Exhibition: Nero – the flexibility of black

Our Italian contributor Ilaria Pauletti chatted to tattooist Viola Von Hell about her collective exhibition Nero – the flexibility of black…

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Viola Von Hell, also known as Violeta Pilar Bea, is a tattoo artist based at The Ten Bells Tattoo, in Rome. She has travelled around the world and, through her art, has met many other talented artists. Her collective exhibition, which opened at Parione9 in Rome at the beginning of May 2016, is the result of her ideas connected to other minds.

Nero is the Italian word for black, and it’s the main protagonist of this art show (on until the 29th May). Black tattoos, black skin, black thoughts… Black is more and more present in modern tattooing, and that’s why I chatted with her about this project.

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By Brian Thomas Wilson

How and when was the idea of ​​this exhibition: ‘Nero – the flexibility of black’ born? I thought about the idea almost one year ago, while I was thinking about the tattoo world changes in a stylistic context. I realised the use of heavy black was starting to become more of a thing, and I saw artists with different skills experimenting more and more. And then I said to myself, why not document this new moment of the tattoo world? Besides the fact that I love to organise exhibitions.

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What is the subjective intention at the centre of this collection of artworks? The intent is to let different ideas circulate and give people the chance to gather information about them. And also to build cohesion among the artists of the collective, to create creative groups in our world, a place that is already too full of ego and individualism.

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Did you know the artists personally, or you were guided by your own instinct? They are all friends of mine, people I’ve known personally for years and I respect a lot. With Stefy, besides being great friends, we had already collaborated on another exhibition called ‘Sante Peccatrici’ (Holy Sinners).

Do you think it’s right to set limits on art (perhaps to guide the observer) or is it better to give free interpretation? I think the limits always need to be crossed. I usually like to leave complete freedom to the artists so that I an be surprised by their skills.

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By Pietro Sedda

What are your thoughts about modern-day tattoo art? My thought on this issue is actually very sad, I was very disappointed by the attitude of some colleagues over the years… Fortunately there are also many very valid people, and I am also referring to the younger generations. I hope that the ego can be swept away, and that human relations that govern this world can win, and create better things.

Artists involved in Nero – the flexibility of black:
Kike Bugni, Cionka, Crez, Dane, Rafel Delalande, Aron Dubois, Alessandro Florio, Manee Friday, Massimo Gurnari, Horiyen, Kelu, Diego Knore, Michele L’Abbate, Manekistefy, Rio, Pietro Sedda, Viola Von Hell, Brian Thomas Wilson, John Wilson.

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Photos by Diana Bandini

Interview with Tan Van Den Broek

27-year-old tattoo artist Tan Van Den Broek works out of Dark Cloud Electric, a private studio in Fitzroy, Melbourne, and creates beautifully colourful neo-traditional tattoos. We chatted to Tan about her love for hard working bees and a dirty olive colour pallet… 

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How long have you been tattooing? It’ll be my sixth year of tattooing this August, I completed an apprenticeship over three years in two separate studios. I’m currently working in a private studio in Fitzroy, Dark Cloud Electric, with Dean Kalcoff.

What did you do before? Before tattooing I was at university completing a Bachelor of Creative Arts in Drama. Performance and art have always been an important part of my life, so it seemed fitting to do a degree in it. While studying I was waitressing (classic part-time actor job) and continued to waitress over the weekends while apprenticing. I would work five days a week at the studio, weekends waiting tables, drawing every other moment.

How did you start? Straight after I graduated uni, I applied for an apprenticeship in a local tattoo studio that was just opening up. He already had an apprentice, who had a fancy tattoo nick-name and lots of Kohl eyeliner, but I dropped by the studio with my folio of work anyway. He set a two year apprenticeship for me, I spent the first six months just observing and cleaning before I was allowed to tattoo.

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Do you have a background in art? Yes, I was a really quiet child and so I escaped into drawing imaginary worlds and what was around me; lots of flowers, animals and vegetables! I grew up on a organic vegetable farm, and both my parents are avid gardeners. I took on life drawing classes and later completed my drama degree doing as many visual art subjects as they would allow me to do. I stayed in most nights during my adolescence drawing, I guess nothing much has changed.

What drew you to the tattoo world? Music and my sister. Most of the bands I was listening to when I was younger had tattoos and their cover artwork always made me start brainstorming my first tattoo ideas.

My sister got her first tattoo under age over new years eve. She lied to our parents saying it was semi-permanent and that the pigment would fade away after a year. After a year rolled by and more tattoos were added, my parents clued on. Every tattoo she got, I just kept thinking that I could’ve drawn that better for her and made her happier.

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Describe your style, how has it changed? My style is neo-traditional but more on the bold, colourful traditional side. I like bold lines balanced with finer details.

