Careers: Tattooed Data Quality & Audit Officer

44-year-old Richard Hughes is a Data Quality and Audit Officer for his local authority  in South East Wales. Richard is a researcher and part of a team that maintains and delivers helpdesk support to the authority, as he puts it “it’s as clinic and white collar as that, but, it pays.” We chatted to Richard about his extensive tattoo collection and how this fits with his career…

How long have you been in current role, how did you get there and what have you done before? I’ve only been in the role for just over a year, but before that, I was a civil servant for 20 years in various government departments both in Wales and the UK. I’m a fluent Welsh speaker so my role has taken me to various places to meet and engage with the public, including the national Welsh cultural festivals, plus the Royal Welsh Agricultural Show and many others.

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Richard’s back by Yeshe, who owns Dharma Tattoo in London

What initially drew you to tattoos? I’ve always been fascinated with tattoos, their permanent nature, the belief they were exotic and dangerous appealed to me on many levels. My mother hates them with a passion; which is probably why I like them so much! – my mother’s side of the family are all very straight laced stereotypical ‘grey’ people, whereas my dad’s side are all farmers and all a bit more daring and care free.

No one had any new tattoos though, just the ones they got on stag dos 30 years before, or in National Service. However, in school, a lad called Danny who was 14-15, had a blue ringed octopus which he got whilst abroad. It was spectacular, not like the stock Welsh dragon flash you saw in the shops, and I really got into it. I was in college in Luton between 1993 and 1996 and visited Dunstable Tattoo Expo in 1994 (I think) – different world to conventions of today. I stood out like a sore thumb.

What is your favourite tattooing style? I love Japanese art, always have from the willow pattern on our Welsh dresser and all the Japanese antiques my nan had.  I love the story and the work that has gone into it – I can identify with the Japanese work ethic.  I find it all very calming. I’m highly stressed and anxious at the best of times and it takes me to a happy place.

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Chickens by Lala Inky

How old were you when you got your first one? What was it and do you still love it? I’d been putting it off for months and years for no other reason than worrying what my folks who think, but I grew out of that bloody stupid notion and I went to Dai and Pie Tattoo in Swansea. I got a palm sized tribal dragon in red from Dai on my left shoulder. I was hooked, buzzing off the experience.  I remember some flash he had for a koi half sleeve, and loving the style, the colours.

I phoned the studio back up the next week about having more done, and Pie told me to me to fuck off and have a think about having anything more done and not rush into it. Best piece of advice I’ve ever had. Think about it, don’t rush into it. It’s covered up now but a bit of it still peeks through!

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Tattoo by Bananajims

Can you tell us about your tattoo collection There is a theme or sorts, water, fish, shells, flowers etc. I’m obsessed by chickens and everything means something, I wanted something for the wife and my daughter, so Lala (who was working from a studio in Cardiff at the time), designed the ‘poultry piece’ for me, I like it, Lala likes it and that’s all that matters. I gave up what people think about me years ago – it’s a truly liberating experience if you can master that.

This was followed by the waterfall by Lala on my left arm. Then Yeshe did me a lobster, after that I went back and had the bull and the Japanese poet, based on a woodblock carving  and he did my koi half sleeve at the Brighton Convention in 2014.  I did enter it into the competition at the end of the day  – but I was told Japanese never wins – they were right! At Brighton in 2016, Yeshe did my back in four and half hours!  I haven’t had a chance to go back and add to it, but I will.  Yeshe is such an amazing bloke, both him and his family and the extended family at the shop.

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Tattoo by Olivia Chell

Olivia Chell has a work in progress (wip) on my right forearm and Ellie Williams of Modern Body Art has two chest panels and a money toad on me, and more wip.  I also have ones from Banana Jims, who’ve I’d been corresponding with for years and Ali Baugh who did my plaice.

What sorts of reactions do your tattoos get from family and at work? My wife doesn’t really have an opinion on them but the kids love them; my boy is fascinated by them. My folks are none the wiser and that’s fine by me. I remember how Yeshe wanted me to go with him to see Aaron from Cult Classic Tattoo stand to show the koi half sleeve we did (Aaron is his friend and mentor and his views and comments on it were important to Yeshe), I was so happy I could do that for him and shows the measure of the man. I genuinely do not give a toss what people think about them, another stress relief mechanism – they’re mine, I love them.  I’ve paid good money to have them done professionally, so do one.

