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“You probably know that feeling when things start to fall into place. When your path becomes clearer, and everything you’ve done before makes sense,” interview with tattoo artist Evelina Jurković

From a girly, pink studio in a small town called Banská Bystrica in Slovakia (where you can’t order takeaway after 9pm), tattoo artist Evelina Jurković @eweltattoo creates her delicate fine-line tattoos. Here she tells us all about how she brought the style over to her country, her struggles with an eating disorder, the importance of normalising all bodies in tattooing, how freediving changed her life and her mastectomy project…

When did you first fall in love with tattoos?

I don’t have a specific moment. But you probably know that feeling when things start to fall into place. When your path becomes clearer every day, and everything you’ve done before makes sense.

As a child, I grew up in an environment where there were always drawings spread out, unfinished paintings. My mom is an artist; she taught drawing at a school and often prepared for art competitions or worked on projects for theatre, either in her studio or at our kitchen table late into the night. That influences you as a child. I attended art school for both my secondary and higher education, and when I had the opportunity to try tattooing, I thought that maybe this would be my path – at least for now.

How long have you been tattooing for and how did you start?

Learning to tattoo was like learning anything else – completely terrible! I learned to tattoo mostly on my own, without much outside help. I did attend a tattoo course as it’s mandatory in Slovakia if you want to have your own tattooing business one day. But I learnt a very small percentage of the necessary information. When you leave, you have a certificate, but if you plan to work independently, you quickly realise that you know practically nothing. You can’t learn to tattoo in three days. So, in my opinion, such short courses make absolutely no sense.

Learning to tattoo on artificial skin is one thing, but a much bigger challenge is when you start working on real skin and with real people. It’s extremely stressful because any mistake is irreversible, and you also realise that the person will carry it with them for the rest of their life.

I started by tattooing friends, but when I began working in my own studio, I would often dream about the design I was going to tattoo the next day. I’ve been tattooing for over 10 years now, but I still feel a deep respect for my work.

How did you develop your style to what it is today?

I was the first to start tattooing fine-line in Slovakia. I saw many beautiful tattoos on Pinterest and wanted something similar on my own body, but every studio I went to told me it couldn’t be done or that it would have to be thicker. So I started thinking about how it’s possible. So I bought the thinnest needles available on the market and started experimenting with what could be done.

What’s your studio like? What can people expect when they get tattooed there?

My studio is located in central Slovakia in a town called Banská Bystrica. It’s a historic town with a small population, where there’s just one shopping mall and you can’t order food delivery after 9pm!

In my studio, I place a huge emphasis on my client’s privacy — I work alone with the client, I don’t have multiple tattoo artists or chairs in the space. My studio has quite a girly vibe —light colours, pink decorations, scented candles, large bright spaces with high ceilings, and paintings in golden frames on the walls.

Do you have a tattoo experience that stands out in your mind?

I have several. I remember a lady who had pigment spots on her arms and legs and didn’t want to go on vacations because she felt like everyone was staring at her. After getting them tattooed over, she started wearing dresses and swimsuits.

I often have women with eating disorders who get motivational phrases tattooed. It’s always more personal for me because I’ve been struggling with an eating disorder for many years. That’s also why I started talking about the importance of normalising normal bodies — normalising scars, stretch marks, postpartum bodies, bodies that have had children.

If we didn’t censor certain types of bodies and didn’t favour one “perfect” body type according to the current trend, we would live in a much healthier society. We wouldn’t have 13-year-old girls in therapy for anorexia or mothers who refuse to go to the swimming pool because their bodies changed after childbirth. And we wouldn’t have bullying in schools and workplaces, either.

Now for your own tattoos, tell us about them. Do your they help you feel differently about your body?

No. I got my tattoos at a very young age, which was, of course, a mistake. If I could erase my tattoos, most of them would be gone. But I do love the inscriptions on my arms, which I got as an adult, and they have a meaning for me beyond just the visual.

