Tattoos Archives - Page 52 of 78

June 24, 2018

Tattoos & Yoga: Emma Vasquez

24-year-old Emma Vasquez , is a yoga teacher from Carlisle. We chatted to Emma to find out more about her daily practice, her tattoos and living a vegan lifestyle…

How old were you when you got your first tattoo and what was it? I was 18, it’s an owl on my thigh it’s about A4 size.

What drew you to the world of tattoos? Full bodysuits of tattoos. I just loved seeing so many tattoos together on one person, the colours and work just blew me away. I remember seeing a bodysuit on a lady in the swimming pools when I was about 10 or 11 and I was in awe of how awesome she looked.

What influenced your decision to get tattooed? I just liked how it looked, getting tattooed didn’t feel like a huge deal for me really, I don’t really have any that are meaningful or tell a story. It was more just get a tattoo done and that’s it. Go to a good tattooist and just enjoy the whole experience.

Can you tell us a little about your tattoos? I have both arms done, traditional and lots of colours and flowers. A nautical style piece on my back, an om on my chest, Ganesha on my stomach. I have both thighs tattooed, back of thighs, knees, shins, calves. All ten toes, insides of my feet and tops of my feet. They’re all traditional and I’ve been tattooed by many great tattooists, most were done by Megan Fell and her dad Colin Fell. Both solid tattooers.

How did your yoga journey begin? About five years, I had started meditating and wanted to see if yoga would complement that. I took my first class at the same studio I now work for, I totally fell in love with yoga from the start.

Have you been treated differently as a heavily tattooed woman in the yoga industry? I have had students tell me they were worried about coming to my classes because my tattoos make me look scary or “hard” even though I always have a huge smile on my face! People have outright told me they think my tattoos look awful and they don’t like them. But that’s their opinion and that’s fine. Sometimes I’ve had students giggle or point at my tattoos to their friends but never at the yoga studio in Carlisle where I work now, this was from other places I taught yoga. So I suppose people have said things or giggled and pointed at me to their friends because of my tattoos. I just let it be, I think the more tattoos you get the more you just don’t care about what anyone else thinks. I like them that’s all that matters.

Has your lifestyle changed since you started teaching? Not really, when I started yoga that’s when my lifestyle changed. I became vegan and made a lot of different life choices but since I started teaching it’s all just been so natural and fluid. No forcing anything, everything just flows really. It’s a great way to live, very relaxed.

Do your tattoos coincide with your yoga practice? I think as I am a strict ashtanga practitioner they do, ashtanga is a very yang style of yoga and if I go to other studios to do an ashtanga class I guarantee a few ashtangis will have tattoos! I suppose I also feel covered up with my tattoos when I practice, I feel hidden and in my own little world. I do get a lot of compliments about them though, in the studio and even people stopping me in the street.

Have they helped you to connect to yourself or the world in a different way? Actually getting tattooed made me realise we can step away from emotions and feelings, we don’t have to hold on to them or identify with them. If you’re in pain getting tattooed just accept it as your present moment experience and know that it’ll pass.

Have yoga and tattoos helped you to view your body differently, has yoga? Definitely, yoga made me completely fall in love with my body, to heal and nurture it and to be proud of it. And getting tattooed has also made me feel much more confident in my own skin.

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Where do you teach and how can people get involved?
I teach at the Yoga Studio Carlisle in Cumbria, it’s the most beautiful tranquil space. You get involved by coming along to classes! I run the ashtanga yoga programme here as well and that’s a real rarity for Cumbria! It’s fantastic to be teaching at the same studio I started my yoga journey in.

June 19, 2018

Tattoo Artist: Sasha Foteev

27-year-old Sasha Foteev works out of a private studio in Moscow, Russia. Sasha also belongs to the professional team of Ego machines with which he works with the studio Bugpin.

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I have been involved in the tattoo scene for six years, and I got into this profession quite spontaneously. I am constantly trying new kinds of art, and besides tattoos I’m fond of graffiti. I make canvases with acrylic paint and posters with markers.

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I can describe my style as a mixture of several styles (graphics, ornament and realism). As an artist I represent creativity and activity, as a tattoo artist my first step is to search for my own style. This usually happens by testing a large number of different directions. And many of tattoo artists can’t decide what exactly they like: is it Japanese, Tradition or Watercolor with realism? Likewise it was very difficult for me so I chose a combination of several styles. I like the contrast between styles, shadows, blending and hard-edge painting.

