Posts

Posted on

Interview with tattoo artist Pauline

Tattooer Pauline (taken from his mother’s baptismal name) creates beautifully delicate fineline tattoos at Inktable in Seoul, Korea. We chat to Pauline about capturing the feelings of a specific moment in his tattoos…

Why did you want to become a tattoo artist? There are many reasons, including thoughts and memories that I don’t want to forget. Tattooing allows for elements of beauty in my life. It also indicates a direction and ideals that I want to live in and live by.

How did you become a tattooer? Since I was young I have encountered art in my natural environment. Being around art so much inspired me to go to university to study sculpture.

I was attracted to painting and the field of tattooing and so wanted to study this too. While studying sculpture, I fell in love with tattooing and creating my own paintings, especially the idea of engraving these onto skin.

How would you describe your style? I think my tattoos capture the emotions and stories of the moment. Due to the nature of my line drawings it’s difficult to get the same picture more than once. So, I can only draw the lines and the feelings expressed in that very moment. I think it’s this part that is so attractive to me and my clients.

Have you always tattooed like this? No, there’s been a lot of changes in how I paint. At first I did blackwork and oriental paintings as I liked this painting style. However, I was always drawn to line style paintings without realising it and then I openly fell in love with linework.

Your lines are mainly in black, do you prefer this over colour? I don’t insist on black, but I think I prefer black to color. In my tattoos I like to change the thickness of the line as well as the strength and weakness of it. Personally, I think black can express these things best.

What inspires your designs? In the past I was very inspired by Klimt’s drawings and Egon Schile’s drawings. These artists are one of the reasons why I became more interested in drawing.

I always try to look at other artists’ paintings to broaden my horizons. Mainly because other paintings, music and movies are also inspired by areas of art that surround them.

What do you like about tattoos? Tattoos are a way that you can live with pictures of your own stories. Then when we see a tattoo we remember ourselves and others from that time. You can express your personality through them and to me they’re a part of art.

What do you love the most about being a tattoo artist? I get to do what I like to do. It’s a very good thing as I love painting and I’m able to do a job that’s related to it. I also like having a free schedule and control over my time, that’s one of the many factors that makes it so good.

Can you tell us about the process behind linework tattoos? When you’re painting, you’re drawing and so you’re creating a line without any hesitation. It’s different when you’re transcribing that line into a tattoo. You have to express every line well from the neat ones to those with strong and weak points too. I think it’s better to make a line in the skin rather than draw it on paper.

Tell us about your own tattoos, do you collect them? Yes, I have a lot of tattoos. I have the face of my mother, whom I respect, engraved on me. Then there’s also a figure from Korean history, this tattoo helps to give me direction and live the life I want.

Sometimes I collect tattoos because I just like the artist’s paintings. I have a wide variety of tattoos.

When in your career have you felt the happiest? My tattoo appointments are a time where I can be supportive of people. Everyone has pain and some people want to overcome their pain by getting one of my tattoos. I feel proud and happy to be an artist who can be of any help in other people’s lives.

Do you have any guestspots or travel planned? I have been to so many countries including Germany, America, England and France. I’ll be in Singapore soon but currently I don’t have a planned schedule.

Make sure to follow @pauline.tattoo for more beautiful tattoos and travel plans.

Posted on

Interview with tattoo artist Norang

Artist Norang creates exquisite tattoos at Sol Tattoo Studio in Seoul, Korea. We chat to the tattooist about the inspiration behind her work and how she hopes her tattoos will help the wearers to love their bodies…

How long have you been tattooing and how did you become an artist? It’s been two years since I started tattooing and getting tattoos. I’ve been painting since I was very young and I’ve always been interested in this field.

There was a moment where I had to make a choice about my future and that’s when I realised that I liked to paint pictures with my hands. I thought about what I could do with my favorite pastime. I found a special world called tattooing and jumped in without hesitation.

If you weren’t a tattooer what would you be? Maybe I would be an illustrator. It would allow me to express my art through my hands, like tattooing does. The charm of it all is that I can combine colours as I think of them and stories appear as I draw. In my free time I draw and give my illustrations to my friends.

What’s your favourite thing about being a tattooer? That the people who visit me like my paintings. It’s amazing to me that they want to engrave my art on to their bodies. I also like it when they are happy when they see my finished work.

