Ceramic Tattoo Art

48-year-old Matthew S. Kennedy from Paso Robles in California creates ceramic tattoo art by using a tattoo machine to draw images onto clay. He specialises in handmade one of a kind memorial and celebratory plates and urns…

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Were you a tattoo artist before you worked with pottery? Or do you have a background in art? No, I have never worked as a tattoo artist tattooing on people. I am fully self taught in ceramics by reading 100s of books/movies on the subject and just working hard to create my own style. Not a lot of background in traditional art in school or anywhere else.

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How did you make the move to ceramics? Or have you always worked with this medium? I have been working with ceramics now for about 23 years. Ever since I got sober from alcohol. My AA Sponsor suggested I get a toy potter’s wheel and to take a up a new hobby. I was playing pool for a living at the time. About 2006 I was watching a reality show called Miami Ink on TV. About a month later I was attending a tattoo convention in Pomona Ca. and noticed a tattoo kit for sale.  I wondered to myself, “could I could use that on my ceramics?”  I bought the tattoo machine, took it home and the rest is history.  Find out more here.

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What inspires your designs? Do you do commissions? I have a coloring book on Amazon called Ceramic Tattoo Art Coloring & Maze Book: Color for Balance. It is a book of my designs. I started drawing geometric shapes about six  years ago while I was going through a rough time with my Mother. I just started drawing them and then coloring them in my AA Meetings to help me cope. I now add them to my ceramics. I do special commissions all the time. I usually do special orders for memorial pieces. I just recently created this piece for a woman that was 37 years old a recently passed away from cervical cancer. Creating pieces like this really gives a special meaning to my art and I feel blessed to be able to do it for people.

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Manchester Science Festival: You Have Been Upgraded

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Thursday 18 October 2018,
7.30pm – 10pm (doors 7pm) 
Science and Industry Museum
Liverpool Road, Castlefield
Manchester M3 4FP 

You Have Been Upgraded, a live conference responding to theme of Future Bodies. Looking at how we choose to enhance our sensory and physical selves, with talks, interactions and performances that share a positive open approach to considering body enhancement. The curators have included tattoo in this discussion programme, and you can get involved with this traditional form of human enhancement.

Do you want to be part of the event? 

Unlimited Theatre is looking for a model to be tattooed live as the headline performance at You Have Been Upgraded. One applicant will be selected to receive a free tattoo by Rebecca De Cadorette, a blackwork tattoo artist and former biologist at the University of Manchester with a particular interest in human evolution and futurology. Working out of her studio in Stretford, Manchester, ‘DC’ uses her backgrounds in research, science and art to design future bodies and ritual tattoo to transform the wearer beyond the ‘normal’. This piece will be fitted to suit the body of the successful applicant: fully custom, the client will receive a blackwork, hand span sized original design.

Unlimited Theatre invites Manchester or North West based sci-art enthusiasts to apply for a free tattoo here. (application is open for longer for blog readers).

The curators would like to hear from applicants who:

– Have an interest in transhumanism
– Are passionate about science and art
– Are enthusiastic about sharing their experience with press and social media
– Are over 18 years old
– Are based in Manchester or the North West of England
– Are willing to submit to the artists’s final say on the look of the design
– Are available to participate in You Have Been Upgraded on October 18th in Manchester
– Are available to attend two sessions at a Long Time Dead Tattoo Studio during the months of September-October.

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Tattooist Rebecca De Cadorette speaking on the power of tattoos:

Tattoo is ancient as well as transhuman. visual and honest – it’s the blood magic of self ownership.  Building our future selves. Post-trauma. Post-joy. Transformative literally, brave because it is painful, committed because it is permanent and joyful because it is honest. Determinism and being the master of your fate for whatever small snippet of time and however many square inches of matter you are give, and knowing that all of this can be filled with choices made, experiments in self run, skins shed and cast aside.  Who am I – who do I want to be and how will I become. How you do anything is how you do everything – so choose. People have been choosing to mark and alter their bodies with ink for thousands of years, and it’s a process that transforms. Adrenaline, cortisol, dopamine are the chemistry of our transformation. There’s some old fashioned alchemy of having that tattoo with the right person, at the right time for the right reasons is very powerful. And no, it’s not all that permanent,we all die, we are all mortal and it’s all going in the bin sooner or later. How you do anything is how you do everything. This is the philosophy of Long Time Dead. Get mortal.

