Brave Collective: Ellen Duffy

London based, freelance graphic designer Ellen Danielle Duffy, decided to create Brave Collective while kicking some breast cancer ass. A brand who are purveyors of merch inspired by rock culture, spreading the word on cancer in young adults. We chatted to Ellen about the brand’s ethos, her diagnosis and of course, tattoos…

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Founded by someone who has had cancer for anyone affected by cancer, Brave Collective provide a platform for young adults to tell their story and support each other. No young adult should ever have to face cancer alone and I’ve seen first-hand the power that a support network can have.

I firmly believe that no matter who you are or where you’re from we’re all in this together; we’re braver together.

Whether you’ve had cancer yourself, are caring for someone with cancer, or are a friend, family member or loved one, we’re here as a reminder that you’ve got this and we’ve got you.

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What inspired you to create the brand and what message do you hope to spread? Every year in the UK 12,500 young adults are told they have cancer.

Throughout my own cancer diagnosis and treatment, I’ve found there’s a shortage in age-specific support for young adults with cancer. Many charities offer support for teens or adults aged 25-45, but the reality is a person in their 20s or 30s is at a very different place in their life to someone in their 40s. Your 20s and 30s are the years that have the potential to shape and influence the rest of your life and it’s for this very reason that age-specific support at this time is so important. That’s why Brave Collective chose to partner with and donate a percentage of their product sales to three awesome charities – Trekstock, CoppaFeel! and Wigs For Heroes – not only are they raising awareness, but they bridge that gap and what they offer is invaluable to any young adult living with and beyond cancer.

As a brand, we want to raise as much awareness as we possibly can, showing what cancer in your 20s and 30s really looks like by sharing the stories of some incredible individuals and continuing to raise money for these amazing charities and their life-changing work.

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Can you tell us about your diagnosis and your treatment so far? I was diagnosed with breast cancer at the start of summer last year when I was 28-years-old. I’ve since had chemotherapy, extensive reconstructive surgery and I’m currently undergoing radiotherapy – the last stage of my treatment.

It’s been a long and very tough year. I’ve had to temporarily put much of my life on pause for a year in order to save it. It’s been difficult seeing how my diagnosis has impacted my family and partner and watch friends lives continue to move forward, as they should, whilst I fight for my own. All of this aside and as cliche as it feels to say, through all of the hardships and heartbreak there have been some pretty incredible moments and through sharing my story on Instagram, I’ve met some incredible people along the way.

My doctors have recently told me I’m now cancer free and I still can’t quite believe it – I still have to stop myself from saying “I have cancer” because I HAD cancer, and I kicked its ass.

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How has having cancer affected the way you view your body and your relationship with it? I’ve had a love hate relationship with my body over the course of the last year. I’ve lost trust in my body since my diagnosis and it’s going to be a lengthy process to rebuild this, but together we’ve been through a lot so I try to be kind.

Like so many others, almost all of my hair fell out during chemotherapy. Making the transition from looking well to visibly poorly so quickly was hard and there were times I found it difficult looking at my reflection in the mirror. At the time making the decision to shave my head felt huge – it may have seemed like ‘just hair’ to some but it was this moment that really concreted my diagnosis and what was happening to me. The relief I felt once I’d made the commitment was overwhelming. Taking charge felt really good, like I’d regained just a small amount of the control I lost during this time. I’ve since taken this time as an opportunity to experiment – I’d always wanted grey hair but no colourist would touch my decades worth of home bottle-dyed jet black hair! Thanks to wigs this was finally possible for me.

Since surgery I have a pretty big scar that runs from underneath my left breast to my shoulder blade and another in my armpit. I’m proud of the marks that cancer has left on my body; much like some of my tattoos they’re meaningful for me – they symbolise the hardest year of my life and everything I’ve overcome.

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What inspired you to start getting tattooed? I knew from young age that I wanted tattoos. I love everything about them – the creativity, the process, the culture. There’s something quite special about being able to collect art in a way that is so personal and individual to you.

Most of my tattoos are inspired by traditional mehndi and I have quite a few pieces by Sway and Matt Chahal. My favourites are the deity on my arm (Sway) and the tiger on my leg (Matt Chahal). I’m looking forward to getting more once my treatment is over and have a bucket list of artists from around the world that I’d love to be tattooed by.

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What’s next for you and Brave Collective? I’m always working on new ideas for the brand. There’s a number of artists I’d love to collaborate with, tattoo artists included. I’m currently working on a collaboration with illustrator, Matt Sabbath and products should be available to shop in May of this year. I’m really excited about this, he’s an awesome artist and I massively respect his work.