Can you tell us about your experiences in the tattoo industry? I feel a great responsibility in every moment, because I do work that is indelible to the human body. This also includes how I try to get my customers to have a tattoo of what they really want. It’s been two years since I started tattooing, but I still try to work with the same mindset.

How would you describe your work? Fairy tales for adults. I want to beautifully express the same innocence that still remains within these stories. I interpret all the designs I see with my own viewpoint. The charm of my tattooing is to make the things around me more delicate and special.

What inspires you? Twinkling things like stars in the night sky and things with delicate patterns. I also like symmetrical natural objects such as birds and butterflies.

There’s a novelty to the wonderful forms of nature that man cannot imitate. When we try, what is produced is special, it is this that gives me comfort and allows me to dream.

Do you have a favourite tattoo artist or someone who inspires you? My tattooist colleagues and my close friends. Thankfully, I have a lot of friends who have unique and creative minds. I’m always grateful to them for giving me fresh and artistic stimulation.

Can you tell us about the process behind your tattoos? I always try to draw the same theme from different angles and poses, or a new combination. Sometimes, when I do this there are unexpected designs and colour combinations that come out.

What do you like to tattoo and what would you like to do more of? Working with various objects is very fun for me. I like to reproduce the form and the delicate lines I see through tattoos. These days, I am interested in flower shapes, so I want to develop these in my own style.

Can you tell us about your own tattoos? Are you a tattoo collector? My first tattoo is an ornament on my finger without much meaning. I didn’t get another tattoo for a long time after that, because I wanted to be careful about the tattoos on my body.

Then last spring I received my long awaited and much cherished flowers and birds from @soltattoo on my arm. I will continue to fill my body with flowers that I like.

What moment in your career are you most proud of? There are so many that I can’t choose. As a tattooist, I think the way I can draw a design to better fit a person’s body is the best. I hope my clients can love their body more with my tattoos.

What’s the tattoo scene like where you are? Our country is the only country where tattooing is illegal. As a result, a lot of generations generally distrust tattoos and tattooing. But ironically, for many young people, it’s a means of self expression. I think there are so many talented tattooists in Korea. I hope that someday Korea will be welcoming of tattoos.

Follow Norang on Instagram for more beautiful tattoos.

Posted on

Interview with tattoo artist SOOSOO

Tattooer SOOSOO owns a private studio in Hongdae Korea where she creates incredible tattoos. We chat to SOOSOO about how she became a tattooist and her work, including her amazing fire tattoos…

How long have you been tattooing and how did you become an artist? I’ve been working as a tattooist for four years. Four years ago I went with a friend who was getting a tattoo, that was the first time I came across them.

I’ve been drawing since I was a child, and I wanted to have a job where I could draw. I thought being a tattooist looked so cool. I decided to learn to tattoo and I saw @SolTattoo was recruiting students at the time, so they became my teacher.

Do you have a background in art? Before becoming a tattooist, I majored in visual design. I went to an art high school to major in design, and I have always learnt about and painted different works, including Western paintings and illustrations, as well as my major.

What’s your favourite thing about being a tattooer? I’m really glad that I can enjoy my job. I love it when my clients like my paintings and they’re happy when they see my finished work.

How do you hone your tattooing craft? To me, tattooing isn’t just about engraving beautifully drawn designs into the skin; it’s about skill and dedication. I think tattooists should polish their skills, so the work doesn’t strain or damage the skin. It’s important that we practise by using various machines and needles to find the ones that best fit us.

How would you describe your work? I interpret every design with my own style. The attractive aspects of my tattoos are the vivid colours and textures, like I’m using coloured pencils.

What inspires you? I usually watch a lot of movies and animations. I also think about tattoo designs when I see scenes and props in the movies. I also try to experience a variety of music, paintings and photos to get inspiration.

Can you tell us about the process behind your tattoos? When I’m drawing tattoo designs, I try drawing the same design in different colours. When I do this sometimes I come up with an unexpected design and colour combination which is really good.

How do you create your fire tattoos?  When I look at the irregularity and intensity of fire, I thought I should draw it. I was impressed to see the colour of the flame fused with the surrounding environment and I thought I could express it in various ways.

I think it’s very attractive to draw fire blooming on the skin in various shapes and colours. The fire isn’t in a clear shape, but I can create a frame to contain it in. I then keep revising the appearance to complete the design.

