Posts

Posted on

The aesthetic of macabre: Interview with tattoo artist Lina Shuliar

Lina Shuliar creates dark Japanese tattoos at First Class Tattoos in New York, in this interview Lina tells us all about finding her feet as a dark artist…

How long have you been tattooing and how did you get started in the industry? I have been tattooing for 12 years. I started by accident, I never planned to be a tattoo artist. My friends pushed me into it as they wanted me to tattoo all of them. They always believed in me.

At first I didn’t take it seriously, I even flipped a coin to decide whether I should start learning to tattoo. The rest is history.

What inspired you to become an artist? I have been drawing for as long as I can remember. Creativity has always been an important part of my life, even as a child, toys didn’t excite me as much as drawing did.

I went to art school when I was eight until I was 16. After school, I went to university where I studied design and architecture, in the first few years we drew a lot and did everything by hand. At the same time I was learning to tattoo and these subjects went hand in hand to help me develop my knowledge and skills.

You describe yourself as a Russian vampire and macabre aesthetic, can you tell us more about this? Well, “Russian” – since I was born and raised in Russia. “Vampire” – because I have fangs – that’s why I’m a Russian vampire! Besides, one of my clients once called me it – I really liked it and I’ve been using it ever since.

I think my appearance, my work and how I see the world are connected. I think every artist brings a piece of himself into this world through his paintings and tattoos – in my case, the aesthetic of macabre is my philosophy, this is what I am guided by when I make a design.

You used to tattoo in colour, what made you shift to a darker look? How did your dark tattoos come about? I used to do a lot of coloured tattoos. I don’t even remember why I liked them so much. For me, colour tattoos were very easy. I didn’t have to think about them too much, I was automatically guided by the knowledge that I had, like a printer.

Switching to black and grey tattoos was very valuable to me as I realised a lot about myself as a person and tattooer.

I fully allowed myself to do what I had wanted to do for such a long time. Of course, at first I lost all of my clients and starved but I had no doubt that it was the right choice. I never doubted myself.

What inspires your designs? Does your heritage influence your art? Most of my projects are based on my clients’ and my own ideas mixed together. More than half of my clients are as crazy as me and they love the things that I love. I find inspiration in my clients, in what unites us. I love Halloween, American Horror Story, dark folklore and fantasy – all of this creepy and dark stuff is me.

When I create art, I focus on my feelings and emotions, listen to myself and what resonates with me at that time, whether it’s mythologies, Japanese or gothic.

I really started developing myself in Russia, the artists are at a very high level and competition is huge – you have to be a good artist to survive. The black and grey tattoo community in Russia is a big inspiration for me. I also used to work around Japanese and dark artists who taught me a lot.

Can you tell us about the process behind your tattoos? Everything starts with design, it’s the most important step for me. First of all, I have a detailed in-person consultation with the client. Then I create the designs and do a few sketches before selecting the best one to add more detail to. Or I may show these sketches to my client and we choose one together.

When I then tattoo the design I add a piece of myself in every detail.

The process of tattooing is not only about creativity, but also about customer service. I think anyone can make tattoos, you only need 10,000 hours of practice and you become a professional. But the vision and sense of style, understanding of anatomy and how the tattoo will look after 10 years – not every artist thinks about it.

What would you love to tattoo? I enjoy everything that I do. I am serious! I love tattooing clients who have asked for my specific style, when I have their trust inspiration just flows out of me and I create the best projects.

I love doing things related to Japan: dragons, snakes and peonies, even samurai. I love to turn it into my dark style. Something that has a history or is mythical inspires me the most.  

I recently enjoyed doing a couple of tattoos in the theme of Slavic mythology, there was Baba Yaga, her house and Koschei the Deathless. It was something new for me and I liked the challenge. After that project, I realised I wanted to develop myself further.

Most people admire my female characters that I do often, but these are so easy for me – it’s time to take a break and switch to something new.

How do you see your tattoos evolving in the future? I would like to move away from female portraits for a while and go deeper into folklore and mythology. These themes offer endless possibilities with different stories that will look cool on the body.

In any case, I’m not going to deviate too far from my style, everything will be in creepy and dark colors, with an emphasis not on realism but on fantasy.

How does the New York tattoo scene differ from the one in Russia? Please tell us about your favourite place to tattoo and/or travel? In America, everything is much simpler.  Most people understand the value of art and I meet clients who share their knowledge and view point of the world with me – it’s invaluable.

In Russia there is a sense of community in the tattoo world, unlike America where it’s perceived as just work. But, America remains one of my favorite places to work, everything is so different it keeps me on my toes! Of course, sometimes I miss Europe, where the industry is completely different.  