On my left arm, I have the words “focus” and “move.” On my right arm, I have “no limit.” “Focus” because it’s incredibly important in life to focus on one thing if you want to be successful—not to stray, not to skip, not to doubt it. “Move” because if you’re not happy, you need to move. And “move” because if you don’t stay in motion, you won’t grow as a person. “No limit” is a reference to a film of the same name that led me to a sport that completely changed the direction of my life and mindset. Limits don’t exist — only in our minds.

Can you tell us more about the sport that changed your life?

In the beginning, it was definitely running, specifically long-distance running. Running, after a certain point, becomes more about your mindset because you’re battling not just your body but your mind. However, after years, I needed a break.

In 2017, I discovered freediving, a sport that seemed a bit crazy yet beautiful. I accidentally watched the film No Limit. After that, I found my coach, Martin Ruman, and started working on myself. And I couldn’t have done anything better with my life.

What does freediving make you feel like?

It’s very hard to describe or even talk about, and I think every diver would agree. Freediving gives you space to dive deep into yourself, to learn to trust yourself, to be absolutely present, and focus solely on what you’re doing. No one else exists. Nothing else matters. When you go deeper, you’re completely alone. You can only rely on yourself. You can’t panic. You can’t breathe.

At the same time, you face the question of death, which you cannot avoid. You realise that what you’re doing could kill you if you misjudge your abilities or make a mistake. Before every dive, you evaluate how far you can go today and still be able to return, and you understand that how your dive will turn out depends on your mindset. You also realise that your ego is your greatest enemy in this sport. It can put you in danger and, in the worst case, kill you. It’s an amazing sport — you should try it!

How do you usually work with your clients? Do you mostly do custom work or do you create flash, too?

I create designs with clients together in Photoshop. I think good communication, understanding what the person who will wear it for the rest of their life wants, is absolutely the top priority. The person you’re working with is always the top priority—only then comes your artistic vision.

Can you tell us about your latest mastectomy project? How can clients get involved?

Yes, I’d love to. I believe that if you want to live in a better world, not be surrounded by hate and pain, you have to start with yourself. You don’t have to donate millions to charity, but you can start with small gestures and change people, nature, the world for the better in small ways. People who only complain and do nothing to make humanity or their close surroundings better are losers to me. You can donate clothes to charity, you can teach someone a foreign language for free, or as a tattoo artist, you can change someone’s life by covering a scar with a tattoo for free. If we stop believing that someone will help us when we need it, if we stop believing that good people still exist, and if we stop helping others selflessly, we will find ourselves in a very dark place as humanity.

If you’d like a mastectomy tattoo or scar cover up simply email me with your story – ewelofficial@gmail.com.

You love to travel! Where have you been, and where’s next? Have you got any tattoos from your travels?

Next, my husband and I are planning to visit Dahab. I’d like to stay there for at least a month or two, depending on how time and finances allow. I believe that this place is absolutely extraordinary, and I’ll find at least one answer to the life questions I’m currently struggling with. And of course, like for most freedivers, there’s one small attraction there — the Blue Hole. A 100-meter sinkhole just a few meters from the shore.

Are you planning any guest spots? If so, where and how do we book in?

I love guest spots. I’m currently looking for a studio in Bangkok or elsewhere in Asia, but I’m pretty much open to anything. We’re considering moving away from Slovakia and are looking for a place on Earth where we can say, “it feels like home.” I’ve never felt at home anywhere, and I’ve never known exactly where I want to live or where I belong, what culture or country I’m closest to. So I want to give myself time to find the answer to this question. So if you have a studio and want to meet me, don’t hesitate to write.

Make sure to follow Evelina on Instagram for more tattoos and to book yours.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“A tattoo session is an experience, so everything matters: the space, atmosphere, music, attitude, pace…” interview with tattoo artist Sofia Lanbina

Tattoo artist Sofia Lanbina (@betstattoo) based in Munich, Germany, specialises in fineline floral tattoos. We chat to her about her freehand tattoos, her private tattoo studio and her journey into the tattoo world…

What made you fall in love with tattoos?

I remember the first time I thought about getting a tattoo myself, I saw a photo of a girl with a temporary tattoo of roses. I was 15 at the time and I thought, “Omg, one day I want to be covered in flowers like this”, it felt totally unrealistic and I had no idea how my life would turn out but this was probably the moment I fell in love with tattoos and realised how beautiful they can look.