We love your food tattoos, are these a favourite of yours? I’ve been doing food tattoos a lot recently, they’re quite new to me. I want to draw a variety of painting styles including still life paintings. The shape of food and bottles attract me and lend themselves to this style. Although, I’d definitely like to try more diverse things in the future.

What do you like to tattoo and what would you like to do more of? These days, I enjoy drawing fire and I’ve been working on a lot of small fire tattoos. As mentioned above, I feel the flow of fire on the skin is very attractive and looks good. I want to make a big fire tattoo on someone’s arms or legs, hopefully I can someday.

Can you tell us about your own tattoos? Are you a tattoo collector? When I first started tattooing, I worked at StudioBySol, a shop run by my tattoo teacher SolTattoo. There were loads of tattooists in the studio and they gave me a lot of tattoos. 

I don’t have many tattoos on my legs yet, but I want to get a big tattoo on one of my legs at some point.

How does it feel making tattoos in Korea when they’re still illegal? There are so many talented tattooists in Korea and a lot of people want to learn how to tattoo. It’s really unfortunate that it’s not legal. There are a group of Korean tattooists that are trying to legalise tattooing, so I hope it will be soon.

How are tattoo artists seen by society? Older generations still have negative views, but many people are looking at tattooing as art. I hope it will be accepted by more people as an art and legalised.

What moment in your career are you most proud of? I’m very proud and I feel at my best when clients tell me they really wanted to get a tattoo from me. Also when they are satisfied with the tattoo I have done for them.

Follow SOOSOO on Instagram for more awesome miniature tattoos.

Posted on

Interview with The Tattoo Journalist

Tattoo enthusiast Adriana de Barros, The Tattoo Journalist is an author, editor and photographer covering all things fine art and tattoos. Her unique interviewing style sets her apart, making her work with legends of the tattoo world a must-read. In this exclusive interview we chat to her about her career, tattoos and the future of tattooing…

A portrait of The Tattoo Journalist.

How did your fascination with tattoos begin? As a child, I remember seeing postcards and books with tattooed 19th-century women and circus performers from “Freak shows.” Outcasts drew me in because they were different.

I would have been heavily tattooed as a teenager with old-school sailor tattoos like swallows and other designs, if it hadn’t been for my severe pigment allergy. As a result, I had to wait a few decades longer for inks that were more natural and suitable for sensitive skin.

Illustrative body art by Makoto.

Which genre of tattooing are you drawn to the most? I enjoy all types of blackwork, from abstract to illustrative. Anything done well in black ink, positive or negative space — I’m drawn to the simplicity and ancient qualities of black ink and how it remains relevant and modern.

An inside look at the first issue of “Ta’too,” featuring Daniela Sagel’s artwork.

When did you get your first tattoo? Do you still like it? I got my first piece approximately five years ago, and it was a little heart in a less prominent location to allow me to test my response to the ink before getting a larger piece. Although the tattoo has sentimental meaning, I would not call it as attractive on an aesthetic level; I prefer more solid art like my backpiece.

A black-ink piece by Makoto.

Do you consider yourself a tattoo collector? No, because I prefer to have a single flowing piece of art on my body. It took eight hours to complete an ornamental floral work on my back, and I’ll finish the ribs, shoulders, and arms in time. As a collector, the only thing that comes to mind is tattoo books, which I acquire for study and collection.

An interview with legend Freddy Negrete at Hollywood’s Shamrock Social Club.

Do you prefer being tattooed at conventions or an artist’s studio? I’ve had both, but I prefer a calmer, quieter setting with more one-on-one interaction with the tattooist. As a spectator or member of the press, I enjoy conventions because they allow people to see tattooing on a larger scale and meet international artists. However, event spaces are challenging to navigate for artists or clients; it is a hectic environment.

The Tattoo Journalist’s photographs of Freddy Negrete.

What is it about tattoos do you think that makes them so appealing? When they were underground, it was their edge and mystique. With the increased availability, I feel that the permanent-ink factor on the skin may be a lifelong commitment that empowers you. It becomes more than a decorative item; it imbues you with a traditional, spiritual sense.

It has the potential to transform you positively so that your inner sentiments become visible on your outer; you become more yourself.

The debut edition of “Ta’too.” Cover art (head tattoo) by Gordoletters.