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I’m inspired by a combination of styles and techniques, I like the visual combination of lines and smooth shadows.My favourite artists are Aivazovsky and Vrubel for their diligence and memorable style. And there are many modern ones, but it’s there are too many to list. In the tattoo world, I like it when people come to me for my style and “my hands”. I love it when they trust me and they’re ready to listen and hear my advice, especially if we have similar looks and tastes.

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I really want to work in England soon, especially at the Triplesix studio with Bez the owner of Ego machines, as well as work in other studios in Europe. I have already worked as a guest tattoo artist in Paris at Chez Meme, in Prague at One Love tattoo and in Hamburg at Vaders Dye. In the near future I plan to participate in the Moscow tattoo convention.

June 17, 2018

Rogues & Sacred Idols

We chat to Fudge, co-founder of Rogues and Sacred Idols, a brand that champions female artists about how the company started, what inspires their designs and who they work with…

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Co-founder Fudge in LA

How was the brand/company set up? How long ago? Rogues and Sacred Idols is the sister brand of RSI Apparel (which Rob set up 5/6 years ago). A lot of girls were asking about a women’s line from his brand, and after chats over the last couple of years about all the cool stuff we could do we decided to make it happen last year!

What inspired you to create a brand designed by women for women? Can you tell us about the brand’s ethos? We’re keeping the same idea as Rob’s brand, featuring our favourite super talented artists and supporting their work, but keeping it female specific which is something we hadn’t really seen done. There’s so many amazing female tattooists and illustrators we want to work with and shout about!

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How do you choose which artists to collaborate with? Do you only feature tattoo artists? We launched with a good pal of mine, Barbie Longfox, who’s designs have had an amazing response! We have also worked with an illustrator called Laura Schneider. We’re not exclusively featuring tattoo artists, but it’s been a good starting point for us and ties in nicely with the tattoo conventions we trade at throughout the year.

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Can you tell us about the design process? What influences and inspires the products? Our first collection with Barbie had a 70s Cali vibe and I’m currently revisiting an old ska phase, so who knows what the next few collections might bring! Our artists design us a flash style sheet or couple of smaller pieces as well as a bigger design from a starting point or idea I’ll give them. I’m keen to use our artist’s work in new ways other than just a chest print on a tee so the smaller designs make their way onto elbow patches, make up bags and pins. We have so many exciting ideas down for future collections so definitely give us a follow to see all the new product we’ll be bringing out!

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Are there any new and exclusive things in the pipeline? Currently putting the finishing touches to an exciting collaboration with Toni Moore for all you mammas (both human and dog/cat). We’re mega excited about this one, as well as some new pieces by Rizza Boo. Towards the end of the year we hope to be bringing cut and sew styles, to really expand the range beyond tees, sweats and accessories!

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Where can readers get their hands on your apparel? We’re at a few tattoo conventions later on in the year. Come and say hi if you see us! You can also buy online at www.roguesandsacredidols.com (we hand wrap all orders in the best polka dot paper if that tempts you!)

May 18, 2018

Interview with Santa Perpetua

Tattoo artist Santa Perpetua creates impressively abstract tattoos in her private studio in Brighton. We chat to Santa about how her tattoos tell stories and how her career started…

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How long have you been tattooing and how did you start? I think art has been part of my life since I was born. My mother is an artist too, and she basically introduced me into this world. I grew up with art books, pencils and brushes around, art museums were my playground and drawing was my first way to connect with myself. But my interest in the tattoo industry started a while after that. It began when I got my first tattoo piece done in my home town: Montevideo. By that time I was 21, but I didn’t immerse myself in that world until 10 years later. A bad economic situation at that moment, my university studies, my current job as a designer and photographer, my passion for drawing, moving to Spain and some other personal circumstances made the task of starting to tattoo a bit difficult.

So although I really was into the idea of becoming a tattoo artist, I had to postpone it for a while. It became possible when I finally got settled in Barcelona and since 2008 I’ve been developing myself in the profession. Strange as it might sound, I didn’t like tattoos before. I got my first piece done in the early 90s and the level of tattooing was not as good as it is today.

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But for some reason, I felt the need to record a permanent memory on my skin, so I made a really simple, silly, too small and too detailed for its size design and I went for it! When I was sat in the tattoo chair, I had a very primitive introduction to tattooing and I completely felt in love with it! I always liked to try different media to make my drawings, and tattooing was another one of them. When finallyI was able to start, I knew immediately that tattooing would be part of my life for good. Since I started I’ve never stopped learning, creating and loving this profession.

