo scene like there? Do you often tattoo tourists or mostly locals?

Mostly local. Korea’s tattoo scene has grown so quickly. As I said, Korea was a very conservative about tattoos but suddenly it became a trend. A lot of tattoo artists in Korea have good skills and a unique style. 

How do you like to work with your customers to bring designs to life? Is it a collaboration, or do you prefer to have full control of your work?

Normally I prefer to have full control of my work. Clients come to me believing in my paintings and abilities so I want them to trust my aesthetic. Tattooing is based on mutual respect. So It’s important to find the middle point between what the customer wants and what I want.

Do you tattoo flash pieces or mostly custom?

Mostly custom I think. I’d love to do more flash works, but it takes a lot of time. Flash designs are good because I can present more in the direction I want.

What are your hopes and dreams for the future?

I want meet a lot of clients who can make a bond with me. I want to do more big pieces and develop my skills and style. And I want to draw many paintings and maybe even put on an exhibition.

Any other thoughts on the tattoo world itself?

It’s getting more competitive. With different styles emerging and blurring the boundaries between tattooing, painting and illustration, more artists seem to be entering the field.

It’s a good thing for the clients, but I’m not sure if it’s a good thing for an artist. Tattooing is not a must, so it’s also an industry that is badly hit by the economic situation. I think it’s been tough worldwide since COVID-19. Still, I love this job and I don’t think I’m going to quit art, so I try to survive.

Do you have any plans to travel for guest spots?

Maybe Europe. Since I started this work, I have become more brave. To live in a place I don’t know well, meet various people, experience culture, etc. After going through it, it’s not as difficult as worrying about it, but I think it’s a good experience to expand my world.

Make sure to follow Isle on Instagram for more stunning botanical tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.