What made you want to become a tattoo artist?

I always loved drawing, when out in nature, I’d sketch different plants and flowers in my notebook – this inspired me the most. And then I just wanted to find a purpose for my drawings and to share them with the world, that’s how I got the thought about becoming a tattoo artist. I obviously loved tattoos, as well, and already have several bigger pieces on myself, so it seemed like a great idea that I couldn’t believe I didn’t come up with earlier.

Can you tell us more about your own tattoo collection?

I’m not covered with tattoos because, since I became a tattoo artist, I also became very thoughtful about what I’m getting. However, I have quite a few larger pieces, I’ve even managed to get a thigh tattoo and then to cover it up with another 20-hour piece. All of my tattoos are flowers, except for a couple of small ones.

How did your style evolve into fineline florals? What do you love about that style?

I’d say I knew what I wanted to do that from the start. As soon as I found fineline tattoos, I thought they’re so fascinating and incredible. It was hard to believe how many details it’s possible to put on skin and how amazingly delicate it can look. And there is a huge range of styles you can tattoo in this technique, from lettering to portraits, ornaments to big florals. That’s what I love about the style.

Talk us through how you work with your customers. Do you draw straight onto their bodies?

I mostly create my tattoos freehand. It means I draw the design right on the skin with a pen without a prepared sketch. Everything starts with discussing the details via email and in person, then I mark placement, size and shape on the skin to get my customer’s approval and, afterwards, I draw the detailed design. At all steps, it’s possible to try different placements and ideas, rearrange objects — only freehand allows this kind of freedom.

Do you have a favourite tattoo experience?

My favourite and most memorable tattoo experience was when I first got a freehand tattoo. It was a floral fineline sleeve that took two full days of work. Back then I was already thinking about starting working freehand myself and after seeing and experiencing how fascinating the process is, I finally decided to start doing it myself. So, those tattoo sessions and the tattoo itself means a lot, it was the beginning of a new chapter for me.

What’s your studio like? And how does it impact the experience of getting tattooed?

My studio is a lovely private space, located in the centre of Munich. It’s very bright with a high ceiling, a lot of natural light and big plants, it has a calming and relaxing atmosphere — that’s exactly what I wanted it to be. I think a tattoo session is an experience, so everything matters: the space, atmosphere, music, attitude, pace, etc.

What’s the tattoo scene like in Munich? Do you tattoo lots of tourists / people who travel to collect work from you?

There are so many great tattoo artists and studios in Munich, all have different styles though.

I do tattoo a lot of locals but at least 50% of my customers are travelling to get a tattoo from me. Some come from the US, some from all around Germany and other European countries.

Are there any myths around fineline tattoos? What are they and what is your retort?

The most common misconception about fineline tattoos is that they get all blurred or faded over time. However, it might only happen if done wrong, so before getting a tattoo, make sure to find an experienced tattoo artist who has healed tattoos in their portfolio. Another tip (that ideally the artist has to explain to you) is to not try to fit a million things into a small tattoo. All the elements and individual lines need space, so a tattoo has to be big enough for them.

What are your hopes for the future?

I hope to never stop learning, experimenting and discovering new angles for my art. Some artists with time get either bored of what they do or get stuck without any growth and progress. I think that the key to never experiencing that is to constantly work, change and improve what you do.

Follow Sofia on Instagram for more beautiful fineline tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“My work is defined by landscapes, anime and frame tattoos,” interview with tattoo artist Opal

Tattoo artist Opal (@opal.tattoo) is currently in Vancouver, Canada, where she creates breathtaking landscape tattoos. In this interview, she shares her most memorable tattoo experiences and how they helped shape the artist she has become today…

Opal first fell in love with tattooing at university; “when I was a sophomore in university, I realised that the Visual Design major was not a good fit for me and I started to question what I wanted to do.” She recalls that at that time she “became interested in drawing on the body rather than on paper. ” After that it only took Opal a year before they started to learn how to tattoo under @soltattoo and @tattooist_eq at Studio By Sol.