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Your style is incredibly abstract, how would you describe it? Well, I don’t think we should label things in art. From my view, art allows the emotional expression of the artist to become real. My pieces could fall into abstraction, avant garde, conceptual, graphic art, contemporary tattooing. But if I had to describe them, I’d say that my artworks are just my personal approach to things. I always tell stories that are beyond a particular situation or representation. I love speaking about life, death, and emotions through my artwork. If someone comes to my studio asking to have a bird done, I always ask why they have chosen a bird. I am interested in the motivations behind the tattoo rather than the elements of it. My intention is to build a solid idea, as timeless and universal as possible rather that making just a “pretty” or “cool” image on the skin. I know it might sound a bit ambitious, but my approach to tattooing is more artistic than aesthetic.

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Are you inspired by any artists? I am mad about the Dark Ages. I absolutely love that time in history. I get inspiration from the way in which art and artists were conceived – the artistic expression is divine and the artist is just a tool to represent it. But beyond that, and even admiring lots of tattoo colleagues, I mainly get my inspiration from dreaming, and also from music and painting. The list of artists on both branches is pretty long and super varied. But summing up, I’d say that everything that is well made catches my attention.

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Would do you like to tattoo? Do you have a wish list of designs? After 10 years of working as a tattoo artist, and almost five years doing it in the UK, I could happily say that I have reached the point in which I do exactly what I want to do. It has been a super thorny path to achieve, but today people tend to give me free reign on all my designs. Thanks to this I’ve managed to evolve technically and artistically. Every tattoo project I take is a challenge that pushes me to improve and do my best with it, and that is extremely pleasant to me. I do not have a wish list of designs, but I do have the wish to carry on being blessed with people who connect with my artwork and trust their skin in my hands. I am immensely grateful for that.

May 11, 2018May 11, 2018

Tattooed Ballerina: Alexis Lucena

24-year-old Alexis Lucena is a performer with Company XIV and recording artist from Long Island, New York. We chatted to Lexxe about her performances, how her tattoos mix with ballet and her future plans…

How long have you been dancing and singing? I think whenever music was on I had the itch to move to it from a very young age. My mom put me into dance when I was about three. I joined a professional academy when I was seven, stayed until graduating high school, then went on to get my BFA from the Purchase Conservatory. Singing was always indulgent for me, and ballet took up all my time. I played classical French horn for about 11 years in grade school. I taught myself guitar so I could sing along to Stevie Nicks. I think I’ve always had a deep appreciation for music. After graduating college I felt like I was getting older and not doing exactly what I wanted. I saw a concert and it all snapped into place- I called up music friends the next day and have been singing and writing ever since, this was in 2016.

How do you feel when you’re performing? Performing is such an incredible experience for me. Growing up dancing to these beautiful classical pieces and being able to embody the music was bliss. There’s something about sharing that moment with people you hardly know, showing them something they’ve never seen before- is magic to me. When I’m singing it’s even more exciting, because it’s way more vulnerable. I’m using my voice as an instrument. I primarily sing original music- so on top of using my voice I’m using my words and they are often deeply personal. Recently I caught someone singing along who knew the lyrics and just that one moment will resonate with me for a long time. I get the chills listening to good music, and performing to it. If I can share that experience with people if only for a moment then my life is complete.

Which do you love doing more, singing or dancing and why? This is a difficult question! If I had to choose, right now, it’s singing. I’ve danced more than half of my life, I’ve earned my 10,000 hours. It’s complete bliss, but at the moment I’ve been discovering different parts of my voice, different tones. And it’s really exciting. This morning I just got back to NY after recording in Seattle. I’m working on my EP, and I’ve been in a studio all day everyday for the past couple days. I’m so proud of the work I’m doing, I love everything, especially hard rock, but I’m a pop star at heart. I make music I can dance to, and when I dance the music moves me. It’s mostly just about that. And hey, I’m a REAL dancer. You can 100% expect me to throw down some choreography in my videos. No shade. But I’d love to bring back some REAL dancing- Madonna, Kate Bush, Lady Gaga Paula Abdul type dancing to the scene again.

