Hexagon Tattoo Project: Martin Dobson

Martin Dobson is a self-confessed tattoo addict and owner of the incredible hexagon tattoo project. An enterprise that starts life as simple outlines of  hexagons that are then filled by various tattoo artists from around the world.  We caught up with Martin to find out more about his inspiring tattoo collection and the thinking behind it…

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What was your first tattoo and how old were you? I got my first tattoo when I was 17, yes I lied that I was 18. It was a tiny piece of terrible tribal flash on my arm, which has since been covered by a slightly less terrible tribal wrap around which I got a few years later in Thailand.

What inspired you  to get tattooed in the first place? I don’t really remember what inspired me to get a tattoo. I lived in a provincial town in the UK and in 1997 there was no one I knew or anyone I was even at school with that had a tattoo. I think it must have been a rebellion thing but I was just drawn to it. Something that 22 years and over 60 tattoos later I understand was the start of an addition and calling.

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How did your hexagon project come about? I travel a lot with work and a few years ago whilst on a long trip taking in NYC, LA, New Zealand, Oz and Singapore I starting thinking that it would be cool to mark each country or city I go to with a tattoo from a local shop. My first (probably bad) idea, was to get the logo of the shop tattooed in a circle on my leg, like a passport stamp. Whilst discussing with my wife this morphed into what it is today. My wife, Dawn came up with the hexagon shape so that they tessellate.

Do you go to tattooists with a design or let them have free reign with the space? No I give them complete free reign. We usually talk about their options and they ask my opinion. But honestly I love that I don’t know what design I’m going to get when I wake up on the morning of getting a new tattoo or even when I’m walking into the studio – sometimes even when they are starting the tattoo! It’s my experience and I think a universal understanding that you definitely get an artist’s best work if you allow them the freedom to do something they like doing or that challenges them. It’s been fun to see seasoned, highly talented artists freak out about what they are going to do in such a small space. All bar none have completely nailed it too!

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You’ve got some amazing work from some incredible artists, who else is on your list? My list is endless. With Instagram people’s work is so accessible, it’s crazy – my wish list gets bigger everyday. It also gets longer every time I go for a session and the artist I’m working with starts recommending their friends and peers. I’ve had to stop talking about new artists! I put out a post on International Woman’s Day recently asking for recommendations of female artists as I’m embarrassingly low on woman tattoo artists compared to men. I got over 125 comments with atleast 200 artists tagged, it’s taken me hours just to look at their profiles let alone start contacting them.

Some big targets currently are Filip Leu who is up for adding a design next to his friend Tin Tin’s but I need to go to Switzerland – I might just have to turn up on his doorstep! Nikko Hurtardo says he’s up for adding a piece but again he’s hard to tie down. I’d love to get something from Boris, Kahn Tofi. I have a long list of Japanese artists, but I’d like to go to Japan rather than doing it at a convention in London or Europe. There are a load of good artists in Korea that i’d like to get hexagons from too. Lastly I grew up watching Miami Ink, I know it can be derided in the industry but Ami, Chris, Darren and Chris are super talented and their show is how I got introduced to tattooing. Ami and Chris Garver have added hexagons and I have two spaces free next to them. Darren is visiting the UK in the summer and is going to add his – now I just need to get a line to Nunez and hopefully I can have them all together.

Do you plan on covering your whole body?  I’m about to extend to my other leg and do a full sleeve which should give me at least another 50 hexagons – after that it will be a conversation with my wife! She didn’t marry a heavily tattooed guy so I have to respect that. She loves the project and actually came up with most of the ideas but I’m not sure she’s up for a husband completely covered in hexagon tattoos!

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What sorts of reactions does your project get? Amazingly positive – I think I’ve been quite lucky and stumbled on a reasonably unique idea in a tattoo world that doesn’t have much left as far as new ideas on placement or collecting go. It’s even got to a point where there are a few people out there copying the idea exactly!

It’s amazing that pretty much every artist I contact is into the idea and usually fits me in to their schedules at short notice – even when they have long waiting lists. As I say I’m a lucky guy and feel humble that an idea that started off as a bit of a punt has turned into something that a lot of people are truly interested in and want to follow to see the outcome.