Now having tattooed for four years, Opal looks back at her humble beginnings, “I started with rubber pads” she says. But her talent shone through, “it was about a month and a half after I started that I began working on clients.”

She reveals how at first she felt apprehensive. “It was really nerve-wracking, and I found it difficult because I didn’t know which needles to use or how to angle the machine.” For Opal, “replicating the design exactly on the body was particularly challenging.” Although she was anxious and learning as she went, Opal took it in her stride and kept going.

We asked Opal about the first tattoo she did on someone else. “It was poetry related. The task was to create a design based on the feelings of a poem.” She admits that, “though it was abstract and challenging, I really enjoyed working on it.”

On discovering her most challenging tattoo, we had to ask about her most memorable tattoo experience. Opals shares how she created a tattoo for her dad. “It was especially memorable because my dad, who hates pain so much that he’s afraid of even getting an injection, got his first tattoo from me.” Smiling, Opal shares how grateful she is to her dad for that moment. It was really special.

Since then, Opal has done hundreds of tattoos, honing her craft to what it is today. With anime, nature and frame styles taking centrestage. She describes how her style has become what it is today. “At first, it was really difficult. If you scroll through my Instagram, you’ll see that I worked with very different designs compared to now. Back then, I was really stressed because of the designs. I didn’t know which designs suited me well.”

It was one of her mentors that helped her find her place in tattooing. “After a year of starting, the manager at Studio By Sol told me that I needed to find out what I really liked.” With this in mind Opal “started writing down everything I liked on a piece of paper. I found out that I love anime and landscape photography. Now, I mainly work with anime and landscape designs.”

When it comes to the inspiration behind her work, it’s her photography that inspires her the most. “I usually take pictures of natural landscapes and my friends.” It’s no surprise then that landscapes feature so heavily in her tattoos. Travel is also a big influence for the tattoo artist. “I often travel with my friends, and whenever I see a beautiful landscape or sunset, it becomes part of my design.”

Those tattooers who have paved the way are also an influence on her work. Although she can’t pinpoint one artist that she admires the most, Opal does “respect people who have dedicated themselves to a field for a long time. Especially in Korea, where tattooing isn’t fully recognised artistically or legally.”

Opal and these other artists are connected by their tenacity to keep going. She explains how she “admires those who continue in this profession without giving up.” Like them, she wants to pursue tattooing for as long as possible.

Currently tattooing in Vacouver, Opal is surrounded by artistic talent. “You can meet artists from many different countries, which allows you to see a wide variety of genres,” she shares.

When it comes to her clients, Opal’s work is evenly split between flash and custom design projects. The artist considers it important to “consistently upload flash designs” giving her clients the chance to wear a unique piece of her work that’s pre-drawn. She explains that “whenever I have time, I try to create and upload as many as possible.”

As Opal loves to tattoo different landscapes, we asked the artist if she has any guest spots planned. “I don’t have any guest spots planned at the moment.” But don’t worry, if you’re not in Vancouver you can keep an eye out for any guest spot announcements on her Instagram @opal.tattoo and inquire by email following the form provided.

Looking to the future and touching upon her Korean heritage, Opal shares how she “hopes tattoos can be perceived more positively by Korean people in the future.” Especially as there are now so many skilled tattooists in Korea. She believes that “Korean tattooing is renowned worldwide.” And yes, she’s proof of that.

Make sure to follow Opal on Instagram for more inspiring tattoos and to grab one of her flash designs for yourself.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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Don’t wait for your body to change to get that tattoo

“So many of us delay getting tattooed because of beauty standards or because certain artists don’t want or understand how to tattoo people living in fat bodies – and that is not acceptable.“

There may be a lot of things you don’t think you can’t do in the body you have – like get a tattoo. But we’re here to say you don’t need to change ANYTHING about your body to get tattooed! We chat to tattoo artists and tattoo collectors who also think tattoos are for everybody and every body.

Alyssa, tattoo collector, Ohio, USA (@whatxwhatnot)

“I started getting tattooed when I was around 15 years old. Back then, I never really had a vision of what I wanted. As I got older and spent more time around tattooers, I started collecting tattoos from different artists and tattooers who’ve been tattooing a long time and helped shape the community. Also collecting pieces I thought were fitting to my personality.