What inspired you to write your book Ta’too? Its goal is to offer an alternative to mainstream publications by being transparent about the tattoo community, the art, the history, and the human side of the narratives, rather than following internet trends. The first edition featured avant-garde tattooists ranging from Makoto to Oscar Hove.

The second covers tattoo legends from Charlie Cartwright to Kari Barba based in the United States, individuals with 30- to 40-year careers who paved the way for the rest of us. Younger generations frequently overlook them, and I believe they deserve to be featured and told their stories, which speak volumes about the industry’s growth.

The third will be completely different, focusing on raising tattoo awareness in other parts of the world.

On the left is a painting by tattoo queen Kari Barba, which appeared in the second annual of “Ta’too.”

You’re the editor of Scene360. Can you tell us more about this publication? On December 1, 2000, I launched Scene360 as a digital arts and film magazine. It merged several art disciplines into a single publication that did not exist on the internet at the time.

It piqued readers’ interest right away. Film festival coverage (SXSW, Cannes), interviews with painters (Gary Baseman, Helnwein Gottfried), photography (Carl de Keyser, Kavan the Kid), and poet profiles were among the early highlights.

Scene360 was developed with the help of various contributing editors and writers. We included graffiti and tattoos, and as readers expressed interest, we added additional features. For the last decade, tattoo art has been one of our specialties, and Scene360 has shifted its focus entirely to tattoo content. It was nothing more than a natural occurrence.

Lyle Tuttle, the father of modern tattooing, during the Santa Rosa expo in 2019.

What moment in your career, so far, are you most proud of? That’s a difficult one to answer. Having previously worked as a graphic designer and web developer, it took around 15 years of hard work to be recognised for a Webby Award for Best Art project in 2015 without any financial assistance or ties to a large firm. The majority of online ventures require funding to succeed. I didn’t have any; everything was self-sufficient. It taught me that I could achieve what seemed impossible.

The second happened not long ago, when I was at the Santa Rosa expo and had the honour of meeting legend Lyle Tuttle for the first time. I became engrossed in the moment, listening to his stories and absorbing his historical knowledge for hours. Sadly, he died a few weeks after we met, but that day stayed with me; he showed me that I was on the right track, that tattooing would be my life’s purpose. I am highly grateful to Lyle!

Shane Tan’s tattoo art, one of the Scene360 interviewees.

Do you have a favourite tattoo artist? Responding to this will send me to hell. I’m not going to name my favourites, but they include Maud and Gus Wagner, Sailor Jerry, Ed Hardy, Horiyoshi III, Chris Garver, Gakkin, Shane Tan, Hanumantra, and Makoto.

Is there an artist you’d love to interview? Ed Hardy.

Kari Barba during her 1982 first convention, held on the Queen Mary in Long Beach, California.

Which female tattoo artists do you admire? Along with Maud Wagner, who is credited with being one of the first female tattoo artists in the Western world—a pioneer and true inspiration—I love Kari Barba, who committed her work in the 1980s to promoting gender equality and has remained a tattoo force ever since. 

The development of a bodysuit by Shane Tan.

The tattoo world is constantly changing; where do you see the tattoo industry going in the next 10 years? I believe we are in the midst of a new tattoo renaissance. East Asia is reviving—Japan, China, Singapore, and South Korea. Growth will occur in the West as well.

Creatives tend to feed off one another; if one region of the world excels, it pushes other areas to improve. Even though there are many tattoo artists today, the ones who will survive in the long run will be true artists with quality expression, composition, and technique.

In terms of a personal wish for the future, I hope that ink technology advances so that coloured pigments appear opaque and bright on darker skin tones.

Follow The Tattoo Journalist for more insightful interviews with tattooing legends.

Posted on

Interview with tattoo artist Fluffy Tattoo

Fluffy Tattoo creates the cutest mix of floral and animal tattoos we have ever seen! Working at Studio by Sol in Seoul, Korea we chat to the tattoo artist about the inspirations behind her tattoos and how she became and artist…

How long have you been tattooing and how did you become an artist? It will be exactly two years since I started tattooing in June this year. I’ve always liked to draw ever since I was a child. There’s someone who’s always drawing, right? That was me.

As I decided to go to an art university, I started to learn painting with earnest. After entering university I majored in crafts, especially pottery. However, I preferred the process of painting on top of the pottery rather than making it. After graduation, I started to work as a designer while drawing as a pastime, but I felt that it wasn’t for me. I decided to become a tattooist because I wanted to draw again.

