An interview with PMU technician, Rachel Pitman

Here is the second part of T&I resident make-up artist Keely’s write-up on permanent make-up technician Rachel Pitman. Rachel answers some of the most common questions associated with PMU. (read part one here)

What is permanent makeup?
It derives from tattooing, but the rotary machine I use is extremely lightweight and the application is quite different…it works very slowly and very gently, and I apply a topical anesthetic to alleviate any pain.

What’s the difference between PMU and traditional tattooing?
The pigments I use are produced specifically to mimic make-up and I don’t deposit the ink quite as deep into the dermis, which helps it to gradually fade over time. I’m doing a tattoo apprenticeship and I’m discovering that so many of the techniques and processes are completely different! The face is much more delicate and this really dictates the process. You have a lot more leeway with tattoos to get creative.

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How long have you been working with PMU?
I  trained with Nouveau Contour almost eight years ago and before that I studied Fine Art for five years, so it was a very different direction for me. But I really wanted to do something that utilised my creativity and my perfectionist tendencies!

What made you want to get into the industry?
I’ve always been obsessed with eyebrows – I had mine tattooed with permanent make-up back when I was at uni. But the technician made a real mess of it, I figured I could do a much better job myself.

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What is the thing that people request most regarding permanent make-up?
Eyebrows! I remedy over plucked, lost, or weak brows on men and women. I often treat people with decent hair growth who want to perfect what they’ve got. But emulating hair strokes on clients who’ve lost their brows from chemotherapy or alopecia is really rewarding. It makes such a difference to their confidence to regain something they’ve lost like that.

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What have you had done yourself?
Apart from my brows, I’ve got a beauty spot and I’ve tattooed the contour of my upper lip line – just along the cupid’s bow. It gives my lips extra volume and definition. Discreet and well planned permanent make-up is extremely effective!

How do you see the industry evolving?
I think it will evolve as the demand does. Brows are at the forefront right now, so a lot of focus has shifted to creating authentic hair-strokes. Maybe in a few years eyeliner will take precedence and everyone will be obsessed with creating super elegant, feline eyes.

Is there trends with permanent make-up like there are with the make-up industry?
I’m mindful not to overstep the boundaries… for example I’ll create a really thick brow if 1. It genuinely suits my customer and 2. They have a lot of existing hair to ensure it looks natural. But generally, discretion is the aim, and most beauty trends aren’t in keeping with that… so it’s not too much of an issue.

Do you find that you are fixing a lot of botched jobs?
Yes! I correct a lot of work from “cowboy” technicians. These techs are charging low prices cbeause they’re poorly trained, using cheap equipment, and quite possibly unlicensed. Like tattooing, the industry is unregulated, and people need to thoroughly research their practitioner.

Rachel can be contacted via her website: rachel-pitman.com or via Facebook and her Instagram @permanent_makeup_london.  Her tattoo apprentice page is @p_i_t_m_a_n

Interview with Arianna Settembrino

Our Italian contributor Ilaria Pauletti chatted to Arianna Settembrino, who works out of her personal studio Skinwear Tattoo in Rimini about what inspires her and how she sees today’s tattoo culture…

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You were one of the first women to stand out in the tattoo world, not just here in Italy but in the world. How did you get to where you are now? I’m very proud of what I have become. My path, somehow, has always been characterized by great commitment and great sacrifice.
I am very self-critical, but very determined. When I was young, I can remember, being given the chance to work in a studio as an assistant/apprentice, and how I devoted all of myself to this job, making the most of everything I was required to do by my mentor.

If you weren’t a tattoo artist, what would you be doing now? Another great passion of mine is education. I would definitely like to work in the school environment, with particular attention to adolescents. I strongly believe in the value of rehabilitation and recovery- I would have probably worked on a project of rehabilitation and reintegration of young people when they leave juvenile detention centres.

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Do you believe that every tattoo artists chooses their tattooing style based on the characteristics of their own personality? It is absolutely true! The style of a tattoo artist and the characteristics of their work are an external representation of their character and of their essence. I would say that on one side we choose the style, and on the other one, the style chooses you.