“My stomach tattoo is probably my favourite. I was 23 when I started that one. My husband is a tattooer and we talked about how I should get it tattooed and I was always so afraid to do it because my stomach is big, but he assured me it would look amazing. I came to Marah Kelso (@passionpoortaste) with the idea and she jumped on it. This tattoo was the one that started it all for me in my confidence journey. It feels like beauty and armour all in one.”

Alyssa

“I was so happy when you shared my backpiece on the Things & Ink Instagram [see it here]. I love traditional Japanese tattoo/art, and with Japanese tattooing body composition is important to its flow. Being in a fat body with folds and not a perfect smooth back, I wanted to make sure I went to an artist with a good deal of knowledge. Nick Caruso was my guy. He’s a fierce tattooer with over two decades of experience and, from start to finish in the design and the stencil, he has truly helped me feel amazing about this project.

“I think it’s important to seek artists who work with a diverse range of bodies. Be it colour, shape and size. Don’t be afraid to ask questions about their process. Set up consults to discuss your tattoo, so the artist has a chance to get an idea of your shape. If you are someone who feels anxious about people touching your body (I am) ground yourself. And if you feel your artist treats you differently or doesn’t seem excited to work with you, move on to the next. I promise you there are thousands of tattooers out there who enjoy tattooing bigger bodies.

Alyssa’s back tattoo

“My tattoos have changed the way I view my body. Tattoo collecting has given me such an appreciation for my body. Each piece has helped me learn to explore and love my body in a different way that doesn’t require me missing out on opportunities. So many of us delay getting tattooed because of beauty standards or because certain artists don’t want or understand how to tattoo people living in fat bodies – and that is not acceptable. I refuse to accept that.

“My advice to someone putting off getting tattooed because of how their body looks is: GET. THE. TATTOO! I promise it will look good as long as you have trust in your artist.”

Alyssa’s back tattoo

Jade Clark, tattoo artist (@clarktattoos)

“The great thing about being tattooed, is how it can change your body physically, but also how you mentally look at your body. Getting tattooed is like wearing a permanent accessory and you can be adorned in work by artists you love, or you can get pieces that are super important and you want to cherish forever.  Either way, the way we look at body art can drastically change how we perceive our bodies and the autonomy we have over them.

Jade Clark

“My tattoos have helped me accept my own body. They make me feel as though my body is mine and I’ve decorated my body how I’d decorate my house. They have helped me look at parts of myself that I’ve felt uncomfortable with in a whole new light and given me a new found level of confidence, which is also shown in my personality, too. 

Tattoo by Jade

“Tattooing is definitely not constricted to a dress size. Tattooing is for all bodies and all people (legal age of course, you must be over 18) but so many people have different reasons for getting tattooed and that should be considered. So many people get tattooed as a form of homage to their bodies, it can be a really beautiful experience to watch people really understand that their body is their own.

Tattoo by Jade
Tattoo by Jade

“As an artists, there are things about tattooing all bodies – whatever their size. I give advice about what aesthetically flows with the client’s body the best; I could do the same design for two completely different body types and one might not look as good as another, which is why it’s so important for the art, the tattooing and the body to be considered as one thing.

Tattoo by Jade

“As an artist, I don’t think there’s any problem with taking time in finding the right artist, especially if you have body vulnerabilities. At the end of the day, tattooing is not only about the art but also about the experience you have with your artist; it can completely shape the way you see your tattoo entirely. Getting tattooed by someone who understands the body and body insecurities is definitely critical when finding an artist.”

Tattoo by Jade

Kristie, tattoo collector, Nottingham UK (@kristiemb23)

“There’s no special meaning behind my backpiece, but I knew I wanted Holly Ashby (@hollyashbytattoo) to do it. I’ve always loved Holly’s work. When I finally plucked up the courage to go ahead and have my back tattooed, I knew it had to be her. I love her designs and style, I only gave her the brief of ‘something demony/witchy but whatever you think would work’. My only caveat was no full-frontal nudity, we settled on ‘tasteful’ nudity in the end. There also a cover-up of a tattoo I’ve had lasered at the top.

