Dad gets cochlear implant tattoo to support daughter

Alistair Campbell, a father from New Zealand, has got a cochlear implant tattoo to support his hearing impaired daughter. His six-year-old daughter has two of the implants to help her hear, as she is profoundly deaf in one ear and has a condition which limits the amount of sound transmitted to her brain. Now her dad has one to match.

He had the tattoo to show his daughter that “he could go through a little bit of pain for her too.”

When Charlotte saw her dad’s version of a cochlear implant she giggled, touched it and told him it was “cool”. Charlotte’s mum, Anita Campbell, wasn’t so sure her daughter had quite grasped the significance of the tattoo yet.

Images and family quoted from NZ Herald

Feminism, periods and the London Marathon

“It’s a radical notion realising that on a marathon course you don’t have to worry about how you look for others.”

Feminist Kiran Gandhi, (she’s also drummer for MIA and a Harvard graduate), got her period on the eve of the London Marathon 2015, and decided to ditch the tampons and towels and go with the flow while she ran it.

A marathon in itself is a centuries old symbolic act. Why not use it as a means to draw light to my sisters who don’t have access to tampons and, despite cramping and pain, hide it away like it doesn’t exist?

Said Kiran about her decision to bleed freely during her marathon…

 

  

You can read Kiran’s blog post about the experience here: A Modern Period Piece by Kiran Gandhi… In it she describes the decision-making process behind running and bleeding freely, and how she felt from mile one to 26.2.

Fashion Pearls of Wisdom: The Cost of Permanence

Our guest blogger is Natalie McCreesh aka Pearl, a fashion lecturer,  freelance writer and creator of Fashion Pearls of Wisdom. This is the third of many posts to appear on th-ink.co.uk, in which Natalie will be telling us about her life in tattoos. Catch up on the first and second posts in the series. 

Aren’t you worried how dated your wedding photos will look when you’re older? How can you justify spending all that money on your wedding when there are starving children in the world? Don’t you think it’s a bit selfish getting married when some people who are still single might get upset about it? You’re wearing a red wedding dress, wow you must be a slut!? No men will ever find you attractive once you’ve gotten married. How on earth will you get a job after you are married, employers will just think you’re unreliable and unprofessional – needing all that time off to have babies!?

Be honest, you would never, ever say any of those things to a bride. Getting married is often an expensive affair that will change you and impact the rest of your life by a means of permanence. I use the wedding analogy as I and many other tattooed women face this strange barrage of questions on a regular basis. Yet there is no shame, no recognition that doing so is rude and insulting.

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Backpiece by  Tacho Franch

Aren’t you worried what you will look like in your wedding photos with all those tattoos when you are older? How can you justify spending all that money on tattoos when there are starving children in the world. Don’t you think it’s a bit selfish getting tattooed when so many people are offended by them? You have tattoos, wow you must be a slut! No men will ever find you attractive once you’ve gotten heavily tattooed. How on earth will you get a job once you have visible tattoos, employers will just think you’re unreliable and unprofessional – scaring off all the customers!

It’s a given that people will be curious towards those of us who are tattooed, those who choose to go past the holiday dolphin on the ankle and cover a large part of our skin with ink. Most questions come from an innocent mouth, intrigued rather than insulting yet producing that result all the same. I’ve had a woman chase me down the street and try to lift up the back of my shorts to see a Sailor Jerry style wolf on the back of my thigh. When I turned around to give her a mouth-full I saw she was with her two young children so I bit my tongue and answered her question as to where I had gotten it done – how she could tell it was a good tattoo from the minuscule part of it that was on show I’ve no idea.

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Wolf by Kelly Smith

By far my worst experience was a group of guys at a crowded bar talking loudly about my back piece as I stood in front them. I’d left the girls to guard our seats and battled to the bar for a round, suddenly I felt very alone. The bar was jam packed so I couldn’t escape and resigned myself to listening to them mutter, when one managed to saddle up beside me ‘that’s a big tattoo’ he yelled, ‘how far down does it go’ and he proceed to try and pull down the back of my dress. I couldn’t tell you what I said but luckily it was loud enough for the bar security to drag him out. ‘Bloody hell he didn’t mean any harm’ I heard his mates protest on the way out. Harm meant or not, it was caused, I’m now wary of going out at night with my back piece on display without my boyfriend. Anyone trying to pull down the dress of a non-tattooed girl would have been accused of sexual harassment. Us tattooed girls are tough, we spend hours upon hours having needles sunk into our skin, but experiences like that would upset anyone.

On a lighter note there are of course the ridiculous questions which can only be met with an entertaining answer. How much did your tattoos cost, how can you afford it? Oh I get paid extremely well from my high profile job – OMG yes tattooed people can have careers too. We also save up our hard earns just like people save up for a car, a holiday, a designer handbag. Why the choice to decorate your body with tattoos is still such an enigma for some I cannot answer, but I sure do enjoy a good witty comeback story!