Who and what inspires you? Is there any recurring themes in your art?
My sources of inspiration have always been tied to classical iconography of traditional tattoos, with bits of Victorian style and religion thrown in. I’ve definitely found my identity and style, and my own self-discipline and awareness have helped me to do this. I love anything form of art that is very graphic, futurist and Gothic or the brilliant works by Bosch- these intrigue and enchant me, even the music.

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What has changed since you started tattooing? What would you like to change and what would you never want to change? It has changed a lot. The tattoo world reflects significantly the society in which we live in and nothing is as it was then.

Tattooing has evolved so much, especially where technology and equipment are concerned. Social media has elevated tattoos to new heights, and more and more people are getting tattooed because of it. But on the other hand tattoos being so available has generated the false belief that a tattoo is easy- people think they’re cool and simple to create. It takes respect and awareness to be a good tattooer, nowadays no one respects the art or their customers. There are so many ‘famous’ tattooers that do not always know the meaning of ethics and professional conduct, and tattoo their face and hands with a carelessness that leaves me astounded. It is an already saturated environment, and in a way it is so widespread that it has lost value. This job is not for everyone, you have to earn it!

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Do you have a personal mantra that you live by?
My personal mantra is “I am present”. I use it every day, not just at work as I need to keep in touch with myself and stay centred.

What do you think of people who call themselves tattoo collectors? What I think of today’s tattoo collectors is that many of them are hurrying to fill up every little blank space, getting tattooed only by those branded and trendy tattooists. Their collection is not a true representation of a story, it hasn’t grown over time, with no life experiences instead it is a mere status symbol- a pre-packaged design. A visual impact that really makes me sick.

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 If we think of the first tattooed people, years and years ago, we understand that tattoo was seen as something wild, forbidden but fascinating. Considering this, how do you see the future of tattoo culture? If once tattooed people were seen as freaks and people paid a ticket to the circus to see them up close, well, today I would say that we have gone the other way. Today is just the non tattooed person to be something exceptional. It is both good and bad, nowadays many people are getting tattooed because everyone else has one! I hope the future of tattoo art will be positive and that it will flourish, I hope that quality will win against quantity.

Brighton Tattoo Convention Street Spotter

Last bank holiday weekend, we had an absolutely blast at the 9th annual Brighton Tattoo Convention. The sun was shining and everyone was looking amazing, we couldn’t resist snapping a few of our favourite outfit/tattoo combos while we were there…

Amanda / Honey Pop
29, Blogger, Glasgow

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Amanda’s bee by Rebecca Vincent

Tessa Metcalfe
27, jeweller, London

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Tessa’s swan by Brian Wilson, jewels by David Corden

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Tessa’s rose tattoo by Clare Frances

Sophie
21, hairdresser, Brighton

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Sophie’s back by Dotwork Damian

Lucy, 27, marketing, London (left)
Lauren, 30, trainee tattooist, Eastbourne

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Lucy’s tattoo by Jaid Roberts

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Lauren’s tattoo by Kiley

Tiggen / thetigerstyle
19, blogger/works in coffee shop, Herts

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Tiggen’s tattoo by  Ricky Williams

Did you attend Brighton Tattoo Convention? Are you planning on going to any more tattoo conventions this year? Keep us posted @thingsandink 

Photos by James Gilyead 

Nicole Leth: Sex and Ice Cream

23-year-old Nicole Leth is an artist and designer based in Kansas City, Missouri. We chatted to Nicole about her self love journey and her new store which will celebrate the work of hard-working female creatives… 

How would you describe your style? My style is Katy Perry meets Marilyn Monroe meets Jeremy Scott meets Yayoi Kusama meets tween girl in America all wrapped up in a Miami in the 1970’s colour palate.

What inspires you? I am inspired by day to day life and everything that goes along with it. When I first started designing I pulled a lot of inspiration from past relationships and break ups and now I like to view my work as an autobiography or visual diary where I can talk about things I’m experiencing and going through as a 23 year old woman in the world today. I like to translate these ideas and emotions through traditional textile processes, imagery from my diaries, and colour play. I guess to sum it all up: I’m inspired by the notion that everyone has a valid and important story to tell regardless of their age or gender.