I’d love to eventually reach the stage where we’re raising awareness, offering a platform of support and showcasing our brand at gigs and music festivals alongside some of the bands and artists we love. If through all of this I can help even a handful of young adults dealing with a cancer diagnosis and those closest to them, then I’ll be happy.

And for me personally, I’m trying to adjust to life after cancer. It’s been one hell of ride.

Photos: Sarah Victoria Shiplee

Ravi Zupa Tattoo Gratitude Project

Self-taught artist Ravi Zupa, is showing his gratitude to anyone who has decorated their body with his art. He has created a specially designed poster which he will give to anyone who wears or has made a tattoo of his work. 

It seems to me that most tattoos are a symbolic means by which significant people or events are marked. It’s a ritual of passage. I like this about tattoos. I like that human beings can’t help but be symbolic and artistic.

We spoke to Ravi about the process behind the intricate work he makes, what inspires his pieces and his own tattoo collection…

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How did you begin to teach yourself how to create art? Were there any artists that inspired or helped you along the way? When I was growing up, creating art was like eating breakfast in my house. The most ordinary everyday activity. Both of my parents and all of my siblings did one form or another. My mother is by far the most inspiring and influential artist and thinker in my life.

What inspires the pieces you create? Can you tell us about the process behind each piece? I mostly get inspired by other art. Usually I dig around in books and look at art on the internet and something hits me very hard. My motivation is to create images that will hit someone else with the same force. I usually find something in a piece of art that excites me and then I draw some rough drawings, pulling something from that piece. It might be a particular face, a piece of clothing, a scene, a pose or anything really. I then usually draw the whole thing and about as often as not I dislike it and start over. In many cases I draw the image three or four times to near completion before I get one that works.

Is there a certain subject or animal that you particularly love turning into art? Mythology and historical cultures are the most compelling subject for me. I like to find lateral connections between traditions, religions, characters, rituals, stories and so on. Art is so interesting because it grows and evolves the way that life does and it becomes more sophisticated as it develops. Each culture on earth has an entirely unique form of art but if we look at them carefully we find that there are threads that connect all of them.

What is your favourite medium to create in? I could never choose. I am most skilled at drawing with a pencil or pen but there are so many kinds of ideas and experiences that are begging to be created or depicted and they all have different needs. You can’t run a stitch with a hammer and you can’t drive a nail with a needle and thread.

Lots of people have tattoos of your artwork, do you have any tattoos? Yes. I have a Shrivasta on my arm with a dark animal type glyph that I drew and the word Ahimsa on my chest which is a form of combative non-violence. I got my first tattoos in 1999 at a San Fransisco shop called Black + Blue Tattoo. I had only lived there for a few months and had very little money so I went around to different shops and asked if they would trade art for a tattoo. Black + Blue was the only all woman owned and operated shop in the city at the time and they were the only shop that agreed to a trade. I got two tattoos from two different artists in exchange for drawings. The shop is now legendary in San Fransisco because of that remarkable history.

I don’t care much about my tattoos now. I don’t like or dislike them. They’re like moles to me.

Do you have any new projects coming up? I’m constantly working on new projects. This month I’m releasing the first poster in a new series called “Marvelous Adventures” which depicts Hindu gods and goddesses as comic book heroes. I’m also getting going on a solo show at Hashimoto Contemporary in New York city which opens in August.

If you’re an owner of a Ravi inspired tattoo or perhaps you have tattooed one on someone else, head to his website to get your hands on a copy of his limited edition poster.

Interview with Luke Ashley

24-year-old tattoo artist Luke Ashley tattoos out of South City Market which can be found in New Cross, London. If you’re an avid tattoo Instagramer you’ll have seen Luke’s palm tattoos that he’s now known for, we caught up with Luke to find out how it all started…

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How long have you been tattooing? How did you get into the industry? I’ve been tattooing full time for the last five or six years. I managed to get myself an apprenticeship quite young at the age of 16 in my local studio where I worked weekends and in the week around my collage schedule. I was super grateful to get my foot in the door and have a space to be amongst tattooing.

How would you describe your style? I’m not sure how I would describe my style, I’ve worked in street shops my entire life so I’m used to accommodating to what style my client is after. I think creating your personal style is one of most important things an artist has to do. But I’ve never wanted to turn my nose up to a tattoo as there are tricks to be learnt from all different styles, which can then in turn can be used across the board. My favourite thing to tattoo is definitely linework pieces and I love using different line weights in my work.