What was your first tattoo? Do you still like it? I got my first tattoo when I was 13 years old. It probably wasn’t the best choice, but I don’t regret it. I then became the coolest and most dangerous girl in school!

The symbol on my lower back wasn’t beautiful or neat. I’ve covered it twice, finally with a huge black basilisk and a goat that covers my whole back, butt and part of my thigh, this project is still in progress.

How has your tattoo collection grown since then? I have just a few free parts of my body left as I’ve tried to stretch out getting tattooed and the pleasure it brings. My last tattoo is the start of my full leg made by my husband, he does really good ornaments which I love.

Do you have any travel or guestspots planned? At the end of September we’ll be in Boston for a tattoo convention, I’ve not been to this one before so I’m a little nervous. Then in the fall we’ll be at more conventions in Biloxi (Mississippi) and Richmond (Virginia). In the new year we’ll take a short trip to Miami.  

What do you do when you’re not tattooing/drawing? This is a good question! In the rare moments that I can rest from work, I usually lock myself at home and play console games or watch anime / read manga. I rarely have such moments due to constant trips or work, but they are extremely important to me.

I also like to get out into nature, but I do this less often than I get comfortable on our sofa with a blanket and a mug of tea. 

What moment in your career are you most proud of? There are so many moments. I am proud that I have designed t-shirts with Stay Cold apparel twice. Previously they have paired with only really famous tattooers, so I feel really proud.

I am also proud of the moment when I was first called to be on the jury at the tattoo festival – It was exciting and unforgettable to see so many tattoos in a short time frame. Being a judge at the Empire State Tattoo Show was so cool, there was so much talent on stage it was difficult to judge.

I also want to say that I am proud that I came to America, although I never planned to. I have received recognition here as an artist with a talent visa.

Follow Lina for more macabre designs and book-in via her website.

Posted on

Interview with tattoo artist Girin

Tattooist Girin creates dark Japanese tattoos at at 3layer studio in Seoul, South Korea. We chatted to Girin about how he got into the industry and what inspires his work…

How long have you been tattooing and how did you get started in the industry? I’ve been tattooing in Korea for five years. Years ago my cousin opened a tattoo shop and it was there that I first experienced tattooing and tattoos. It was that day that I decided I wanted to become a tattoo artist.

Making my first tattoo was a special experience. My cousin trusted my drawing skills straight away and let me tattoo them.

What inspired you to become an artist? Comic books inspired me to become an artist. I’ve read a lot of comic books and ever since I was young it’s been my dream to become a cartoonist. When I was younger I started painting and I studied cartoons and animation at college.

How did your dark tattoos come about? I learnt how to tattoo on my own and when it came to learning colour tattoos I found them really hard. This style was too much for me to study by myself so I decided to work in black ink and create only black tattoos.

Can you tell us about the process behind your tattoos? I start by thinking about the overall idea then I draw a rough sketch. If I like the rough sketch I make a neater one. After that, I finish the design by drawing the light and shaded parts.

What inspires your designs? I study different designs by watching martial arts comic books and illustrations. In my tattoos I make sure that the details on the armour and helmet, that I’m tattooing, aren’t the same. I always keep trying to design new things.

I get a lot of inspiration from seeing monsters in the martial arts movies and games that I watch.

How would you describe your style? My work looks like Irezumi (Japanese tattoos) but I want to create my own unique style – Girin style.

How do you see your tattoos evolving in the future? I usually get to create big tattoos which I like. In the future I want to continue to engrave really nice tattoos on people’s skin so they can wear them like luxury clothes.

What was your first tattoo? My first tattoo was lettering by my cousin, I didn’t like it so I’ve since covered it. I kept finding problems with the designs and tattoos I chose, I just wasn’t satisfied – I keep thinking about getting better tattoos. Maybe one day I will.

Do you have any more travels or guestspots planned? I’m planning to go to Australia for a guest spot this winter.

What do you do when you’re not tattooing/drawing? I like to spend time watching games, animations, movies and dramas.

What moment in your career are you most proud of? Of course, I feel the most proud and excited when my customers are satisfied with a tattoo I’ve given them.

Follow Girin for more blackwork tattoos and travel updates.

Posted on

Striving for fluidity: Interview with tattoo artist Jade Chanel

We chat to Jade Chanel, tattoo artist and owner of Vaporwave Tattoo, in East London, about her passion for tattooing and journey to authenticity…

What inspired you to become a tattoo artist and how did you become one? I’ve always loved creating. From when I can remember, I was making things, crafting, painting and drawing. Being a visual and kinesthetic learner, I’m very expressive and I love using my hands as a tool.