Initially I wanted to be strictly a traditional tattooist, I loved the work produced by Andrew Mcleod and Jaclyn Rehe (still do) and loved the aesthetic. Tattoos that look like tattoos. Bold and badass. Vintage photographs of men and women adorned with ropes, ships, butterflies, women got me going! I quickly discovered I would over complicate my traditional drawings and I could not restrict my colour palette. I liked soft pastels and dirty olives. Neo-traditional was a better fit.

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What do you like to tattoo and draw? Easy! Animals, flowers and Birds! Lately I’ve been tattooing lots of Native Australian flora, which can be a challenge but I LOVE the challenge and the colours of our flowers.

What inspires you? Beautiful gardens, climbing roses, old buildings, lakes, lead-light windows, crystals, Scandinavian towns, autumn leaves, caves and good coffee.

What would you love to tattoo? Monkeys, I love their expressions. Big cats, toucans/horn-bills, fishing birds, flowering fruits and more native flowers.

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Do you have any guest spots or conventions planned? I’m heading back to Hobart for a week in June, then my next convention will be New Plymouth NZ Tattoo & Art Expo in November. Then Three Eyes Convention in Adelaide in February 2017. I’m currently planning a trip for Aug/Sept, fingers crossed I’ll be heading to United States or back to Europe. I miss Vienna and Göteburg.

Can you tell us about your own tattoos? Sure, my left thigh, left sleeve/hand and left side of my neck was tattooed by my amazing co-worker Dean Kalcoff. My sleeve is inspired by my love of Art Nouveau and 1920s fashion. I’ve got a big orange rose on my neck, my hand has another rose and a Mike Pike Teacup machine. My left thigh has a rabbit being constricted by a snake.

My chest was tattooed by Emily Rose Murray, fuck I was lucky to jump in on a last minute availability! That piece makes me feel really beautiful, big soft peony roses and a little bee. I have three bees tattooed on me (so far), I love their meaning of female strength, hard work, self sacrifice and the importance of teamwork for a greater good.

I have four tattoos from my dear friend Clare (Clarity) Hampshire, one is a vintage nurse with red poppies for my G’ma who served as a head nurse here in Melbourne during the second World War treating the returned soldiers and my G’pa who passed due to WWII PSTD. I have only one matching tattoo with my best friend Jen, it’s a little teapot with the words “Tea For Two” We always catch up over a cuppa, and it’s helped us get through the more difficult times in our lives. Tea just seems to help, you know?

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Art Love: Douglas Hale

We’re obsessed with artist Douglas Hale after discovering him on Instagram. He creates clever collages that play with imagery he has found, colour and symbolism. Hale uses contemporary graphic styles to produce fantasy landscapes and unusual profiles. His artwork creates beautifully strange scenarios and often features well-known faces…

FKA Twigs

FKA Twigs

Harem Aria

Harem Aria

Secrets

Secrets

Diana Ross

Diana Ross

Dawn Richard Album Art

Dawn Richard album art

Head to douglashale.net to view more

WOW! FESTIVAL PHOTO BOOTH

We were part of something magical that took place back on Sunday 13 March 2016… WOW! Women of the World was a festival that transformed the Southbank Centre into a space buzzing with creativity, conversation and female empowerment.

Our editor Alice Snape was there with photographer Eleni, who runs the wonderful Women with Tattoos blog, to chat to women about their tattoos. Here’s a glimpse of some of the inspiring women we chatted to…

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Hazel
“I was just 16 when I got an arrow on my ribs. The more tattoos I get, the more comfortable I feel in my body. It is mine and I have chosen the way it looks.”

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Carey
“I was 59 when I got my first tattoo. My daughter found Grace Neutral and I knew I had to collaborate with her. I see getting tattooed by her as a collaboration. She draws the designs on with a Sharpie and then tattoos over it. I find it a very interesting approach. I feel better about my body now than I ever have before. I love it because it is art.”

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Aisling
“I got my first tattoo at 24. It’s a feminist tattoo as a tribute to the women in my life. I’m very aware of women’s representation in the media, so I would never get traditional pin-up imagery tattooed on me. I wanted to be marked for life with something that has meaning to me.”

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Sian
“I was just 15 when I first got tattooed; it was on my hip. Since then, it’s been reworked by Woody at Into You, so I love it even more now. I find that women with tattoos are often fetishised. I get comments in the street and people ask me questions. I have a whole list of tattoo plans – they make me feel great about my body. I love my body anyway, but they make me feel even better about it.”

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Ella
“I was 17 when I got a lizard tattoo. The first was a big deal for me, it is self marking and controlling the way I look. We are already marked by so many things. Tattoos are a commemoration of something, somewhere, someone…”

You can view the full collection of images and quotes on the Women with Tattoos blog: part 1 and part 2.

 

Maia Flore Photography

French photographer Maia Flore creates beautiful surreal art that exists in a realm between reality and her imagination, her works are complete fabrications that focus on the sense of touch. In the collection Sleep Elevations (2010-2013) Flore presents girls who are entering into a new boundless surrounding, their contorted bodies portray their limitless imagination contrasted against their physical limitations…

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