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You used to tattoo in colour, what drew you to blackwork? I still love doing colour and I still tattoo a lot of colour pieces but I’m definitely enjoying the blackwork style. Like I said I really enjoy most styles of tattooing and enjoy a challenge so am game for anything!

When did you do your first palm tattoo? Do you like tattooing palms?  I did my first palm tattoo on my friend Stu who I was working with with at the time and he just asked me to do it, witch I initially said no to because I’d heard how they would fall out and are really painful. But we did it anyway and it didn’t turn out great, I said to Stu ‘I think I was afraid to hurt you too bad’ so we did his other palm the next week and I didn’t hold back and I did it how I thought it should be done and it healed perfectly and is still super solid to this day. After that I just convinced friends to let me tattoo their palms because it was super satisfying to get it in properly and see it heal up solid.

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How do you find working on this area of the body? Everyone’s palms are different so you kinda have to get used to adapting your technique depending on the person’s palms. Like a builders hands in comparison to an office workers are going to be way more calloused and tougher to get through. But its definitely my favourite place to tattoo.

What kind of designs would you like to do? I would love to do some more double palm projects covering the entire hands and all up the fingers. I’m also looking forward to tattooing more soles of feet. I enjoy geometric and line work tattooing but I also love tattooing traditional and neo-traditional designs. As long as its a cool idea I’m into it!

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Do you have your own palms tattoos? I do. My first palm tattoo was done by Brody Polinsky. His bold lines and designs are incredible, I’m hoping to go and visit him soon to extend my current palm tattoo. I also let my friends Dash  and Stu do they’re first palm tattoos on me as they let me practise on theirs when I first started. I see my palm tattoos as really personal and look at them all the time.

Can you tell us some more about your own tattoos? The linework tattoos I have on my front and head are made by Kieran Williams. I had my first session over five years ago when I got the front started and then took a little break when we got to the top of my chest, as I wasnt sure if I wanted visable tattoos at that point. Now I am so happy with how its progressed and flowed up onto my neck and now head.
Im pretty open to the tattooist deciding what they want to do, i chose the artist for they’re style so I’m happy for them to run with it. None of my tattoos have much specific meaning to me but they are more like time stamps. I remember getting all of them and what I was doing in my life when I got them. I have one foot dedicated to friends doing little first tattoos on me, witch is always fun.

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What sorts of reactions do your tattoos get? I get a lot of positive reactions from people. Lots of times people ask if getting my head tattooed hurt and are really interested and compliment them which is nice. I’d say its 95% positive.

Does the pattern work you chose represent anything in particular? Not to me no. I originally asked for a church/cathedral but when I turned up Kieran had designed some more Thai looking designs and I was into it so thats what we did!

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Do you have any future tattoo plans for your own body? I’m trying to save the little bit of space I have left. But I reckon I’ll just get everything done pretty soon!

Do you have any travel or guestspot plans? I’m hoping to make it to Madrid this year and maybe Berlin but I haven’t made any solid plans yet. I’ll be heading back to Brighton/Hove to Nine Lives Studio and hopefully to SixtySix at some point this year too!

I’ve just started working at South City Market, it’s a brand new studio opened by Ricky Williams. It’s filled with talented artists and I’m so pleased to be a part of it. You can come find me there slamming out the palm tattoos!

Photography by LadyKaat Photography 

The Circle: International Women’s Day 2019 Exhibition

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Head to The Circle, London on International Women’s Day Friday 8th March 2019 to view an exhibition of works from a group of seven female artists:

Athena Anastasiou
Pang
Heleena Mistry
Laura Callaghan
Sally Hewett
Linzie Elliott
Catriona Faulkner

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Art by Sally Hewett

Their work ranges from collage to paintings to assemblage to textiles. Rather than prescribe a theme, the organisers decided to ask each artist to simply create pieces which celebrated womanhood and what this means to them. Their work will be on display in the ground floor gallery space.

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Art by Linzie Elliott

Meanwhile downstairs in The Circle’s basement, tattoo artists Paula J DaveyKenzie  and Liz Clements will be holding a tattoo flash event, tattooing pre-drawn designs from £50 for the evening. All proceeds from the flash will go to the charity Refuge.

Don’t forget to register for IWD at The Circle here

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

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When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

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What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

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How would you describe your style? Which do you love tattooing more colour or blackwork?  I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

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What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

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I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

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Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.