When I was 18 years old, I started getting tattooed because I loved the way they looked, then it all just snowballed from there. I continued getting more and more tattoos and I then fell in love with the craft. I started apprenticing at Lowrider Tattoo in Bethnal green when they first opened in 2015.

Can you tell us about your experiences in the tattoo industry? It’s been challenging at times, especially being a woman of colour. I started tattooing when I was 24 and I was lucky, growing up in the heart of East London where culture is diverse.

I had this idea that I needed to “fit in” to feel safe and to do well in the industry, but I learnt very quickly that the best thing to do was to just be myself.

How would you describe your work? I’d describe my style as fineline, black and grey. I love precision and detail I can focus in on. I also love that my work has a delicate feminine feel and I’m always striving for fluidity.

Have you always tattooed like you do now? When I started tattooing in 2015, I used bigger needle groupings, so my linework was a lot bolder. I also did a lot of dotwork and mandalas.

After using a single needle, I never really looked back. It just felt right for me and what I was trying to achieve.

Can you tell us about the process behind your tattoos? A client contacts me via my website using a form which has all the details needed to spark an idea for a custom design. If it’s an idea I’m happy to work with, I will send over more details and a booking link.

I make tattoos I feel would look best in the space on the body. Aesthetics are everything. Yeah, so I draft my ideas using key words and references, then I start drawing. It seems quite simple but it’s not!

What inspires you? Most of my work is custom based on ideas given to me by my clients. We bounce of each other. Also, being an artist in this social media era, we’re constantly over exposed to stimuli that influences our “styles” as such.

I’m constantly asking myself what inspires me, it’s so hard to say. Too many things.

You’ve done flash designs inspired by music, are songs a big part of your tattooing? Music is a huge love of mine. I literally have a soundtrack for so many moments in my life. Being that it’s another form of expression, they coincide perfectly! I’m always listening to music when creating so that’s how that idea came about.

What do you like to tattoo and what would you like to do more of? I really enjoy tattooing, and this is a question often asked by clients. One of my favourite things about being a tattoo artist is that no day is the same. New design, new client, new energy. New challenges keep my work exciting! I’d love to do a lot more larger scale projects that cover entire limbs.

Can you tell us about your own tattoos? Are you a tattoo collector? I love collecting tattoos! I never imagined I’d ever have this many, but the saying about it being addictive is true.

It’s a transformational journey. I’ve been tattooed by incredible artists, some of which are my friends. It’s special that I get to wear their work on me forever.

You have your own tattoo studio, what’s this side of the tattoo business like? When I decided to open my studio, Vaporwave Tattoo, it was important for me to not run it like a business as such and create a hub for artists to feel free to flourish.

It’s exactly what I needed and what I felt the industry needed. It’s really challenging because I really love my job as a tattooer and that’s what I wish to give all my time to. I’ve always found admin difficult, and it hit me like a ton of bricks when I started this venture.

I’m always having to find balance between being an artist and being a studio owner.

What’s Vaporwave Tattoo like? It’s full of life and colour. It’s a peaceful but vibrant, safe, welcoming and inspiring space. I’m not even being biased, it really is something special.

The choices of colour and the running theme is basically a portal to my soul, my youth, growing up in the 90s! I’ve crowned myself the DIY Queen after this project. All the décor, fixtures, fittings etc. were chosen and installed with my bare hands. It really is a labour of love!

What moment in your career are you most proud of? All of it. There’s not particular moment I can think of as it’s just been an exciting, challenging journey and each part holds such great significance.

It’s a beautiful feeling, knowing that I’ve been trusted by loads people, to decorate their bodies and create ever lasting memories.

Follow @jadechanelp and @vaporwavetattoo for more tattoos and studio news.

Posted on

Interview with tattoo artist SOP

Tattooist SOP works in Yeonhui-dong, Seoul where he creates beautifully delicate linework and handwritten tattoos. We chat to the artist about his style and life as a tattooer in South Korea…

How long have you been a tattoo artist? It’s already been six years since I started working as a tattoo artist. Without taking a break, I started this job right after I completed my mandatory military service.

Why did you want to become a tattoo artist? Do you have a background in art? I have studied art since middle school. I majored in sculpture, after I studied art in high school and chose to do the same major in college.

I knew about tattooing before I did fine art, but I never considered it for a career. During high school we had a career counselling day, especially for fine art students, run by the vice principal. He told me that tattooing existed as a job and after that I became interested in tattoo artists. I’m still grateful to the vice principal for giving me that advice.