Fangs&Ink: Maidstone John

Maidstone John is a 24-year-old freelance illustrator from Canterbury who creates black pen and ink drawings depicting nightmarish ghouls, he has created a fanged female monster, especially for Things&Ink. We chatted to him about what inspires him, his hopes to become a tattoo artist and the tattoos on his body… 

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The Fang Girl John created for Things&Ink

Do you have a background in art? Yes, when I left school I studied fine art and design at Canterbury college, specialising in illustration and print making.

When did you start drawing?  I’ve always drawn from a young age, it all started after school one summer when I broke my leg skateboarding. I was stuck indoors for a good three months with nothing to do, watching my friends going skating and getting frustrated. My good friend Craig Questions would come and visit all the time and I just remember him telling me that I had to focus my mind to something positive or I’d eat myself up. Craig would always visit with these incredible fanzines that he’d been working on, which fuelled and inspired me to draw my own. When the summer came to an end, I was sat in front of a body of work that later on secured my place on the art and design course and the drawing never stopped from there…

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How would you describe your style? Black work inspired by old woodcut etchings. I think my work is a real diverse variety from elements of dark satanic reference to bold traditional 1920s tattoo flash.

What inspires you? I would say I’m particularly inspired by old horror films specifically hammer horrors, the devil rides out being my all time favourite. 80s skateboarding, natural history and third world culture. Those who are close to me know I’m an avid collector of antiques, oddities and ephemera, I love 80s toys. Madballs, Boglins, Ghostbusters and any monsters.

How do you choose your subject matter? I normally find a fragment of a idea from a film or a good book and then run with it until I am happy. I’ve recently had quite a few people email me with some really cool ideas for commissions, mostly album covers for bands, clothing and skateboard graphics which is awesome. I am always happy to run with any idea, it doesn’t always have to be a dark and gnarly design.

innkkkAre there any artists you admire? Do they influence your work? Most certainly, there is a never ending list of people who I look up to, many of which I am lucky enough to call my friends. Without them, I’m not sure if I would even be doing the things I love right now like drawing and skateboarding. French (Richard Sayer), Craig Questions and Dan Singer gave me the original inspiration and the kick start I needed with their insanely detailed illustrations.

I look up to many different tattoo artists (past and present) from Daniel Higgs and Stoney St Clair to the amazing blackwork by DuncanX and Philip Yarnell. All of these guys have their own quirks and calling cards that to me makes them unique not just as artists, but as individuals. I spend every Thursday at Classic Ink in Herne Bay, owned by my pal John Slack, drawing along side Scott Banks and John has really helped me creatively and they are always filling me with advice and confidence, which I am so grateful for. Some day I hope to learn to tattoo and me and John are doing a little trade soon, which I am really excited about.

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What medium do you use?  I normally prefer to work with pen and ink, uni pin fine liners are real good, but I’m trying to push myself with my painting.

How long does it take to create a piece? It all depends on the size and intricacy of the piece, but I am getting much quicker these days, I’ll spend around six hours on an A3 sheet at the longest.

Do you have any tattoos? Can you tell us about them. Of course, I’m nearly complete from the waste down and I have some cover up work on my arms but, as of now, I’m in the process of filling my front. I have been tattooed by some really incredible artists and I still have a long list of artists who I long to get some work off.  I can appreciate all genres of tattooing but I am particularly fond of traditional black work.

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John’s bat by tattooist Philip Yarnell

I have a lot of rad and exciting things coming my way towards the end of this year, if you’re interested in being a part of my journey, find me on Instagram @maidstonejohn

Tattoos that Change Lives: Realistic Nipple Tattoos on Breast Cancer Survivors

45-year-old tattoo artist Ron Antonick creates nipple tattoos for women who have had breast cancer. Often his clients have had re-constructive surgery or are unhappy with the options offered to them by medical practitioners. We talked to Ron to find out more about his experiences helping women to regain their confidence after breast cancer. 

Can you tell us a bit about your studio? I own Sacred Tattoo in Wickliffe Ohio, just east of Cleveland. It is a private custom studio, not open to the public. I am the only artist there.

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How long have you been tattooing? I started tattooing professionally in 1988, working at a local street shop before doing a bit of travelling and guest spots around the country and then opening my own shop in 1997.

How did you start tattooing nipples? For the past decade or so, most of the tattoos I did were portraits or photo realism of sorts… so when a friend’s wife was diagnosed with breast cancer, they went to see the doctor together. The doctor explained about nipple reconstruction, where they attempt to create the nipple again or at least a bump of skin for lack of a better term and then have the nipple and areola tattooed to look more natural. He proceeded to show them a portfolio of nipple tattoos done by medical professionals that looked like peach or salmon colour circles but not anything close to what a real nipple would look like. So my friend called me and asked if I would do them for her when the time came and of course I said I would be honoured.

How did you perfect the technique? I started to research it and found some other artists doing them, with very few artists doing them well. I began drawing different types of nipples, sizes, shapes, textures and colour ranges to see what looked most realistic and what fell short. I worked with slight shadows and light sources to give them the most 3 dimensional appearance I could. When I had done enough of these drawings that I considered successful I then started to advertise for breast cancer survivors, that I could tattoo for free in order to gain some experience.