What’s your favourite thing about being a tattooer? That people like my drawings. I feel happy that so many people like my style and tattoos. The reactions when I show the results of our tattoo session to my clients makes me feel good .

Can you tell us about your experiences in the tattoo industry? After years of working as a tattooist, I think tattooers are comprehensive artists. Tattooists often have to schedule work, take pictures, edit and market themselves, not just draw pictures.

There have been so many differences between watching the tattoo industry when I was outside of it, and seeing it inside its boundaries. At first, I thought it was difficult because of these differences. I wasn’t used to dealing with customers or taking pictures. But now I think of all this as being part of a tattooist.

How would you describe your work? Every one of my tattoos is a small world in itself. There are stories to be found in my little works. Most of my tattoos are cute or beautiful and I always try to put a special meaning in them. Most people want to express themselves with tattoos or have them contain stories. Customers also give the tattoos I make for them meanings that even I don’t think of.

You’re open to doing cover-up tattoos, can you tell us more about this? I do about four or five cover-up tattoos a month. My customers usually want to cover their existing tattoos with flowers, animals, the moon and clouds. Cover-ups are more difficult than general tattoos. Not only do I need to cover previous work in a natural and beautiful way, but I also have to pay attention to any damage to the skin. They’re just as interesting as the other tattoos I do and I love that my customers are always very satisfied with the new tattoo. I feel very proud of them.

What would you say to someone wanting a cover up tattoo from you? If you want to get a cover-up tattoo, you must read the cover-up precautions beforehand. Since the cover-up isn’t magic you need to consider that the size and colour can’t be as diverse as a regular tattoo can be. This is because tattoo ink cannot put bright colours over dark colours. Plus, the cover-up design should be larger than the existing tattoo. I make an appointment after the customer has thought about these things.

How do you feel covering and updating another tattooer’s work? I’m not conscious of the tattooist who gave my customers existing tattoos. I just focus on the needs of my customers. I see so many people get cover-ups because their tattoos smudge or the previous tattooer has messed up a lot. But, there are some people who cover them because their tastes change. Therefore, I’m open to someone who has been tattooed by me having my work covered by someone else.

What inspires you? Everything around me. Of course, nature is my greatest inspiration, especially as natural things are always around us. The changes in seasons and temperatures, the flowers and animals I’ve seen along the road and new scenery on trips inspire me. 

Can you tell us about the process behind your tattoos? The first thing I do is draw a design and almost every day I upload one on Instagram. So, in fact, even when I’m not working on tattoos, I keep drawing and editing photos to upload. When the design is sold through Instagram the appointment date is set. I then prepare a stencil, guide customers on placement during our consultation and finally tattoo them.

What do you like to tattoo and what would you like to do more of? These days, the combination of animals and flowers is the most interesting to me. These tattoos are small and delicate and they take a lot of time. But, it’s always fun when I’m working on these. I do, however, want to draw and tattoo bigger pieces.

Can you tell us about your own tattoos? Are you a tattoo collector? I have eight tattoos on my body. Three small doodle tattoos, three plant tattoos, a goldfish tattoo and my cat tattoo. Two of them were given to me by my tattoo teacher, Soltattoo. After I got a few tattoos on my body, the style I wanted became clear. But I don’t think I have enough to say I’m a tattoo collector maybe after another two or three tattoos.

How does it feel making tattoos in Korea when they’re still illegal? I always feel like I’m carrying a certain amount of anxiety. Before I became a tattooist, I hesitated because it was illegal. That’s why I’m always cautious. Now I’m used to the anxiety, but I hope it becomes legal soon so that both tattooists and customers can get tattoos safely.

How are tattoo artists seen by society?There are still two points of view. Contrary to the positive perspective of people who enjoy tattoo culture, there is a conservative and disgusting view of tattoos. As a person engaged in tattoo culture, I am still surprised when I encounter people who feel disgust for tattoos, especially while I’m surrounded by people who love tattoos. Most of the older generations still regard tattoos as a symbol of negative attitudes, which is why tattoos are not legalised in Korea.

Despite all of this what moment in your career are you most proud of? I’m proud every time that people love my tattoos. I’m glad that I do this job whenever I receive good reviews from customers after tattooing.

Make sure to follow @fluffy_tattoo on Instagram for more adorable tattoos.