How would you describe your work? I hope my tattoos look like an accessory rather than a typical tattoo. They’re not noticeable because they’re thin and small, but that makes them more precious and special.

As we wear our favourite accessories all over our bodies, my tattoos are the one and only accessory that’s for the rest of our life.

This is my attitude towards tattooing and I will continue to work with this belief. In addition I think my delicate work is so attractive, so much so that it can have a positive effect on people even if they think tattoos are scary.

You create a lot of script tattoos, what can you tell us about these? The lettering tattoo designs that I make are with my own handwriting, which my clients choose to get tattooed with. I have loved handwriting since I was a kid, so when I started as a tattoo artist, I began making designs using my handwriting.

There are a lot of tattoo artists that work with existing typefaces or ones that aren’t their own, so I feel especially proud of my handwritten tattoos.

What drew you to linework rather than colour? Has your background influenced your style at all? I think black is the most basic and simple colour, and it can be seen for a long time without anyone getting tired of it. That’s why I was fascinated by black in the first place, and started to use only black ink.

As I mentioned earlier, I studied sculpture in art high school. However, during my school life, I enjoyed drawing small pictures, scribbling and handwriting rather than making sculptures. I have always liked the neatness of a black line drawing rather than drawings with colour.

I started tattooing by taking advantage of my strengths, and now I am very happy to be able to work with the things I have enjoyed since I was young.

Your tattoos are super delicate, what’s the process behind these? I think delicate tattoo designs are related to my personality – I enjoy organising and cleaning. People often think I’m a woman because of my work style, but I’m actually a man!

I’ve always admired works like dioramas and miniatures and I’m attracted to small and detailed things – I like to find the details when I look at things.

My tattoos are very thin which makes them special, unlike other tattooists I always use single needles so my work looks delicate and smooth.

It cheers me when my client gets one of my tattoos and says: “I’ve never seen such a thin tattoo before and I love it because it’s so thin.”

What inspires your tattoos and what do you like to create? My work is inspired by the details of things and is a result of me reinterpreting what I see. For example; paintings on signs, small designs on candy wrappers and patterns on clothes. I’m inspired by all of this and connect this with my tattoo designs.

As I like small and delicate things, I also like to make small sculptures or objects out of clay or assemble Lego. I also like to practise my handwriting by writing my favourite phrases. This helps me to evolve my handwriting into something new, especially if I’m tattooing the same words a lot – I think it’s very special.

What’s the tattoo culture like in South Korea? In Korea, older generations perceive tattoos in a negative way – they’re recognised as a part of the gangster culture. These perceptions are changing over time, and I think my cute little delicate work can have a positive impact. In fact, people from older generations have seen my tattoos and now have a better awareness and experience of tattoos. This opportunity makes me feel proud.

Do you have a tattoo experience that sticks out in your mind? I had a client who was a big fan of the legendary guitarist and austronomer Brian May, and at an astronomy lecture in Switzerland he autographed her arm. She wanted to get it tattooed, so she perfectly preserved it as she travelled back to Korea. I was able to tattoo his signature on her arm which was a very special and precious experience.

What’s been your proudest and happiest moment in your career so far? I studied art from middle school to high school and entered college as a sculpture major. But I dropped out of school after a year because I wanted to be a tattoo artist.

When I dropped out of college and told my parents that I would become a tattoo artist, they worried a lot. But now, my parents are more proud of me than anyone else and they show off my Instagram to their friends.

I’m very happy that I turned my parents’ worries into pride.

What do you do when you’re not tattooing/drawing? I like to go camping as I get a lot of inspiration from nature. While I’m quietly meditating complicated things get organised inside my head. Absorbing the sound of nature helps me get myself together especially while I’m working on tattoo designs.

Follow SOP for more incredibly delicate tattoo accessories.

Posted on

Interview with tattoo artist: Maret

Maret aka @lordenstein_art, creates incredible tattoos at Capsule.3, a private studio in Berlin, Germany. Here she tells us about making tattoos that tell a story, her most memorable tattoo experience and her fun tattoo collection…

How long have you been a tattoo artist? I slowly started tattooing friends and people I knew in 2014 and I became a full time tattoo artist in 2016. I tried to get an apprenticeship in 2005, when I was 15 years old, but at that time it was quite impossible.

How have you seen the industry evolve since you began? I was interested in tattooing as a child, but even then I had the impression that the scene was very male dominated. Women were mostly just cover girls on magazines and the tattoo shops were full of male tattoo artists – the environment seemed hard and rough. But that didn’t bother me and I really wanted to be a part of it.