I had no shortage, almost right away, of women who contacted me looking for help and most of them already had been tattooed by medical professionals unsuccessfully and really wanted them to look natural.  The only stipulation I put on it was that I expected to take anonymous before and after photos which most had no problem with. I was shocked to find out just how many people this was affecting and that many of the women were so young. I would always make sure to take time to sit and talk with each client before hand to make sure they were completely comfortable with both myself and the process before starting anything.

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Do hospitals ever refer patients to you? Yes, it all started with my friend talking to his wife’s surgeon, saying that I would be better suited to do her tattoos, at first the doctor seemed uninterested. He persisted each visit telling him more and then showing him before and after photos of tattoos I had done and before too long he was opening up to the idea. His wife later set up a meeting between myself, her surgeon and his assistant that went very well. I met with Doctor Steven Bernard of the Cleveland Clinic and his assistant Jaquie Frazee. Dr. Bernard was also a part of the team who did the first successful face transplant so needless to say I was very nervous meeting him. I explained what I do, that I have 27 years of experience as both a professional tattoo artist and business owner, I showed them my portfolio and studio. I explained that I use only Fusion Tattoo Pigments because they are all natural organic pigments which are also vegan friendly. In closing he told me he felt that him and his partners clients would be well served by me and he would be referring them to me in the future.

Who was your first client? The first client I had was a woman in her early 30s who drove up from southern Ohio to have her existing nipple tattoos reworked by me.  I reworked her tattoos, correcting colour, adding depth, texture and shadows to give it a more realistic and natural appearance and she was extremely happy with the results! I spoke with her during the healing once and after the healing to make sure everything healed well, colours held up and the results remained, which happily they did. I say this because working on scar tissue is completely different than working on healthy skin tissue. It can be damaged much easier than normal skin and sometimes if not careful in the application of the tattoo , the pigment is more likely to lighten or even fall out of the skin completely during healing.

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Do you tattoo other things other than nipples? I still do regular tattooing  and as rewarding as it is to see a beautiful tattoo on a happy client, it just doesn’t compare to the look of joy on a woman’s face when she sees herself in the mirror for the first time after tattooing nipples on her. It absolutely helps to restore their sense of beauty, self image, confidence and makes them feel somewhat whole again, also in most cases giving them a sense of closure. Now they can move on from the cancer experience and feel comfortable with themselves again. The tattoos help to camouflage scars and in some cases make the breasts look a bit more shapely where they may be slightly misshapen due to surgeries. It feels so good being told afterwards and getting phone calls weeks later telling me that they don’t avoid seeing themselves in the mirror anymore.

Do you do any cosmetic tattooing? I have started getting inquiries about other issues that the doctors and nurses have referred clients to me in hopes of helping them. Some women after being treated for breast cancer never have their eyebrows grow back so I also have started doing these as well as correcting pigment colour on scars. I had a recent client who had hair plugs done in the 90s and since decided he wanted to go with the shaved head look but was self-conscious because he had multiple rows of small round scars that were much lighter in color than his normal skin colour. I matched the pigment and we did a small test area and let that heal to make sure he would be happy with the results before having him shave completely.

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How do you match the tattoo to skin colour? As far as matching skin pigments for different women, I just ask them to describe what they had, what they prefer as far as tone, texture size etc and do my best to make it look as natural as possible. I end up doing a lot of mixing pigments to get the right tones for each individual and always keep in mind, as well as tell each client that because of red or pinkness of the skin after being tattooed that there will be a 15-25% lightening in tone once the tattoo is healed and the skin irritation subsides. I also encourage if possible that they make a follow up appointment about two months after to make sure the healing went well, that the tone is correct and if needed do any layering or touch ups that may be needed ,which is all included in the cost. I do both bilateral (meaning both) or unilateral (meaning one) and the unilateral is always more difficult because you are trying to match the existing nipple colour, size and texture but is by no means impossible.

You have mentioned that you do a lot of free tattoos, how does this work? I did quite a few sets for free the first 8-10 months just trying to get as much experience as I could and feedback. Unfortunately I do need to make a living and feed my family as well but I feel good knowing that I am doing an amazing job for less than a third the cost of what most hospitals are charging – and a few hundred less than what most of the other professionals are doing. There are so many breast cancer survivors in need without the means to pay so I put aside 10% of every nipple/areola tattoo that I do and then reapply it to someone who cannot pay. So in short, every 11th nipple tattoo is done on someone in need who can’t pay, which helps keep me feeling balanced. In a perfect world, I would do them all for free.

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How long is your waiting list? My waiting list is normally anywhere between a month to two months depending on the season, but I see that filling up more and more as word spreads, as I network with more and more medical professionals and breast cancer resources. People can always reach me via email at ronantonick@gmail.com or my cell # which is 440 226 0069 although it can take a while for me to reply as I am extremely busy.

To find out more visit Ron’s website BreastRenew