Photos by Dan Lowe

Still Not Asking For It Tattoo Flash Event

Still Not Asking For It

The worldwide tattoo charity event is back on Sunday 9th June 2019

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Born in 2015 by tattooer Ashley Love, Still Not Asking For It, an annual tattoo event, aims to bring people together to support and speak out about sexual assault and abuse. In their own words the charity fundraiser is ‘making efforts for awareness, prevention and recovery from sexual violence.’

Starting out in a just one tattoo shop, this year’s tattoo event sees over 80 tattoo shops and hundreds of tattooists and artists from around the world taking part in a co-ordinated charity flash day. From London to New Jersey, Johannesburg to Florence, tattoo shops are coming together to support this event and survivors.

Tattoo designs will be available from each artist in the shops, and the proceeds of these will raise money for local and national organisations that fight for issues around sexual violence. Each shop or artist will choose a charity to donate to, and since 2015 the event has raised and donated $367,000.

Just some of the tattoo shops taking part on June 9th:

Yellow Rose Tattoo, Salt Lake City
Red Point Tattoo, London
Diving Swallow Tattoo, California
Lotus Body Adornment, Utah
Lizzie Renaud, Toronto
Ninth Wave Tattoo, New Jersey
37tattoo, Peru
Tooth and Talon Tattoo, Manchester
Black Iris Tattoo, New York
And many many more

Make sure to follow @stillnotaskingforit_flashevent and #stillnotaskingforit2019 for more tattooists, tattoo shops and information.

Apprentice Love: Lucy Alice

Here at Things & Ink we like to share our love for finding new tattooists and support those who are making a name for themselves in the industry. Lucy Alice is a tattoo apprentice and true cat lady, who tattoos out of Cat’s Cradle Tattoo Studio in Rawtenstall, Lancashire UK. 

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How long have you been tattooing and how did you start your apprenticeship This is a super long story, so I’ll just attempt to keep it short and sweet. I’ve been tattooing just over a year now at Cat’s Cradle. I have had a few apprenticeships here and there before this one though. I started an apprenticeship when I was 18 and had another after that, but unfortunately both didn’t work out due to other commitments. I’m 24 now so it’s been a long journey but totally worth it. When you want something this much, you have to work for it and accept that it’ll take some time.

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What inspired you to become a tattoo artist? I’ve always been into art, since I can remember. I’d spend my Saturday job money on paints and sketchbooks every single week without fail. I never knew what career path I wanted to take until I was 17. We have two hair salons in the family so it was almost compulsory to go into the hair business. It was only until a customer asked what I’d like to do eventually, when my colleague said she could see me being a tattoo artist. So here we are!

How does it feel being a woman in the tattoo industry? To be honest, I haven’t had too much experience whilst tattooing. I’ve been extremely lucky with my clients, they’ve all been amazing. So that side has been great so far. Whilst apprenticing at other studios, I do believe woman are treated differently. I get told far too often that I’m too nice and therefore get taken advantage of frequently. I’m really lucky to be in a studio now in which I feel equal and taken care of. And let’s not leave out tattooed women in general! The looks we get, the amount of people that grab your arm to “take a closer look”. Not forgetting the “what about on your wedding day?” speeches from the older generation.

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How would you describe your style? This is always a difficult one for me. I’d say traditional with a little crazy spin. I love drawing faces on anything! Using wacky colours for animals that aren’t technically that colour (*ahem* pink). I draw a lot of cute bits and bobs but still love old school traditional. Muted colours mixed with brights are my favourite colour palettes.

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What inspires your tattoos? Are there any artists that you love? My cats. End of. I say every day that I just flipping love cats! I currently have five so they give me a lil’ inspiration now and again. My all time favourite artist is definitely Jemma Jones from Sacred Electric. I get tattooed by Jemma when I can and have followed her work for years. She inspires me on the daily and she’s just a lovely person in general. Some other artists I absolutely love are Harriet Heath, Gemma Carter and Kelly Smith.