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When will your new shop open? How have you made this happen? Do you have a background in retail?  Ah! My shop is opening on May 6th! ( Eeeee! I’M SO EXCITED!) I’ve been working my way up in retail jobs for the past four years and just recently quit all my other jobs to do Sex + Ice Cream full time. How did I make this happen? Hard work. No bull shitting. I don’t take days off — when I was working my other jobs I would work there for eight hours and then come home at night and work on my own stuff for eight more hours, fall sleep on a pile of sewing supplies, wake up and do it all over again.  I think that sometimes people underestimate what it means to be an artist, let alone have your own business, and make it work. I think its super important to set goals for yourself and be your own support system.

What can people expect to see in it? I’ll be selling my pieces that I’ve designed over the years. Everything that is for sale on my online store you’ll also be able to buy in my shop! I’ll also be selling one of a kind items that I’ve hand sewn and hand painted the fabric of. Also, I’ve brought in a lot of work from some of my favourite brands and artists from around the world! Lots of ceramic pieces, zines, handmade panties, patches, pins, and all that jazz. I like to think of it as a badass collective of work made and designed by extremely talented female makers.

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Are there any artists that you’ll be collaborating with? I think collaborating is one of the most important and stimulating parts about being a practising artist. I’m working on a million different projects: doing surface design on clay pieces from ceramic artists, creating handmade candles in candle holders with a candle girl, working with photographers and video graphers to produce digital work, and with writers on zines!

On your website you say that your garments are your personal diary, what do you mean by this? I mean it in both a very literal and theoretical way. A lot of my pieces have imagery or doodles that have been scanned directly from my diary pages and printed on the fabric. Other pieces I literally treat as my diary and hand draw, write, or paint on the fabric to record what’s going on in my life, what is exciting me or making me sad. Designing garments is a way for me to express my words in a visual way.

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Do you see yourself as a feminist? Yes.

How do you hope to empower and inspire other women? I chose to start designing and creating clothing because I had gone through a bad break up and wanted to do something to empower myself and reclaim the person I knew I was. That was a pivotal, breakthrough moment for me and led me to discover something I was truly passionate about and a future that I wanted for myself. Most importantly, it made me realise how I strong I could be on my own, for myself. I think every women should feel that way — like they are capable of attaining anything in the whole goddamn world. I think the thing that a lot of women connect to in my work is the way I tell stories openly, without shame.
Recently, I’ve also been doing a lot of community work with young women’s organisations. I’ve done a few empowerment workshops where I tell my story, talk about relationships and ambitions, and create shirts with the girls.

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Is self love and body positivity important to you? Is it something you want to share? Yes. Its one of the driving forces behind my work and the stories I tell.

Can you tell us about your own self love journey? My self love journey has been a long one with lots of ups and downs. My childhood was filled with endless crash diets and gym memberships. At my thinnest I’ve weighed 120 pounds and at my heaviest I was over 200. I’ve been in relationships that were so tormenting I lost 50 pounds and I’ve been put on medicines that made me gain it all back. It was hard to have a healthy and accurate relationship with my body because it felt like something that was always changing and that I had no control over.

It took years and years and years but over the past two years especially I have developed an intense love and acceptance for my body. It feels really good to finally be content. I think its important to realize and understand that your body is something that cannot be labelled. That your health and self love is not something that can be determined by someone else. That your body is the one thing that has been with you since the beginning and helped you get through every hardship you’ve endured. That your body is beautiful and perfect as it is at this very moment in time.

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Can you tell us about your tattoos? Which was your first, do you still love it? My first tattoo is a big feather that turns into birds on my lower back. My father passed away when I was 17 so it was something I got for him. Since then, I’ve gotten a lot of tattoos — all of which have personal meaning to me. My tattoos act a lot like a diary as well — I get them to record exact moments in time, experiences, feelings that I never want to forget. I have a portrait of my cat Sprinkle on my forearm (she was the first pet I ever adopted on my own, she’s handicapped and the most loving cat I’ve ever had). I have a few matching tattoos with people who I love. I have a diamond tattooed on my ring finger (my love for myself will always be the most important, I will always belong to myself). I have tally marks on my hand counting how many people I’ve truly been in love with in my life (right now there are two, I hope to add more to it someday).