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Money toad by Ellie Williams

Are you allowed to have your tattoos on show when you’re working or do they have to be kept covered? When I worked on the stand for Welsh Government, my forearms weren’t done but I doubt they’d let me out in public without long sleeves or a fleece on – in saying that, nothing was said but I always covered up out of choice. Where I work now, loads of girls walking around with full sleeves! Great to see, but I’d bet they’d say something to me or anyone else. It is double standards but I get it – if you’re front of house, it’s one more thing for the neds to complain about.

Have your tattoos ever hindered your role or helped it? Never hindered me, although I had to declare them all for work!  The tattoos are a reflection of me, not the other way around, I do find them very personal and there’s a time and place to display them. I  cannot wait to finish some of the work that has been started, as I’ll be more easy to show them off, without impunity. Money is always the issue as ever – I have more money in deposits scattered across the country than I have in my bank account!

Interview with Tattoo Artist Deborah Pow

26-year-old Deborah Pow tattoos out of Den of Iniquity Tattoo Parlour in Edinburgh. We love her lifework tattoos from florals to animals and just had to interview her for the blog…

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Photo taken by Tegid Cartwright

When did you start tattooing and what made you want to join the industry? I have been tattooing for three years now. I’m sure this is what everyone says but it’s just something I always wanted to do, I don’t remember wanting to do anything else!

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What did you do before? Did you study art? Yes I went to college and did an art portfolio course in Dundee which got me in to Duncan of Jordanston where I did Illustration. Art college is obviously not necessary at all for a tattoo artist, but it definitely helped me for many reasons. Firstly I wouldn’t have had the amount of work in my portfolio and most importantly I completely learned how to draw when I was at art college. Life drawing is 100% the best thing I was introduced to and recommend everyone does it! Work wise I’ve always had a part time job since I was 13, through school, university and my apprenticeship I worked in a bakery, milkshake shop, supermarkets and bar work. I think everyone should have to work in retail or a bar at some point to appreciate people and to not be a dickhead to people!

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How would you describe your style? What drew you to working in black and linework? I get asked this a lot and I don’t really know, it’s the way I draw and have always drawn so don’t really know how to categorise it! ‘Line-y blackwork’ maybe? Again I’ve always been more drawn to just sitting down with a pen and adding lots of lines and details, I did a lot of print making and painting at university and obviously painted lots in my apprenticeship which I do enjoy from time to time but it definitely doesn’t come as naturally.

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What inspires you? I really love old illustrations of anything a bit strange, as-well as looking through books on mythology and anatomy – and of course all things nature!

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What do you like tattooing and what would you love to tattoo? Anatomy and dissections, animals, hands, botanics and mythology. Combining two or three of these elements is a dream design for me to draw! I’d also love to tattoo more large scale birds as I really enjoy creating different details in their feathers.

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Do you have any guestspots or conventions planned? Conventions I’m doing this year are Brighton, Big North and Leeds! And so far I am guesting with my friends Ben and Rach in Darlington at Luck and Love and revisiting friends at Parliament in London, Salon Serpent in Amsterdam and my second fam at Redwood in Manchester. I’m not sure how many more I’ll be doing because I’m going to go (non-tattoo-related) traveling a little this year but hopefully will squeeze in going back to see the wonderful people at AKA Berlin too! Sometimes when I guest away I don’t actual manage to see the cities in the daytime so I’m excited to be a little tourist this year *sorry in advance for annoying Instagram stories coming soon*.

Alice Nicholls: An79 Tattoo Balm

Alice Nicholls is a tattoo artist, permanent cosmetic specialist and creator of An79, a vegan friendly tattoo aftercare balm. Specially formulated to complement her work and cosmetic artistry, An79 balm has highly moisturising properties to keep new tattoos hydrated and protected. Resulting in a fully healed tattoo and the added bonus of super soft skin. The cruelty free and homemade balm consists of all natural ingredients, and it features a relaxing mild lavender scent and is gentle on sensitive skin.

Our editor, Rosie tried some on her latest handpoked cat tattoo created by artist Lydia Amor, this is what she had to say:

I loved how easily I could apply the balm to my skin, it seemed to melt into my hands. It soaked in really quickly and wasn’t at all sticky to touch. I couldn’t really smell the lavender which was a shame, but I’ll be using An79 again to heal some of my newer tattoos for sure.

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Rosie’s leaping cat freshly done at Black Market Tattoo, Leicester

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Rosie’s tattoo with balm added

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Rosie’s happy little healed kitty

You can buy your own pot of An79 balm here. Let us know what you think! 