Kristie’s back tattoo

“I’d been planning my back for a few years. As space has dwindled, I knew I needed to put my big girl pants on and decide who/what I wanted to have. I was waiting to lose weight and ‘be the right size’ – whatever that is – but as I got older and more confident in my body, I decided to meet Holly for a consultation and she made me feel so at ease. I knew I had made the right choice and booked a few sessions there and then.

Kristie’s back
Kristie’s back

“Pain wise, I managed the outline and felt my soul leave my body, but honestly it isn’t as bad as I had imagined. There are some spicy spots though. We’re now working through shading and colour and I’m using a numbing cream, mainly to make the most of our sessions. Everyone at her studio House of Thieves is so welcoming and lovely, I’m made comfortable as soon as I walk through the door. I have no issues sat there half naked, which was a big worry of mine before I reached out to Holly.

“Every tattoo I have has helped me see my body differently in one way or another. From having my legs tattooed when I was younger and instantly feeling okay about wearing skirts or shorts again. I love showing off my back piece on holiday or choosing different style tops to wear. I’m currently picking a dress to wear to get married in and my options have expanded since feeling so much more confident with showing my back.

Kristie on holiday

“Please do not stop yourself from doing anything because of your body! We all deserve to do whatever makes us happy and feel good. My advice would be if you have an artist you are considering, please reach out to them. Get to know them too, as this will make you feel so much more at ease and always speak up if you’re not totally comfortable.”

Shannon Hill (@ginge_and_needles), tattoo artist, Darlington, UK

“I know it’s easy to fall in to that cycle where you hold off doing things that you want because you worry about how it will look to others. It’s very easy to convince yourself that it’s not for you, you’re not good enough and you don’t belong because you don’t fit the impossible standards created by our industry.

“But, I’d like to invite you to think from a different perspective, and this is the only perspective that should matter. Ask yourself this one question: Will having that tattoo bring you joy? If the answer is yes then that is the only permission you need.

Shannon Hill

“When you deprive yourself from getting the tattoo you really want for the sake of not fitting into ‘the box’, all you’re doing is depriving yourself of joy. Depriving yourself of the feeling of enjoying a lovely tattoo on your body. No one else suffers, just you. How is that any fun? Give yourself permission to choose more joy for yourself. Get tattooed and be happy.

Tattoo by Shannon

“You don’t need to change your body to get tattooed. But how sad that this is where we’re at now – this industry has a lot to answer for. If you look back through the history of tattooing, they weren’t about achieving an aesthetic. They were reminders, expressions and celebrations of a person, a memory, their life and their body.

“It’s important to remind ourselves that getting tattooed is more powerful than getting a lot of likes on Instagram or having that perfectly curated look. When we focus too much on that stuff, the celebration, the joy, the confidence, the feeling of being at home in our bodies goes missing. It would be nice to bring that front and centre again.

Tattoo by Shannon

“No two people are the same, so why should the tattooing process be kept the same for every client? Every client has their own unique body shape, skin type and colour. My job is all about working WITH YOU. Exactly as you are. And looking at what’s possible for YOU.

“The experience and the process should always be tailored to fit you. It’s a teamwork dynamic between you and your artist. You should never feel out of the loop or like an inconvenience. If your artist can’t adjust and accommodate you and your body, they’re not worthy of going near it with a needle in the first place.

“My only advice would be to not be afraid to advocate for yourself. Whether it’s moving the stencil, taking a break or getting your body in a more comfortable position, don’t be afraid to speak up for yourself. A good artist will always, do their best to accommodate your needs, work with your body as it is and offer their best, honest advice along the way.

Tattoo by Shannon

“I don’t think I ever felt at home in my body until I got more tattoos, especially more visible ones. Being plus size, I’ve always had a complex relationship with my body. Society tells plus size women that they should feel uncomfortable in their bodies. They should always aim to be smaller and not stand out in any way.

“For a long time I fell into that trap. But the more tattoos I got, the more comfortable I feel standing out and being seen. I’ve always thought this whole ‘love yourself’ thing was pretty impossible to achieve. I don’t think anyone can totally love themselves 100% of the time.

