German artist Mike Dargas creates realism pieces with oil on canvas that show captured moments of intense intimacy and closeness.
In his portraits, Mike is not limited on certain types. He portrays young and old, beautiful and dark, fragile and strong people. They are lost in thoughts, show inner conflicts or transmit a unique or even holy calmness. The perfection of his technique seems to seek for the perfect image, like he was searching for the soul within each single one. With his works Mike Dargas challenges us to take a deeper look, to understand the nature of human being and to question our own emotional perception.
Frances Cannon is a 23-year-old artist and student from Melbourne, Australia, we chat to her about her body positive illustrations and what inspires her…
Do you have a background in art? I have been drawing ever since I was a kid. It was fairly obvious to me from an early age that I wanted to study art and become an artist! I have just finished my Bachelor of Art (Fine Art) and I hope to study more and keep growing and expanding as an artist!
What inspires you pieces? I am inspired by humanity. Whether I draw about the body, emotions, relationships, life/death, dreams – everything revolves about what it is to be human. I am currently involved heavily in the body positive movement as well as empowerment of women and a lot of my art that I post online focusses on that subject.
What message are you hoping to spread? I want people to see my art and feel connected. To feel warmth and happiness when they see it and to know they are not alone in their experiences.
Do you consider yourself a member of the body positive community? Absolutely! I had a lot of trouble loving my body when I was growing up, but over time I have learnt that hating myself takes way to much energy and that loving myself is so much easier and makes life SO much better! I definitely recommend.
What medium do you use? What types of things do you draw? What medium I use depends on whether I am working from home or from my studio. My apartment is very cramped and doesn’t really have space for big works of art, so I usually do ink drawings or small watercolour paintings. When I have a studio I expand to doing big drawings in charcoal, or big watercolour or gouache paintings. I draw naked ladies a lot (though I do draw other things as well). The naked form is something I find truly beautiful and I find it empowering to draw bodies similar to my own.
Do you have any tattoos? What do you think of tattoos in general? Yes I have many! My current favourites are a tattoo of the character from The BFG, a book by Roald Dahl (my favourite childhood author). Another favourite is one of my own drawings of a girl hugging herself (a little reminder to love myself and my body). I love tattoos (especially black line-work tattoos) and I plan on getting lots more!
Artist Julie Filipenko from Tel Aviv, Israel creates bright and cute pieces featuring delicate girls, tattoos, space age awesomeness and of-the-moment animals. We also love her Cara Delevingne work in progress…
In the depths of the Rajasthani desert, the Gypsies created magic…
Check out the Gypsy East ASOS for your own magical treasure that the gypsies discovered on their travels
Art direction & styling – The Gypsy East Collective Model – Emily-Louise McGuinness Photographer – Alexandre Fantie-James Shoot assistant – Harry Newbould
Editor Alice Snape recently got tattooed by Berlin-based Myra Brodsky, 27, aka spinsterette on Instagram, while she was guesting at Seven Doors in east London. Alice couldn’t resist asking Myra some questions while under the needle…
“Myra’s work is heavily influenced by art nouveau and the Victorian age – the periods of art that I am drawn to… so I couldn’t resist getting a tattoo by her while she was over in London. I picked a moon and hand from her flash, and conducted this interview while I was getting tattooed… just imaging the buzz of the needle as you read.”
Alice: “How long have been a tattoo artist for?”
Myra: “I started tattooing in late 2008, after studying visual communications at university. My parents were always very anti me going into tattooing, but my father has now passed away and my mother has moved to Spain, so they are not part of my life anymore and are not aware of what I do. My parents were very religious and this is probably where their attitude came from. I was born and raised in a very conservative, jewish family.”
Alice: “What do you think drew you to tattoos then?”
Myra: “It was really actually by accident that I came into tattooing. I never planned it, I never had the wish to become a tattoo artist. My best friend started to tattoo, and I thought that seemed kinda fun. So she immersed me into the tattoo world, she had all the gear at home, and I started tattooing too. At first, just for fun – it was never big business or starting something serious. I did shitty little tattoos on my own body, but never thought it was something I could make a living from… I thought my parents would hate me and turn against me.”
“What did you do for a job at this time?”
“I worked for an ad agency. I found it really boring.”
“When did you start tattooing properly, as a job?” “I actually started tattooing when I was still at university too, I used to have to do 12-hour days. I was still working at that agency and attending university and I was already tattooing. It was a lot to do. I found it easy as I didn’t have the wish to meet up with friends in my spare time. I was dedicated to my work, being productive was great. Now I need tattooing for my living.”
“Do you think that is something that is hard being a tattoo artist? Would you want to change it or be something else?” “Yeah. I mean being self employed is hard in general. I hate that. I hate doing my taxes, I am really bad at counting, I cannot count at all! If I had the choice I would be a magician. My father comes from the casino business and when my sister and I were still young we used to go to Las Vegas pretty often. My sister and I grew up watching shows like David Copperfield. I admire those magic shows, even if it is an illusion, I love it. I wish I could do that.”
“Do you think that has a big impact on your work?” “Totally. I love all that imagery surrounding all those magic things. I also believe in magic powers. Whenever I have a problem I call my fortune teller instead of going to the doctor. They tell me different things, I can ask her anything. When I was planning my tour through Europe I asked her which shops would accept me. In London, she said there would be a chance that only one shop would accept me and now I am here at Seven Doors.”
“Do you plan to live in New York?” “I want to move there and work Red Rocket tattoo in Midtown.”
“Do you think that is part of the beauty of being a tattoo artist being able to travel around?” “I think it is a good thing. I know a lot of people who aren’t into travelling, but I am because I don’t really feel comfortable in just one place. I get bored so easily. I think it is a fun game to have to challenge yourself to act like a local in so many cities. I like that kind of game.”
“What is your favourite city you have been to so far?” “New York. I like London too. You cannot really describe New York in words. It is just perfect.”
“How would you describe your style as a tattooist?” “I would say I don’t really want to put a name on that. I can only say what inspires me and what I use as reference. These are actually images from all of the great eras from the past, in art history. I know a lot about art history. Most of the things I take are from art nouveau and the Victorian age and Edwardian age. Art Deco is also nice but it is too geometric for my kind of thing. I rather like organic decoration elements, because you can always take them and change them for every part of the body.”
“Do you like doing bigger pieces as well?” “I prefer doing bigger pieces. But I don’t get to do many of them, I think because I’m not in one place all the time.”
“What would be your favourite thing to tattoo? If you could do anything on someone’s back what would you do?” “I think it would be a scene out of a classic novel or play. Maybe a play by Shakespeare or a novel by Kafka. Anything that is already existing, that I could adapt. That is what I like, because I think it is timeless.”
“How would you like your style to progress in the future?” “I am planning on starting more big pieces with more detail, more history behind them. More details and meaning in general.”
To view more of Myra’s work and to see where she will be working next, follow her on Instagram @spinsterette