The Circle: International Women’s Day 2019 Exhibition

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Head to The Circle, London on International Women’s Day Friday 8th March 2019 to view an exhibition of works from a group of seven female artists:

Athena Anastasiou
Pang
Heleena Mistry
Laura Callaghan
Sally Hewett
Linzie Elliott
Catriona Faulkner

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Art by Sally Hewett

Their work ranges from collage to paintings to assemblage to textiles. Rather than prescribe a theme, the organisers decided to ask each artist to simply create pieces which celebrated womanhood and what this means to them. Their work will be on display in the ground floor gallery space.

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Art by Linzie Elliott

Meanwhile downstairs in The Circle’s basement, tattoo artists Paula J DaveyKenzie  and Liz Clements will be holding a tattoo flash event, tattooing pre-drawn designs from £50 for the evening. All proceeds from the flash will go to the charity Refuge.

Don’t forget to register for IWD at The Circle here

Plastic in the Tattoo Industry: Time to Kill the Waste

Everywhere we look there is plastic and it’s starting to become a big problem. Plastic waste is the environmental crisis of the 21st Century and it threatens to choke our seas and decimate aquatic ecosystems. Writer and tattoo enthusiast Matt Haddon-Reichardt met up with vegan tattooist Ashley Thomas to find out if anything can be done by the tattoo industry to cut the waste…

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“I would say that my shop, Echelon Tattoo probably generates 1300 bags of trash every year, and fills six sharps containers. Since we are an all disposable shop, the sharps container contains probably 80-90 percent plastic (cartridges, disposable tubes and needles, razors), and our trash bags are probably about 40 percent (gloves, rinse cups, ink caps, blue medical bib backing, equipment barriers, and the trash bag itself). That’s a lot of plastic but most of the waste I would say is a serious mountain of paper towels and gloves.” Ashley explains as we sip black coffee.

Ashley owns Echelon Tattoo in Midvale, Utah, and is a passionate vegan, environmentalist and artist. She has been tattooing for 13 years and is acutely aware of the plastic waste problem. I ask her how plastic heavy tattooing actually is.

“Ink caps, razors, cartridges, gloves, rinse cups, equipment barriers and medical bibs are all items that either contain or are composed of plastic in varying quantities. The good news is that industry manufacturers are starting to consider this and coming up with new products to address the growing concern over plastic. Black Claw now produces disposable tubes made from cork, and Rose City Supply was offering biodegradable equipment barriers. I think you’re going to see more artists and shops look for these products too as awareness increases. In terms of metal tubes, I think there’s still a fair amount of waste; there’s still the matter of the autoclave bags that need to be used daily, and the water and electricity to run each load in the autoclave and the plastic container for the distilled water used in the autoclave. I think whether or not to use cartridges or plastic tubes vs. metal tubes will always come down to personal preference of the artist.”

We can all make a difference to the plastic problem and Ashley is doing her upmost to eliminate plastic from her tattooing:

“I am always looking for ways to reduce waste and be more environmentally friendly at work, just as I am at home and in all aspects of my life. It can be really tricky in tattooing; so many plastic items keep both us and our clients safe. I don’t know of a current alternative for gloves, but I am looking to try out biodegradable trash bags. I was using the biodegradable equipment barriers from RCS, but I believe they’re discontinued as I haven’t found another supplier that carries them.”
One problem with tattooing is that contaminated waste must be disposed of safely.  Ashley appreciates that it’s not just a matter of eliminating plastics but how we process then when they are thrown away. “Waste disposal in general is woefully inadequate when it comes to factoring in environmental impact. I think it would require working with environmental and health officials to come up with the greenest possible solution to this problem. I’m certain that manufacturing and using biodegradable options whenever possible would be helpful.”

Many artists are now going vegan when it comes to tattooing. Ashley feels vegan tattooing is the future when it comes to managing waste products including plastics.

“I believe using a vegan option is generally always a good thing. Animal agriculture, and therefore animal products and by-products, consume larger resources to produce than their plant-based counterparts, so production waste is typically less. In terms of plastic that’s obviously not a win for the environment, that’s why we need more plant-based, biodegradable solutions.”

One big waste product from tattooing is the cling film used to cover fresh tattoos. I ask Ashley if there are any alternatives.

“I believe a barrier is absolutely necessary to keep the customer, the artist, and everyone else in the shop safe from cross-contamination until the customer leaves the premises. I think, again, that we really need to work with the industries that manufacture the products we use to come up with biodegradable alternatives – biodegradable barrier films, tapes, razors, ink caps, etc, would all be a huge win for us and for the environment.”

Words: Mathew Haddon-Reichardt
Image: Ashley Thomas