Can you tell us about your tattoos? I’ve always been fascinated by tattoos. On my mom’s old computer there’s a secret folder of all traditional tattoos, that I planned on getting when I moved out and graduated. When I turned 18, I still wanted them but I was still en route to audition for broadway, the amount of tattoos I wanted is pretty much unacceptable.

The past two years I’ve met two primary artists that really helped me shape the art I’ve been wanting to have (Krista Olofsson and Jesús Arancibia). Almost all of my tattoos (née- a brilliant stick and poke done by fellow dancer and artist Krista Morgensen) are traditional. I can appreciate good realism, but to me I believe that the best tattoos are traditional. The ink sits better, the contrast against the skin is aesthetically beautiful – and honestly all the gothic reapers, roses skulls, are more my forte. I’m obsessed with Edgar Allen Poe and gothic literature. I have too many roses and I will probably not stop getting them ever. I’ve cultivated my body, like it’s a painting and I love it more everyday.

What sorts of reactions do your tattoos get? Initially- when I showed up to the college dorms with my first real piece , I was met with shock, but not surprise. Now a days, it took some getting used to on my family’s end but I’ve been pretty accepted. I think it’s because the quality of my work is incredible. I waited to find the right artists, and in turn I have artwork that I can look at everyday and fall in love with. My boyfriend is supportive and definitely helped to link me up with artists I needed to meet. Right now I barely have any color, but I have a theme of black and this morbid blue as a highlight on my arm that Krista started and it’s literally amazing.

I have really awesome music coming out on Control Records with William Control (formerly of Aiden). That’ll be out very soon. With music I could tattoo whatever I want and people wouldn’t care. It’s completely different than the reactions I get after the shows with Company XIV. There’s definitely some glances from the older generation, and it’s frustrating because I’m a professional artist- I don’t like to be not taken seriously. But at the end of the day I love my work and I’m proud of it – that’s all that matters. My body’s my temple and I hung a shit ton of awesome paintings in it.

Have your tattoos ever stopped you from getting parts or helped you to? They haven’t because I sort of removed myself from that scene when I decided it was time to be myself. I stopped auditioning for broadway shows. I was asked when I tattooed my hand if I was sure, and I was. I want to live my life as an individual. I have no plan b. I will not work a job that does not accept me.

After realizing this, I sent in my info for a company I’d auditioned for three times before. My dream company as a dancer – Company XIV. Would you believe that at around 8pm tonight I hit the stage for them for my 26th performance of their Cinderella? Austin the director is so open to culture and different styles of beauty. He’s cultivated an incredible place for us to be ourselves. I asked him if I could dye half my head black and he was confused as to why I even asked – it’s that kind of support I’ve always needed to be the best version of myself. I came in with my hand tattoos and he was elated for me. I am very blessed. One time I stayed home from an XIV audition my senior year of college because I was feeling down on my body. If you could’ve told that girl she’d be in the company years later- she would’ve laughed in your face. I almost believe becoming myself got me my dream job. It’s some heavy stuff to think about.

How do tattoos and ballet mix? Tattoos an ballet right now, don’t really mix. Although now more than ever I do see tattoos on professional dancers more often. I can 100% understand the notion that such a classical art form should perhaps stay tattoo-less, but makeup these days is too incredible to let that be a hinderance. It’s totally realistic to cover up some tattoos for stage, I’ve done it. But If I’m being honest, I’m not sure how much I’d enjoy a tattooed Odette in Swan Lake. On the other hand, I love contrast. It’s part of who I am. This ballerina with a dark side. I’ve always been more of an Odile, the black swan- and honestly she’d look pretty sick with some sleeves.

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Finger tattoos by Krista Olofsson

Do you have any future tattoo plans? I just got my fingers done, they are lovely. I coincidentally have heavily tattooed one side of my body. It’s the side where I have pink hair. I almost like it, because I am a living paradox, I’m heavily contrasted. I’ve always been attracted to the darker side of things. I’m very expressive. I plan on finishing my arm. I’ve been itching to get some more tradition depictions of artists I love. I’m looking to get a Lily Munster Marilyn Manson mashup. I’m absolutely obsessed with Frankenhooker, she’s getting on here somewhere. Oh! And more roses. Currently I’m not very interested in tattooing my chest. I just can’t see myself with it – maybe that’s the white swan in me.

Professional photos from shows are by New York photographer Mark Shelby Perry Other photos are by Tory Ruperto, Luke McAfee and Rathbunfotos.