What do you love to tattoo and what would you like to do more of? I absolutely LOVE tattooing cats. Big cats, small cats, they’ll all do. I also love tattooing cherubs, babies, moons, clowns, lady heads, any animals. Basically if it’s cute, I wanna tattoo it!

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How does tattooing make you feel? Including the tattoos you create and the tattoos you have on your own body. It’s a crazy feeling when you really think about it. The fact that people enjoy my work enough to have it on their skin forever. It’s incredible. The pieces that I have on my own body make me feel so much more confident. I’ve collected pieces by all of my favourite artists and couldn’t be happier with the outcome. I love that when I get tattooed, people recognise pieces by different artists. It’s nice to know that they have perfected their own styles enough to distinguish it amongst others. That’s what I’m aiming for.

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CBC Arts: Art Hurts

CBC Arts is part of the Canadian Broadcasting Corporation, and it’s home to the most surprising, relevant and provocative stories featuring artists from diverse communities across Canada. In light of this, producer Lise Hosein, recently launched a digital series on their feed called Art Hurts. The series features some of the most innovative tattoo artists in Canada, who are also all female-identifying or gender non-binary.

In many cultures, tattooing was traditionally done by women and worn by women, and Art Hurts wants to show how these tradition has survived in an often male-heavy industry. The eight artists chosen for the video series, include; Hilary Jane, Liz Kim, Ilona Fiddy, Tee Fergus, Marigold Santos, Jessica Coffey, Amy Malbeuf and Nomi Chi.

Producer Lise Hosein explains the inspiration behind the series: 

This series came about mainly because I’m fascinated by tattoos and wanted to focus on some who had a compelling and really recognisable aesthetic, to really shine a light on the art and design that goes into tattoos. And along the way, I happily realised that there’s a growing community of female and non binary artists who are changing the landscape. So we decided to focus exlusively on them! And I hope we’ll get to do more.

These tattoo artists had been chosen because they have written meaning and symbology in their tattoos that is created in a way that it resonates with the people who get them, they are also doing new things with the craft, helping to bring it into a new era of tattooing.

Watch the first episode here, featuring Toronto based Ilona Fiddy, then head to the CBC Arts channel for more in the series. 

Tattoo Artist: Laura McLean

Tattoo artist Laura McLean works out of South City Market in London, creating blackwork, blast overs and minimal styled tattoos. We caught up with Laura to find out more about the tattoos she creates and how she chooses to decorate her own body…

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What drew you to the blackwork style of tattoos? I love tattoos that are bold and impactful from the moment you look at them. My style has definitely changed quite a bit since I first started tattooing and I’m sure it will evolve more as I get further into my career, which I’m excited for.

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Is this the style that you have decided to decorate your own body with too? My tattoos on my own body are pretty varied. I have some realism, some blackwork, some fineline black and grey, some neo-traditional and a lot of shitty doodles that I did on my own legs before I knew how to tattoo. I don’t have any colour tattoos because I’ve just never been drawn to them. I pretty much have my whole body planned out, I just need to follow through with it all. The end goal is a lot more heavy blackwork.

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What inspired you to get tattooed and start tattooing others? I honestly don’t know! There was never really a question in my mind that I was going to get tattooed and tattoo other people, it was just a given, and I have a pretty impulsive personality so I never really gave it much thought.

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What do tattoos and tattooing mean to you? I’m obsessed with tattoos. They’re the only thing I’ve ever felt completely passionate about and the only way I feel I’m effectively able to express myself, both through my own tattooing and the tattoos I have on my body. I think tattoos are really important in that way. It makes me super grateful that I’m able to do this for a living at the most amazing studio surrounded by such talented artists.

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What sorts of things do you like to tattoo, is there anything you’d like to do more of? Something I’m looking to do more of in 2019 is large scale projects, the bigger the better. I’m keen to black out some limbs! And more blastovers! I’m a huge fan of the way blastovers look.

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Your style is fierce yet feminine, would you use these words to describe yourself and your work? I’ve always considered my work to be pretty balanced between the masculine and feminine. I definitely wouldn’t describe myself as feminine. I actually find describing my work really difficult, I still don’t really know how to answer that question despite being asked it a lot.