Spirit of Art: Exploring Tattoos and Bartending

Giffard are a french brand of liqueurs and syrups that are distributed all over the world in cocktail bars, restaurants and hotels. Since 2015, Giffard have been exploring the interlaced world of tattoo and mixology. They’ve launched a book called Spirit of Art showcasing tattooed bartenders of Asia…

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Spirit of Art is all about storytelling. It’s a peek into the secret lives of drink makers across Asia, and a dive into the interlaced worlds of tattoo and mixology.
After launching in the UK in 2015, this year’s second edition covers the rich cocktail culture of Singapore, Hong Kong, Kuala Lumpur and Bangkok. Giffard’s liqueurs and syrups meet the top-shelf demands of the world’s leading bartenders and baristas.

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They as the binding ingredient between concoctions in the glass and connections across the bar. The perfect cocktail is born when bartenders pour their hearts, personalities and expertise into their creation, whether tattoos or drinks. Both ingredients and ink tell us where they’ve been, what they like, and who they are – cementing the relationship between these two subcultures.

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Sugar & Vice: All Things Nice

Things&Ink met up with Sarah, owner of jewellery brand Sugar & Vice to talk tattoos, inspiration and pizza…

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How did you get into jewellery making? Making jewellery was actually something I fell into completely by accident. I was working in an office and was terribly unhappy, so I started making jewellery as a hobby and a means of getting some extra income. Before long it become a bit all-consuming. So as soon as I was earning enough, I left my job to concentrate on it full time and it’s gone from strength to strength since then.

What inspires you? There’s no short answer to that, really. Everything inspires me. Animals, fashion, food, patterns, nature, weather, places, people, art, tattoos, the list goes on. I love nothing more than taking inspiration from something pretty mundane and turning it into something fun and colourful.

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What draws you to jewellery? Jewellery can come in so many different forms and I think the sheer variety of what’s available is a large part of why I love it. Not only can you make jewellery from just about anything, it can come in so many forms that it’s just endlessly fascinating to me. Ironically, I wear very little jewellery on a day-to-day basis, but I’ve accrued some amazing pieces for special occasions, some that I’ve made myself and some that I’ve acquired from friends and industry peers. I just don’t think an outfit is complete without jewellery, be it subtle or statement!

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Is your work inspired by tattoos? Some of it is, definitely. I’ve been collecting tattoos for more than a decade, as have most of my friends, so it’s difficult not to let that filter into other aspects of my life, including my working life. With tattoos, as with jewellery, the possibilities are endless. It’s a pretty odd parallel when you really think about it, but jewellery and tattoos have a lot in common. Both are a form of decoration and they can both be for show, in memorium, for religious purposes, a reminder of something – or just fun, colourful and frivolous.

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What is your favourite piece you have created? That’s a tough question to answer as it changes so frequently. I like to think that with experience, the pieces have got better, so my favourite is almost always the most recent. I think a constant favourite will be always be the Gemstone Necklace, though. It’s what I consider to be a signature Sugar & Vice piece and in an industry where it’s so difficult to stay original, it’s the one I’m most proud of in terms of uniqueness.

Can you tell me a bit about your tattoos? My tattoos are a bit all over the place, literally and figuratively! Most are pretty meaningful, some are just silly things, but they all make me smile. I have three Sugar & Vice tattoos, and counting, so I like to think that shows just how closely linked my ink and my work are.

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Who are your favourite tattoo artists? There are so many! Leah Moule’s style just blows my mind, I’d love to get tattooed by her someday. Suzi Q as well, I love her stuff, and one of my earlier pieces actually came about after seeing a nautical pinup girl tattoo of hers and getting inspired around seven years ago. I think Dan Henk is pretty special too, his horror tattoos are like nothing else I’ve seen.

Do you think there is a relationship between tattoos and fashion? Absolutely. I think tattoos can influence fashion and vice versa. I’ve been, infrequently, reading tattoo magazines for around 12 years now and you can definitely see changing trends – although there will always be certain styles that remain popular. The troubling thing is when fashion influences tattoos and people start getting them for the wrong reasons, it’s the quickest road to regret in my experience.

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What’s next for Sugar & ViceGlobal domination with any luck! In reality though, I’m just so grateful that I get to make a living doing something I love so much, and if things continue along the same path, then hopefully there’ll be bigger things in store. For now, I’ll just keep making jewellery that brings a smile to peoples faces.

First published in Issue 4 The Art Issue of Things&Ink magazine