I’m glad that the scene has opened up a lot more. There are more styles and different ways into tattooing as a career is possible. More variation exists and everyone inside a tattoo studio can feel like they’re in good hands.

How would you describe your work? Has your style changed since you started? I would describe my work as mostly driven by linework with some shading to set the contrast. I love dreamy, beautiful or cute designs and a “clean“ image instead of chaotic or abstract designs. Saying that, when I started out I would sometimes work in a more abstract way, I also would use bigger lines and apply dots instead of light shading – I wouldn’t do this anymore.

What drew you to linework rather than colour? As well as aspiring to become a tattoo artist I wanted to become a manga artist. I found the implementation of shadows and structures with black ink especially exciting. I have always liked to work with fineliners instead of pencils.

What appeals to me is that you can’t correct what you’ve drawn, but instead you have to accept it.

I think I felt more comfortable with black lines and with a few exceptions, no one has ever asked me for a colour tattoo. So, from the beginning I have stayed with the technique I felt most comfortable with.

What inspires your tattoos and what do you like to create? I like to create cute and joyful designs, but sometimes they also include a hint of melancholy.

I love it when they tell a story or when I can hide Easter eggs in there which you don’t notice immediately.

I get inspired pretty easily by all kinds of stuff that’s around me, sometimes it’s just the light falling through the leaves of a tree or a butterfly sitting on a flower on my balcony. I also have a good collection of artbooks, including Studio Ghibli animes and others, which display a great collection of landscape designs.

In the end I want to create something that makes my customer happy and gives them a positive feeling.

What’s the tattoo culture like in Berlin? I feel the tattoo culture is very diverse and modern. From the classic old school walk-in shops to the private studios and safe spaces, everything is there – stylistically as well. Nevertheless, I sometimes feel that the scene could benefit from more networking and communication between the styles of tattooing.

But, then again there are events like joint art exhibitions that break down these discrepancies by inviting everyone to join in and contribute a design in their style. In my opinion, there should be more of these.

Also tattooing should finally be officially recognised as an art form, which unfortunately has not been the case in Germany so far.

Do you have a tattoo experience that sticks out in your mind? Almost all of my experiences so far have been very good, whether I have created the tattoo or been tattooed.

Getting tattooed in South Korea was a particularly special experience. I was quite nervous at first as I had to transfer the full amount for the tattoo months in advance. When I arrived in Korea, I was given the address which I was not allowed to share. I was also asked not to post anything on social media.

The shop looked like an apartment building from the outside and the inside was like a small office. Little by little the equipment was taken out of different closets and corners and a tattoo shop emerged. Tattooing is still illegal in South Korea, so everything is done in secrecy.

In addition, the tattoo artist took a long break every hour and had two assistants on site. Rarely have I seen a tattooist allow themselves so much selfcare, although it would do us all so much good! Who doesn’t know the constant back pain and eating unhealthy snacks quickly between appointments?

Everything there felt peaceful and mindful.

Can you tell us about your own tattoo collection? My right leg is mainly a collection of tattoos from friends, acquaintances and people I’ve met during guest spots. Most of the tattoos on my leg have something in common – they all do show llamas or alpacas. I just love these animals and they are so funny! Many of them are doing things that reflect me, like eating ice cream. One sleeps on the back of a snail, because in life I generally need a little longer to tackle things or find my way. This leg is obviously also a bit more colourful.

Otherwise I like a lot of black and now and then a coloured accent. I also prefer dark and bold designs. For example, on my left leg I have a centipede which crawls into the open mouth of a woman’s face and on the side of my thigh I have a huge Hydra. I especially like the contrast between the dark colour and the free (open/not tattooed) skin.

Perhaps you can tell that I was a big fan of the classic tribal as a child and that it had a lasting aesthetic impact on me. However, only on myself.

What’s been your proudest and happiest moment in your career so far? I have a few and new ones are happening all the time. Mostly it’s when a tattoo artist I admire tells me that they like my stuff and follow me. Or when clients keep coming back to me for more tattoos after many years.

I have been doing this successfully for eight years now, that makes me very happy.

What do you do when you’re not tattooing or drawing? I spend most of my free time playing video games. I used to paint with oil but haven’t done that in a while, because I don’t have the space for it at home. Otherwise I like to go on long walks or ride my bicycle. I also went back to university in 2020, so there isn’t too much time left to do anything else really.

Follow @lordenstein_art for more amazing tattoos and sign up to her mailing list for updates.