Shannon tattooing

“But all I know is when I look in the mirror now, I see myself. I know her. I feel at home. I think that’s largely because of my tattoos. I see all these beautiful pieces and think “that’s lovely that.” And then I get on with my day. Before tattoos I’d tear myself to shreds and pick myself apart. It’s really hard to be mean to yourself when you’re covered in beautiful work that someone has put a lot of love into.

“Go easy on yourself. This is your one life, don’t deprive yourself of joy. Just go choose yourself a lovely artist and get that tattoo you’ve always wanted, it really is that simple.”

This is your sign to go get that tattoo…

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“Tattoos aren’t only a fashion accessory, but also a very precious thing that means a lot to someone,” interview with tattoo artist Nando


Tattoo artist Nando (@nandotattooer) owns Nando Studio in Seoul in South Korea. His Instagram is filled with the most beautiful pet and micro tattoos – most of the tiny tattoos he creates are under 10cm! Here he talks about his delicate style, falling in love with tattoos and his proudest tattoo moments so far…

How long have you been tattooing?

About 14 years now. Since 2010 when I graduated from art college. I’m a self-taught artist.

How did you become a tattoo artist and what made you want to become one?

I’ve been interested in art from a young age. I studied painting at university. Once I graduated from college I served in the military. I then lived in Madrid in Spain for about two years, which is where I met a group of friends who were tattooed. I hadn’t really seen tattoos before, especially not in Korea.

When I saw their tattoos, I realised that it was a really meaningful art form for people. I fell in love with it and so I came back to Korea and started my own tattooing journey.

Can you tell us about your own tattoos?

I have about 10 small tattoos. I’ve been to a lot of countries, while there I connect with some amazing artists. I usually get tattooed from artists in the country I’m in at the time. They’ve become souvenirs of my travels.

What was the first tattoo you did on someone else?

I gave one of my friends a plaster statue of Poseidon that I had made. He then wanted this tattooed but really big on his shoulder! It was my first time tattooing and I challenged myself. Especially as it was so big. It took me about 10 hours but I think I did pretty well despite it being my first ever tattoo.

How would you describe your style?

I wanted to tattoo what I painted. I always try to make my tattoos as detailed and meticulous as possible, because it’s something that’s engraved on one person for the rest of their lives.

What made you want to create small realistic tattoos?

I typically do a lot of my work in spaces that are under 10cm. I focus on tattoos that are meaningful to the people who are getting them. Also my work is very detailed. Each tattoo usually takes around three hours.

What do you like to tattoo?

I love tattooing anything that I think is beautiful. I love beautiful tattoos with stories behind them, because tattoos are not only a fashion accessory but also a very precious thing that means a lot to someone.

What inspires you and do you have any artists you admire?

I am inspired by so many artists. Lately, I’ve been inspired by the art of James Jean.
My tattoos are mostly natural objects such as animals or florals. My hometown is very rural, so I’m getting a lot of inspiration there, too.

Do you have any guest spots planned?

I’m getting invitations to tattoo people from many countries. I have a strong friendly relationship with @mommyimsorry studio in Germany.

How can clients book in with you?

Through my Instagram @nandotattooer. You can make a reservation for a detailed consultation using the email and kakaotalk app on my Insta profile.

What are the rules for tattooing in South Korea? Is tattooing underground or becoming more mainstream nowadays?

Tattoos are still treated as a medical practice in Korea! So tattoo artists are united and talking to the government to solve legal problems. I think it will be resolved in the next few years. Also social awareness of tattoos has improved a lot. Many celebrities get tattoos as a way of expressing themselves, so tattoos are becoming recognised in Korean society.

What’s been your proudest moment so far?

There have been so many proud moments while I’ve been doing tattoos. There was the time when I drew my work on to leather in collaboration with the brand Montblanc. It was an honour to work with a famous brand in this way.

Another moment was when I tattooed fingernails realistically over my customer’s fingers whose fingers were cut off. I was so proud of my job when I saw how satisfied and happy he was.

Follow Nando on Instagram for more beautiful pet and micro-realism tattoos.

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